Showing posts with label Bee Gees. Show all posts
Showing posts with label Bee Gees. Show all posts

08 April 2022

Week commencing 8 April 1991

Four of this week in 1991's debuting singles that peaked in the 101-150 region of the chart spent at least seven weeks in the top 150, which is above the 1991 average of 5.65 weeks.
 
I have updated another earlier post with the following:
  • 19 June 1989 - a new bubbling WAY down under entry from Z'Zi Labor.
 
Collette: this wouldn't be everlasting chart success.
  
Top 150 debuts:
 
Number 133 "This Will Be (Everlasting Love)" by Collette
Peak: number 122
Peak date: 29 April 1991
Weeks in top 150: 9 weeks
Chart run: 133-134-136-122-134-128-136-138-137
Weeks on chart: 9 weeks
 
New-Zealand born Collette Roberts started her career as a fashion model, appearing on the cover of Dolly magazine in 1983.  She launched a recording career in 1989 with an acid-house inspired cover version of Anita Ward's "Ring My Bell", which reached number 5 in May 1989 and was certified gold.  Collette's iconic bike shorts and fluorescent lycra image in the video for "Ring My Bell" became closely associated with her, and bike shorts are one of the first things most people who grew up in the 80s would think of when the name 'Collette' is mentioned.

After the initial success of "Ring My Bell", Collette copped a lot of flak and was almost universally panned by critics for her her image, lack of technical vocal ability, and because she was a model who scored a big hit with a cover version.  Australian radio was also stuck in classic/pub rock hell at this point in time, and would not touch dance or female pop music with a barge pole.

Often inaccurately referred to as a one-hit wonder, Collette followed up "Ring My Bell" with two further top 40 hits, which she co-wrote, "All I Wanna Do Is Dance" (number 12, July 1989) and "That's What I Like About You" (number 31, November 1989).  Collette's debut album Raze the Roof (number 48, November 1989) was a moderate success, denting the top 50.

After a gap of nine months, Collette returned in 1990 with a radically different image.  Gone were the bike shorts and bright colours; in was a short hair cut and lots of dark clothes.  Collette co-wrote her next single, "Who Do You Think You Are" (number 56, August 1990) as a response to her many critics.  Unfortunately, it was not a major success.  A cover version of Diana Ross' "Upside Down" (number 91, January 1991) was released as its follow-up, but fared even worse on the charts.

Collette's second album Attitude (number 107, April 1991) was preceded by another single, "This Will Be (Everlasting Love)".  Despite sharing a similar title, the song is not a cover version of Natalie Cole's "This Will Be (An Everlasting Love)" (number 28, February 1976), but is an original, written by Collette and Southern Sons' Peter Bowman.
 
"This Will Be (Everlasting Love)" performed strongest in South Australia/Northern Territory, where it reached number 94.  The single would become Collette's final solo release.  She then briefly ventured into acting, appearing in two episodes of Home and Away in 1991 as Constable Nick Parrish's date, and then became a make-up artist.  In 2006, Collette appeared on an episode of Where Are They Now?, revealing that she also volunteers at Sydney's Taronga Zoo.

Despite Collette's solo recording career ending in 1991, we will see her again as a featured artist in 1995.
 

 
Number 134 "Spit in the Rain" by Del Amitri
Peak: number 118
Peak date: 15 April 1991
Weeks in top 150: 7 weeks
Top 150 chart run: 134-118-128-124-120-126-132
Weeks on chart: 10 weeks

Scottish band Del Amitri formed in Glasgow in the early 1980s.  Despite claims that the band name is Greek for "from the womb", the name Del Amitri is essentially meaningless.

Del Amitri released their first, self-titled, album in 1985, but it was not a commercial success.  After a four-year gap, their second album Waking Hours (number 8, June 1990), was released in Europe in 1989.  The album's lead single, "Kiss This Thing Goodbye" (number 28, June 1990), became a sleeper hit, taking seven-and-a-half months to reach its peak in Australia and spending 41 weeks on the chart.  Surprisingly, "Kiss This Thing Goodbye" was a bigger hit in Australia than in the band's home country, where it only reached number 43 in March 1990 after initially peaking at number 59 in August 1989.

"Kiss This Thing Goodbye" was followed-up, in Australia, by "Nothing Ever Happens" (number 46, June 1990) - my favourite Del Amitri song, and "Stone Cold Sober" (number 50, September 1990).  A fourth single from Waking Hours, "Move Away Jimmy Blue", was released locally in November 1990, but did not chart.
 
"Spit in the Rain" was an in-between albums single that did not appear on any of Del Amitri's studio albums until an expanded 2-CD re-issue of Waking Hours was released in 2014.
 
Internationally, "Spit in the Rain" peaked at number 21 in the UK in November 1990.

Within Australia, "Spit in the Rain" performed strongest on the South Australia/Northern Territory state chart, where it reached number 78.
 
We shall next see Del Amitri in 1995.
 

 
Number 139 "More Than a Girlfriend" by No Justice
Peak: number 121
Peak date: 20 May 1991
Weeks in top 150: 9 weeks 
Top 150 chart run: 139-139-139-140-130-132-121-130-131
 
Australian band No Justice only released two singles, 1990's "Lately" (number 91, August 1990), and this one, which does not appear to be available to listen to anywhere online at the time of writing this.  It doesn't help that "More Than a Girlfriend" was only issued on vinyl and cassette, so sourcing a digital rip would not be easy.

Despite the band's lack of chart success, "Lately" managed to land heavy rotation on Home and Away at the time, and the band even appeared 'live' performing the song in an episode.
 
The drummer in No Justice was Countdown Revolution host Chook (real name Andrew Chalhoub), who sadly passed away in 2018 - something I was not aware of until researching this song for my post this week.  Before discovering this fact, I made the mistake of sending Chook a message on facebook (it was not apparent that he had died from his public profile) to ask if he had a copy of either the music video or an audio clip of this song...

August 2024 update: some kind soul has finally uploaded the audio for this track to YouTube, which I have embedded below.
 

 
Number 140 "How Much Is Enough" by The Fixx
Peak: number 119
Peak date: 29 April 1991
Weeks in top 150: 8 weeks 
Top 150 chart run: 140-141-135-119-124-121-130-129

We last saw English band The Fixx in April 1989.  "How Much Is Enough" was the lead single from the band's sixth studio album Ink.
 
Internationally, "How Much Is Enough" peaked at number 35 on the US Billboard Hot 100 in May 1991, where it was The Fixx's first US top 40 single since 1986.  The single missed the top 75 in the band's native UK.

I hadn't heard this song before, but liked it - particularly the chorus.
 
 
 
Number 150 "Shakin the Cage" by The Zoo featuring Mick Fleetwood and Billy Thorpe
Peak: number 142 
Peak date: 15 April 1991
Weeks in top 150: 3 weeks
Top 150 chart run: 150-142-144
 
Regular readers of my posts may know how much it irks me when an artist does not have a consistent name (e.g. The vs. no 'The' at the start of a band name) across their releases.  But a more egregious offence than that is when apostrophes are missing... and I say that as a Shakespear(')s Sister fan.  Here we have a song title that contains the word "Shakin", with no apostrophe used on the single's artwork.  Ugh.

Another dumb thing about this release is that The Zoo is a Mick Fleetwood of Fleetwood Mac side project, yet he is credited as a featured artist here.  Australian Billy Thorpe is also a member of the group, but is similarly credited as a featured artist.  The only explanation I can think of as to why this occurred is that the general public didn't know who The Zoo were, but might know of Mick Fleetwood or Billy Thorpe.

As if the above wasn't bad enough, The Zoo was credited as Mick Fleetwood's Zoo on their debut 1983 album I'm Not Me, but are listed as The Zoo on the band's second album, 1992's Shakin' the Cage - note correct use of the apostrophe.  Billy Thorpe wrote eight of the album's ten tracks, and co-wrote the other two.

As someone who wasn't aged over 40 in 1991, I'd never heard of this, or Mick Fleetwood's Zoo.  Listening to "Shakin the Cage" now, it's just the kind of thing you'd expect Triple M to have added to their playlist in 1991.  Decent enough music for long drives through the countryside, but that's about it.
 
 
 
Bubbling WAY down under:
 
Number 160 "Secret Love" by Bee Gees
Peak: number 158
Peak date: 29 April 1991
Weeks on chart: 6 weeks
 
Bee Gees had three singles that peaked outside the ARIA top 100 in 1989, and we last saw the group in October 1989.
 
"Secret Love", the lead single from the group's nineteenth studio album High Civilization (number 126, June 1991), was the fourth in a string of seven Bee Gees singles to peak outside the Australian top 100 between 1989 and 1995.  The group would not trouble the ARIA top 100 singles chart again until 1997.
 
Internationally, "Secret Love" was a top 10 hit in Austria, Belgium, Germany, Ireland and the UK.
 
Within Australia, "Secret Love" was most popular in Western Australia, where it reached number 129.
.
We will next see Bee Gees in 1993.
 

 
Number 167 "Family Affair" by Stephen Cummings
Peak: number 167
Peak date: 8 April 1991
Weeks on chart: 2 weeks
 
Australian singer-songwriter and jingle-writer Stephen Cummings last graced our presence in August 1989.  Stephen's biggest solo hit on the Australian charts was "Gymnasium" (number 27, September 1984), while his biggest hit with his former group The Sports was "How Come" (number 21, July 1981).

"Family Affair", a cover version of Sly & The Family Stone, was the second single lifted from Stephen's fifth studio album Good Humour (number 40, March 1991). It followed "Hell (You've Put Me Through)" (number 33, February 1991), which was Stephen's final top 40 hit.

On the state charts, "Family Affair" was most-successful in Western Australia, where it reached number 151.

We shall next see Stephen in June 1991.
 

 
Number 170 "Found Love" by Double Dee featuring Dany
Peak: number 170
Peak date: 8 April 1991 
Weeks on chart: 6 weeks (1991 and 1996 chart-runs combined)

Double Dee were an Italian studio boffin act, and they roped in singer Dany (real name Donato Losito) to provide vocals on this track.

Internationally, "Found Love" peaked at number 38 in the Netherlands in October 1990, number 40 in the Flanders region of Belgium in November 1990, number 23 in France in November 1990, and number 63 in the UK in December 1990.

Confusing matters on the Australian chart, both the original version of "Found Love" and a 1995 remix that was released as a single are combined into the same entry on the ARIA database.  "Found Love" peaked in 1991 on two of the state charts (New South Wales/Australian Capital Territory and Queensland), and in 1996 on the remaining three state charts.  While I unfortunately cannot give you a national Australian chart peak for the 1996 release of this track (as it missed the top 150), I can tell you that it was not higher than number 170, and that it performed strongest in South Australia/Northern Territory, where it reached number 120 in March 1996.

Double Dee will bubble under again on the Australian chart in 2003.


Number 173 "Don't You Wanna Be Mine" by Denise Lopez
Peak: number 173
Peak: 11 April 1991
Weeks on chart: 1 week
 
American singer Denise Lopez commenced her recording career in 1984 as Neecy Dee with the single "Best of Me", which does not appear to have been released in Australia.  Then she was part of a studio project 'band' named Love Patrol, who released one single, "Love Patrol".  Her first release as Denise Lopez, the single "Sayin' Sorry (Don't Make It Right)", was released in Australia in July 1988, but failed to chart.  It did, however, register on the US Billboard Hot 100, reaching number 31 in August 1988.
 
"Don't You Wanna Be Mine" was the lead single from Denise's second album Every Dog Has Her Day (released in Australia in March 1991, did not chart).  Internationally, the single peaked at number 86 on the US Billboard Hot 100 in November 1990.
 
In Australia, "Don't You Wanna Be Mine" was most popular in New South Wales/Australian Capital Territory, where it reached number 161 on the state chart.
 
This would be Denise's only charting release in Australia.  "Don't You Wanna Be Mine" received a remix and re-release in the UK in 2008, where it reached number 38 on the physical singles sales chart in June 2008.
 


Number 175 "Out of My Mind" by Soho
Peak: number 156
Peak date: 22 April 1991
Weeks on chart: 2 weeks

Twin sisters Jacqui and Pauline Cuff, together with producer Timothy London, form Soho.  The group released two singles in Australia in the late 1980s that failed to chart: "Piece of You" (May 1998) and "Message from My Baby" (April 1989).

"Hippychick" (number 21, January 1991), which prominently samples The Smiths' "How Soon Is Now", gave Soho their first - and only real - hit, peaking at number 8 in the UK upon re-release in January 1991, and narrowly missing the top 20 in Australia.

"Out of My Mind" was the second single lifted from Soho's second album Goddess (number 102, January 1991) in Australia.  It was also a single in the US, though the UK went with "Love Generation".
 
On the ARIA state charts, "Out of My Mind" performed strongest in Victoria/Tasmania, where it reached number 145.
 
Soho returned with a new single "Ride" in 1992.  Although I caught the video for "Ride" as a new release on rage, the single does not actually appear to have been released in Australia.

"Out of My Mind" was Soho's last single to chart in Australia.
 

 
Next week (15 April): Seven little* top 150 debuts and three bubbling WAY down under entries (*this comment will make sense next week).
 
< Previous week: 1 April 1991                                         Next week: 15 April 1991 >

30 October 2020

Week commencing 30 October 1989

Although I can't identify a thread linking all nine of the songs I write about this week, I can tell you that four of them are by Australian artists, which is something.   Er, let's take a look at them.

Gipsy Kings: Gracias por la música
 
Top 150 debuts:
 
Number 117 "Careless" by Paul Kelly and The Messengers
Peak: number 116
Peak date: 20 November 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 117-120-117-116-122-119-134
Weeks on chart: 10 weeks

Paul Kelly and The Messengers, who we formerly The Coloured Girls, were a favourite on FM radio playlists in Australia throughout the mid-late 80s.  So it comes as a bit of a surprise that - two notable hits aside, "Before Too Long" (number 15, September 1986) and "To Her Door" (number 14, December 1987) - this did not translate into much chart success.  In fact, Paul has only ever notched up 7 top 40 singles in Australia, including with The Dots, The Coloured Girls, and solo.  To add insult to injury, all but the aforementioned two and "Darling It Hurts" (number 25, November 1986) peaked between numbers 36 and 40.  Paul's tenure with The Messengers (who were really just The Coloured Girls re-branded with a more palatable name for the US market) produced precisely zero top 50 hits.  The biggest hit Paul scored with The Messengers was "Sweet Guy" (number 53, August 1989).  But did any of this really matter when your albums still did OK?  Probably not a whole lot.
 
"Careless" was the second single lifted from So Much Water So Close to Home (number 10, August 1989).  This release would start a trend of Paul Kelly singles peaking outside the top 100, although his 1988 single with The Coloured Girls, "Don't Stand So Close to the Window" also missed the top 100.  I am unable to give you a chart position for that one, as it is from the period where the ARIA chart stopped at number 100.  "Careless" fared better on the Australian Music Report singles chart, where it peaked at number 92.
 
"Careless" peaked within the top 100 on four of the five ARIA state charts, only falling short in Victoria/Tasmania.  The single performed strongest in Queensland, reaching number 75.

Paul will visit us on numerous occasions over the coming years - the next time being in August 1990.

 
 
Number 119 "Picture" by Janz
Peak: number 119
Peak date: 30 October 1989
Weeks in top 150: 6 weeks 
Top 150 chart run: 119-125-131-132-140-149
 
I really wasn't expecting to find a video (even though it's just the audio) for this track on YouTube... but I was pleasantly surprised to see that one exists!  I remember seeing the music video for "Crime" (number 70, May 1989) a few times on TV, but not this one.

Janz were an Australian band hailing from Melbourne, fronted by David Janz (real name David Fernandez).  Going by a comment posted on YouTube by a band member, the group disintegrated shortly after the release of this single.
 

 
Number 122 "Get Smart" by Bachelors from Prague
Peak: number 118
Peak date: 6 November 1989
Weeks in top 150: 5 weeks 
Top 150 chart run: 122-118-126-134-129
 
The group name Bachelors from Prague sounds vaguely familiar to me, but I don't recall hearing any of their music before.  Their Wikipedia article mentions they promoted their music on Hey Hey It's Saturday - that's probably where I heard of/saw them.  An eight-piece Australian group hailing from Melbourne, the jazzy "Get Smart" was the lead single from the band's second album, Birth of the Fool (number 61, October 1989).  We shall see Bachelors from Prague again at the end of 1991.
 

 
Number 131 "Tokyo Nights" by Bee Gees
Peak: number 124
Peak date: 27 November 1989
Weeks in top 150: 7 weeks
Chart run: 131-136-136-130-124-136-127
Weeks on chart: 7 weeks
 
The fourth Australian (depending on your definition) act in a row this week, Bee Gees returned to the top 150 for the third time in 1989, with this track, the third single released from their One album (number 29, January 1990).  It follows earlier flop singles "Ordinary Lives" and "One".   This single performed strongest on the South Australia/Northern Territory state chart, where it peaked at number 84.  We will next see Bee Gees (no The) in 1991.

 
 
Number  135 "Knockin' on Heaven's Door" by Randy Crawford featuring Eric Clapton and David Sanborn
Peak: number 116
Peak date: 4 December 1989
Weeks in top 150: 10 weeks
Chart run: 154-135-122-121-118-117-116-137-149-(chart repeated for 2 week Xmas break)
Weeks on chart: 11 weeks
 
"Knockin' on Heaven's Door", written and originally recorded by Bob Dylan in 1973, was covered by Randy Crawford, together with Eric Clapton and David Sanborn, for the soundtrack to the 1989 movie Lethal Weapon 2.  Unfortunately, that exact version does not appear to be on YouTube... so, instead, we'll make do with this live rendition by Randy below, to give you the general gist.  Randy (real name Veronica Crawford) placed three singles in the Australian top 100, with the biggest of those being "One Day I'll Fly Away" (number 29, April 1981).  This track also appeared on Randy's album Rich and Poor (number 107, December 1989).
 
On the state chats, "Knockin' on Heaven's Door" performed strongest in Western Australia, where it reached number 61.

We'll next see Randy in 1992.

 
 
Number 148 "Sold Me Down the River" by The Alarm
Peak: number 148
Peak date: 30 October 1989
Weeks in top 150: 1 week 
Top 150 chart run: 148
Weeks on chart: 7 weeks
 
The Alarm were a Welsh group, formed in 1981.  In their native UK, the group notched up seven top 40 singles and five top 40 albums between 1983 and 1991.  In Australia, it was a different story, with their sole top 100 appearance being the album Eye of the Hurricane (number 91, March 1988).  After that, a solitary week in the top 150 with "Sold Me Down the River" was as good as it got.  "Sold Me Down the River" fared better in the band's homeland, where it peaked at number 43 for two weeks in September 1989.  The track was lifted from the album Change (number 155, December 1989).
 
This one performed much stronger in South Australia/Northern Territory than anywhere else, where it reached number 71 on the state chart.
 
The Alarm will join us again in May 1990.
 
 
Number 150 "Djobi, Djoba" by Gipsy Kings
Peak: number 131
Peak date: 27 November 1989
Weeks in top 150: 6 weeks 
Chart run: 150-141-133-140-131-132
Weeks on chart: 6 weeks
 
Gipsy Kings burst onto the Australian charts with "Bamboleo" (number 19, September 1989), and  "Bem Bem Maria" (number 71, September 1989) followed it up in quick succession.  Their third Australian single, "Djobi, Djoba" continued the act of diminishing chart returns, landing outside the top 100, but did it really matter when parent album Gipsy Kings (number 2, September 1989) went double platinum?  Probably not.  Striking while the iron was hot, the French group (although they sung in Spanish) released another album locally (Gipsy Kings was released in Europe in 1987) on 1 January 1990, Mosaique (number 23, January 1990).  My dad bought both albums on cassette, and had it not been for that exposure, I may not have heard "Djobi, Djoba" before, though I do remember a snippet of it being used in a TV commercial for the album.

Internationally, "Djobi, Djoba" peaked at number 15 in France in November 1987, and number 34 in the Netherlands in August 1988.
 
In Australia, "Djobi, Djoba" was most popular in Western Australia, where it reached number 107 on the state chart.

We will next see Gipsy Kings in 1991.  They will also accompany an unlikely act, Bananarama (!), on a single that bubbles WAY down under in 1991.
 
 
 
Bubbling WAY down under:
 
Number 161 "Sugar Daddy" by Thompson Twins
Peak:  number 155 
Peak date: 6 November 1989
Weeks on chart: 4 weeks 

Between 1983 and 1986, Thompson Twins (no The) placed eight singles in the Australian top 100 singles chart, with the biggest of those being "Hold Me Now" (number 3, April 1984).  Their last hit in Australia was "King for a Day" (number 17, February 1986), and nothing from their 1987 album Close to the Bone, nor the album itself, charted (when the chart stopped at number 100).  Roll on to 1989, and "Sugar Daddy" was the lead single from their sixth studio album, Big Trash (number 135, October 1989).  I remember seeing "Sugar Daddy" probably twice on Countdown Revolution, but couldn't remember how it went.  The group were perhaps too closely-tied to the early-mid 1980s (big hair and a zany look, a la Cyndi Lauper) to sustain commercial success throughout the latter part of the decade, when music and fashion styles had changed.  Nevertheless, we shall see the group on two more occasions, with the next one being in February 1990.

Internationally, "Sugar Daddy" peaked at number 97 in the UK in October 1989, and number 28 on the US Billboard Hot 100.

On the state charts, "Sugar Daddy" performed strongest in South Australia/Northern Territory, where it reached number 116.
 


Number 163 "If You Asked Me To" by Patti LaBelle
Peak: number 163
Peak date: 30 October 1989
Weeks on chart: 1 week
 
One thing I noticed when trawling through the liner notes (as you do) of my parents' copy of Céline Dion's 1996 album Falling into You is how many of the songs were cover versions.  And I'm not talking about covers of obscure flops or deep cut album tracks that Céline's people brought to her as they were good songs that needed a wider audience; I'm talking about covered-a-zillion-times tracks you never need to hear again, like "River Deep, Mountain High".  The kind of thing that might be tacked onto an album by a new and upcoming artist as Plan B to salvage the album's commercial success should the original tracks fail to connect with an audience.  Quite why Céline's people (because, let's face it, I doubt she was the one making these decisions) felt a need to include such beyond basic covers on a new album by an established artist with three hit albums under her belt was a choice.  But, I digress...

The reason for all of that Céline rambling above is that here we have the original version of a track that would be later recorded by Céline, for her 1992 self-titled album.  Written by beige songwriter extraodinaire Diane Warren, Céline's version peaked at number 4 on the US Billboard Hot 100 in July 1992, and number 52 in Australia in September 1992.
 
Patti first came to notice on the Australian chart as part of the group LaBelle, who scored a number 13 hit (their only charting single) in 1975 with "Lady Marmalade".  As a solo artist, she scored two top 100 hits down under, with the biggest by far of those being her duet with Doobie Brothers singer Michael McDonald, "On My Own" (number 12, June 1986).  Patti's version of "If You Asked Me To" didn't fare nearly as well as Céline's, peaking at number 79 on the Hot 100 in October 1989.  Not even the inclusion of the song on the soundtrack to the 1989 Bond movie Licence to Kill helped.
 
Locally, "If You Asked Me To" was most popular in Western Australia, where it reached number 121 on the state chart.
 
This was Patti's final appearance on the Australian singles chart.
 
Finally, on the topic of Céline, we will see the original version of another song she later turned into a hit in a mere fortnight's time!
 
 
 
Next week (6 November): Three top 150 debuts and three bubbling WAY down under entries.  You can also follow my posts on instagram and facebook.
 
< Previous week: 23 October 1989                                         Next week: 6 November 1989 > 

24 July 2020

Week commencing 24 July 1989

This week's new entries are split between big names having flop singles and new and upcoming acts struggling to make a dent.  Among them are two singles that peaked at number 101, and another that peaked at number 102!  Let's take a look...

Kiss: let's put the hair in Cher.

Top 150 debuts:

Number 101 "One" by Bee Gees
Peak: number 101
Peak date: 24 July 1989
Weeks in top 150: 12 weeks
Top 150 chart run: 101-108-106-128-124-(out for 2 weeks)-139-136-141-135-138-129-126
Weeks on chart: 15 weeks

Peaking 100 places lower than the title would suggest, I've written about this "one" previously in my special post on singles peaking at number 101 between 1989 and 1991.  "One" was the second single lifted from the album One, and followed up "Ordinary Lives", which we saw in May.  "One" was a much bigger hit in the US, where it peaked at number 7.  Bee Gees (note: no 'The') will join us again in October.


Number 139 "(You Make Me) Rock Hard" by Kiss
Peak: number 101
Peak date: 14 August 1989
Weeks in top 150: 6 weeks 
Top 150 chart run: 139-(out for 2 weeks)-101-116-107-130-130
Weeks on chart: 8 weeks

Coincidentally, here's another single that peaked at number 101, which I have also already written about.  The second single lifted from their Smashes, Thrashes & Hits greatest hits compilation, the subtly-titled (!) song failed to register on a reputable national chart anywhere, that I am aware of, other than coming within a whisker of making the ARIA top 100.  But, such is the size of their fan-base that the music video (embedded below) currently has over 5.5 million views on YouTube, in spite of being a flop single.  On the state charts, "(You Make Me) Rock Hard" performed strongest in South Australia/Northern Territory, where it reached number 66.  The single peaked within the top 100 on four of the five state charts, with New South Wales/Australian Capital Territory being the only exception.

Kiss will join us again in 1990.

 
Number 142 "A Friend Is a Friend" by Pete Townshend
Peak: number 113
Peak date: 7 August 1989
Weeks in top 150: 8 weeks 
Top 150 chart run: 142-117-113-121-122-120-128-132

Former frontman of The Who, Pete Townshend was last on the Australian singles chart in 1986 with "Give Blood", peaking at number 77.  Immediately prior to that, he scored his biggest, and only real, solo hit single down under with "Face the Face", which peaked at number 9 in Australia in February 1986.  This track was lifted from The Iron Man: The Musical by Pete Townshend, which peaked at number 59 on the ARIA albums chart in July 1989.  "A Friend Is a Friend" peaked at number 151 (number 110 on the compressed chart) in the UK in July 1989.


Number 145 "Naturally" by Clive Young
Peak: number 102
Peak date: 7 August 1989
Weeks in top 150: 10 weeks 
Chart run: 145-135-102-113-111-104-118-114-112-123
Weeks on chart: 10 weeks

Follow-up to Australian singer-songwriter Clive Young's single "Something Special" (number 50, June 1989), "Naturally" narrowly missed the top 100.  "Naturally" follows in much the same vein as its predecessor.  Oddly, Clive did not release an album until 1992, and neither "Something Special" nor "Naturally" appear on it, owing to Clive changing record labels in the interim.  The rear sleeve of the "Naturally" single states that the song is from the forthcoming album Naturally, but this does not appear to have ever been released.

On the state charts, "Naturally" performed much stronger in Victoria/Tasmania, where it reached number 50, than elsewhere.  A similar feat occurred with "Something Special", which peaked at number 15 on the Victoria/Tasmania state chart vs. its national peak of number 50; although it also reached number 21 in South Australia/Northern Territory.

We will next see Clive in 1991.


 
Number 147 "Take Me" by Adult Net
Peak: number 137
Peak dates: 14 August 1989 and 4 September 1989
Weeks in top 150: 7 weeks 
Chart run: 147-140-143-137-141-142-137
Weeks on chart: 7 weeks

Britain-based American singer Brix Smith formed Adult Net as a side project after joining The Fall in 1983.  "Take Me" peaked at number 78 on the UK singles chart in March 1989, and was lifted from the album The Honey Tangle.  Given that nothing released by the group peaked higher than number 66 anywhere in the world, I am pleasantly surprised that this one even registered on the Australian charts - especially since I wasn't aware of it at the time.
 
"Take Me" performed strongest on the Queensland chart, where it reached number 111.  This would be Adult Net's only charting release in Australia.


Number 148 "Youth Gone Wild" by Skid Row
Peak: number 148
Peak date: 24 July 1989
Weeks in top 150: 1 week
Top 150 chart run: 148
Weeks on chart: 2 weeks

When writing the 'next week' preview blurb on last week's post, I was going to write that we would see the arrival of a new hair metal act... except Skid Row weren't exactly 'hair metal', were they?  When googling to see what genre the group's music is considered being (Metal? Hair metal? Rock?), I came across a comment that Skid Row were the missing link between 80s hair metal and 90s grunge, and I think that is an apt description.  One thing I vividly remember from this period is that the cassette sleeve for their album Skid Row (number 12, May 1990) was one that had been replaced by a photocopy in a record store I visited, "to prevent theft".  What that says about their (presumably teenage) fans of the time, I don't know.  Now, onto the song itself, this was the group's debut release, peaking at number 99 in the US in June 1989, and number 42 in the UK in November 1989.  I am surprised that "Youth Gone Wild" didn't perform better on our chart, as I remember hearing it and seeing the video several times (and I was not a 'metal' kid).  Perhaps their fans were stealing the single instead of buying it...  We will see Skid Row again in December.

 
 
 
Number 149 "Little Fighter" by White Lion
Peak: number 136
Peak date: 21 August 1989
Weeks in top 150: 5 weeks 
Top 150 chart run: 149-(out for 2 weeks)-138-136-148-(out for 4 weeks)-143
Weeks on chart: 7 weeks

Now, for something less-ambiguously glam 'metal', "Little Fighter" was White Lion's second foray onto the Australian singles chart, following their debut in May 1989.  "Little Fighter" was the lead single from the band's third album, Big Game (number 119, August 1989). "Little Fighter" peaked at number 52 in the US.

On the ARIA state charts, "Little Lion" performed strongest in Victoria/Tasmania, where it reached number 99.

We will see White Lion next in December.

 
 
Bubbling WAY down under:

Number 153 "Little Jackie Wants to Be a Star" by Lisa Lisa & Cult Jam
Peak: number 153
Peak date: 24 July 1989
Weeks on chart: 1 week
 
Lisa Lisa (real name Liza Velez), Alex "Spanador" Moseley and Mike Hughes together formed Lisa Lisa & Cult Jam.  The group formed in New York in 1984, and placed two singles on the Australian top 100 in 1987, "Head to Toe" (number 52, July 1987) and "Lost in Emotion" (number 83, November 1987).
 
"Little Jackie Wants to Be a Star" was the first single, and only one released in Australia, from the band's third album Straight to the Sky.

Internationally, "Little Jackie..." peaked at number 29 on the US Billboard Hot 100 in May 1989, number 90 in the UK in May 1989, and peaked within the top 10 in the Netherlands and New Zealand, and the top 20 in the Flanders region of Belgium.

We will see Lisa Lisa & Cult Jam again in 1992.



Next week (31 July): Four new top 150 entries, and six bubbling WAY down under debuts.  You can follow my posts on facebook here.

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