Showing posts with label The Alarm. Show all posts
Showing posts with label The Alarm. Show all posts

14 May 2021

Week commencing 14 May 1990

This week's new entries are an odd bunch.  Among them we have a band and a solo artist who started out in the 1970s but have only recently scored their first chart hits in Australia, three acts who would only score one top 150 'hit', one act who would only score one top 150 'hit' and one bubbling WAY down under 'hit', and a veteran artist who scored her biggest hits in her mid 40s.  Shall we take a look?

Tina Turner: look me in the charts!
 
Top 150 debuts:
 
Number 139 "Wonderful Life" by The Celibate Rifles
Peak: number 138
Peak date: 4 June 1990
Weeks in top 150: 6 weeks
Top 150 chart run: 139-139-143-138-149-143 
Weeks on chart: 8 weeks
 
"Wonderful Life" was the third top 150-peaking 'hit' from Australian band The Celibate Rifles' Blind Ear album (number 85, July 1989), following "Johnny" in March 1989, and "O Salvation" in June 1989.  This single took its time to register in the top 150, having been released in late March 1990, as a double 7".  "Wonderful Life" was also issued on cassingle, but as this format is not currently listed on discogs, I cannot confirm that it too was a double release.
 
On the sate charts, "Wonderful Life" performed strongest in South Australia/Northern Territory, where it reached number 108.

The Celibate Rifles, who never scored a top 100 ARIA singles chart entry, will next grace our presence at the end of 1991.
 

 
Number 142 "Nick of Time" by Bonnie Raitt
Peak: number 142
Peak date: 14 May 1990
Weeks in top 150: 1 week
Top 150 chart run: 142
Weeks on chart: 3 weeks
 
American blues singer/songwriter and guitarist Bonnie Raitt released her first album in 1971, but landed her first album on the Australian chart when Nick of Time (number 58, April 1990) crept into the ARIA top 150 albums chart in September 1989.  Eight months later, the title track - released locally in February 1990 - would belatedly scrape into the top 150 singles chart for a solitary week.
 
Nick of Time was Bonnie's tenth studio album, and was her major commercial breakthrough in the US, where it topped the Billboard 200 albums chart in April 1990, and was certified 5 times platinum.
 
"Nick of Time" was the second single from the album issued locally, released in early February 1990.  The single debuted at number 161 on 12 March 1990, but took until now to crack the top 150.  We also saw Bonnie bubble WAY down under with the album's first single in September 1989.
 
As with the album, "Nick of Time" performed stronger in the US, peaking at number 92 there in May 1990.  The single also peaked at number 67 in the Netherlands in June 1989, number 82 in the UK in April 1990, and number 73 in Germany in June 1990.
 
On the ARIA state charts, "Nick of Time" peaked highest in Western Australia, where it reached number 103.

Bonnie would eventually break into the ARIA top 100 singles chart when "Something to Talk About" peaked at number 57 in November 1991.  But before then, Bonnie will join us again next week, with another track from the Nick of Time album!



Number 143 "Baby, It's Tonight" by Jude Cole
Peak: number 106
Peak date: 25 June 1990
Weeks in top 150: 13 weeks 
Chart run: 143-135-123-108-117-116-106-108-112-125-110-114-130
Weeks on chart: 13 weeks
 
American Jude Cole released his debut album Jude Cole in 1987.  "Baby, It's Tonight" was the lead single from his second album, A View from 3rd Street (number 114, July 1990).

I wasn't expecting to know this song, but it sounds familiar to me.  Presumably, it received some airplay in Melbourne.  Alternatively, I may have heard it on the American Top 40 radio program, as the single peaked at number 16 there in June 1990.
 
On the state charts, "Baby, It's Tonight" performed strongest in South Australia/Northern Territory, where it reached number 46.  The single also fared better on the Australian Music Report singles chart, where it reached number 79.  Jude would break into the ARIA top 100 singles chart in 1992 with "Start the Car" (number 59, November 1992) - his only single to do so.  Before then, Jude will bubble under again in September 1990.
 

 
Number 145 "Drag My Bad Name Down" by The 4 of Us
Peak: number 121
Peak date: 28 May 1990
Weeks in top 150: 8 weeks
Top 150 chart run: 145-127-121-137-132-134-132-138
 
The 4 of Us hail from Northern Ireland.  "Drag My Bad Name Down", which peaked at number 79 in the UK in March 1990 and number 6 in Ireland, was their sole ARIA top 150 entry.  This one is another that I must have heard at the time, despite not recognising the artist name or song title, as it sounded familiar to me when I picked up a VHS compilation it was on around 2012.



Number 146 "Going Back to My Roots" by FPI Project featuring Sharon Dee Clarke
Peak: number 143
Peak date: 11 June 1990
Weeks in top 150: 3 weeks
Top 150 chart run: 146-148-(out for 2 weeks)-143
 
Despite seeing this title listed in the UK chart in imported pop magazine Number One at the time, I don't think I've actually heard this track before.  Instantly recognisable is the James Brown "woo! yeah!' sample that was ubiquitous on dance tracks around this time.
 
This track was released as "Rich in Paradise" or "Going Back to My Roots "Rich in Paradise"" in most European countries, but the title was pared back to just "Going Back to My Roots" on the Australian pressing.  To add to the confusion, there were two versions of the track released - one with vocals by Sharon Dee Clarke, as embedded below, and one which was more instrumental in nature, with vocals by Paolo Dini (I assume the latter was the "Rich in Paradise" version).
 
Sharon Dee Clarke would later go on to sing for Nomad, whose biggest hit was "(I Wanna Give You) Devotion" (number 37, August 1991), and whom we will see bubble under next year.
 
"Going Back to My Roots" was originally recorded by Lamont Dozier in 1977.  This version of the track peaked at number 9 in the UK in January 1990, and also reached the top 10 in Germany, Switzerland and Austria.
 


Number 147 "Gotta Lambada" by Absolute
Peak: number 147
Peak date: 14 May 1990
Weeks in top 150: 1 week
Top 150 chart run: 147
 
The risqué lambada dance, originating in Brazil, was a brief 'craze' in Australia and elsewhere at the end of the 1980s/early 1990, thanks to Kaoma's "Lambada" (number 5, April 1990), which showcased the dance in the music video.
 
To cash in on the fad, two movies about the lambada - Lambada: Set the Night on Fire and The Forbidden Dance - were filmed.  "Gotta Lambada" was recorded for the former.  However, unlike the Kaoma track, "Gotta Lambada" sounds more like a generic early 90s US r&b pop track than something originating from Brazil.
 
We will see another lambada-related track bubble under next week.



Number 149 "Look Me in the Heart" by Tina Turner
Peak: number 111
Peak date: 4 June 1990
Weeks in top 150: 8 weeks
Top 150 chart run: 149-(out for 1 week)-135-111-116-128-135-118-(out for 3 weeks)-148
Weeks on chart: 9 weeks
 
Up until this point, Tina Turner, real name Anna May Bullock, placed 15 solo singles on the Australian top 100 chart, including two duets (not with Ike), and two number ones.
 
"Look Me in the Heart" was issued as the fourth and final single in Australia from Tina's Foreign Affair album (number 15, October 1989), following "The Best" (number 4, October 1989), "Steamy Windows" (number 34, January 1990), and "I Don't Wanna Lose You" (number 59, February 1990).

Tina previously had two solo singles released locally that missed the top 100: "Show Some Respect" (February 1985), which reached first place on the Kent Music Report 'singles receiving significant sales reports beyond the top 100' list in March 1985, and "Two People" (November 1986).

"Look Me in the Heart" fared better in France, where it reached number 44 in March 1990, and in the UK, where it peaked at number 31 in August 1990.
 
On the ARIA state charts, "Look Me in the Heart" performed strongest in Queensland, where it reached number 88.  Despite missing the top 100 nationally, "Look Me in the Heart" peaked within the top 100 on four of the five state charts, with  New South Wales/Australian Capital Territory being the only exception.

Tina will next visit us in late 1991 - an unusual pattern that seems to be emerging this week.



Bubbling WAY down under:

Number 151 "Love Don't Come Easy" by The Alarm
Peak: number 151
Peak date: 14 May 1990
Weeks on chart: 1 week
 
Welsh band The Alarm bubbled under in October 1989, and here they are with their second - and final - appearance on the Australian singles chart, with another track from their Change album (number 155, December 1989).

"Love Don't Come Easy" performed better in the UK, peaking at number 48 there in February 1990.



Next week (21 May): A bumper week with ten new top 150 entries and three bubbling WAY down under debuts, including one from the artist who released the first album I ever bought.

< Previous week: 7 May 1990                                               Next week: 21 May 1990 >

30 October 2020

Week commencing 30 October 1989

Although I can't identify a thread linking all nine of the songs I write about this week, I can tell you that four of them are by Australian artists, which is something.   Er, let's take a look at them.

Gipsy Kings: Gracias por la música
 
Top 150 debuts:
 
Number 117 "Careless" by Paul Kelly and The Messengers
Peak: number 116
Peak date: 20 November 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 117-120-117-116-122-119-134
Weeks on chart: 10 weeks

Paul Kelly and The Messengers, who we formerly The Coloured Girls, were a favourite on FM radio playlists in Australia throughout the mid-late 80s.  So it comes as a bit of a surprise that - two notable hits aside, "Before Too Long" (number 15, September 1986) and "To Her Door" (number 14, December 1987) - this did not translate into much chart success.  In fact, Paul has only ever notched up 7 top 40 singles in Australia, including with The Dots, The Coloured Girls, and solo.  To add insult to injury, all but the aforementioned two and "Darling It Hurts" (number 25, November 1986) peaked between numbers 36 and 40.  Paul's tenure with The Messengers (who were really just The Coloured Girls re-branded with a more palatable name for the US market) produced precisely zero top 50 hits.  The biggest hit Paul scored with The Messengers was "Sweet Guy" (number 53, August 1989).  But did any of this really matter when your albums still did OK?  Probably not a whole lot.
 
"Careless" was the second single lifted from So Much Water So Close to Home (number 10, August 1989).  This release would start a trend of Paul Kelly singles peaking outside the top 100, although his 1988 single with The Coloured Girls, "Don't Stand So Close to the Window" also missed the top 100.  I am unable to give you a chart position for that one, as it is from the period where the ARIA chart stopped at number 100.  "Careless" fared better on the Australian Music Report singles chart, where it peaked at number 92.
 
"Careless" peaked within the top 100 on four of the five ARIA state charts, only falling short in Victoria/Tasmania.  The single performed strongest in Queensland, reaching number 75.

Paul will visit us on numerous occasions over the coming years - the next time being in August 1990.

 
 
Number 119 "Picture" by Janz
Peak: number 119
Peak date: 30 October 1989
Weeks in top 150: 6 weeks 
Top 150 chart run: 119-125-131-132-140-149
 
I really wasn't expecting to find a video (even though it's just the audio) for this track on YouTube... but I was pleasantly surprised to see that one exists!  I remember seeing the music video for "Crime" (number 70, May 1989) a few times on TV, but not this one.

Janz were an Australian band hailing from Melbourne, fronted by David Janz (real name David Fernandez).  Going by a comment posted on YouTube by a band member, the group disintegrated shortly after the release of this single.
 

 
Number 122 "Get Smart" by Bachelors from Prague
Peak: number 118
Peak date: 6 November 1989
Weeks in top 150: 5 weeks 
Top 150 chart run: 122-118-126-134-129
 
The group name Bachelors from Prague sounds vaguely familiar to me, but I don't recall hearing any of their music before.  Their Wikipedia article mentions they promoted their music on Hey Hey It's Saturday - that's probably where I heard of/saw them.  An eight-piece Australian group hailing from Melbourne, the jazzy "Get Smart" was the lead single from the band's second album, Birth of the Fool (number 61, October 1989).  We shall see Bachelors from Prague again at the end of 1991.
 

 
Number 131 "Tokyo Nights" by Bee Gees
Peak: number 124
Peak date: 27 November 1989
Weeks in top 150: 7 weeks
Chart run: 131-136-136-130-124-136-127
Weeks on chart: 7 weeks
 
The fourth Australian (depending on your definition) act in a row this week, Bee Gees returned to the top 150 for the third time in 1989, with this track, the third single released from their One album (number 29, January 1990).  It follows earlier flop singles "Ordinary Lives" and "One".   This single performed strongest on the South Australia/Northern Territory state chart, where it peaked at number 84.  We will next see Bee Gees (no The) in 1991.

 
 
Number  135 "Knockin' on Heaven's Door" by Randy Crawford featuring Eric Clapton and David Sanborn
Peak: number 116
Peak date: 4 December 1989
Weeks in top 150: 10 weeks
Chart run: 154-135-122-121-118-117-116-137-149-(chart repeated for 2 week Xmas break)
Weeks on chart: 11 weeks
 
"Knockin' on Heaven's Door", written and originally recorded by Bob Dylan in 1973, was covered by Randy Crawford, together with Eric Clapton and David Sanborn, for the soundtrack to the 1989 movie Lethal Weapon 2.  Unfortunately, that exact version does not appear to be on YouTube... so, instead, we'll make do with this live rendition by Randy below, to give you the general gist.  Randy (real name Veronica Crawford) placed three singles in the Australian top 100, with the biggest of those being "One Day I'll Fly Away" (number 29, April 1981).  This track also appeared on Randy's album Rich and Poor (number 107, December 1989).
 
On the state chats, "Knockin' on Heaven's Door" performed strongest in Western Australia, where it reached number 61.

We'll next see Randy in 1992.

 
 
Number 148 "Sold Me Down the River" by The Alarm
Peak: number 148
Peak date: 30 October 1989
Weeks in top 150: 1 week 
Top 150 chart run: 148
Weeks on chart: 7 weeks
 
The Alarm were a Welsh group, formed in 1981.  In their native UK, the group notched up seven top 40 singles and five top 40 albums between 1983 and 1991.  In Australia, it was a different story, with their sole top 100 appearance being the album Eye of the Hurricane (number 91, March 1988).  After that, a solitary week in the top 150 with "Sold Me Down the River" was as good as it got.  "Sold Me Down the River" fared better in the band's homeland, where it peaked at number 43 for two weeks in September 1989.  The track was lifted from the album Change (number 155, December 1989).
 
This one performed much stronger in South Australia/Northern Territory than anywhere else, where it reached number 71 on the state chart.
 
The Alarm will join us again in May 1990.
 
 
Number 150 "Djobi, Djoba" by Gipsy Kings
Peak: number 131
Peak date: 27 November 1989
Weeks in top 150: 6 weeks 
Chart run: 150-141-133-140-131-132
Weeks on chart: 6 weeks
 
Gipsy Kings burst onto the Australian charts with "Bamboleo" (number 19, September 1989), and  "Bem Bem Maria" (number 71, September 1989) followed it up in quick succession.  Their third Australian single, "Djobi, Djoba" continued the act of diminishing chart returns, landing outside the top 100, but did it really matter when parent album Gipsy Kings (number 2, September 1989) went double platinum?  Probably not.  Striking while the iron was hot, the French group (although they sung in Spanish) released another album locally (Gipsy Kings was released in Europe in 1987) on 1 January 1990, Mosaique (number 23, January 1990).  My dad bought both albums on cassette, and had it not been for that exposure, I may not have heard "Djobi, Djoba" before, though I do remember a snippet of it being used in a TV commercial for the album.

Internationally, "Djobi, Djoba" peaked at number 15 in France in November 1987, and number 34 in the Netherlands in August 1988.
 
In Australia, "Djobi, Djoba" was most popular in Western Australia, where it reached number 107 on the state chart.

We will next see Gipsy Kings in 1991.  They will also accompany an unlikely act, Bananarama (!), on a single that bubbles WAY down under in 1991.
 
 
 
Bubbling WAY down under:
 
Number 161 "Sugar Daddy" by Thompson Twins
Peak:  number 155 
Peak date: 6 November 1989
Weeks on chart: 4 weeks 

Between 1983 and 1986, Thompson Twins (no The) placed eight singles in the Australian top 100 singles chart, with the biggest of those being "Hold Me Now" (number 3, April 1984).  Their last hit in Australia was "King for a Day" (number 17, February 1986), and nothing from their 1987 album Close to the Bone, nor the album itself, charted (when the chart stopped at number 100).  Roll on to 1989, and "Sugar Daddy" was the lead single from their sixth studio album, Big Trash (number 135, October 1989).  I remember seeing "Sugar Daddy" probably twice on Countdown Revolution, but couldn't remember how it went.  The group were perhaps too closely-tied to the early-mid 1980s (big hair and a zany look, a la Cyndi Lauper) to sustain commercial success throughout the latter part of the decade, when music and fashion styles had changed.  Nevertheless, we shall see the group on two more occasions, with the next one being in February 1990.

Internationally, "Sugar Daddy" peaked at number 97 in the UK in October 1989, and number 28 on the US Billboard Hot 100.

On the state charts, "Sugar Daddy" performed strongest in South Australia/Northern Territory, where it reached number 116.
 


Number 163 "If You Asked Me To" by Patti LaBelle
Peak: number 163
Peak date: 30 October 1989
Weeks on chart: 1 week
 
One thing I noticed when trawling through the liner notes (as you do) of my parents' copy of Céline Dion's 1996 album Falling into You is how many of the songs were cover versions.  And I'm not talking about covers of obscure flops or deep cut album tracks that Céline's people brought to her as they were good songs that needed a wider audience; I'm talking about covered-a-zillion-times tracks you never need to hear again, like "River Deep, Mountain High".  The kind of thing that might be tacked onto an album by a new and upcoming artist as Plan B to salvage the album's commercial success should the original tracks fail to connect with an audience.  Quite why Céline's people (because, let's face it, I doubt she was the one making these decisions) felt a need to include such beyond basic covers on a new album by an established artist with three hit albums under her belt was a choice.  But, I digress...

The reason for all of that Céline rambling above is that here we have the original version of a track that would be later recorded by Céline, for her 1992 self-titled album.  Written by beige songwriter extraodinaire Diane Warren, Céline's version peaked at number 4 on the US Billboard Hot 100 in July 1992, and number 52 in Australia in September 1992.
 
Patti first came to notice on the Australian chart as part of the group LaBelle, who scored a number 13 hit (their only charting single) in 1975 with "Lady Marmalade".  As a solo artist, she scored two top 100 hits down under, with the biggest by far of those being her duet with Doobie Brothers singer Michael McDonald, "On My Own" (number 12, June 1986).  Patti's version of "If You Asked Me To" didn't fare nearly as well as Céline's, peaking at number 79 on the Hot 100 in October 1989.  Not even the inclusion of the song on the soundtrack to the 1989 Bond movie Licence to Kill helped.
 
Locally, "If You Asked Me To" was most popular in Western Australia, where it reached number 121 on the state chart.
 
This was Patti's final appearance on the Australian singles chart.
 
Finally, on the topic of Céline, we will see the original version of another song she later turned into a hit in a mere fortnight's time!
 
 
 
Next week (6 November): Three top 150 debuts and three bubbling WAY down under entries.  You can also follow my posts on instagram and facebook.
 
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