Among the nine new songs I write about debuting this week in 1991, two are by the same artist - a first for these chart recaps, and only two of the nine different artists will return to the top 150 - of which, one never landed a top 100 hit in Australia!
But before we dive into the new batch of entries from 1991, I have updated two earlier posts with the following:
27 February 1989 - a new bubbling WAY down under entry from Simple Minds;
22 April 1991 - a new bubbling WAY down under entry from Daryl Hall & John Oates.
Queen had a 'bunch' of singles that peaked outside the top 100 in Australia.
Top 150 debuts:
Number 142 "Silver Stallion" by Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson
Peak: number 123
Peak date: 10 June 1991
Weeks in top 150: 4 weeks
Top 150 chart run: 142-(out for 1 week)-123-130-145
The Highwaymen for short, though they are credited as Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson (no 'and') on the single sleeve, landed their one and only ARIA top 150 single this week in 1991, with "Silver Stallion". The track appears on the quartet's second album Highwayman 2 (number 9, June 1991), and is a cover version of a song originally recorded by Wings Livinryte in 1975.
"Silver Stallion" does not appear to have registered on any other sales-based chart that I can ascertain; however, it peaked at number 25 on the US Billboard Hot Country Songs chart in April 1990.
I generally don't enjoy country music at all, but I thought this song wasn't bad. I dare say I even enjoyed it and would listen to it again!
Number 144 Adrenalin EP by N-Joi
Peak: number 134
Peak date: 24 June 1991
Weeks in top 150: 2 weeks
Top 150 chart run: 144-(out for 3 weeks)-134
For the first time, we have two debuting entries peaking in the 101-150 region of the chart from the same artist, in the same week.
English production duo N-Joi consist of Nigel Champion and Mark Franklin. The Adrenalin EP was their second single - their debut release also debuted this week, at number 150, below. The EP's title track "Adrenalin" is largely instrumental, with a vocal sample appearing only in the second half of the radio version. "Adrenalin" was one of the earlier 'rave'-style dance tracks to chart in Australia.
Internationally, "Adrenalin" peaked at number 23 in the UK in March 1991.
I didn't hear this one at the time, but may have if I had been old enough to go clubbing in 1991.
Number 147 "Wild Thing (Theme from Bonanza)" by The Fargone Beauties
Peak: number 140
Peak date: 24 June 1991
Weeks in top 150: 6 weeks
Top 150 chart run: 147-147-147-142-140-150
The genres listed for Australian band The Fargone Beauties' debut album The Fargone Beauties (number 137, August 1991) on discogs are bluegrass, parody and novelty. That should give you some idea as to their sound.
As you might have guessed, "Wild Thing (Theme from Bonanza)" is a cover version of The Troggs' "Wild Thing" from 1966. My initial impression, listening to this track for the first time, is that it sounds like it could have been the theme song for the 1960s/early 1970s black and white TV sitcom The Beverly Hillbillies, which seemed to be on perpetual re-run when I was a child.
The Fargone Beauties - who never landed a top 100 single or album in Australia - will next join us in 1992.
Number 150 "Anthem" by N-Joi
Peak: number 141
Peak date: 3 June 1991
Weeks in top 150: 2 weeks
Top 150 chart run: 150-141
The second N-Joi single to enter the top 150 this week in 1991 was the group's debut release in the UK in October 1990. The single spent two weeks at its peak of number 45 in the UK in November 1990. When re-released after the top 30 success of "Adrenalin" (see above), "Anthem" reached a new peak of number 8 in the UK in April 1991. "Anthem" also reached number 15 in Ireland in April 1991, and number 4 on the US Billboard Dance Club Songs chart.
In Australia, "Anthem" was issued as N-Joi's debut single in early February 1991. I am not sure why it took nearly four months to crack the top 150, but it appears to have been given a boost by the follow-up single, which also debuted this week. "Anthem" seems like it is the more-commercial sounding of the two singles, so I am a bit surprised its peak was lower in Australia.
If you're viewing the "Anthem" music video embedded below for the first time, you may be asking yourself, 'Haven't I seen that woman fronting the band before?' Well, yes, you probably have, as it's none other than Saffron (real name Samantha Sprackling), who went on to front the band Republica, who landed a number 40 hit in Australia with "Ready to Go" in October 1996. A major difference between this single and Republica, however, is that Saffron does not actually sing the vocal samples on "Anthem"; she just lip-syncs, as was the case with many European dance acts in the 1990s. Ooh-er.
While we will not see N-Joi in the top 150 again, they did go on to land several more charting singles in the UK. We will see Saffron again with Republica in 1997.
Bubbling WAY down under:
Number 151 "Something So Strong" by Elisa Fiorillo
Peak: number 151
Peak date: 27 May 1991
Weeks on chart: 2 weeks
American Elisa Fiorillo first came to prominence in 1985, winning the American talent search TV program Star Search while still a teenager. It was this exposure that landed Elisa a recording contract, and she recorded the original version of "Jackie" in 1987 for the Summer School soundtrack - a song that would later become a hit for Lisa Stansfield's band Blue Zone (number 99, February 1989), and was covered by three (!) Australian acts in 1998: Zone 2 (number 137, September 1998), Redzone (number 37, November 1998) and B.Z. featuring Joanne (number 3, January 1999).
Elisa's debut album Elisa Fiorillo was released in 1987, and she landed her first Australian chart entry in 1988, as the featured vocalist on Jellybean's "Who Found Who" (number 75, May 1988) single.
Elisa's second album I Am (number 111, April 1991) was led by the single "On the Way Up" (number 19, April 1991), which Elisa co-wrote with Prince. Interestingly, that song peaked higher in Australia than in any other country; with the single peaking at number 27 in the US in January 1991.
"Something So Strong" was issued as the second, and final, single from I Am in Australia, and, oddly, appears to have only been a single in Australia. Even more strangely, another Prince-penned track, "Playgirl", was relegated to being the B-side. The US received "Oooh This I Need" as the second, and final, single from I Am.
"Something So Strong" performed strongest on the Victoria/Tasmania state chart, where it reached number 134.
I hadn't heard "Something So Strong" before. It doesn't scream 'single' to me. It was Elisa's last single to be released in Australia. Elisa gained work as a backing vocalist for other artists including Savage Garden, and took a break from her own recording career until the 2000s, when she released three albums independently.
Number 162 "I Must Have Been Blind" by The Cockroaches
Peak: number 162
Peak date: 27 May 1991
Weeks on chart: 3 weeks
We saw Australian band The Cockroaches in April 1990, with the lead single from their third studio album Positive (number 121, July 1991). "I Must Have Been Blind" was the third single lifted from Positive, following "Here Comes That Feeling" (released November 1990), which failed to chart.
"I Must Have Been Blind" performed strongest on the South Australia/Northern Territory state chart, where it reached number 142.
This was The Cockroaches' last single to chart, although the Hey Let's Go! The Best of the Cockroaches compilation reached number 236 on the ARIA albums chart in June 2014, after originally peaking at number 283 in November 1999. Of course, some of the group went on to form The Wiggles, whom you may have heard of...
Number 169 "Love Don't Come Easy" by White Lion
Peak: number 169
Peak date: 27 May 1991
Weeks on chart: 3 weeks
We last saw Danish/American rock band White Lion in December 1989. "Love Don't Come Easy" was the lead single from the band's fourth studio album Mane Attraction (number 105, June 1991).
Surprisingly, as far as I can establish, Australia is the only market that "Love Don't Come Easy" registered a position on a sales-based chart. According to Wikipedia, the song reached number 24 on the US Billboard Mainstream Rock Tracks chart, which is based on airplay - but I cannot confirm that, as the Billboard website is dysfunctional and nothing loaded for me on the White Lion page.
Within Australia, "Love Don't Come Easy" was most successful in Western Australia, where it reached number 145.
This track was White Lion's last single to chart in Australia, although the compilation album The Best of White Lion reached number 227 on the albums chart in October 1992. The band split in 1992, but reformed in 1999 before splitting again in 2013.
Number 176 "I'm Going Slightly Mad" by Queen
Peak: number 176
Peak date: 27 May 1991
Weeks on chart: 2 weeks
Queen last paid us a visit in April 1991, and here they are again, a mere six weeks later, with the third single from the Innuendo (number 6, February 1991) album released in Australia.
In Europe, "I'm Going Slightly Mad" was issued as the second single from Innuendo. It peaked at number 22 in the UK in March 1991, number 19 in Ireland in March 1991, number 42 in Germany in April 1991, number 20 in the Netherlands in April 1991, and number 39 in the Flanders region of Belgium in May 1991.
In Australia, "I'm Going Slightly Mad" was most popular in South Australia/Northern Territory, where it reached number 139.
With lyrics such as "I'm coming down with a fever," "I'm Going Slightly Mad" was inspired by Queen frontman Freddie Mercury's (then unannounced) illness with AIDS, and the resulting cognitive symptoms. The music video pokes fun at this, with Freddie at one point sporting a wig made of bananas. Freddie's dramatic weight loss due to his illness is evident in the video, and he wore an extra layer of clothing to help conceal this.
"I'm Going Slightly Mad" would become the last Queen single to chart in Australia during Freddie's lifetime. The band's next single, "The Show Must Go On" (number 75, January 1992), debuted at number 170 on the ARIA singles chart on the day that Freddie's passing was announced in Australia (25 November 1991). For those of you who are old enough, the shock announcement of Freddie Mercury's death was one of those flashbulb memory events, where you remember where you were and what you were doing at the time you heard the news.
British trio Tongue 'N' Cheek formed in 1986. "Forget Me Not$", a cover version of Patrice Rushen's "Forget Me Nots" (number 29, November 1982), was the group's penultimate single, though appears to have been their only Australian release. The song appeared on the group's only album This Is Tongue 'N' Cheek, which does not appear to have been released in Australia.
Internationally, "Forget Me Not$" peaked at number 26 in the UK in January 1991. In Australia, the single was most popular in New South Wales/Australian Capital Territory, where it reached number 165 on the state chart.
Of course, "Forget Me Nots" would go on to be prominently sampled on two future Australian number one singles, George Michael's "Fastlove" (number 1 for four non-consecutive weeks in May-June 1996) and Will Smith's "Men in Black" (number 1 for four weeks in August-September 1997).
Number 189 "Congo Square" by Great White
Peak: number 189
Peak date: 27 May 1991
Weeks on chart: 1 week
American rock band Great White first joined us in September 1989, and here they are for the second, and final, time.
"Congo Square" was the lead single from the band's fifth studio album Hooked (number 150, June 1991) in Australia. In the US, "Call It Rock 'N' Roll" (released in Australia in June 1991, did not chart) was the album's first release.
Internationally "Congo Square" peaked at number 62 in the UK in February 1991.
Within Australia, "Congo Square" performed strongest on the Western Australian state chart, where it reached number 146.
"Congo Square" was Great White's final single to chart in Australia.
Next week (3 June): Seven top 150 debuts and three bubbling WAY down under entries.
Now in the final month of 1989, the chart year is drawing to a close, with this week's chart being the third-last one for the year. Unusually, of the ten songs I write about this week, I only knew two of them at the time - and they are both from the bubbling WAY down under section. At least one of this week's new entries does not have a music video, and two of the songs I write about were not even on YouTube until creating this post! Shall we take a look?
Olivia Newon-John: The charts weren't the only thing she was on the 'fringe' of in 1989.
Top 150 debuts:
Number 108 "The Arms of Orion" by Prince with Sheena Easton
Peak: number 108
Peak date: 4 December 1989
Weeks in top 150: 10 weeks
Chart run: 165-108-121-115-(chart repeated for 2 week Xmas break)-124-126-118-115-117
Weeks on chart: 11 weeks
Prince, under the pseudonym Alexander Nevermind, first collaborated with Sheena Easton through writing the infamous "Sugar Walls" (number 87, June 1985), recorded for her A Private Heaven album (number 88, March 1985). The pair then recorded a duet, "U Got the Look" (number 90, October 1987) for Prince's Sign "☮︎" the Times album (number 20, May 1987). While neither of these collaborations had much chart success in Australia, both reached the top 10 of the US Billboard Hot 100.
"The Arms of Orion" was released as the third single from Prince's Batman soundtrack (number 4, July 1989), without an accompanying music video, which probably hindered its chart success. The single performed stronger on the Australian Music Report singles chart, where it peaked at number 88. "The Arms of Orion" also peaked at number 36 on the Billboard Hot 100 in December 1989, and number 27 in the UK during the same month.
Within Australia, "The Arms of Orion" performed equally-strongest in New South Wales/Australian Capital Territory and Victoria/Tasmania, where it reached number 77 on the state charts. However, despite peaking highest in the two most-populous states, it didn't boost the single into the top 100, as it peaked peaked eight weeks apart on both state charts.
While I saw this single in the shops, I never heard the song until looking it up on YouTube out of curiosity a few years ago. That is, unless it is featured in the 1989 Batman movie, which I saw at the cinema, but can barely remember anything about (was there actually a plot?).
Sheena will pay us another visit in 1991, and Prince will join us again in 1996.
Number 114 "The Time Warp (PWL Remix)" by Damian
Peak: number 114
Peak date: 4 December 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 114-125-130-(chart repeated for 2 week Xmas break)-116-128
The original version of "The Time Warp", by The Rocky Horror Picture Show Original Cast, like the 1975 film that spawned it, had a 'rocky' start, eventually peaking at number 3 in December 1980, spending 15 weeks in the Australian top 10. Damian, hailing from Manchester in the UK, in a similar fashion, kept re-releasing his version of the track until it became a hit - well, in the UK, anyway. Originally peaking at number 94 in the UK in September 1986 (after debuting on the chart in March of the same year), it was re-recorded and re-released as "The Time Warp II" - having two separate chart runs between December 1987 and September 1988, peaking at number 51 there in January 1988. Finally, Damian's version of "The Time Warp" was remixed by Pete Hammond at PWL (home of hit-makers extraordinare Stock Aitken Waterman), and his Midas touch propelled the single to number 7 in the UK, for two weeks in September 1989. Phew!
In Australia, we got "The Time Warp II", released in November 1988. The PWL remix of "The Time Warp" was released locally in early November 1989. Judging by the embedded music video, Damian moonlighted as a clown/stilts walker. Sadly, he died from cancer in 2017, aged 52.
Number 123 "Our Children's World" by Oz Art for Ozone
Peak: number 123
Peak date: 4 December 1989
Weeks in top 150: 10 weeks
Top 150 chart run: 123-130-127-(chart repeated for 2 week Xmas break)-143-140-134-140-141
This track was (obviously) a charity record, by an ensemble of Australian artists - presumably to raise funds for environmental causes. Artists participating in this project included: Andy McLean (21 Guns), Brian Canham (Pseudo Echo), David Janz (Janz), Grace Knight (Eurogliders), Jim Keays (Masters Apprentices), John Swan (Swanee), Juno Roxas (Roxus), Lisa Edwards, Lisa Schouw (Girl Overboard), Matthew De La Hunty (Tall Tales & True), and Wendy Stapleton (Wendy & The Rocketts). I have no recollection of hearing this track before, so lack of exposure/promotion might have been a problem. Like almost all charity records, it kind of... sucks.
Going by the rear sleeve used as an image still for the (audio-only) video below, there was a music video filmed for this one - but no-one has yet uploaded it to YouTube.
Number 133 "Pretending" by Eric Clapton
Peak: number 106
Peak dates: 18 December 1989 (chart repeated 25 December 1989 and 1 January 1990), 8 January 1990 and 25 January 1990
Weeks in top 150: 11 weeks
Chart run: 133-119-106-(chart repeated for 2 week Xmas break)-106-107-110-106-114-133
Weeks on chart: 11 weeks
Up until now, Eric had placed eight singles within the top 100 on the Australian singles chart, with the biggest of those being "I Shot the Sheriff" (number 11, November 1974). "Pretending" was the lead single from his Journeyman album (number 27, December 1989). "Pretending" performed better on the Australian Music Report singles chart, where it peaked at number 85. "Pretending" peaked at number 55 on the US Billboard Hot 100 in December 1989, and at number 96 in Eric's native UK in July 1990.
In Australia, "Pretending" was most popular in South Australia/Northern Territory, where it reached number 46 on the state chart. The single peaked within the top 100 on all five state charts, but this was not enough for it to dent the national top 100.
Chart run: 176-134-140-143-(chart repeated for 2 week Xmas break)-142-139-146-139
Weeks on chart: 10 weeks
Zan, real name Suzanne Abeyratne, was co-lead vocalist in the Australian band I'm Talking, who placed five singles in the Australian top 40 between 1985 and 1986, with the biggest of those being "Do You Wanna Be?" (number 8, June 1986). Of the singles the band released, Zan only sang lead on one of them, "Holy Word", which peaked at number 9 in September 1986.
I'm Talking bubbled under on the Kent Music Report's list of singles receiving significant sales reports beyond the top 100 with "How Can It Be", which reached fifth place on the list in November 1986.
I'm Talking disbanded in 1987, prompting both of its vocalists - Zan and Kate Ceberano - to launch solo careers. Zan's debut single, "It's Your Move", peaked at number 82 in April 1989, and this was its follow up. On the state charts, "Good Love" performed strongest in Western Australia, where it reached number 104.
Zan released one further solo single, "Nobody Else", in January 1991, but it failed to chart.
As this song was not previously on YouTube, I've had to resort to uploading the video below, which is just the audio of the 12" mix - the only version I was able to source.
Number 141 "Radar Love" by White Lion
Peak: number 117
Peak date: 8 January 1990
Weeks in top 150: 10 weeks
Chart run: 151-(off chart for 1 week)-141-142-133-(chart repeated for 2 week Xmas break)-117-120-139-129-129
Weeks on chart: 11 weeks
A cover version of the Golden Earring classic (number 10, September 1974), "Radar Love" was released as the second single from the Danish/American band's third album, Big Game (number 119, August 1989), and became their third single to bubble under in 1989, after we saw the band debut in May. White Lion's version of the track peaked at number 59 on the US Billboard Hot 100.
Locally, "Radar Love" performed strongest in South Australia/Northern Territory, where it reached number 77.
Number 142 "Guitar Concierto de Aranjuez" by Tommy Emmanuel
Peak: number 138
Peak date: 18 December 1989 (chart repeated 25 December 1989 and 1 January 1990)
Weeks in top 150: 8 weeks
Top 150 chart run: 142-146-138-(chart repeated for 2 week Xmas break)-139-141-142
Guitar maestro Tommy Emmanuel's first foray onto the Australian charts came in 1988, when the album Up from Down Under peaked at number 48 in July 1988. "Guitar Concierto de Aranjuez" was a version of "Concierto de Aranjuez", composed in 1939 by Spanish composer Joaquin Rodrigo, and lifted from Tommy's Dare to Be Different album (number 13, August 1990). Tommy will join us again in 1990.
Bubbling WAY down under:
Number 155 "Free Fallin'" by Tom Petty
Peak: number 155 (in 1989); number 59 in 2017
Peak dates: 4 December 1989 (1989 chart run); 9 October 2017 (2017 chart run)
Weeks on chart: 40 weeks (1989 and 2017 chart runs combined)
Sometimes, some of an artist's most well-known songs are not their biggest chart hits, and here we have a prime example of that, with Tom Petty's "Free Fallin'". Despite peaking at number 7 on the US Billboard Hot 100 in January 1990, becoming his biggest hit there, "Free Fallin'" stalled outside the top 150 in Australia in 1989. Tom's biggest chart hits in Australia had been "I Won't Back Down" (number 16, July 1989), and, with The Heartbreakers, "Refugee" (number 24, May 1980) and their duet with Stevie Nicks, "Stop Draggin' My Heart Around" (number 10, September 1981).
"Free Fallin'" was lifted as the third single from Tom's Full Moon Fever album (number 13, June 1989), following "I Won't Back Down" and "Runnin' Down a Dream" (number 68, September 1989).
Following Tom's death in October 2017, "Free Fallin'" re-entered the ARIA singles chart, and peaked at number 59 during the same month. "Free Fallin'" was Tom's highest-peaking single to re-enter the ARIA chart in the week following his death, placing higher than "I Won't Back Down" at number 78 in the same week. This would suggest that "Free Fallin'" could now be regarded as being Tom's 'signature' track in Australia, despite its low peak of number 155 in 1989.
London Boys nudged the lower end of the top 150 back in September, and here they were with the second single lifted from their The Twelve Commandments of Dance album (number 137, August 1989) in Australia. "London Nights" fared much better in the UK, where it became the duo's highest-charting single, peaking at number 2 in July 1989. London Boys will visit us again in 1992.
Number 178 "Reach Out for Me" by Olivia Newton-John
Peak: number 153
Peak date: 15 January 1990
Weeks on chart: 2 weeks
Here's one I hadn't heard before. As Olivia explains during the spoken intro to the embedded music video, this one was written for her daughter, Chloe, who was almost 4 years old at this point. Olivia recorded an album of children's songs, Warm and Tender (number 109, February 1990), from which this track is lifted. "Reach Out for Me"'s two weeks on the chart were non-consecutive, with the single re-entering and reaching its peak in mid-January 1990. Disregarding the US Billboard Adult Contemporary chart (which I don't consider a 'real' chart), Australia was the only place this single charted.
Next week (11 December): a quieter week, with three new top 150 entries, and one bubbling WAY down under debut. You can also follow my posts on instagram and facebook.
This week's new entries are split between big names having flop singles and new and upcoming acts struggling to make a dent. Among them are two singles that peaked at number 101, and another that peaked at number 102! Let's take a look...
Kiss: let's put the hair in Cher.
Top 150 debuts:
Number 101 "One" by Bee Gees
Peak: number 101
Peak date: 24 July 1989
Weeks in top 150: 12 weeks
Top 150 chart run: 101-108-106-128-124-(out for 2 weeks)-139-136-141-135-138-129-126
Weeks on chart: 15 weeks
Peaking 100 places lower than the title would suggest, I've written about this "one" previously in my special post on singles peaking at number 101 between 1989 and 1991. "One" was the second single lifted from the album One, and followed up "Ordinary Lives", which we saw in May. "One" was a much bigger hit in the US, where it peaked at number 7. Bee Gees (note: no 'The') will join us again in October.
Number 139 "(You Make Me) Rock Hard" by Kiss
Peak: number 101
Peak date: 14 August 1989
Weeks in top 150: 6 weeks
Top 150 chart run: 139-(out for 2 weeks)-101-116-107-130-130
Weeks on chart: 8 weeks
Coincidentally, here's another single that peaked at number 101, which I have also already written about. The second single lifted from their Smashes, Thrashes & Hits greatest hits compilation, the subtly-titled (!) song failed to register on a reputable national chart anywhere, that I am aware of, other than coming within a whisker of making the ARIA top 100. But, such is the size of their fan-base that the music video (embedded below) currently has over 5.5 million views on YouTube, in spite of being a flop single. On the state charts, "(You Make Me) Rock Hard" performed strongest in South Australia/Northern Territory, where it reached number 66. The single peaked within the top 100 on four of the five state charts, with New South Wales/Australian Capital Territory being the only exception.
Number 142 "A Friend Is a Friend" by Pete Townshend
Peak: number 113
Peak date: 7 August 1989
Weeks in top 150: 8 weeks
Top 150 chart run: 142-117-113-121-122-120-128-132
Former frontman of The Who, Pete Townshend was last on the Australian singles chart in 1986 with "Give Blood", peaking at number 77. Immediately prior to that, he scored his biggest, and only real, solo hit single down under with "Face the Face", which peaked at number 9 in Australia in February 1986. This track was lifted from The Iron Man: The Musical by Pete Townshend, which peaked at number 59 on the ARIA albums chart in July 1989. "A Friend Is a Friend" peaked at number 151 (number 110 on the compressed chart) in the UK in July 1989.
Follow-up to Australian singer-songwriter Clive Young's single "Something Special" (number 50, June 1989), "Naturally" narrowly missed the top 100. "Naturally" follows in much the same vein as its predecessor. Oddly, Clive did not release an album until 1992, and neither "Something Special" nor "Naturally" appear on it, owing to Clive changing record labels in the interim. The rear sleeve of the "Naturally" single states that the song is from the forthcoming album Naturally, but this does not appear to have ever been released.
On the state charts, "Naturally" performed much stronger in Victoria/Tasmania, where it reached number 50, than elsewhere. A similar feat occurred with "Something Special", which peaked at number 15 on the Victoria/Tasmania state chart vs. its national peak of number 50; although it also reached number 21 in South Australia/Northern Territory.
Britain-based American singer Brix Smith formed Adult Net as a side project after joining The Fall in 1983. "Take Me" peaked at number 78 on the UK singles chart in March 1989, and was lifted from the album The Honey Tangle. Given that nothing released by the group peaked higher than number 66 anywhere in the world, I am pleasantly surprised that this one even registered on the Australian charts - especially since I wasn't aware of it at the time.
"Take Me" performed strongest on the Queensland chart, where it reached number 111. This would be Adult Net's only charting release in Australia.
Number 148 "Youth Gone Wild" by Skid Row
Peak: number 148
Peak date: 24 July 1989
Weeks in top 150: 1 week
Top 150 chart run: 148
Weeks on chart: 2 weeks
When writing the 'next week' preview blurb on last week's post, I was going to write that we would see the arrival of a new hair metal act... except Skid Row weren't exactly 'hair metal', were they? When googling to see what genre the group's music is considered being (Metal? Hair metal? Rock?), I came across a comment that Skid Row were the missing link between 80s hair metal and 90s grunge, and I think that is an apt description. One thing I vividly remember from this period is that the cassette sleeve for their album Skid Row (number 12, May 1990) was one that had been replaced by a photocopy in a record store I visited, "to prevent theft". What that says about their (presumably teenage) fans of the time, I don't know. Now, onto the song itself, this was the group's debut release, peaking at number 99 in the US in June 1989, and number 42 in the UK in November 1989. I am surprised that "Youth Gone Wild" didn't perform better on our chart, as I remember hearing it and seeing the video several times (and I was not a 'metal' kid). Perhaps their fans were stealing the single instead of buying it... We will see Skid Row again in December.
Number 149 "Little Fighter" by White Lion
Peak: number 136
Peak date: 21 August 1989
Weeks in top 150: 5 weeks
Top 150 chart run: 149-(out for 2 weeks)-138-136-148-(out for 4 weeks)-143
Weeks on chart: 7 weeks
Now, for something less-ambiguously glam 'metal', "Little Fighter" was White Lion's second foray onto the Australian singles chart, following their debut in May 1989. "Little Fighter" was the lead single from the band's third album, Big Game (number 119, August 1989). "Little Fighter" peaked at number 52 in the US.
On the ARIA state charts, "Little Lion" performed strongest in Victoria/Tasmania, where it reached number 99.
Number 153 "Little Jackie Wants to Be a Star" by Lisa Lisa & Cult Jam
Peak: number 153
Peak date: 24 July 1989
Weeks on chart: 1 week
Lisa Lisa (real name Liza Velez), Alex "Spanador" Moseley and Mike Hughes together formed Lisa Lisa & Cult Jam. The group formed in New York in 1984, and placed two singles on the Australian top 100 in 1987, "Head to Toe" (number 52, July 1987) and "Lost in Emotion" (number 83, November 1987).
"Little Jackie Wants to Be a Star" was the first single, and only one released in Australia, from the band's third album Straight to the Sky.
Internationally, "Little Jackie..." peaked at number 29 on the US Billboard Hot 100 in May 1989, number 90 in the UK in May 1989, and peaked within the top 10 in the Netherlands and New Zealand, and the top 20 in the Flanders region of Belgium.
One unusual thing about this week's new entries is that each one peaked where it debuted on the chart, unable to climb any higher. Another thing five of the six have in common is that the lead vocals are sung by men. With those earth-shattering insights out of the way, let's delve into this week's debuts...
Tommy Page: This 'Page' boy scored his first of three non-hits on the chart this week in 1989.
Top 150 debuts:
Number 134 "Got It Made" by Crosby, Stills, Nash & Young
Peak: number 134
Peak date: 8 May 1989
Weeks in top 150: 4 weeks
Top 150 chart run: 134-142-143-(out for 1 week)-136
One thing that really stands out about the charts in 1989 - to me, anyway - is that, among all of the 'teeny-bopper' stuff, you still had the odd track like this that appealed to your mum... or your dad, in this instance. Not that my dad listened to this group specifically; Gipsy Kings, Traveling Wilburys, Texas and Simply Red were more his thing in 1989. Are there such wider-appeal acts in the singles charts these days? I'm guessing not, as none of it appeals to me, at the ripe old age of 41. Back onto the artists in question, Crosby, Stills, Nash & Young rode a wave of relative success for them on the Australian chart, off the back of number 53 'hit' "American Dream" from earlier in 1989, with this follow-up release. While not as instantly catchy, I prefer this song to its predecessor.
Number 145 "Don't Know What You Got (Till It's Gone)" by Cinderella
Peak: number 145
Peak date: 8 May 1989
Weeks in top 150: 1 week
Top 150 chart run: 145
Weeks on chart: 3 weeks
Here's another song I didn't know at the time, but have become more-recently acquainted with, thanks to the excellent Monday night (technically Tuesday morning, usually) 'vault' episodes of the music video program rage. It seemed obligatory for every metal act in the mid-late 80s to have a lighters-in-the-air big ballad release, and this was Cinderella's. It was also the group's first foray onto the Australian singles chart.
Internationally, "Don't Know What You Got..." peaked at number 12 on the US Billboard Hot 100 in November 1988, becoming their biggest commercial hit there. The single also peaked at number 54 in the UK in February 1989.
In Australia, "Don't Know What You Got..." was most popular in Western Australia, where it reached number 116.
We will hear from them again in July. The band finally cracked the top 100 singles chart in 1991 with "Shelter Me", though couldn't climb higher than number 48.
Number 146 "Nightmares" by Violent Femmes
Peak: number 146
Peak date: 8 May 1989
Weeks in top 150: 2 weeks
Top 150 chart run: 146-149
Weeks on chart: 4 weeks
In 1986, Violent Femmes scored a number 54 hit locally with their version of "Children of the Revolution", but had not, until now, made a return visit to our singles chart. The group would score two top 100 singles during the 90s, but none would climb higher than number 62. It seems that Violent Femmes fans were more inclined to buy their albums, which had greater success.
On the state charts, "Nightmares" performed strongest in Victoria/Tasmania, where it reached number 126.
Violent Femmes will bubble down under again in 1991.
I'm not entirely sure why this 1981 cover version of the well-known Lou Reed song (which, bizarrely, only peaked at number 100 in 1973) charted in Australian in 1989. Does anyone reading this know? Pressings of a remixed version with 1987 as the year are listed on discogs.com, but even that was two years before this.
Bubbling WAY down under:
Number 172 "Saved by Love" by Amy Grant
Peak: number 172
Peak date: 8 May 1989
Weeks on chart: 1 week
American Christian singer Amy Grant first came to my attention (though I didn't know who she was at the time) via a 'Christian' television commercial that made its way to Australia in the 1980s, singing the song "Angels", which I don't actually mind, despite being an atheist and its silly lyrics.
Amy made some minor ripples on the Australian chart in the mid 1980s, when "Find a Way" (number 98, October 1985) and her duet with Peter Cetera "The Next Time I Fall" (number 90, January 1987) made their way into the lower end of the top 100.
"Saved by Love" was the second single released in Australia from Amy's seventh studio album Lead Me On, which failed to chart nationally (when the chart ended at number 100), but registered on the South Australia/Northern Territory state albums chart, where it reached number 46 in August 1988. It followed the title track, which similarly failed to chart nationally, but reached number 86 on the South Australia/Northern Territory state chart in September 1988.
Amy made her crossover into the pop charts in 1991 with the album Heart in Motion (number 14, September 1991), and the hit singles "Baby Baby" (number 5, June 1991) and "Every Heartbeat" (number 17, September 1991).
We shall next see Amy in 1994.
Number 175 "When the Children Cry" by White Lion
Peak: number 175
Peak date: 8 May 1989
Weeks on chart: 1 week
Hailing from New York City, White Lion formed in 1983. "When the Children Cry", their first single to chart in Australia, was lifted from the band's second album Pride (number 149, March 1989).
"When the Children Cry" reached number 3 in the US, number 2 in Canada in February 1989, number 88 in the UK in March 1989, and number 7 in Sweden in May 1989.
Locally, "When the Children Cry" performed strongest in South Australia/Northern Territory, where it reached number 133.
Although the band never landed a top 100 single or album in Australia, we will see them bubble under on a few more occasions, with their next visit to this region of the chart coming in July 1989.
Next week(15 May): Seven new entries, plus two bubbling WAY down under debuts. Among them is the original version of a song that would become a hit when covered by another artist in 1990, and a rather bizarre cover of an AC/DC song.