Showing posts with label The Beatmasters. Show all posts
Showing posts with label The Beatmasters. Show all posts

15 June 2024

Week commencing 15 June 1992

All five of this week in 1992's new top 150-peaking debuts enter between number 142 and number 150, which is an unusual occurrence.  Shall we take a look?

Before doing so, I have updated the following earlier posts:

* 21 May 1990 - with new bubbling WAY down under debut from The Smithereens featuring Belinda Carlisle;
* 11 June 1990 - with new bubbling WAY down under entry from 2 Static;
* 25 June 1990 - with new bubbling WAY down under entry from Romi & Jazz.
 
Wet Wet Wet didn't exactly make a big 'splash' with this single in 1992.
 
Top 150 debuts:
 
Number 142 "This Time Tomorrow" by Alex Smith
Peak: number 121
Peak date: 6 July 1992
Weeks in top 150: 11 weeks
Top 150 chart run: 142-138-126-121-126-129-128-123-133-133-144
 
I had no recollection of this track, and didn't realise until researching it that Alex was the lead singer of Australian band Moving Pictures, who scored a massive hit with "What About Me?" (number 1 for six weeks in March-April 1982).  Moving Pictures disbanded in 1987, after landing seven top 100 singles in Australia between 1981 and 1984.  Alex then went solo - although "This Time Tomorrow" appears to be his only solo single released.

"This Time Tomorrow" performed much stronger in South Australia/Northern Territory than elsewhere, reaching number 29 on the state chart.  The single also fared better on the Australian Music Report singles chart, where it reached number 87.

Listening to "This Time Tomorrow" for the first time, it sounds a bit Meat Loaf-ish (well, like it could have been written by Jim Steinman) in parts, to my ears; perhaps minus some of the more melodramatic/operatic moments.

A solo album from Alex, The Thread, is listed as having been released in 2019 on discogs.com, but "This Time Tomorrow" would be Alex's only solo top 150 entry.

 
 
Number 143 "Make It Tonight" by Wet Wet Wet
Peak: number 110
Peak date: 22 June 1992
Weeks in top 150: 5 weeks
Chart run: 143-110-118-124-128
Weeks on chart: 5 weeks

Scottish band Wet Wet Wet formed in 1982, although their first studio recordings were not released until 1987.  Their debut single "Wishing I Was Lucky" was initially released in Australia in August 1987, but failed to chart until it was re-issued, eventually spending one week at number 100 in August 1988.  Wet Wet Wet's first charting single in Australia, "Sweet Little Mystery" (number 33, May 1988) made minor ripples, as did their debut album Popped In Souled Out (number 60, June 1988).
 
Wet Wet Wet returned with the single "Sweet Surrender" (number 7, May 1990), which took six months to peak after its Australian release in November 1989.  One top 40 single per album in Australia seemed to be a pattern forming for the band, with "Goodnight Girl" (number 21, April 1992) being the only top 100 entry from their third album High on the Happy Side (number 19, May 1992).  "Make It Tonight", issued as the album's first single in the UK, where it reached number 37 in September 1991, was released as the second single from High on the Happy Side in Australia.
 
Within Australia, "Make It Tonight" performed strongest in South Australia/Northern Territory, where it reached number 87.  I recall catching the video for this track once on rage as a new release before the top 60 chart countdown commenced, in June 1992.
 
Of course, Wet Wet Wet would go on to score their biggest hit with "Love Is All Around", which was number 1 for six weeks in June-July 1994, going on to become the highest-selling single of the year in Australia.

One childhood memory I have of Wet Wet Wet is when my paternal grandmother and great uncle returned to Australia from living in Scotland for a couple of years in 1990, and asked if I knew of Wet Wet Wet when they discovered I had gotten into music in a big way since they had been away.

We shall next see Wet Wet Wet in October 1992.
 


Number 145 "Close but No Cigar" by Thomas Dolby
Peak: number 107
Peak date: 13 July 1992
Weeks in top 150: 7 weeks
Top 150 chart run: 145-128-136-108-107-131-141
Weeks on chart: 12 weeks

English singer-songwriter and producer Thomas Dolby, born Thomas Morgan Robertson, made his chart debut in Australia with the single "She Blinded Me with Science" (number 19, June 1983).  However, before that release, Thomas wrote Lene Lovich's "New Toy" (number 29, August 1981) - also appearing in the video and performing on the track, and playing the synthesizer riffs on Foreigner's "Urgent" (number 24, November 1981) and "Waiting for a Girl Like You" (number 3, February 1982).
 
Thomas also performed as a session musician on Def Leppard's Pyromania (number 70, February 1984) and Joni Mitchell's Dog Eat Dog (number 86, January 1986) albums.

Thomas landed two further top 100 singles in Australia, with "Hyperactive!" (number 26, April 1984) and "Airhead" (number 69, June 1988).  He also scored charting albums with The Golden Age of Wireless (number 72, July 1983), The Flat Earth (number 71, May 1984) and Aliens Ate My Buick (number 76, June 1988).

"Close but No Cigar" was the lead single from Thomas' fourth studio album Astronauts & Heretics (number 123, August 1992).  Internationally, the single peaked at number 22 in the UK in May 1992, number 88 in Germany in July 1992, and number 14 in New Zealand in September 1992.
 
Within Australia, "Close but No Cigar" was much more popular in Western Australia, where it reached number 41, than in any other state.  The next-highest state chart peak "Close but No Cigar" reached was number 94 in New South Wales/Australian Capital Territory.
 
"Close but No Cigar" entered the Australian Music Report top 100 singles chart, where it peaked at number 80.

We will next see Thomas in September 1992.


 
Number 147 "Big Love" by BB Steal
Peak: number 145
Peak date: 22 June 1992
Weeks in top 150: 2 weeks
Top 150 chart run: 147-145

We last saw Australian band BB Steal back in 1989.  "Big Love" was the band's second, and final, top 150 single.  The track was lifted from their debut album On the Edge (number 144, July 1992). To my ears, this track sounds a bit Def Leppard/Mutt Lange in the chorus and the bridge leading into it.



Number 150 "Shameless" by Garth Brooks
Peak: number 103
Peak date: 6 July 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 150-121-127-103-120-120
 
American country singer Garth Brooks released his first album Garth Brooks in 1989.  However, his first album to dent the ARIA top 150 was his third studio release, Ropin' the Wind (number 21, July 1992), from which the single "Shameless" was lifted.  A previous single, "The Thunder Rolls", from Garth's second album No Fences (number 11, August 1994), was issued locally in November 1991, but missed the top 150.

"Shameless" is a cover version of a song written and originally recorded by Billy Joel, which we saw bubble under in January 1992.

Garth's version of "Shameless" peaked at number 1 for two weeks on the meaningless US Billboard Hot Country Songs and Country Airplay charts in November 1991, number 71 in the UK in January 1992, and number 43 in the Netherlands in March 1992.

Garth would land his first top 100 single in Australia with "Standing Outside the Fire" (number 45, September 1994), which was quickly followed by his highest-charting single here with "One Night a Day" (number 35, September 1994).  Both tracks were lifted from Garth's sixth studio album In Pieces (number 1, August 1994), which was his major commercial breakthrough in Australia.

We will next see Garth in 1994.



Bubbling WAY down under:
 
Number 163 "Dunno What It Is (About You)" by The Beatmasters featuring Elaine Vassell
Peak: number 162
Peak date: 6 July 1992
Weeks on chart: 4 weeks

We last saw English dance act The Beatmasters in 1990.
 
"Dunno What It Is (About You)" was released as the first single from their second album Life & Soul (number 162, August 1992) in the UK in early 1991, when it originally peaked at number 82 in February 1991.  Following "Boulevard of Broken Dreams" (number 93, February 1992), the single was remixed and re-released, achieving a higher peak of number 43 in the UK in May 1992.
 
Within Australia, "Dunno What It Is (About You)" performed strongest in Western Australia, where it reached number 140.

You can view the original 1991 video for "Dunno What It Is (About You)" here, and the video for the 1992 remixed version is embedded below.
 
In keeping with each of The Beatmasters' previous singles, this one features a different vocalist, Elaine Vassell, who would later go on to be part of UK soul act FreeSpirit, with the single "No More Rainy Days" peaking at number 68 in the UK in May 1995.

"Dunno What It Is (About You)" would be The Beatmasters' final charting single.



Number 182 "Grow Or Pay" by D.A.D.
Peak: number 182
Peak date: 15 June 1992
Weeks on chart: 1 week
 
D.A.D, short for Disneyland After Dark, are a Danish rock/metal band who burst onto the Australian chart in October 1989 with "Sleeping My Day Away" (number 63, March 1990), which I like, despite generally not being a huge metal fan.  They followed it up with "Girl Nation" (number 52, March 1990), "Jihad" (number 89, July 1990), and the album No Fuel Left for the Pilgrims (number 29, April 1990), which was actually the band's third studio album.

The band returned with their fourth album Riskin' It All (number 80, June 1992), led by the single "Bad Craziness" (number 86, March 1992). "Grow Or Pay" was the second single lifted from the album.  I cannot find evidence of the single charting anywhere else.

In Australia, "Grow Or Pay" performed strongest in Victoria/Tasmania, where it reached number 162.
 
A funny memory of D.A.D. I have is when they appeared on Countdown Revolution in 1990, and co-hosted some segments.  One of the band members erroneously announced Nick Barker and The Reptiles' "Resurrection Time" (number 86, February 1990) as "Erection Time".  Oh dear.

We shall see D.A.D. one more time, in 1995.



Number 191 "Ride the Bullet" by Army of Lovers
Peak: number 191
Peak date: 15 June 1992
Weeks on chart: 1 week

Still in Scandinavia, we last saw Swedish group Army of Lovers in February 1992.
 
"Ride the Bullet" originally appeared on the band's debut album Disco Extravaganza, which was not released in Australia.  A remixed version of the track appeared on the band's second album, which contained a couple of tracks from their debut, Massive Luxury Overdose (number 126, March 1992). 
 
Internationally, "Ride the Bullet" peaked at number 32 in Sweden in April 1992, number 67 in the UK in April 1992, number 40 in Switzerland in April 1992, number 22 in Germany in May 1992, number 34 in the Netherlands in May 1992, number 12 in the Flanders region of Belgium in May 1992, and number 4 in Austria in June 1992.
 
In Australia, "Ride the Bullet" performed strongest in Victoria/Tasmania, where it reached number 176.
 
Two different videos were filmed for "Ride the Bullet".  The original version, which you can view here, features original band member La Camilla, who left Army of Lovers in late 1991 and was replaced by Michaela de la Cour, who appears in the second video, embedded below, despite 'her' vocals not being re-recorded.  You can view an amusing TV interview here, where La Camilla is a 'surprise' guest on the show featuring the band's new line-up.  La Camilla enters the screen at 2 minutes 30 seconds in.  Turn on the subtitles.
 
This would be Army of Lover's final charting release in Australia.  We would see band member Alexander Bard appear as the video director (and speaking a few lines) in Alcazar's "Crying at the Discotheque" (number 14, March 2002), which he co-produced.



Number 200 "Sleeping with the Lights On" by Curtis Stigers
Peak: number 200
Peak date: 15 June 1992
Weeks on chart: 2 weeks
 
American jazz singer Curtis Stigers made small ripples on the Australian chart in early 1992 with his debut single "I Wonder Why" (number 92, March 1992), which would go on to greater success when re-issued as the I Wonder Why EP (number 43, November 1992) to coincide with his Australian tour later in the year.
 
"Sleeping with the Lights On" was issued as the second single from Curtis' debut album Curtis Stigers (number 84, October 1992) in Australia.  The track peaked at number 96 on the US Billboard Hot 100 in June 1992, and number 53 in the UK in July 1992.

Domestically, "Sleeping with the Lights On" was most-popular in South Australia/Northern Territory, where it reached number 182.

We shall next see Curtis in 1993.



Next week (22 June): Eight top 150 debuts, including the first appearance of a single that would chart again in 1993 and 1994; plus two bubbling WAY down under entries.

< Previous week: 8 June 1992                                      Next week: 22 June 1992 >

12 February 2021

Week commencing 12 February 1990

I declared that last week's post boasted the highest number of top 150-peaking debuts for 1990, at 11.  This week, I write about 12 songs, though.  Confused?  Three of those are bubbling WAY down under entries, debuting and peaking outside the top 150.  This week, we also have a single that spent just one week in the top 150 despite peaking within the top 120.  Shall we dive in?
 
The Beatmasters: No, that's not the singer from M People, it's Claudia Fontaine!  Who is she?  Read on to find out!
 
Top 150 debuts:
 
Number 106 "Clear Skies" by v. Spy v. Spy
Peak: number 103
Peak date: 12 March 1990
Weeks in top 150: 9 weeks
Chart run: 106-109-104-108-103-106-106-115-113
Weeks on chart: 9 weeks
 
Sydney-based v. Spy v. Spy, also know as just Spy vs. Spy, placed seven singles on the Australian top 100 singles chart between 1985 and 1989.  Their biggest hit was "Don't Tear It Down" (number 31, March 1987), which spent 20 weeks on the chart despite its modest peak.

"Clear Skies" was the second single lifted from the band's fourth studio album, Trash the Planet (number 22, November 1989), following "Hardtimes" (number 59, November 1989).  I remember seeing the video for "Clear Skies" on the short-lived Channel 10 music video program Spin, which aired on Saturday nights over summer 1989-1990 and possibly into early Autumn 1990.

In contrast to ARIA, "Clear Skies" made the top 100 on the Australian Music Report singles chart, where it peaked at number 90.  On the ARIA state charts, "Clear Skies" was most popular in South Australia/Northern Territory, where it reached number 49.  The single peaked within the top 100 on all five state charts.

v. Spy v. Spy will join us again in May.
 
 
 
Number 119 "Got to Have Your Love" by Mantronix featuring Wondress
Peak: number 119
Peak date: 12 February 1990
Weeks in top 150: 1 week 
Top 150 chart run: 119
Weeks on chart: 3 weeks
 
Without checking to be sure, "Got to Have Your Love" has to have one of - if not the - briefest chart runs for a single that cracked the top 120, with just one solitary week inside the top 150.  This surprises me, with the song's infectious "gotta find a way to get into your heart" hook.  Also, the song received reasonable exposure (for a dance/electronic song in Australia, at the time) on TV and radio.  I caught the music video as a hit prediction (remember those?) on Video Hits, and probably Countdown Revolution too - and heard it several times on Triple M's top 8 at 8, hosted by John Peters.

In contrast to its low ARIA chart peak, "Got to Have Your Love" was a top 10 hit in the UK and Ireland, a top 20 hit in at least five European countries, and a number 27 hit in New Zealand.  In the band's native US, the single peaked at number 82 in March 1990.

"Got to Have Your Love" would be the only top 150 appearance for both Mantronix and Wondress, and the album it is lifted from, This Should Move Ya, also failed to dent the top 150 albums chart.
 
On the state charts, "Got to Have Your Love" performed strongest in Victoria/Tasmania, where it reached number 66.

If you don't like the music video embedded below, I've linked a second music video filmed for the song here.

We will see Mantronix again in September 1991.
 
 
 
Number 132 "Somewhere Near Japan" by The Beach Boys
Peak: number 132
Peak date: 12 February 1990
Weeks in top 150: 5 weeks
Chart run: 171-(off chart for 1 week)-132-135-141-140-147
Weeks on chart: 6 weeks
 
The Beach Boys had had somewhat of a chart revival over the last 18 months, with "Kokomo" spending 8 weeks at number 1 between December 1988 and February 1989, and "Still Cruisin'" (number 28, December 1989) hitting the top 30.  We also saw the group bubble under back in February 1989.
 
"Somewhere Near Japan" was the second and final single lifted from the Still Cruisin' (number 10, February 1990) album, not counting "Kokomo" as being a single released from it, as it had much earlier been on the Cocktail soundtrack (number 1, January 1989).  "Somewhere Near Japan" does not appear to have charted anywhere else.

I don't recall hearing this one at the time.

We will see The Beach Boys again in 1992.
 
 
 
Number 136 "A Girl Like You" by The Smithereens
Peak: number 111 
Peak date: 19 March 1990
Weeks in top 150: 8 weeks
Chart run: 152-(off chart for 1 week)-136-142-137-131-127-111-114-130
Weeks on chart: 9 weeks

We last saw The Smithereens in March 1989.
 
Writing this as I listen to the video embedded below, when the chorus kicked in, it sounded familiar to me - so I must have heard this somewhere before.  Isn't it funny the useless information your brain can store?  And damn, I've got to say that chorus is as catchy as hell.  This should have been massive based on that alone.  I guess lack of exposure/promotion was the reason it wasn't.  If this had been utilised on a movie soundtrack or theme for a TV show, it would have been a bona fide smash.
 
The Smithereens, formed in 1980, had scored precisely one charting single in Australia up until this point; "Blood and Roses" (number 99, January 1987).  Another single, "Behind the Wall of Sleep" narrowly missed the top 100 in April 1987, when it was placed second on a list of 'singles receiving significant sales reports beyond the top 100' on the Kent Music Report (as the Australian Music Report was then known).

"A Girl Like You" was the lead single from 11 (number 96, April 1990), the band's third studio album.  On the state charts, the single was most popular in South Australia/Northern Territory, where it reached number 45.  The Smithereens would go on to score two further top 100 singles in Australia, in 1992.  They will bubble under next in May 1990.

Sadly, the band's lead singer, Pat DiNizio, died in 2017, aged 62.



Number 138 "Peace in Our Time" by Eddie Money
Peak: number 127
Peak date: 5 March 1990
Weeks in top 150: 6 weeks
Chart run: 138-136-135-127-136-136
Weeks on chart: 6 weeks

We last saw Eddie just over a year ago, and here he was with a new track, released to promote his Greatest Hits: Sound of Money compilation album.  "Peace in Our Time", which I am hearing for the first time as I write this, gave Eddie a number 11 hit on the US Billboard Hot 100 in February 1990.

We will see Eddie again in 1992, for what will be his last single to dent the Australian singles chart.  Eddie passed away in September 2019, aged 70, less than three weeks after being diagnosed with advanced oesophageal cancer.



Number 145 "Warm Love" by The Beatmasters featuring Claudia Fontaine
Peak: number 117
Peak date: 12 March 1990
Weeks in top 150: 8 weeks
Chart run: 145-127-119-123-117-119-124-129
Weeks on chart: 8 weeks
 
English electronic music trio The Beatmasters scored their first charting single in Australia with "Rok Da House" (number 37, June 1988), featuring Cookie Crew on vocals.  We then saw them bubble under back in June 1989 with "Who's In the House" featuring Merlin, and they introduced Betty Boo to the Australian charts via their "Hey DJ/I Can't Dance (To That Music You're Playing)" collaboration (number 88, November 1989).  The Beatmasters also produced Yazz's "Stand Up for Your Love Rights" (number 22, December 1988).

Although you may not have heard of Claudia Fontaine, you've probably seen her before, singing back-up in an 80s music video... like Marilyn's "Calling Your Name" (number 3, April 1984), or Soul II Soul's "Back to Life (However Do You Want Me)" (number 45, February 1990), to name but two.  Claudia was quite a prominent backing vocalist during the 1980s and 1990s, performing with a swathe of UK acts.

"Warm Love", which somehow escaped me at the time, peaked at number 51 in the UK in December 1989, number 24 in Ireland in November 1989, and number 79 in the Netherlands in January 1990.  It was released as the fifth and final single from The Beatmasters' Anywayawanna album (number 129, October 1989).
 
On the ARIA state charts, "Warm Love" performed strongest in Victoria/Tasmania, where it reached number 91.

Sadly, Claudia passed away in March 2018, aged 57.

We will next see The Beatmasters in 1992.



Number 148 "Pictures of Matchstick Men" by Camper Van Beethoven
Peak: number 122
Peak date: 5 March 1990
Weeks in top 150: 7 weeks
Top 150 chart run: 148-(out for 1 week)-139-122-130-134-136-138
 
Not having heard of Camper Van Beethoven before, I wasn't sure what to expect, given the group's name.  The band hail from California, and formed in 1983.  "Pictures of Matchstick Men" is a cover version of a track originally recorded by Status Quo in 1968.
 
Listening to this track for the first time now, the singer's voice sounds familiar to me... and that's because (thanks, Wikipedia!) it's David Lowery, who went on to front the band Cracker.  Cracker scored a number 63 single in Australia with "Low" in September 1994, and bubbled under with another song before then, in 1992.

While "Pictures of Matchstick Men" did not register on any other chart that I consider a 'real' chart, it topped the US Billboard 'Alternative Airplay' chart (which was probably then known as the Modern Rock Tracks chart) in October 1989.



Number 149 "Put Your Mouth on Me" by Eddie Murphy
Peak: number 149
Peak date: 12 February 1990
Weeks in top 150: 1 week
Top 150 chart run: 149
 
Principally known as a comedian and an actor, Eddie Murphy branched out into recorded music, scoring a number 21 hit in Australia with "Party All the Time" in April 1986.
 
Unfortunately, and perhaps, unsurprisingly, "Put Your Mouth on Me" isn't a patch on the Rick James-penned and produced "Party All the Time", and I found it a bit of a chore to listen to the whole thing.  The song doesn't really go anywhere.  Sufficient Yanks - or, more likely, radio programmers, given their dubious chart methodology - liked "Put Your Mouth on Me" enough to earn it a number 27 placing on the US Billboard Hot 100 in September 1989, however.
 
"Put Your Mouth on Me" was taken from Eddie's second album So Real, which missed the top 150 albums chart in Australia.  I think we can be proud of that.

Eddie would grace the ARIA top 100 singles chart again in 1993, when a duet with Michael Jackson, "Whatzupwitu", peaked at number 88 in July of that year.  Eddie will also bubble under again in 1993.



Number 150 "Forever Free" by W.A.S.P.
Peak: number 150
Peak date: 12 February 1990
Weeks in top 150: 1 week
Top 150 chart run: 150
Weeks on chart: 2 weeks

W.A.S.P., an acronym commonly used to mean White Anglo-Saxon Protestant, are an American metal band formed in 1982.  No definitive answer has been provided by the band as to what their name stands for, although the original US pressing of the band's self-titled debut album had the words "we are sexual perverts" inscribed around the centre of the label on the record.  Ooh-er!  Blackie Lawless (real name Steven Edward Duren), the band's lead singer, once answered that the band's name stood for "we ain't sure, pal", when asked directly in an interview.

Until now, W.A.S.P. had not placed a single on the Australian chart, despite placing four albums within the top 100.  In fact, the group would never crack the top 100 singles chart down under.

"Forever Free" was lifted from the band's fourth studio album The Headless Children (number 55, May 1989).  Oddly, it was the first single released from the album locally; "The Real Me", which was the lead single from the album in the US and Europe, does not appear to have been released in Australia.  "Forever Free" was issued locally in late November 1989, and took over two months to dent the top 150.
 
On the state charts, "Forever Free" performed strongest in Victoria/Tasmania, where it reached number 127.

Coincidentally, W.A.S.P.'s next single to crack the ARIA top 150 also debuted at number 150 - but we'll have to wait until 1992 for that.
 
 
 
Bubbling WAY down under:
 
Number 153 "It's No Crime" by Babyface
Peak: number 153
Peak date: 12 February 1990
Weeks on chart: 1 week
 
R & B songwriter and record producer extraordinaire Babyface, real name Kenneth Brian Edmonds, made inroads on the ARIA chart with Bobby Brown in 1989, with his "Every Little Step" - co-written and co-produced by Babyface with partner L.A. Reid - peaking at number 8 in November 1989.  Babyface also co-produced Paula Abdul's debut single - though her third single in Australia - "Knocked Out" (number 82, September 1989), and before that, Pebbles' (she of TLC-manager fame/infamy) legendary "Girlfriend" (number 86, May 1988).

When it came to his own recording career, Babyface would have to wait until 1994 to score his first ARIA top 100 single, "When Can I See You" (number 31, November 1994).  I doubt he cared, though, as in the interim, his compositions with Boyz II Men alone had notched up 29 weeks atop the US Billboard Hot 100 charts.

"It's No Crime" was issued as the lead single from the Tender Lover album (number 143, May 1990), and is another that took over two months to dent the ARIA charts, following its Australian release in late November 1989.  The single had much greater success in Babyface's native US, where it peaked at number 7 on the Billboard Hot 100 chart in October 1989.

Babyface will join us no fewer than six times over the next four years, before his breakthrough Australian 'hit'; the next occasion will be next month.

 
 
Number 158 "To Know Someone Deeply Is to Know Someone Softly" by Terence Trent D'Arby
Peak: number 158
Peak date: 12 February 1990
Weeks on chart: 1 week
 
Sananda Maitreya, the artist formerly known as Terence Trent D'Arby, is like the text-book example of how to totally stuff things up with your second album.  His debut, the modestly-titled Introducing the Hardline According to Terence Trent D'Arby (number 1, May 1988), became the eighth highest-selling album of 1988 in Australia, and was a top 5 success across the globe.  It contained two Australian top 10 singles - "Wishing Well" (number 9, October 1987) and "Sign Your Name" (number 3, May 1988).

Terence's second album, Neither Fish Nor Flesh (A Soundtrack of Love, Faith, Hope & Destruction) (number 40, November 1989), was, in contrast, a spectacular flop, yielding no real hit singles.  "This Side of Love" (number 94, December 1989), the lead single from the album, spent one week inside the ARIA top 100 singles chart.

"To Know Someone Deeply..." didn't exactly rescue the album's fate, peaking at number 55 in the UK in January 1990, and outside the top 150 here.  After this release, the album campaign was wrapped up, and no further singles were issued.

Terence then disappeared for about three and a half years, before returning in 1993 with the album Symphony Or Damn (number 8, June 1993), which, unexpectedly, gave Terence a third and final top 10 single down under, with "She Kissed Me" (number 9, June 1993).

The lack of sustained career success following his highly-successful debut album does not seem to bother Terence much, going by a 2019 interview I caught on YouTube recently.  Terence changed his name to Sananda Maitreya in 2001 - a move he credits with saving his life.  Sananda now speaks of Terence in third-person, according to this interview article with The Irish Times in 2017 - as though Terence was somebody else.

We will see Terence again in 1995.

 
 
Number 161 "Baby You're Mine" by Basia
Peak: number 161
Peak date: 12 February 1990
Weeks on chart: 3 weeks
 
Polish singer Basia, real name Barbara StanisÅ‚awa Trzetrzelewska, got her break singing with Matt Bianco - who, despite the name, were a group.  Basia's voice can be heard prominently on the chorus of Matt Bianco's "Whose Side Are You On..." (number 57, June 1985).

Basia left Matt Bianco in 1985 to embark on a solo career.  Her debut solo album Time and Tide (number 50, May 1989) took over 18 months to take off in Australia.  A single from it, "New Day for You", reached number 69 on the ARIA singles chart in May 1989.  We saw Basia bubble WAY down under in May 1989 with the title track from the album.

"Baby You're Mine" was the lead single from Basia's second album, London Warsaw New York (number 114, March 1990).  "Baby You're Mine" peaked at number 84 in the UK in February 1990, and number 45 in France in May 1990.

We will see Basia again in May.


 
Next week (19 February): A mere three top 150 debuts!  My tired typing hands feel a sense of relief. One of the three new entries next week is a song that bubbled under on two separate occasions, 18 months apart, credited to different artists.  Interesting...  You can also follow my posts on instagram, facebook and twitter.
 
< Previous week: 5 February 1990                                   Next week: 19 February 1990 >

12 June 2020

Week commencing 12 June 1989

Last week, I mentioned that four of that week's six new entries were singles that did not chart in any other country, and this week, it is four of out eight!  Granted, two of those exclusive chart 'hits' are by Australian artists, this time.  It is always interesting, to me, to uncover a chart position for something that didn't chart anywhere else... even if that peak happens to be outside the top 100.

Living Colour: Mishap with hair clippers during lockdown? Just shave half of it off, like Corey Glover from Living Colour.

Top 150 debuts:

Number 125 "Birthday Suit" by Johnny Kemp
Peak: number 117
Peak date: 19 June 1989
Weeks in top 150: 7 weeks 
Top 150 chart run: 125-117-122-132-137-132-134

Johnny was a Bahamian-American singer; I say 'was', because he tragically died in a drowning accident in 2015, aged 55.  "Birthday Suit" reached number 36 on the US Billboard Hot 100 in April 1989, but failed to chart anywhere else, from what I can see.  Johnny scored a number 79 'hit' here in early October 1988 with "Just Got Paid", which was a number 10 hit for him in America.
 


 
Number 137 "Who's in the House" by The Beatmasters with Merlin
Peak: number 137
Peak date: 12 June 1989
Weeks in top 150: 2 weeks 
Chart run: 137-(off chart for 1 week)-143
Weeks on chart: 2 weeks

The Beatmasters, who seemed to feature a different vocalist with every release, scored a number 37 hit in Australia with "Rok Da House" in May 1988, with Cookie Crew on vocals.  We also saw them bubble WAY down under, with P.P. Arnold, in February 1989.
 
Merlin, real name Justin Mark Boreland, was the nephew of UK reggae singer Smiley Culture.  "Who's In the House" peaked at number 8 in the UK in April 1989.
 
On the ARIA state charts, "Who's in the House" performed strongest in Victoria/Tasmania, where it reached number 102.
 
The Beatmasters later went on to score a number 88 hit down under with Betty Boo, and will bubble down under again, with another featured artist, in 1990.



Number 144 "Sinful Me" by Sunnyboys
Peak: number 105
Peak date: 3 July 1989
Weeks in top 150: 8 weeks 
Top 150 chart run: 144-115-123-105-124-107-118-115

Australian group Sunnyboys scored five top 50 hits between 1981 and 1984, with "Happy Man" being the highest-peaking of those, reaching number 26 in 1981.  Earlier in 1989, the group had a number 87 'hit' with "Too Young to Despair".  Both tracks were lifted from their Wildcat album, which reached number 63 in August 1989.




Number 148 "Open Letter (To a Landlord)" by Living Colour
Peak: number 116
Peak date: 26 June 1989
Weeks in top 150: 9 weeks 
Chart run: 148-127-116-126-129-124-125-129-121
Weeks on chart: 9 weeks

Living Colour had a slow start on the Australian charts, with "Cult of Personality" peaking at number 54 in April 1989.  Issued as the second single from their debut album Vivid (number 52, April 1989) in Australia, "Open Letter (To a Landlord)" stalled outside the top 100.  
 
Internationally, "Open Letter..." peaked at number 131 (number 102 on the compressed chart) in the UK in March 1989, number 11 in New Zealand in July 1989, and number 82 on the US Billboard Hot 100 in July 1989.

Locally, "Open Letter..." performed strongest in South Australia/Northern Territory, where it reached number 77.
 
It wouldn't be until 1991 that the group would achieve their breakthrough hit down under.  Before that hit, Living Colour will bubble down under again in 1990.  "Open Letter (To a Landlord)" performed strongest on the South Australia/Northern Territory state chart, where it reached number 77.




Number 149 "Western World" by Scary Bill
Peak: number 106
Peak date: 10 July 1989
Weeks in top 150: 8 weeks
Known chart run: 154-149-129-130-117-106-108-112-122
Weeks on chart: 10 weeks

Australian band Scary Bill formed in St. Kilda in 1987, although half of the band's members were from Adelaide.  "Western World" was their only single to dent the ARIA top 150.  Their self-titled debut album, from which this track is taken, peaked at number 107 in August 1989.  This single performed much better on the Australian Music Report chart, where it peaked at number 74.  "Western World" was most popular in South Australia/Northern Territory, where it reached number 40 on the ARIA state chart.
 
We will see Scary Bill again in October 1989.



Bubbling WAY down under:

Number 161 "Hold an Old Friend's Hand" by Tiffany
Peak: number 161
Peak date: 12 June 1989
Weeks on chart: 1 week

Tiff's time as a chart star was pretty much over by this point.  The third single lifted from the album of the same name, "Hold an Old Friend's Hand" failed to chart anywhere else, other than on the US Adult Contemporary chart (which, as I've mentioned before, doesn't really count in my book).  In Australia, "Hold an Old Friend's Hand" was most popular in Western Australia, where it reached number 135.  Tiffany will join us again in 1990 and 1993!



 
Number 165 "Cry Little Sister" by Charlie Sexton
Peak: number 165
Peak date: 12 June 1989
Weeks on chart: 1 week

Charlie scored two top 40 hits in Australia in 1986, and a further two top 100 entries; the most-recent of which was "Don't Look Back", peaking at number 82 in February 1989.  Both "Don't Look Back" and "Cry Little Sister" were taken from Charlie's self-titled album, which peaked at number 84 in Australia in March 1989.  "Cry Little Sister" did not chart anywhere else.  Charlie will bubble down under again in 1990.



Number 167 "All the Myths on Sunday" by Diesel Park West
Peak: number 167
Peak date: 12 June 1989
Weeks on chart: 1 week

British band Diesel Park West formed in Leicester in 1980, although their first recorded work was not released until 1987.

Despite never landing a top 40 single in their home country, Diesel Park West landed seven top 75 singles in the UK between 1989 and 1992.  "All the Myths on Sunday" was the first of these, reaching number 66 in the UK in February 1989, the only other place it charted.

"All the Myths on Sunday" was the only Diesel Park West release to chart in Australia.  The single was most popular in Western Australia, where it reached number 125.


Next week (19 June): A mere three new top 150 debuts, including the original version of a song that would go on to top the ARIA singles chart in 2004.  Also, five more singles bubbling WAY down under debut.  Remember, you can follow my posts on facebook too.


< Previous post: 5 June 1989                                            Next post: 19 June 1989 >

13 February 2020

Week commencing 13 February 1989

Unusually, there are no new top 150 debuts of singles peaking within the 101-150 range of the chart this week; the only time this occurs in 1989.

Rod Stewart: Advanced Hair?  Oh yeah!

There are, however, three outside the top 150 debuts/peaks I have information for.


Bubbling WAY down under:

Number 162 "Harvest for the World" by The Christians
Peak: number 162
Peak date: 13 February 1989
Weeks on chart: 1 week
 
Liverpudlian band The Christians were so-named owing to Christian being the surname of the band's three founding members, who were also brothers.  The group placed two singles on the Australian top 100 chart in 1988: "When the Fingers Point" (number 73, April 1988) and "Ideal World" (number 89, May 1988).  Both tracks were lifted from the band's debut album The Christians (number 64, April 1988).
 
Nothing else The Christians released would dent the top 100 in Australia, other than the Hillsborough tragedy charity single "Ferry Cross the Mersey" (number 45, June 1989), on which they performed, along with other recording artists from Liverpool.  "Forgotten Town" registered on the South Australia/Northern Territory state chart, peaking at number 88 in July 1988, but did not chart nationally - this was when the ARIA chart did not extend beyond number 100.

"Harvest for the World", an Isley Brothers cover version, was a non-album single recorded for charity.  The single reached number 8 in the band's native UK in October 1988, becoming their highest-charting single there (not counting "Ferry Cross the Mersey", which went to number 1).  "Harvest for the World" also reached number 4 in Ireland, and made the top 40 in the Netherlands and the Flanders region of Belgium.
 
On the ARIA state charts, "Harvest for the World" performed strongest in Western Australia, where it reached number 77.

We shall see The Christians again in 1990.
 

 
Number 164 "My Heart Can't Tell You No" by Rod Stewart
Peak: number 164
Peak date: 13 February 1989
Weeks on chart: 1 week

The third single from the Out of Order album, and the second to miss the ARIA top 100, following "Forever Young" (released locally in August 1988), this track peaked at number 49 in Rod's native UK - though oddly three months after it charted here!  Rod will join us next in August 1989.

 
Number 165 "Burn It Up" by The Beatmasters with P.P. Arnold
Peak: number 165
Peak date: 13 February 1989
Weeks on chart: 2 weeks
 
English electronic group The Beatmasters landed their biggest hit in Australia with "Rok Da House" (number 37, June 1988), featuring rap duo Cookie Crew on mic duties.  "Burn It Up", the follow-up release, was a collaboration with P.P. Arnold (real name Patricia Ann Cole), who had been a recording artist since the late 1960s, and was aged 42 at this point.

While the single flopped in Australia, "Burn It Up" reached number 14 in the UK in October 1988, number 15 in Ireland, number 24 in New Zealand in November 1988.

"Burn It Up" took some time to register on the chart in Australia, having been released on 7 November 1988.  Had the ARIA singles chart extended beyond number 100 before 30 January 1989, I suspect that "Burn It Up" may have peaked higher than number 165, as it reached number 96 on the New South Wales/Australian Capital Territory state chart on 12 December 1988; a peak equalled in Western Australia this week in 1989.

Both "Rok Da House" and "Burn It Up" appeared on the album Anywayawanna (number 129, October 1989).

We will next see The Beatmasters bubble under in June 1989.


Next week: the return of two artists who've already had one top 150 'success' in 1989, and a song that samples a song which was prominently sampled on a Prodigy hit from the mid-90s.

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