Showing posts with label Babyface. Show all posts
Showing posts with label Babyface. Show all posts

28 September 2024

Week commencing 28 September 1992

Before we take a look at this week in 1992's new entries peaking outside the top 100, I have updated the following earlier posts:
 
* 3 April 1989 - with a new bubbling WAY down under entry from Chris de Burgh;
* 6 November 1989 - with a new bubbling WAY down under entry from Chris de Burgh;
* 25 June 1990 - with a new bubbling WAY down under entry from Chris de Burgh.
 
Toto: once big in Africa, they were now struggling to scrape into the Australian top 200 in 1992.
 
Top 150 debuts:
 
Number 122 "Tell It Like It T-I-Is!" by The B-52's
Peak: number 120
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Chart run: 122-126-132-120-130-146
Weeks on chart: 6 weeks

We last saw American band The B-52's in 1989.

"Tell It Like It T-I-Is!" was the second single lifted from the band's sixth studio album Good Stuff (number 36, July 1992), following the title title track "Good Stuff" (number 56, July 1992).  Since their 1989-90 comeback success with the Cosmic Thing (number 1 for three weeks in January 1990) album, band member Cindy Wilson took a break from the group, and would not re-join them until 1996.  Good Stuff was the only B-52's album to be recorded without Cindy.

Internationally, "Tell It Like It T-I-Is!" peaked at number 61 in the UK in September 1992.  The track also reached number 13 on the meaningless US Billboard Alternative Airplay chart in September 1992.

Locally, "Tell It Like It T-I-Is!" performed strongest in Queensland, where it reached number 91 on the state chart.

I recall hearing this one at the time, but not seeing the music video, which is somewhat boring by The B-52's usual standards.

We'll next see The B-52's in 1993.
 
 
 
Number 123 "Uh Huh Oh Yeh" by Paul Weller
Peak: number 121
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 123-122-124-121-136-148

English singer-songwriter Paul Weller came to fame as the front man of the band The Jam, who placed five singles on the Australian top 100 chart between 1981 and 1983, with "Town Called Malice"/"Precious" (number 15, May 1982) being the biggest of those.  Following The Jam's demise in 1982, Paul then formed and fronted The Style Council, whom we saw bubble under in 1989.  The Style Council landed ten Australian top 100 singles between 1983 and 1988, with "Shout to the Top" (number 8, February 1985) being the biggest of those.  The group split in 1989, and Paul then went solo.

"Uh Huh Oh Yeh" was Paul's debut solo single in Australia, although he released "Into Tomorrow" as The Paul Weller Movement in Europe in 1991.  Paul's debut album, Paul Weller (number 108, October 1992), followed suit.

Internationally, "Uh Huh Oh Yeh" peaked at number 18 in the UK in August 1992.

We shall next see Paul in 1995.



Number 132 "Felt Like a Kiss" by Honeymen
Peak: number 113
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 132-136-137-113-126-141
 
Honeymen were an Australian group, led by Sean Sennett.  "Felt Like a Kiss" was featured in the Australian soap opera E Street, which I did not watch.  Unlike other E Street spin-off/promoted acts Melissa Tkautz, Euphoria, Teen Queens, Radio Freedom and Toni Pearen, Honeymen were not able to translate the exposure from the show into a hit single, and "Felt Like a Kiss" fell short of the ARIA top 100.  It would be the group's only top 150 entry.  They released another single, "Motorbike of Love", in October 1994.


 
Number 136 "Give U My Heart" by Babyface (featuring Toni Braxton)
Peak: number 110
Peak date: 5 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 136-110-113-118-119-130
Weeks on chart: 12 weeks

We last saw American singer-songwriter and producer Babyface in 1990.
 
For this single, Babyface teamed up with Toni Braxton, whom I was not aware of until her first major solo hit in Australia, "Breathe Again" (number 2, April 1994).  "Give U My Heart" was recorded for the Boomerang soundtrack (number 29, October 1992), which also contained Boyz II Men's "End of the Road" (number 1 for four weeks in November-December 1992) and P.M. Dawn's "I'd Die Without You" (number 42, February 1993).
 
Overseas, "Give U My Heart" peaked at number 29 on the US Billboard Hot 100 in September 1992, and number 41 in New Zealand in October 1992.  The single also registered on several pointless Billboard genre-specific charts, reaching number 23 on the Hot R&B/Hip-Hop Singles Sales chart in August 1992, number 2 on the Hot R&B/Hip-Hop Songs chart in August 1992, number 29 on the Radio Songs chart in September 1992, number 8 on the Hip-Hop Airplay chart in September 1992, and number 32 on the Rhythmic Airplay chart in October 1992.
 
Locally, "Give U My Heart" was most popular in Western Australia, where it reached number 61.  The single performed stronger nationally on the Australian Music Report singles chart, where it peaked at number 82.
 
It's quite possible I heard this one on the American Top 40 radio program at the time, but if so, I have no recollection of it.

We'll next see Babyface in 1993.  While we won't see Toni bubble under with any of her solo singles, her first solo charting release in Australia, "Another Sad Love Song", initially entered the chart at number 221 at the end of August 1993, more than six months before its eventual peak of number 57 in March 1994, just as "Breathe Again" was taking off.  Toni had a couple of later low-charting singles in Australia, with "Hurt You" (number 918, September 2013) - on which Babyface also appears - and "Have Yourself a Merry Little Christmas" (number 937, December 2013).  Toni also had a sting of albums that missed the top 100 locally, including Snowflakes (number 382, December 2001), More Than a Woman (number 157, February 2003), Ultimate Toni Braxton (number 207, November 2003), The Essential Toni Braxton (number 346, April 2007), Breathe Again: The Best of Toni Braxton (number 764, August 2009), Pulse (number 228, May 2010), Love, Marriage & Divorce (number 440, February 2014), and Spell My Name (number 466, September 2020).  Phew!



Number 139 "Friends & Lovers" by Clive Young
Peak: number 123
Peak date: 12 October 1992
Weeks in top 150: 4 weeks
Known chart run: 178-139-140-123-140
Weeks on chart: 6 weeks

We last saw Australian singer-songwriter Clive Young in 1991.
 
"Friends & Lovers" was lifted from Clive's only commercially-released solo album  (I have since learnt that that there was a shelved album in 1989, Naturally, which had a promotional release) When the World Goes 'Round (released September 1992, did not chart).  As with Clive's previous three singles, "Friends & Lovers" was most popular in Victoria/Tasmania, where it reached number 96 on the state chart.

I remember this song received some airplay in Melbourne - not that it helped its chart placing much.  This would be Clive's final chart entry.
 

 
Number 141 "Through an Open Window" by Cliffs of Dooneen
Peak: number 123
Peak date: 5 October 1992
Weeks in top 150: 5 weeks
Top 150 chart run: 141-123-129-132-141
 
I can't tell you much about Cliffs of Dooneen, other than they appear to hail from Boston.  This track appeared on their 1991 album The Dog Went East, and God Went West (released in Australia in October 1992, missed the top 150), and was their only release to dent the top 150 in Australia.  I cannot find evidence of this single charting elsewhere.
 

 
Bubbling WAY down under:
 
Number 172 "Hit & Run" by Boxcar
Peak: number 172
Peak date: 28 September 1992
Weeks on chart: 5 weeks
 
Aussie electronic band Boxcar last graced our presence in 1991.
 
The original version of "Hit & Run" appeared on the band's debut album Vertigo (number 118, February 1991).  The track was remixed and released as a single to promote their remix album Revision: The Vertigo Mixes +1 (number 154, November 1992).
 
On the state charts, "Hit & Run" was most popular in New South Wales/Australian Capital Territory, where it reached number 162.  I don't recall hearing this one before - I like it, though prefer the original album version to the 'Euphoric Mix' embedded below, which was the lead track on the CD single.
 
We'll next see Boxcar in the second half of 1993.  Before then, we’ll see a side project from two of the band’s members.
 

 
Number 203 "Look to the Future" by Fortran 5 featuring Larry Graham
Peak: number 203
Peak date: 28 September 1992
Weeks on chart: 3 weeks

Fortran 5 were David Baker and Simon Leonard, who started out as I Start Counting, formed in London in 1982.  As their music evolved to become more dance-orientated, the duo changed their name to Fortran 5.

"Look to the Future" originally appeared on the debut Fortran 5 album Blues, which does not appear to have been released in Australia, in 1991, in quite a different form, with vocals by Nigel Butler.  The track was re-recorded with Larry Graham, who sang and played bass in Sly and The Family Stone, for its single release.

"Look to the Future" peaked at number 104 in the UK in August 1992.  Locally, the single performed strongest in South Australia/Northern Territory, where it reached number 160.
 
This would be the only Fortran 5 release to chart in Australia.



Number 216 "Making the Perfect Man" by Chris de Burgh
Peak: number 208
Peak date: 9 November 1992
Weeks on chart: 3 weeks

We last saw Chris de Burgh in June 1992.

"Making the Perfect Man" was issued as the second single in Australia from Chris' tenth studio album Power of Ten (number 81, June 1992).  This single missed the UK top 75, peaking at number 87 there in August 1992.

Domestically, "Making the Perfect Man" performed strongest in Western Australia, where it reached number 175.

We shall see Chris again on one more occasion, in 1994.



Number 217 "Don't Chain My Heart" by Toto
Peak: number 173
Peak date: 4 January 1993
Weeks on chart: 8 weeks

American rock band Toto formed in Los Angeles in 1977.  Between 1979 and 1985, they placed eight singles on the Australian top 100, with "Africa" (number 5, February 1983) being the biggest of those.  I have a distinct early childhood memory of "Africa" playing on the radio in the taxi on the way to being page boy (which I hated...) at my uncle's wedding in early 1983, when I was four years old.
 
"Don't Chain My Heart" was issued as the lead single from Toto's eighth studio album Kingdom of Desire, which was released in Australia in September 1992 but missed the top 150.  The group had a compilation album that bubbled under in 1990, however, with Past to Present 1977-1990 (number 142, July 1990). 

Internationally, "Don't Chain My Heart" peaked at number 9 in Sweden in September 1992, number 8 in Norway, number 12 in the Netherlands in September 1992, number 38 in Switzerland in October 1992, and number 35 in France in January 1993.

Locally, "Don't Chain My Heart" performed strongest in Queensland, where it reached number 156.  This would be Toto's final single to chart in Australia, although Weezer's rendition of "Africa" would peak at number 602 in June 2018.

I have no recollection of hearing "Don't Chain My Heart" at the time.  I do recall learning of the death of Toto's drummer Jeff Porcaro in August 1992, aged 38, around this time, however, as it was announced on the American Top 40 radio show.
 

 
Next week (5 October): Three top 150 entries and five bubbling WAY down under debuts.
 

26 March 2021

Week commencing 26 March 1990

After last week's mammoth post containing ten new debuts, this week is a more sedate affair, with only two new top 150 entries.   A common thread running through this week's debuts is that three of the four songs are from artists whom we have already seen this year.  Let's take a look at them.
 
Warrant: Dirty rotten filthy stinking rich?  Not with these Australian chart placings.
 
Top 150 debuts:
 
Number 127 "Beautiful Love" by Adeva
Peak: number 109
Peak date: 23 April 1990
Weeks in top 150: 7 weeks
Top 150 chart run: 127-121-110-114-109-121-115
Weeks on chart: 8 weeks

Adeva, real name Patricia Daniels, has previously bubbled under twice, with "Respect" and "Musical Freedom (Free At Last)", and here she is again, with the fifth single from her debut album Adeva! (number 14, February 1990).
 
Unusually for a dance artist, Adeva's album charted much better than the singles lifted from it - a feat that was replicated in the UK, where the album peaked at number 6 in September 1989 - 11 places higher than any of the singles lifted from it.
 
Unlike the previous four uptempo singles, "Beautiful Love" is a ballad.  This soulful song about lurve was quite a change in style for Adeva, but she pulled it off convincingly.  Not that the record-buying public was sold on it, however, as this single also majorly underperformed in the American diva's prime market, the UK, where it stalled at number 57 in December 1989.  Perhaps most people who liked the song already owned the album.

Frustratingly, "Beautiful Love" missed the national top 100 despite reaching the top 100 on four of the five state charts, peaking highest at number 84 in South Australia/Northern Territory.  "Beautiful Love" also performed better on the Australian Music Report singles chart, where it reached number 88.

A sixth single from Adeva!, "Treat Me Right", was issued locally in July 1990, but failed to chart.  It did manage to peak at number 62 in the UK, however, in April 1990.

We will see Adeva again in 1992.



Number 148 "Tender Lover" by Babyface
Peak: number 144
Peak date: 9 April 1990
Weeks in top 150: 2 weeks
Chart run: 154-(off chart for 1 week)-148-(off chart for 1 week)-144
Weeks on chart: 3 weeks

Babyface, real name Kenneth Brian Edmonds, bubbled WAY down under in February with "It's No Crime", and here he is with the second single and title track from the Tender Lover album (number 143, May 1990).  Bobby Brown, who Babyface had written and produced for, appears as the featured rapper on this track, to boot.

"Tender Lover" performed much stronger in Babyface's native US, where it peaked at number 14 in February 1990.

We will next see Babyface (as the performing artist) in 1992.
 
 
 
Bubbling WAY down under:
 
Number 159 "Get Busy" by Mr. Lee
Peak: number 159
Peak date: 26 March 1990
Weeks on chart: 1 week
 
Although I was only 12, had I been living in Sydney and a regular reader of The Sydney Morning Herald newspaper at the time, I might have seen this article from 21 December 1990, written by Helen Marie Dickenson, reviewing her top 10 favourite dance tracks of 1990.  In it, this song by Mr. Lee is listed, along with its ARIA chart peak of number 159 (Spoiler alert: there is a peak outside the top 100 listed for another song from later in the year in the article).  Had I seen this article at the time, I would have been clued in to the fact that the ARIA chart extended beyond number 100 - something I did not discover until 2014!

Anyway, back to the song at hand... Mr. Lee, real name Leeroy Haggard Jr., is an American rapper, hailing from Chicago, who was one of the pioneers of hip-house, merging rap and house music together.  While Mr. Lee had released a string of singles on minor labels dating back to 1986, "Get Busy" was his debut release for Jive Records, and the title track from his debut album Get Busy.

"Get Busy" was a top 20 hit in Germany, the Netherlands and Belgium, and also registered in the top 50 in the UK and New Zealand.  It also peaked at number 2 on the very dubious US Billboard Dance chart.

While Mr. Lee never scored a top 100 hit in Australia, he will dent the top 150 in September 1990.
 
 
 
Number 161 "Sometimes She Cries" by Warrant
Peak: number 161
Peak date: 26 March 1990
Weeks on chart: 1 week
 
Warrant have graced our presence twice previously, with "Down Boys" and "Big Talk".   "Sometimes She Cries" was the fourth and final single lifted from Warrant's debut album, Dirty Rotten Filthy Stinking Rich (number 72, November 1989).  As you might have guessed from the title, it's not one of their more 'rockin'' tracks, though it still has some trademark late 80s hair metal guitar licks on it.

"Somtimes She Cried" performed much better in the band's native US, where it peaked at number 20 in March 1990.

Warrant will next pay us a visit in 1992.
 
 
 
Number 170 "I Believe" by Joe Satriani
Peak: number 170
Peak date: 26 March 1990
Weeks on chart: 1 week
 
American guitar maestro Joe Satriani made his debut on the Australian singles chart in 1988 with "Always with Me, Always with You" (number 37, November 1988), from his second album Surfing with the Alien (number 10, November 1988).  "I Believe" was the second single lifted from his third album Flying in a Blue Dream (number 21, February 1990), following "Big Bad Moon" (number 100, February 1990).
 
While I cannot find evidence of "I Believe" charting on any other sales-based charts, it peaked at number 36 on the US Billboard Mainstream Rock Airplay chart in May 1990.
 
In Australia, "I Believe" was most popular in Western Australia, where it reached number 123 on the state chart.
 
A third single from Flying in a Blue Dream, the title track "Flying in a Blue Dream", was released in Australia in October 1990, but failed to chart.
 
We'll next see Joe in 1992.
 


Next week (2 April): four new top 150 debuts, including one from a band who've been around since the 60's, and another from a band who would have to wait until 1996 to score their only real hit in Australia.  There is also one bubbling WAY down under entry.  You can also follow my posts on instagram, facebook and twitter.

< Previous week: 19 March 1990                                              Next week: 2 April 1990 >

12 February 2021

Week commencing 12 February 1990

I declared that last week's post boasted the highest number of top 150-peaking debuts for 1990, at 11.  This week, I write about 12 songs, though.  Confused?  Three of those are bubbling WAY down under entries, debuting and peaking outside the top 150.  This week, we also have a single that spent just one week in the top 150 despite peaking within the top 120.  Shall we dive in?
 
The Beatmasters: No, that's not the singer from M People, it's Claudia Fontaine!  Who is she?  Read on to find out!
 
Top 150 debuts:
 
Number 106 "Clear Skies" by v. Spy v. Spy
Peak: number 103
Peak date: 12 March 1990
Weeks in top 150: 9 weeks
Chart run: 106-109-104-108-103-106-106-115-113
Weeks on chart: 9 weeks
 
Sydney-based v. Spy v. Spy, also know as just Spy vs. Spy, placed seven singles on the Australian top 100 singles chart between 1985 and 1989.  Their biggest hit was "Don't Tear It Down" (number 31, March 1987), which spent 20 weeks on the chart despite its modest peak.

"Clear Skies" was the second single lifted from the band's fourth studio album, Trash the Planet (number 22, November 1989), following "Hardtimes" (number 59, November 1989).  I remember seeing the video for "Clear Skies" on the short-lived Channel 10 music video program Spin, which aired on Saturday nights over summer 1989-1990 and possibly into early Autumn 1990.

In contrast to ARIA, "Clear Skies" made the top 100 on the Australian Music Report singles chart, where it peaked at number 90.  On the ARIA state charts, "Clear Skies" was most popular in South Australia/Northern Territory, where it reached number 49.  The single peaked within the top 100 on all five state charts.

v. Spy v. Spy will join us again in May.
 
 
 
Number 119 "Got to Have Your Love" by Mantronix featuring Wondress
Peak: number 119
Peak date: 12 February 1990
Weeks in top 150: 1 week 
Top 150 chart run: 119
Weeks on chart: 3 weeks
 
Without checking to be sure, "Got to Have Your Love" has to have one of - if not the - briefest chart runs for a single that cracked the top 120, with just one solitary week inside the top 150.  This surprises me, with the song's infectious "gotta find a way to get into your heart" hook.  Also, the song received reasonable exposure (for a dance/electronic song in Australia, at the time) on TV and radio.  I caught the music video as a hit prediction (remember those?) on Video Hits, and probably Countdown Revolution too - and heard it several times on Triple M's top 8 at 8, hosted by John Peters.

In contrast to its low ARIA chart peak, "Got to Have Your Love" was a top 10 hit in the UK and Ireland, a top 20 hit in at least five European countries, and a number 27 hit in New Zealand.  In the band's native US, the single peaked at number 82 in March 1990.

"Got to Have Your Love" would be the only top 150 appearance for both Mantronix and Wondress, and the album it is lifted from, This Should Move Ya, also failed to dent the top 150 albums chart.
 
On the state charts, "Got to Have Your Love" performed strongest in Victoria/Tasmania, where it reached number 66.

If you don't like the music video embedded below, I've linked a second music video filmed for the song here.

We will see Mantronix again in September 1991.
 
 
 
Number 132 "Somewhere Near Japan" by The Beach Boys
Peak: number 132
Peak date: 12 February 1990
Weeks in top 150: 5 weeks
Chart run: 171-(off chart for 1 week)-132-135-141-140-147
Weeks on chart: 6 weeks
 
The Beach Boys had had somewhat of a chart revival over the last 18 months, with "Kokomo" spending 8 weeks at number 1 between December 1988 and February 1989, and "Still Cruisin'" (number 28, December 1989) hitting the top 30.  We also saw the group bubble under back in February 1989.
 
"Somewhere Near Japan" was the second and final single lifted from the Still Cruisin' (number 10, February 1990) album, not counting "Kokomo" as being a single released from it, as it had much earlier been on the Cocktail soundtrack (number 1, January 1989).  "Somewhere Near Japan" does not appear to have charted anywhere else.

I don't recall hearing this one at the time.

We will see The Beach Boys again in 1992.
 
 
 
Number 136 "A Girl Like You" by The Smithereens
Peak: number 111 
Peak date: 19 March 1990
Weeks in top 150: 8 weeks
Chart run: 152-(off chart for 1 week)-136-142-137-131-127-111-114-130
Weeks on chart: 9 weeks

We last saw The Smithereens in March 1989.
 
Writing this as I listen to the video embedded below, when the chorus kicked in, it sounded familiar to me - so I must have heard this somewhere before.  Isn't it funny the useless information your brain can store?  And damn, I've got to say that chorus is as catchy as hell.  This should have been massive based on that alone.  I guess lack of exposure/promotion was the reason it wasn't.  If this had been utilised on a movie soundtrack or theme for a TV show, it would have been a bona fide smash.
 
The Smithereens, formed in 1980, had scored precisely one charting single in Australia up until this point; "Blood and Roses" (number 99, January 1987).  Another single, "Behind the Wall of Sleep" narrowly missed the top 100 in April 1987, when it was placed second on a list of 'singles receiving significant sales reports beyond the top 100' on the Kent Music Report (as the Australian Music Report was then known).

"A Girl Like You" was the lead single from 11 (number 96, April 1990), the band's third studio album.  On the state charts, the single was most popular in South Australia/Northern Territory, where it reached number 45.  The Smithereens would go on to score two further top 100 singles in Australia, in 1992.  They will bubble under next in May 1990.

Sadly, the band's lead singer, Pat DiNizio, died in 2017, aged 62.



Number 138 "Peace in Our Time" by Eddie Money
Peak: number 127
Peak date: 5 March 1990
Weeks in top 150: 6 weeks
Chart run: 138-136-135-127-136-136
Weeks on chart: 6 weeks

We last saw Eddie just over a year ago, and here he was with a new track, released to promote his Greatest Hits: Sound of Money compilation album.  "Peace in Our Time", which I am hearing for the first time as I write this, gave Eddie a number 11 hit on the US Billboard Hot 100 in February 1990.

We will see Eddie again in 1992, for what will be his last single to dent the Australian singles chart.  Eddie passed away in September 2019, aged 70, less than three weeks after being diagnosed with advanced oesophageal cancer.



Number 145 "Warm Love" by The Beatmasters featuring Claudia Fontaine
Peak: number 117
Peak date: 12 March 1990
Weeks in top 150: 8 weeks
Chart run: 145-127-119-123-117-119-124-129
Weeks on chart: 8 weeks
 
English electronic music trio The Beatmasters scored their first charting single in Australia with "Rok Da House" (number 37, June 1988), featuring Cookie Crew on vocals.  We then saw them bubble under back in June 1989 with "Who's In the House" featuring Merlin, and they introduced Betty Boo to the Australian charts via their "Hey DJ/I Can't Dance (To That Music You're Playing)" collaboration (number 88, November 1989).  The Beatmasters also produced Yazz's "Stand Up for Your Love Rights" (number 22, December 1988).

Although you may not have heard of Claudia Fontaine, you've probably seen her before, singing back-up in an 80s music video... like Marilyn's "Calling Your Name" (number 3, April 1984), or Soul II Soul's "Back to Life (However Do You Want Me)" (number 45, February 1990), to name but two.  Claudia was quite a prominent backing vocalist during the 1980s and 1990s, performing with a swathe of UK acts.

"Warm Love", which somehow escaped me at the time, peaked at number 51 in the UK in December 1989, number 24 in Ireland in November 1989, and number 79 in the Netherlands in January 1990.  It was released as the fifth and final single from The Beatmasters' Anywayawanna album (number 129, October 1989).
 
On the ARIA state charts, "Warm Love" performed strongest in Victoria/Tasmania, where it reached number 91.

Sadly, Claudia passed away in March 2018, aged 57.

We will next see The Beatmasters in 1992.



Number 148 "Pictures of Matchstick Men" by Camper Van Beethoven
Peak: number 122
Peak date: 5 March 1990
Weeks in top 150: 7 weeks
Top 150 chart run: 148-(out for 1 week)-139-122-130-134-136-138
 
Not having heard of Camper Van Beethoven before, I wasn't sure what to expect, given the group's name.  The band hail from California, and formed in 1983.  "Pictures of Matchstick Men" is a cover version of a track originally recorded by Status Quo in 1968.
 
Listening to this track for the first time now, the singer's voice sounds familiar to me... and that's because (thanks, Wikipedia!) it's David Lowery, who went on to front the band Cracker.  Cracker scored a number 63 single in Australia with "Low" in September 1994, and bubbled under with another song before then, in 1992.

While "Pictures of Matchstick Men" did not register on any other chart that I consider a 'real' chart, it topped the US Billboard 'Alternative Airplay' chart (which was probably then known as the Modern Rock Tracks chart) in October 1989.



Number 149 "Put Your Mouth on Me" by Eddie Murphy
Peak: number 149
Peak date: 12 February 1990
Weeks in top 150: 1 week
Top 150 chart run: 149
 
Principally known as a comedian and an actor, Eddie Murphy branched out into recorded music, scoring a number 21 hit in Australia with "Party All the Time" in April 1986.
 
Unfortunately, and perhaps, unsurprisingly, "Put Your Mouth on Me" isn't a patch on the Rick James-penned and produced "Party All the Time", and I found it a bit of a chore to listen to the whole thing.  The song doesn't really go anywhere.  Sufficient Yanks - or, more likely, radio programmers, given their dubious chart methodology - liked "Put Your Mouth on Me" enough to earn it a number 27 placing on the US Billboard Hot 100 in September 1989, however.
 
"Put Your Mouth on Me" was taken from Eddie's second album So Real, which missed the top 150 albums chart in Australia.  I think we can be proud of that.

Eddie would grace the ARIA top 100 singles chart again in 1993, when a duet with Michael Jackson, "Whatzupwitu", peaked at number 88 in July of that year.  Eddie will also bubble under again in 1993.



Number 150 "Forever Free" by W.A.S.P.
Peak: number 150
Peak date: 12 February 1990
Weeks in top 150: 1 week
Top 150 chart run: 150
Weeks on chart: 2 weeks

W.A.S.P., an acronym commonly used to mean White Anglo-Saxon Protestant, are an American metal band formed in 1982.  No definitive answer has been provided by the band as to what their name stands for, although the original US pressing of the band's self-titled debut album had the words "we are sexual perverts" inscribed around the centre of the label on the record.  Ooh-er!  Blackie Lawless (real name Steven Edward Duren), the band's lead singer, once answered that the band's name stood for "we ain't sure, pal", when asked directly in an interview.

Until now, W.A.S.P. had not placed a single on the Australian chart, despite placing four albums within the top 100.  In fact, the group would never crack the top 100 singles chart down under.

"Forever Free" was lifted from the band's fourth studio album The Headless Children (number 55, May 1989).  Oddly, it was the first single released from the album locally; "The Real Me", which was the lead single from the album in the US and Europe, does not appear to have been released in Australia.  "Forever Free" was issued locally in late November 1989, and took over two months to dent the top 150.
 
On the state charts, "Forever Free" performed strongest in Victoria/Tasmania, where it reached number 127.

Coincidentally, W.A.S.P.'s next single to crack the ARIA top 150 also debuted at number 150 - but we'll have to wait until 1992 for that.
 
 
 
Bubbling WAY down under:
 
Number 153 "It's No Crime" by Babyface
Peak: number 153
Peak date: 12 February 1990
Weeks on chart: 1 week
 
R & B songwriter and record producer extraordinaire Babyface, real name Kenneth Brian Edmonds, made inroads on the ARIA chart with Bobby Brown in 1989, with his "Every Little Step" - co-written and co-produced by Babyface with partner L.A. Reid - peaking at number 8 in November 1989.  Babyface also co-produced Paula Abdul's debut single - though her third single in Australia - "Knocked Out" (number 82, September 1989), and before that, Pebbles' (she of TLC-manager fame/infamy) legendary "Girlfriend" (number 86, May 1988).

When it came to his own recording career, Babyface would have to wait until 1994 to score his first ARIA top 100 single, "When Can I See You" (number 31, November 1994).  I doubt he cared, though, as in the interim, his compositions with Boyz II Men alone had notched up 29 weeks atop the US Billboard Hot 100 charts.

"It's No Crime" was issued as the lead single from the Tender Lover album (number 143, May 1990), and is another that took over two months to dent the ARIA charts, following its Australian release in late November 1989.  The single had much greater success in Babyface's native US, where it peaked at number 7 on the Billboard Hot 100 chart in October 1989.

Babyface will join us no fewer than six times over the next four years, before his breakthrough Australian 'hit'; the next occasion will be next month.

 
 
Number 158 "To Know Someone Deeply Is to Know Someone Softly" by Terence Trent D'Arby
Peak: number 158
Peak date: 12 February 1990
Weeks on chart: 1 week
 
Sananda Maitreya, the artist formerly known as Terence Trent D'Arby, is like the text-book example of how to totally stuff things up with your second album.  His debut, the modestly-titled Introducing the Hardline According to Terence Trent D'Arby (number 1, May 1988), became the eighth highest-selling album of 1988 in Australia, and was a top 5 success across the globe.  It contained two Australian top 10 singles - "Wishing Well" (number 9, October 1987) and "Sign Your Name" (number 3, May 1988).

Terence's second album, Neither Fish Nor Flesh (A Soundtrack of Love, Faith, Hope & Destruction) (number 40, November 1989), was, in contrast, a spectacular flop, yielding no real hit singles.  "This Side of Love" (number 94, December 1989), the lead single from the album, spent one week inside the ARIA top 100 singles chart.

"To Know Someone Deeply..." didn't exactly rescue the album's fate, peaking at number 55 in the UK in January 1990, and outside the top 150 here.  After this release, the album campaign was wrapped up, and no further singles were issued.

Terence then disappeared for about three and a half years, before returning in 1993 with the album Symphony Or Damn (number 8, June 1993), which, unexpectedly, gave Terence a third and final top 10 single down under, with "She Kissed Me" (number 9, June 1993).

The lack of sustained career success following his highly-successful debut album does not seem to bother Terence much, going by a 2019 interview I caught on YouTube recently.  Terence changed his name to Sananda Maitreya in 2001 - a move he credits with saving his life.  Sananda now speaks of Terence in third-person, according to this interview article with The Irish Times in 2017 - as though Terence was somebody else.

We will see Terence again in 1995.

 
 
Number 161 "Baby You're Mine" by Basia
Peak: number 161
Peak date: 12 February 1990
Weeks on chart: 3 weeks
 
Polish singer Basia, real name Barbara StanisÅ‚awa Trzetrzelewska, got her break singing with Matt Bianco - who, despite the name, were a group.  Basia's voice can be heard prominently on the chorus of Matt Bianco's "Whose Side Are You On..." (number 57, June 1985).

Basia left Matt Bianco in 1985 to embark on a solo career.  Her debut solo album Time and Tide (number 50, May 1989) took over 18 months to take off in Australia.  A single from it, "New Day for You", reached number 69 on the ARIA singles chart in May 1989.  We saw Basia bubble WAY down under in May 1989 with the title track from the album.

"Baby You're Mine" was the lead single from Basia's second album, London Warsaw New York (number 114, March 1990).  "Baby You're Mine" peaked at number 84 in the UK in February 1990, and number 45 in France in May 1990.

We will see Basia again in May.


 
Next week (19 February): A mere three top 150 debuts!  My tired typing hands feel a sense of relief. One of the three new entries next week is a song that bubbled under on two separate occasions, 18 months apart, credited to different artists.  Interesting...  You can also follow my posts on instagram, facebook and twitter.
 
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