Showing posts with label Tommy Emmanuel. Show all posts
Showing posts with label Tommy Emmanuel. Show all posts

08 October 2021

Week commencing 8 October 1990

One unusual thing all four of this week's top 150 debuts have in common is that we will see all of the artists bubble under the top 100 again - but not until 1993.  Shall we take a look?
 
Suzanne Vega: tired of flopping
 
Top 150 debuts:
 
Number 132 "Way Down Now" by World Party
Peak: number 114
Peak date: 5 November 1990
Weeks in top 150: 9 weeks 
Top 150 chart run: 132-130-127-136-114-126-123-140-130
 
For most of its existence, World Party has been Karl Wallinger's one-man band since parting ways with The Waterboys in 1986.  While Karl was with The Waterboys, they scored a hit single in Australia with "The Whole of the Moon" (number 12, May 1986).
 
World Party landed a major hit in Australia with in 1987 with "Ship of Fools" (number 4, June 1987).  Interestingly, that single performed much better locally than in Karl's native UK, where it only reached number 42 in February 1987.  In fact, "Ship of Fools" peaked higher in Australia than anywhere else in the world.
 
"Put the Message in the Box" (titled just "Message in the Box" in other countries) gave World Party a second top 100 'hit' in Australia, reaching number 86 in July 1990.

"Way Down Now" was the second single lifted from World Party's second album Goodbye Jumbo (number 70, July 1990).  The single peaked at number 66 in the UK in September 1990, number 53 in Canada in July 1990, and number 17 in the Netherlands in July 1990.

A third single from Goodbye Jumbo, "Thank You World", was issued in Australia in August 1991, but missed the top 150.

We shall see World Party again in 1993.

 
 
Number 133 "Guitar Boogie" by Tommy Emmanuel
Peak: number 111
Peak date: 22 October 1990
Weeks in top 150: 5 weeks 
Top 150 chart run: 133-120-111-118-115
 
"Guitar Boogie", an instrumental track written and originally recorded by Arthur Smith in 1945, was Australian guitar maestro Tommy Emmanuel's second single to enter the ARIA top 150.  The title of the previous one also began with the word 'guitar'.  In case you hadn't guessed, Tommy plays guitar...
 
"Guitar Boogie" was lifted from the album Dare to Be Different (number 13, August 1990).  The single was issued in Australia on 20 August 1990, and took nearly two months to reach the top 150.  "Guitar Boogie" performed stronger on the Australian Music Report singles chart, where it peaked at number 96.

A third single from Dare to Be Different, "Hearts Grow Fonder", was released in December 1990, but missed the top 150.

Tommy will next join us in 1993.
 

 
Number 145 "Tired of Sleeping" by Suzanne Vega
Peak: number 145
Peak date: 8 October 1990
Weeks in top 150: 1 week
Chart run: 145
Weeks on chart: 1 week
 
"Tired of Sleeping" was the second single issued from Suzanne Vega's third studio album Days of Open Hand (number 74, July 1990).  We saw Suzanne bubble under with the first single from the album back in July

Internationally, "Tired of Sleeping" peaked at number 124 (number 101 on the compressed chart) in the UK in June 1990; the only other place it appears to have charted.
 
Within Australia, "Tired of Sleeping" performed strongest in New South Wales/Australian Capital Territory, where it reached number 139.

I didn't hear this song until going on a Suzanne Vega audio binge in 2000, tracking down her albums after becoming enamored with her Tried and True: The Best of (number 96, November 1998) compilation, on which this track does not appear.  Only one song from Days of Open Hand was included on the compilation, "Book of Dreams".  It seems that this era was considered a relative flop era for Suzanne, despite the D.N.A. remix of "Tom's Diner" (number 8, November 1990) becoming her biggest worldwide hit in the latter part of 1990.

A third and final single from Days of Open Hand, "Men in a War", was released in Australia in February 1991, but failed to chart locally.  It did, however, reach number 143 (number 108 on the compressed chart) in the UK in September 1990.

Suzanne will next join us in 1993.
 
 
 
Number 146 "Kicking Against the Bricks" by Seven Stories
Peak: number 122 
Peak date: 22 October 1990
Weeks in top 150: 9 weeks
Chart run: 154-146-135-122-127-128-127-126-136-131 
Weeks on chart: 10 weeks

Seven Stories, initially named Tall Stories, formed in Adelaide in 1986.  Their first single, and first chart entry, "Sleeping Through Another War", reached number 68 on the ARIA singles chart in July 1990.

"Kicking Against the Bricks" was the second single lifted from Seven Stories' debut album Judges and Bagmen (number 76, August 1990).  On the state charts, the single performed strongest in South Australia/Northern Territory, where it reached number 80.  A third single from the album, "Walk Through Babylon", was released in February 1991, but failed to chart.

Seven Stories never placed another single within the top 100, but we will see them bubble under again in 1993.  The band split in 1994.



Bubbling WAY down under:

Number 153 "End of the World" by Sonia
Peak: number 153
Peak date: 8 October 1990
Weeks on chart: 1 week

"End of the World" was the fifth and final single lifted from Sonia's debut album Everybody Knows (number 144, September 1990).  The track was originally recorded by Skeeter Davis, as "The End of the World", in 1962.  Another Stock Aitken Waterman production, the trio had earlier produced a version of the song for Brilliant in 1986.
 
There was a trend for Stock Aitken Waterman-produced artists around this time of dusting off an old ballad to cover, and then release it as a single towards the end of an album campaign.  Other examples include Kylie Minogue's "Tears on My Pillow" (number 20, February 1990), Jason Donovan's "Sealed with a Kiss" (number 8, June 1989) and "Rhythm of the Rain" (number 44, November 1990), and Big Fun's "Hey There Lonely Girl".
 
Sonia's version of "End of the World" reached number 18 in the UK in September 1990, enabling Sonia to become the first British female artist to score five top 20 singles from one album.  Despite that, Chrysalis Records did not extend her contract for a second album, and Sonia's working relationship with Stock Aitken Waterman ended by the end of 1990.
 
Outside of the UK, "End of the World" peaked at number 18 in Ireland.  "End of the World" became Sonia's fourth single in a row, including her duet with Big Fun, to peak outside the top 100 in Australia.  On the ARIA state charts, "End of the World" performed strongest in Western Australia, where it reached number 122.
 
Sonia signed with I.Q. Records, owned by Simon Cowell, in 1991.  She achieved another five UK top 30 singles over the following two years, including "Only Fools (Never Fall in Love)" (UK number 10, June 1991) and "Better the Devil You Know" (UK number 15, May 1993) - the latter track was recorded for Eurovision and is not a cover of the Kylie Minogue song.  None of Sonia's output after her first album was issued in Australia, however, probably owing to her lack of chart success here.

My favourite post-Stock Aitken Waterman Sonia singles are both cover versions: "Boogie Nights" (UK number 30, September 1992) and "You to Me Are Everything" (UK number 13, November 1991).  Interestingly, Sonia recorded the original version of "Walk Away Lover" for her second album Sonia (UK number 33, October 1991), which was later covered by Australian soap star Toni Pearen, as "Walkaway Lover" (number 35, December 1994).



Next week (15 October): Seven top 150 debuts and one bubbling WAY down under entry.

< Previous week: 1 October 1990                                Next week: 15 October 1990 >

04 December 2020

Week commencing 4 December 1989

Now in the final month of 1989, the chart year is drawing to a close, with this week's chart being the third-last one for the year.  Unusually, of the ten songs I write about this week, I only knew two of them at the time - and they are both from the bubbling WAY down under section.  At least one of this week's new entries does not have a music video, and two of the songs I write about were not even on YouTube until creating this post!  Shall we take a look?
 
Olivia Newon-John: The charts weren't the only thing she was on the 'fringe' of in 1989.
 
Top 150 debuts:
 
Number 108 "The Arms of Orion" by Prince with Sheena Easton
Peak: number 108
Peak date: 4 December 1989
Weeks in top 150: 10 weeks
Chart run: 165-108-121-115-(chart repeated for 2 week Xmas break)-124-126-118-115-117
Weeks on chart: 11 weeks
 
Prince, under the pseudonym Alexander Nevermind, first collaborated with Sheena Easton through writing the infamous "Sugar Walls" (number 87, June 1985), recorded for her A Private Heaven album (number 88, March 1985).  The pair then recorded a duet, "U Got the Look" (number 90, October 1987) for Prince's Sign "☮︎" the Times album (number 20, May 1987).  While neither of these collaborations had much chart success in Australia, both reached the top 10 of the US Billboard Hot 100.

"The Arms of Orion" was released as the third single from Prince's Batman soundtrack (number 4, July 1989), without an accompanying music video, which probably hindered its chart success.  The single performed stronger on the Australian Music Report singles chart, where it peaked at number 88.  "The Arms of Orion" also peaked at number 36 on the Billboard Hot 100 in December 1989, and number 27 in the UK during the same month.

Within Australia, "The Arms of Orion" performed equally-strongest in New South Wales/Australian Capital Territory and Victoria/Tasmania, where it reached number 77 on the state charts.  However, despite peaking highest in the two most-populous states, it didn't boost the single into the top 100, as it peaked  peaked eight weeks apart on both state charts.
 
While I saw this single in the shops, I never heard the song until looking it up on YouTube out of curiosity a few years ago.  That is, unless it is featured in the 1989 Batman movie, which I saw at the cinema, but can barely remember anything about (was there actually a plot?).

Sheena will pay us another visit in 1991, and Prince will join us again in 1996.
 
 
 
Number 114 "The Time Warp (PWL Remix)" by Damian
Peak: number 114 
Peak date: 4 December 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 114-125-130-(chart repeated for 2 week Xmas break)-116-128
 
The original version of "The Time Warp", by The Rocky Horror Picture Show Original Cast, like the 1975 film that spawned it, had a 'rocky' start, eventually peaking at number 3 in December 1980, spending 15 weeks in the Australian top 10.  Damian, hailing from Manchester in the UK, in a similar fashion, kept re-releasing his version of the track until it became a hit - well, in the UK, anyway.  Originally peaking at number 94 in the UK in September 1986 (after debuting on the chart in March of the same year), it was re-recorded and re-released as "The Time Warp II" - having two separate chart runs between December 1987 and September 1988, peaking at number 51 there in January 1988.  Finally, Damian's version of "The Time Warp" was remixed by Pete Hammond at PWL (home of hit-makers extraordinare Stock Aitken Waterman), and his Midas touch propelled the single to number 7 in the UK, for two weeks in September 1989.  Phew!

In Australia, we got "The Time Warp II", released in November 1988.  The PWL remix of "The Time Warp" was released locally in early November 1989.  Judging by the embedded music video, Damian moonlighted as a clown/stilts walker.   Sadly, he died from cancer in 2017, aged 52.



Number 123 "Our Children's World" by Oz Art for Ozone
Peak: number 123 
Peak date: 4 December 1989
Weeks in top 150: 10 weeks 
Top 150 chart run: 123-130-127-(chart repeated for 2 week Xmas break)-143-140-134-140-141
 
This track was (obviously) a charity record, by an ensemble of Australian artists - presumably to raise funds for environmental causes.  Artists participating in this project included: Andy McLean (21 Guns), Brian Canham (Pseudo Echo), David Janz (Janz), Grace Knight (Eurogliders), Jim Keays (Masters Apprentices), John Swan (Swanee), Juno Roxas (Roxus), Lisa Edwards, Lisa Schouw (Girl Overboard), Matthew De La Hunty (Tall Tales & True), and Wendy Stapleton (Wendy & The Rocketts).  I have no recollection of hearing this track before, so lack of exposure/promotion might have been a problem.  Like almost all charity records, it kind of... sucks.

Going by the rear sleeve used as an image still for the (audio-only) video below, there was a music video filmed for this one - but no-one has yet uploaded it to YouTube.
 
 
 
Number 133 "Pretending" by Eric Clapton
Peak: number 106 
Peak dates: 18 December 1989 (chart repeated 25 December 1989 and 1 January 1990), 8 January 1990 and 25 January 1990
Weeks in top 150: 11 weeks
Chart run: 133-119-106-(chart repeated for 2 week Xmas break)-106-107-110-106-114-133
Weeks on chart: 11 weeks

Up until now, Eric had placed eight singles within the top 100 on the Australian singles chart, with the biggest of those being "I Shot the Sheriff" (number 11, November 1974).  "Pretending" was the lead single from his Journeyman album (number 27, December 1989).  "Pretending" performed better on the Australian Music Report singles chart, where it peaked at number 85.  "Pretending" peaked at number 55 on the US Billboard Hot 100 in December 1989, and at number 96 in Eric's native UK in July 1990.
 
In Australia, "Pretending" was most popular in South Australia/Northern Territory, where it reached number 46 on the state chart.  The single peaked within the top 100 on all five state charts, but this was not enough for it to dent the national top 100.
 
Eric will join us again in 1990.
 
 
 
Number 134 "Good Love" by Zan
Peak: number 134 
Peak date: 4 December 1989
Weeks in top 150: 9 weeks 
Chart run: 176-134-140-143-(chart repeated for 2 week Xmas break)-142-139-146-139
Weeks on chart: 10 weeks

Zan, real name Suzanne Abeyratne, was co-lead vocalist in the Australian band I'm Talking, who placed five singles in the Australian top 40 between 1985 and 1986, with the biggest of those being "Do You Wanna Be?" (number 8, June 1986).  Of the singles the band released, Zan only sang lead on one of them, "Holy Word", which peaked at number 9 in September 1986.
 
I'm Talking bubbled under on the Kent Music Report's list of singles receiving significant sales reports beyond the top 100 with "How Can It Be", which reached fifth place on the list in November 1986.
 
I'm Talking disbanded in 1987, prompting both of its vocalists - Zan and Kate Ceberano - to launch solo careers.  Zan's debut single, "It's Your Move", peaked at number 82 in April 1989, and this was its follow up.  On the state charts, "Good Love" performed strongest in Western Australia, where it reached number 104.
 
Zan released one further solo single, "Nobody Else", in January 1991, but it failed to chart.

As this song was not previously on YouTube, I've had to resort to uploading the video below, which is just the audio of the 12" mix - the only version I was able to source.



Number 141 "Radar Love" by White Lion
Peak: number 117
Peak date: 8 January 1990
Weeks in top 150: 10 weeks
Chart run: 151-(off chart for 1 week)-141-142-133-(chart repeated for 2 week Xmas break)-117-120-139-129-129
Weeks on chart: 11 weeks

A cover version of the Golden Earring classic (number 10, September 1974), "Radar Love" was released as the second single from the Danish/American band's third album, Big Game (number 119, August 1989), and became their third single to bubble under in 1989, after we saw the band debut in May.  White Lion's version of the track peaked at number 59 on the US Billboard Hot 100.

Locally, "Radar Love" performed strongest in South Australia/Northern Territory, where it reached number 77.

White Lion will join us one more time, in 1991.
 


Number 142 "Guitar Concierto de Aranjuez" by Tommy Emmanuel
Peak: number 138
Peak date: 18 December 1989 (chart repeated 25 December 1989 and 1 January 1990)
Weeks in top 150: 8 weeks 
Top 150 chart run: 142-146-138-(chart repeated for 2 week Xmas break)-139-141-142
 
Guitar maestro Tommy Emmanuel's first foray onto the Australian charts came in 1988, when the album Up from Down Under peaked at number 48 in July 1988.  "Guitar Concierto de Aranjuez" was a version of "Concierto de Aranjuez", composed in 1939 by Spanish composer Joaquin Rodrigo, and lifted from Tommy's Dare to Be Different album (number 13, August 1990).  Tommy will join us again in 1990.

 
 
Bubbling WAY down under:
 
Number 155 "Free Fallin'" by Tom Petty
Peak: number 155 (in 1989); number 59 in 2017
Peak dates: 4 December 1989 (1989 chart run); 9 October 2017 (2017 chart run)
Weeks on chart: 40 weeks (1989 and 2017 chart runs combined)
 
Sometimes, some of an artist's most well-known songs are not their biggest chart hits, and here we have a prime example of that, with Tom Petty's "Free Fallin'".  Despite peaking at number 7 on the US Billboard Hot 100 in January 1990, becoming his biggest hit there, "Free Fallin'" stalled outside the top 150 in Australia in 1989.  Tom's biggest chart hits in Australia had been "I Won't Back Down" (number 16, July 1989), and, with The Heartbreakers, "Refugee" (number 24, May 1980) and their duet with Stevie Nicks, "Stop Draggin' My Heart Around" (number 10, September 1981).
 
"Free Fallin'" was lifted as the third single from Tom's Full Moon Fever album (number 13, June 1989), following "I Won't Back Down" and "Runnin' Down a Dream" (number 68, September 1989).

Following Tom's death in October 2017, "Free Fallin'" re-entered the ARIA singles chart, and peaked at number 59 during the same month.  "Free Fallin'" was Tom's highest-peaking single to re-enter the ARIA chart in the week following his death, placing higher than "I Won't Back Down" at number 78 in the same week.  This would suggest that "Free Fallin'" could now be regarded as being Tom's 'signature' track in Australia, despite its low peak of number 155 in 1989.

Tom will next join us in 1991.

 
Number 165 "London Nights" by London Boys
Peak: number 165
Peak date: 4 December 1989
Weeks on chart: 1 week 

London Boys nudged the lower end of the top 150 back in September, and here they were with the second single lifted from their The Twelve Commandments of Dance album (number 137, August 1989) in Australia.  "London Nights" fared much better in the UK, where it became the duo's highest-charting single, peaking at number 2 in July 1989.  London Boys will visit us again in 1992.
 
 
 
Number 178 "Reach Out for Me" by Olivia Newton-John
Peak: number 153 
Peak date: 15 January 1990
Weeks on chart: 2 weeks

Here's one I hadn't heard before.  As Olivia explains during the spoken intro to the embedded music video, this one was written for her daughter, Chloe, who was almost 4 years old at this point.  Olivia recorded an album of children's songs, Warm and Tender (number 109, February 1990), from which this track is lifted.  "Reach Out for Me"'s two weeks on the chart were non-consecutive, with the single re-entering and reaching its peak in mid-January 1990.  Disregarding the US Billboard Adult Contemporary chart (which I don't consider a 'real' chart), Australia was the only place this single charted.

Olivia will next visit us in 1992.




Next week (11 December): a quieter week, with three new top 150 entries, and one bubbling WAY down under debut.  You can also follow my posts on instagram and facebook.
 
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