No, that's not one of the Village People.
Number 109 "Paranoimia '89" by The Art of Noise
Peak: number 103
Weeks in top 150: 6 weeks
The Art of Noise scored a top 10 hit in early 1989 with their collaboration with Tom Jones. Their original version of this track, featuring the animated robot character Max Headroom on 'vocals', peaked at number 52 on the Australian singles chart in September 1986. This remixed version, sans Max, peaked 51 places lower, and also flopped in the group's native UK, where it peaked at number 88.
Number 113 "Bring It Back Again" by Stray Cats
Peak: number 109
Weeks in top 150: 5 weeks
Weeks on chart: 9 weeks
Peaking at number 95 on the Australian Music Report singles chart, "Bring It Back Again" fell slightly short of the ARIA top 100. Between 1981 and 1983, Stray Cats placed four singles within the Kent Music Report top 100, before splitting up in 1984. The most-successful of their singles on our charts was 1981's "Runaway Boys", peaking at number 15. The group re-formed in 1986, and this was the lead single from their first post-reunion album, Blast Off, which peaked at number 90 in June 1989. Stray Cats will visit us again in 1991.
Number 129 "Trouble Me" by 10,000 Maniacs
Peak: number 102
Weeks in top 150: 17 weeks
Weeks on chart: 18 weeks
10,000 Maniacs were a band I had heard of - by the early-mid 90s - but never gave their music the time of day, after rather incorrectly assuming they would be some kind of thrash metal act, given the band's name. How wrong I was! Accordingly, this excellent song passed me - and most of the Australian record-buying public too, it seems, going by its peak - by at the time. But, just like the band name, sometimes appearances (and chart peaks) can be deceiving. Despite only peaking at number 102 - on three separate, non-consecutive weeks, no less - "Trouble Me" spent a whopping 17 weeks hovering in the number 101-150 region of the chart! Yes, this single was still charting in late October. This gives "Trouble Me" the accolade (?) of being the single peaking outside the top 100 that spent the most weeks on the chart in 1989, beating its nearest rival, When in Rome's "The Promise", by three whole weeks. I've raised the question before: when is a flop almost a hit? The line between 'hit' and 'flop' can sometimes be blurred, indeed. As impressive as "Trouble Me"'s longevity in the 101-150 region of the chart is, it will be surpassed in later years.
"Trouble Me", lifted from the album Blind Man's Zoo (number 84, August 1989) is another single that had greater success on the Australian Music Report chart, where it peaked at number 85. It also reached number 37 on the South Australian/Northern Territory ARIA state chart. The group eventually scored an Australian top 100 hit, in 1997, with their cover version of Roxy Music's "More Than This" (number 94). Lead singer Natalie Merchant, of course, would have greater success as a solo artist, placing her debut solo single "Carnival" at number 24 in October 1995. 10,000 Maniacs will join us again in 1993.
Number 131 "Cathedral Song" by Tanita Tikaram
Peak: number 120
Weeks in top 150: 7 weeks
Weeks on chart: 8 weeks
Tanita's top 30 hit "Twist in My Sobriety" would unfortunately be a one-off for her on the Australian charts; no other single she released troubled the top 100. We've already seen one of Tanita's bubbling under 'hits' in January. "Cathedral Song" also under-performed in the UK, relative to Tanita's earlier singles, peaking at number 48 back in January 1989. A fourth single from the Ancient Heart album, "World Outside Your Window", was released locally in late July 1989, but failed to chart. Tanita will bubble under for a third time, with a single from her second album, in 1990.
Number 137 "Your Love" by Hipsway
Peak: number 103
Weeks in top 150: 7 weeks
Hipsway were a Scottish band, formed in 1984, and contained Johnny McElhone from Altered Images on bass. In 1986, they scored a number 91 'hit' on the Australian singles chart with "The Honeythief". This track peaked at number 66 in the UK in April 1989.
Number 150 "Respect" by Adeva
Peak: number 150
Weeks in top 150: 1 week
Weeks on chart: 2 weeks
You'd never guess upon first listen, but this track is a completely re-worked cover version of the song made famous by Aretha Franklin. I first heard Adeva's rendition of "Respect" when it was used as the B-side to her "Warning!" single - my first musical purchase of the 1990s! "Respect" has a somewhat interesting chart run in Australia. Spending just two weeks on the chart, "Respect"'s first charting week was at number 158 back in early April; it took three months to re-enter at its peak of number 150. Adeva would have greater chart success with later singles from her debut album Adeva!, which, coincidentally, has recently been remastered and re-issued as a 4-CD set (also available to stream on Spotify). Another thing worth checking out, if Adeva is to your liking, is a recent YouTube interview, where Adeva talks about her career, why she quit the business, and some tragic events that have happened in her life. Adeva will join us again in 1990.
Bubbling WAY down under:
Number 151 "Down Boys" by Warrant
Peak: number 151
Weeks on chart: 1 week
Before Warrant made it big with "Cherry Pie" in 1990, and before they even had moderate success with their Australian number 54 smash "Heaven" later in 1989, they bubbled WAY down under with "Down Boys", their debut release. "Down Boys", taken from the album Dirty Rotten Filthy Stinking Rich (number 72, November 1989) had greater success on the US Billboard Hot 100 chart, where it peaked at number 27 in July 1989. It also peaked at number 50 in New Zealand. Warrant will bubble down under again in 1990.
Next week (10 July): Four new entries, including a live rendition of a song that peaked just outside the top 40 in 1977; plus another four bubbling WAY down under entries. Remember, you can also follow my posts on facebook.
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