Showing posts with label Peter Gabriel. Show all posts
Showing posts with label Peter Gabriel. Show all posts
26 April 2025
Week commencing 26 April 1993
This week in 1993’s new entries peaking outside the top 100 in Australia are quite a mixed bag, featuring veteran artists who had been around for decades, as well as new artists making their chart debut. Unusually, we also have two new entries from the same artist. Let’s take a look at them.
PJ Harvey didn’t quite measure up on the Australian chart with this release.
Top 150 debuts:
Number 113 “Sugar Kane” by Sonic Youth
Peak: number 110
Peak date: 3 May 1993
Weeks in top 150: 6 weeks
Chart run: 113-110-122-117-124-134
Weeks on chart: 6 weeks
We last saw American alternative band Sonic Youth in 1992.
“Sugar Kane” was issued as the third single from Sonic Youth’s seventh full-length studio album Dirty (number 22, August 1992). “Sugar Kane” was also the lead track on their Whores Moaning EP (number 44, February 1993), released only in Australia and New Zealand to coincide with their Australasian tour, which was the band’s highest-charting release on the Australian singles chart. It’s unusual that “Sugar Kane” would receive a single release in its own right just a couple of months later.
Internationally, “Sugar Kane” peaked at number 26 in the UK in March 1993. Domestically, the single performed strongest in Victoria/Tasmania, where it reached number 93.
I didn’t know this one at the time, but have caught the music video several times on rage over the years.
Sonic Youth will next join us in 1994.
Number 120 “Blood of Eden” by Peter Gabriel
Peak: number 112
Peak date: 3 May 1993
Weeks in top 150: 5 weeks
Chart run: 174-120-112-123-132-140
Weeks on chart: 6 weeks
English singer-songwriter Peter Gabriel last joined us in 1991.
“Blood of Eden”, featuring uncredited guest vocals on the chorus from Sinéad O’Connor (though she appears in the music video), was the third single lifted from Peter’s sixth studio album Us (number 3, October 1992). It followed “Digging in the Dirt” (number 23, November 1992) and “Steam” (number 29, February 1993). An earlier version of the track, minus vocals from Sinéad, appeared on the 1991 film Until the End of the World, but not on the soundtrack.
Internationally, “Blood of Eden” peaked at number 43 in the UK in April 1993. In Australia, “Blood of Eden” was equally most popular in New South Wales/Australian Capital Territory and Queensland, reaching number 93 on both state charts. “Blood of Eden” performed better nationally on the Australian Music Report singles chart, where it reached number 97.
I didn’t know this one until checking it out on YouTube out of curiosity when I got hold of the 1993 top 150 charts several years ago. I like it a lot, and think it deserved to do much better on the chart.
We shall next see Peter Gabriel in November 1993, and Sinéad O’Connor with another duet in August 1993.
Number 122 “Simple Life” by Elton John
Peak: number 122
Peak date: 26 April 1993
Weeks in top 150: 5 weeks
Top 150 chart run: 122-126-126-138-138
Weeks on chart: 7 weeks
English singer-songwriter Elton John, born Reginald Kenneth Dwight, needs no introduction. Starting with “Your Song” (number 10 on the Go Set chart, April 1971), Elton had placed 62 singles on the Australian top 100 chart at this point in 1993, with “Don’t Go Breaking My Heart” (number 1 for one week in August 1976) and “That’s What Friends Are For” (number 1 for one week in March 1986) reaching the top.
“Simple Life” was the fourth single lifted from Elton’s twenty-third studio album The One (number 2 for two weeks in June-July 1992), following title track “The One” (number 15, June 1992), Eric Clapton duet “Runaway Train” (number 53, September 1992), and “The Last Song” (number 32, January 1993).
Internationally, “Simple Life” peaked at number 3 in Canada in April 1993, number 30 on the US Billboard Hot 100 in April 1993, number 44 in the UK in May 1993, and number 63 in Germany in June 1993. “Simple Life” also registered on three US Billboard genre-specific charts, reaching number 1 on the Adult Contemporary chart in March 1993, number 26 on the Radio Songs chart in April 1993, and number 17 on the Pop Airplay chart in April 1993.
In Australia, “Simple Life” performed strongest in South Australia/Northern Territory, reaching number 99 on the state chart. “Simple Life” peaked higher nationally on the Australian Music Report singles chart, where it reached number 100.
We’ll next see Elton in 1996.
Number 128 “Dreams of Heaven” by Ground Level
Peak: number 119
Peak date: 3 May 1993
Weeks in top 150: 4 weeks
Top 150 chart run: 128-119-136-140
Weeks on chart: 12 weeks
Australian electronic music duo Ground Level were David Walker, hailing from Melbourne, and American Jean-Marie Guilfoil. “Dreams of Heaven”, their fourth single, achieved some underground success in the UK, reaching number 54 on the UK singles chart in January 1993.
“Dreams of Heaven” debuted on the ARIA singles chart at number 174 on 29 March 1993, taking almost a month to crack the top 150. On the state charts, “Dreams of Heaven” performed strongest in Western Australia, reaching number 60. “Dreams of Heaven” fared better nationally on the Australian Music Report singles chart, where it reached number 92.
“Dreams of Heaven” would eventually appear on the debut and only Ground Level album New Moon, in 1995, which did not chart.
I didn’t think I knew “Dreams of Heaven”, but it sounded familiar to me. I am not sure where I might have heard it, though have read it was used as background music on Neighbours at the time - but I stopped watching Neighbours in 1988. “Dreams of Heaven” sounds quite innovative and ahead of its time for 1993, which is impressive for an Australian dance track. It’s a shame that Australian radio wouldn’t touch this kind of music with a barge pole at the time - other than perhaps Triple J - as this could have been a hit had it received better promotion.
We’ll see Ground Level with another new entry, debuting outside the top 150, this week, unusually.
Number 142 “Lord of the Flies” by Scarymother
Peak: number 132
Peak date: 31 May 1993
Weeks in top 150: 10 weeks
Top 150 chart run: 142-136-137-133-137-132-135-141-142-149
Sydney band Scarymother formed in 1990. They supported Faith No More on their Australian tour in April-May 1993, coinciding with the release of their debut single “Lord of the Flies”, which was produced by Faith No More producer Matt Wallace. “Lord of the Flies” would go on to appear on Scarymother’s debut and only album Tai Laeo (number 94, May 1994), which was the band’s only top 100 entry in Australia.
We shall see Scarymother again in August 1993.
Bubbling WAY down under:
Number 176 “Candy Everybody Wants” by 10,000 Maniacs
Peak: number 174
Peak date: 24 May 1993
Weeks on chart: 7 weeks
We last saw American alternative rock band 10,000 Maniacs in February 1993.
“Candy Everybody Wants” was released as the second single from the band’s fifth studio album One Time in Eden (number 171, November 1992). Internationally, the single peaked at number 47 in the UK in April 1993, and at number 67 on the US Billboard Hot 100 in April 1993. In Australia, “Candy Everybody Wants” performed strongest in New South Wales/Australian Capital Territory, reaching number 163 on the state chart.
I hadn’t heard this one before; it’s quite pleasant.
10,000 Maniacs will next join us in 1994.
Number 182 “Anything” by Sydney Youngblood
Peak: number 163
Peak date: 31 May 1993
Weeks on chart: 8 weeks
Germany-based American singer-songwriter Sydney Youngblood last visited us in 1991.
“Anything” was the lead single from Sydney’s third studio album Just the Way It Is (number 211, May 1993). Internationally, “Anything” peaked at number 48 in the UK in March 1993, number 27 in the Flanders region of Belgium in April 1993, and number 51 in Germany in May 1993. Locally, “Anything” was most popular in Western Australia, where it reached number 146 on the state chart.
I didn’t know this one at the time, but digitised the video from a UK HMV in-store VHS compilation I picked up over a decade ago.
This was Sydney’s last single to chart in Australia. A second single from Just the Way It Is, “No Big Deal”, which sounds rather like Ace of Base musically, was released in Europe. Sydney released a fourth album in Europe, The Hat Won’t Fit, in 1994, containing the single “So Good So Right (All I Can Do)”, which has a lyrical and melodic nod to his earlier hit “Sit and Wait” (number 59, April 1990).
1
Number 189 “50 Ft Queenie” by PJ Harvey
Peak: number 179
Peak date: 31 May 1993
Weeks on chart: 4 weeks
PJ Harvey was originally a three-piece band formed in Bristol, England in 1988, named after front woman Polly Jean Harvey who sang and played guitar, with Rob Ellis on drums and backing vocals, and Ian Oliver on bass. The trio released their debut album Dry (number 156, July 1992) in 1992, which contained the singles “Dress” (released in Australia in April 1992, did not chart) and “Sheela-Na-Gig” (released in Australia in March 1992, did not chart).
The trio returned in 1993 with their second album and first major label release Rid of Me (number 110, June 1993), led by the single “50 Ft Queenie”. Internationally, “50 Ft Queenie” peaked at number 27 in the UK in April 1993. Domestically, the single performed strongest in Western Australia, where it reached number 148.
The trio disbanded in August 1993 after growing apart while on tour, and ‘PJ Harvey’ was relaunched as a solo act. An album of demos recorded for the Rid of Me album, 4-Track Demos (number 189, February 1994), was released later in the year, effectively launching Polly’s solo career.
I first became aware of PJ Harvey in early 1995, with the single “Down by the Water” (number 84, April 1995), preceding the album To Bring You My Love (number 38, April 1995), which I purchased. The material from the first two PJ Harvey albums is a little more guitar-heavy than I normally listen to, but I do enjoy “50 Ft Queenie”, no doubt helped by the music video in which Polly really hams it up. My favourite track from Rid of Me is the title track, “Rid of Me”.
Between 1995 and 2001, PJ Harvey placed five singles on the Australian top 100, with “Good Fortune” (number 71, April 2001) being the highest-charting of those. “A Perfect Day Elise” (number 83, September 1998) is probably my favourite single of hers.
We’ll next see PJ Harvey in July 1993.
Number 202 “Don’t Let It Go to Your Head” by The Brand New Heavies
Peak: number 195
Peak date: 28 June 1993
Weeks on chart: 2 weeks
British acid jazz band The Brand New Heavies, containing several American singers, last joined us in 1992. Since then, the band’s second album Heavy Rhyme Experience Vol. 1 (number 282, November 1992), an album of collaborations with other artists, was released.
“Don’t Let It Go to Your Head” was the second single released in Australia from The Brand New Heavies’ debut album The Brand New Heavies (number 139, August 1992). The song is a cover version of a song originally recorded by Jean Carn in 1978.
Internationally, The Brand New Heavies’ version of “Don’t Let It Go to Your Head” peaked at number 24 in the UK in August 1992.
Domestically, “Don’t Let It Go to Your Head” was most popular in Queensland, where it reached number 161 on the state chart.
The Brand New Heavies will next join us in 1994.
Number 204 “Took My Love” by Bizarre Inc featuring Angie Brown
Peak: number 190
Peak date: 3 May 1993
Weeks on chart: 5 weeks
We last saw English dance act Bizarre Inc in 1992.
“Took My Love” was Bizarre Inc’s fourth single release in Australia, and their fourth release to peak outside the top 100. The track was lifted from the band’s second album Energique (released in Australia in November 1992, did not chart). As with their previous single, Angie Brown is again featured on vocals, although this time she does not appear in the music video.
Internationally, “Took My Love” peaked at number 19 in the UK in February 1993, number 17 in Ireland in March 1993, and number 22 in the Netherlands in April 1993. “Took My Love” also peaked at number 1 on the US Billboard Dance Club Songs chart in April 1993, and number 15 on the Dance Singles Sales chart in May 1993.
In Australia, “Took My Love” performed strongest in Western Australia, where it reached number 153 on the state chart.
I didn’t hear this one until finding it on a UK promo VHS compilation about 15 years ago. It no doubt received an airing on the UK Chart Attack radio program.
This was Bizarre Inc’s last charting release in Australia. Angie Brown’s vocals would be heard again on Motiv 8’s “Rockin’ for Myself” (number 9, September 1994).
Number 208 “Out of Body” by Ground Level
Peak: number 208
Peak date: 26 April 1993
Weeks on chart: 2 weeks
The second new entry this week from Australian electronic duo Ground Level, “Out of Body” was their third single, released in Australia only on 12” vinyl in May 1992. I can’t explain its belated debut almost a year later, other than perhaps the ‘success’ of their next release, “Dreams of Heaven” (discussed above) resulted in renewed interest in this track.
On the state charts, “Out of Body” was most popular in Western Australia, where it reached number 174.
We’ll next see Ground Level in November 1993.
Number 220 “Independence” by Lulu
Peak: number 195
Peak date: 10 May 1993
Weeks on chart: 2 weeks
Scottish singer, actress and TV personality Lulu, born Marie McDonald McLaughlin Lawrie, made her Australian chart debut in the 1960s. Her biggest Australian chart hit would not come until the 2000s, though, with her duet with Ronan Keating, “We’ve Got Tonight” (number 12, February 2003). Lulu’s previous charting single in Australia was 1981’s “I Could Never Miss You (More Than I Do)” (number 71, March 1982).
“Independence” was Lulu’s first new single in the UK since 1990. Internationally, “Independence” peaked at number 11 in the UK in January 1993, number 21 in Ireland, and number 52 in Germany in April 1993. The song also reached number 3 on the US Billboard Dance Club Songs chart.
Domestically, “Independence” was most popular in Queensland, where it reached number 169 on the state chart.
We’ll see Lulu again in July 1993. She landed another top 40 hit in Australia as a featured artist on Take That’s “Relight My Fire” (number 33, February 1994).
Number 227 “One Shining Moment” by Diana Ross
Peak: number 227
Peak date: 26 April 1993
Weeks on chart: 1 week
American Motown legend Diana Ross last joined us in 1989. “One Shining Moment” was the belated second single released in Australia from Diana’s nineteenth studio album The Force Behind the Power (number 100, March 1992), following “When You Tell Me That You Love Me” (number 83, March 1992).
Internationally, “One Shining Moment” peaked at number 10 in the UK in June 1992, and number 16 in Ireland.
In Australia, “One Shining Moment” peaked at number 226 on all state charts except Western Australia, where it peaked at number 227. That suggests to me that “One Shining Moment” was very near to, if not at, the bottom of the chart this week in 1993.
Another single from The Force Behind the Power, “If We Hold on Together”, was released in Australia in June 1993, but failed to chart.
Diana will join us next in 1995.
Next week (3 May): Seven top 150 entries and two bubbling WAY down under debuts.
Labels:
10000 Maniacs,
1993,
90s,
Angie Brown,
Bizarre Inc,
Diana Ross,
Elton John,
Ground Level,
Lulu,
Peter Gabriel,
PJ Harvey,
Scarymother,
Sinead O'Connor,
Sonic Youth,
Sydney Youngblood,
The Brand New Heavies,
top 150
04 February 2022
Week commencing 4 February 1991
Ah, readers, we're into February 2022 and what a joy this year has been so far! Let's step back in time to 1991 to remember the 'good old days' with another six Australian chart flops served fresh for you here. Except, one of the six songs is from 1977, and two are from albums released in 1989. Not exactly '90s', hey? But here's what the Australian public were buying... or rather, not buying in bucket loads, this week in 1991...
Peter Gabriel sporting a hair-don't that looks like it came from the 70s, just like his latest single, in 1990.
Top 150 debuts:
Number 125 "Storm Front" (live at Yankee Stadium) by Billy Joel
Peak: number 114
Peak date: 11 February 1991
Weeks in top 150: 7 weeks
Chart run: 125-114-118-116-122-122-133
Weeks on chart: 7 weeks
Despite Billy Joel's Storm Front (number 1, November 1989) album topping the Australian albums chart, the singles released from it after "We Didn't Start the Fire" (number 2, November 1989) were all flops, with "I Go to Extremes" (number 48, February 1990) being the only other one to crack the top 100.
That didn't stop the record company issuing umpteen singles from the album, however, and "Storm Front" - this time, an Australian exclusive live single to coincide with his early 1991 Australian tour - was the fifth (!) in a row to miss the top 100... with still one more single from the album to come! We last saw Billy bubble under in December 1990.
Technically, this live version of "Storm Front", performed at Yankee Stadium, was taken from disc two of Billy's Australian-only Souvenir: The Ultimate Collection (number 1, February 1991) compilation box set, which contains two Greatest Hits discs, the Storm Front album, a disc with five live tracks at Yankee stadium, an interview disc, and a free set of steak knives. OK, well, not the last one, but they might as well have include those too.
Still, with both Souvenir and Storm Front topping the ARIA albums charts, I doubt the record company were too bothered by most of the singles flopping... and so they kept churning them out.
"Storm Front" performed strongest in Queensland, where it reached number 72 on the state chart.
You can listen to the studio version of the track, for contrast, here.
We will see Billy again in early 1992 with the eighth and final single lifted from Storm Front, and (spoiler alert... though not really, as I wouldn't be writing about this song otherwise), yes, it was another one to miss the ARIA top 100.
Number 133 "Solsbury Hill" by Peter Gabriel (1991 release)
Peak: number 121 (in 1991); number 45 (in 1977)
Peak date: 4 March 1991
Weeks in top 150: 10 weeks (1991 release)
Top 150 chart run: 133-127-135-132-121-133-142-136-142-149
Weeks on chart: 11 weeks (1991 release)
This single originally peaked at number 45 in Australia on 4 July 1977, and spent 12 weeks on the top 100.
Prior to Phil Collins taking over vocal duties, Peter Gabriel was once the lead singer in the English progressive rock band Genesis. He left the group in 1975, embarking on a solo career. "Solsbury Hill" was Peter's debut solo single, released in 1977.
Surprisingly, "Solsbury Hill" only peaked at number 45 in Australia in July 1977. I say "surprisingly" because the song was still in high rotation on radio during the 1980s. I knew the song for years, aged in single digits, before I knew the song's title or who performed it. That's not something I can say about many singles from 1977 that missed the top 40.
"Solsbury Hill" fared much better in Peter's native UK, reaching number 13 there in May 1977. The song was an apt choice to launch Peter's solo career, as its lyrics deal with, in Peter's own words, "being prepared to lose what you have for what you might get... It's about letting go."
At this point in time, Peter had placed seven singles on the Australian top 100, with his biggest hits being "Sledgehammer" (number 3, June 1986) and "Don't Give Up" (number 5, April 1987); the latter being a duet with Kate Bush. Both tracks were lifted from Peter's fifth studio album So (number 5, June 1986). Peter also bubbled under with "Red Rain", another single from So, in August 1987, and we last saw him teaming up with Youssou N'Dour in July 1989.
"Solsbury Hill" originally appeared on Peter's debut album Peter Gabriel (number 25, June 1977). The single was re-released to promote Peter's greatest hits compilation album Shaking the Tree (Sixteen Golden Greats) (number 41, December 1990). This time around, a music video was made for the song, although Peter does not appear in it.
Internationally, the re-issue of "Solsbury Hill" peaked at number 57 in the UK in December 1990, and number 26 in the Netherlands in January 1991.
On the ARIA state charts, "Solsbury Hill" performed strongest in Victoria/Tasmania, where it reached number 90.
We shall next see Peter in 1993.
Number 145 "Think" by Information Society
Peak: number 132
Peak date: 18 February 1991
Weeks in top 150: 10 weeks
Top 150 chart run: 145-143-132-142-138-145-141-139-147-143
Information Society hail from Minnesota, and formed in 1982. "Think" was the lead single from their second studio album Hack, and the band's second single issued in Australia, following "What's on Your Mind (Pure Energy)", released in December 1988.
"Think" peaked at number 28 on the US Billboard Hot 100, and number 20 in the Netherlands in March 1991.
I have heard this one before. Someone on a music forum recommended it to me about a decade ago, but I've got a feeling that I probably heard it on the American Top 40 radio program at the time. I like the song, but don't love it.
"Think" was Information Society's only single to dent the ARIA top 150.
Number 147 "If I Have to Stand Alone" by Lonnie Gordon
Peak: number 147
Peak dates: 4 February 1991 and 11 February 1991
Weeks in top 150: 2 weeks
Top 150 chart run: 147-147
Weeks on chart: 4 weeks
American-born though at this point English-produced (hello Stock Aitken Waterman!) Lonnie Gordon graced our presence in September 1990, with her second single released in Australia. Here she is again, with the third.
"If I Have to Stand Alone", the title track from Lonnie's debut album If I Have to Stand Alone (number 173, April 1991), was an uptempo number more akin to "Happenin' All Over Again" (number 33, August 1990) than her previous single, which was a ballad. Not that it helped Lonnie's chart fortunes - here or in the UK - where the single stalled at number 68 in November 1990, leading to the album being shelved by the much more-fickle/risk averse UK record company.
You have to love Australian record companies from this era, seemingly releasing whatever product they could license, regardless of its success on the chart (or were they just clueless, rather than being good-willed?). I remember seeing loads of copies of Lonnie's album in a bargain bin at JB Hi-Fi, which had just opened in my city, in early 1992 - although I did not purchase the album until the 2009 expanded, remastered re-issue.
Working against "If I Have to Stand Alone"'s favour was the fact that Stock Aitken Waterman were definitely perceived as being 'uncool', if not much worse things, at this time. Their commercial heyday had well and truly passed.
Speaking of 'uncool', I loved a comment I read on the music video embedded below (which turns out to be one of my YouTube uploads) some years ago, which referred to Lonnie's "office lady look" in the video.
On the ARIA state charts, "If I Have to Stand Alone" performed strongest in Queensland, where it reached number 104.
I didn't actually hear this track at the time, though remember seeing the single in the shops.
We will next see Lonnie in July 1991, with a new sound and a radically different look.
Number 150 "Too Tired" by Gary Moore featuring Albert Collins
Peak: number 130
Peak date: 4 March 1991
Weeks in top 150: 7 weeks
Top 150 chart run: 150-137-133-134-130-147-144
Weeks on chart: 9 weeks
By this point, Northern Irish singer and guitar maestro Gary Moore had landed two decent-sized hits in Australia, with a cover version of The Easybeats' "Friday on My Mind" (number 25, September 1987), and the original "Still Got the Blues (For You)" (number 18, July 1990). Gary last joined us in April 1989. My favourite Gary Moore track that I know is "Over the Hills and Far Away" (number 94, April 1987).
"Too Tired" was the fourth and final single lifted from Gary's eighth studio album Still Got the Blues (number 5, July 1990). It followed "Oh Pretty Woman" (number 50, June 1990), "Still Got the Blues (For You)", and "Walking by Myself" (number 55, November 1990). This time, Gary teamed up with American blues guitarist Albert Collins, covering a song originally recorded by Johnny Guitar Watson.
Internationally, "Too Tired" peaked at number 71 in the UK in December 1990.
On the ARIA state charts, "Too Tired" performed strongest in South Australia/Northern Territory, where it reached number 87.
Sadly, Albert died from lung cancer in 1993, aged 61. Gary has also since passed on, aged 58, following a heart attack linked to alcoholism, in 2011.
We will next see Gary in 1992.
Bubbling WAY down under:
Number 169 "It's OK (It's Alright)" by Fine Young Cannibals
Peak: number 169
Peak date: 4 February 1991
Weeks on chart: 1 week
British band Fine Young Cannibals have joined us twice previously, in February and April of 1990. After a ten month gap, "It's OK (It's Alright)" was issued as the sixth and final single from The Raw & The Cooked (number 1, July 1989) in Australia in January 1991. It came just short of two years since the album's first single "She Drives Me Crazy" (number 1, March 1989) was released in Australia, in early February 1989.
"It's OK (It's Alright)" was, however, presumably released as a single at this point to promote the band's remix album The Raw & The Remix (number 114, March 1991).
"It's OK (It's Alright)", while being a decent track, presumably did not chart that well because it was from an already two years-old album that most people who liked the band probably already owned. I also did not hear the track at the time, so it presumably received very little promotion.
No proper music video was filmed for "It's OK...". In lieu of a video, a live performance was used. The studio version of the track is embedded below.
"It's OK (It's Alright)" did not chart in any other country. On the state charts, "It's OK (It's Alright)" performed strongest in New South Wales/Australian Capital Territory, where it reached number 154.
Fine Young Cannibals quietly disbanded in 1992. I was unaware of any official announcement of their split happening.
The group returned in 1996 for a best-of compilation The Finest (number 56, December 1996) - despite only having released two studio albums. They also had one further charting single in Australia with "The Flame" (number 85, November 1996).
Next week (11 February): Six top 150 debuts and five bubbling WAY down under entries.
17 July 2020
Week commencing 17 July 1989
Excluding the original release of one of this week's new entries, 5 of the 6 debuts (not counting the Bubbling WAY down under entry - though that too would qualify) charted no higher than number 61 anywhere in the world. Furthermore, four of the tracks I write about this week didn't chart anywhere else - on a real chart, I mean. Yay for Australia giving these flops a go! Let's take a look at this week's entries:
Next week (24 July): Among the seven new top 150-peaking entries next week, we have not one, but two singles that peak at number 101, and one that peaked at number 102! There is also one bubbling WAY down under debut. You can also follow my posts on facebook.
< Previous week: 10 July 1989 Next week: 24 July 1989 >
Yello: Of course I'd be lying if I said I didn't want to wear a bear suit in a music video.
Top 150 debuts:
Number 133 "Shakin' the Tree" by Youssou N'Dour & Peter Gabriel
Peak: number 131
Peak date: 14 August 1989
Weeks in top 150: 7 weeks
Chart run: 133-132-142-142-131-135-141
Weeks on chart: 7 weeks
Five years before his breakthrough duet hit with Neneh Cherry, Senegalese singer Youssou N'Dour made his Australian singles chart debut with another duet; this time with Peter Gabriel, who we last saw on the chart in 1987. "Shakin' the Tree" was lifted from N'Dour's album The Lion. It would also become the title of Gabriel's 'greatest hits' collection released the following year (albeit as Shaking the Tree) - although the title track wasn't exactly a chart 'hit' anywhere, with number 61 in the UK being its highest chart placing anywhere that I am aware of. Youssou N'Dour will join us again in 1994. Peter Gabriel will next join us in 1991.
Number 136 "Planet Texas" by Kenny Rogers
Peak: number 129
Peak date: 7 August 1989
Weeks in top 150: 6 weeks
Chart run: 166-(off chart for 2 weeks)-136-140-137-129-140-146
Weeks on chart: 7 weeks
The recently-departed Kenny Rogers was last on the Australian singles chart in 1985 with "Real Love", a duet with Dolly Parton. "Planet Texas" was the lead single from his album Something Inside So Strong, which peaked at number 133 on the ARIA albums chart in June 1989. Interestingly, this single did not chart anywhere else (I do not count the US and Canadian Country charts as real charts). We will see Kenny again in 1990.
Number 144 "Crescendo" by Tim Finn
Peak: number 120
Peak date: 24 July 1989
Weeks in top 150: 8 weeks
Chart run: 144-120-127-124-127-134-138-144
Weeks on chart: 8 weeks
Tim had scored four solo top 40 singles in Australia; the largest of those being 1983's "Fraction Too Much Friction", which peaked at number 8. The second single from Tim's self-titled album, "Crescendo" followed up his number 27-peaking "How'm I Gonna Sleep" from earlier in the year. "Crescendo" did not chart anywhere else, and Tim would never again score another solo top 40 hit in Australia. Tim will join us again in 1990.
Number 148 "Of Course I'm Lying" by Yello
Peak: number 123
Peak date: 14 August 1989
Weeks in top 150: 12 weeks
Chart run: 158-(off chart for 1 week)-148-(off chart for 1 week)-148-147-123-132-134-133-138-138-130-142-140
Weeks on chart: 13 weeks
Swiss duo Dieter Meier and Boris Blank formed Yello in 1979. The pair landed their first 'hit' on the Australian chart in 1985, when "Vicious Games" reached number 51 in September of that year. "Oh Yeah", Yello's biggest hit by far in Australia, peaked at number 9 in September 1988.
"The Race", the first single lifted from Yello's sixth studio album Flag (number 94, February 1989), spent three consecutive weeks at its peak of number 56 in September 1988. The album's second single, "Tied Up", was issued in Australia in March 1989, but failed to chart.
"Of Course I'm Lying", the third single from Flag, is a song about how much you love when your partner lies to you... and is just the kind of thing only Yello would think of doing.
"Of Course I'm Lying" fared much better in the UK, where it peaked 100 places higher, at number 23. The single also performed stronger on the Australian Music Report chart, where it peaked at number 86.
On the ARIA state charts, "Of Course I'm Lying" performed strongest in South Australia/Northern Territory, where it reached number 61. The single did not make the top 100 on any of the four other ARIA state charts.
Despite its low peak in Australia, "Of Course I'm Lying" had one of the longer chart runs for a single peaking outside the top 100, spending 12 weeks within the top 150. Yello are still going, and released a new single just recently.
We will see Yello next in 1991.
Number 149 "Roadhouse Blues" by The Jeff Healey Band
Peak: number 146
Peak date: 24 July 1989
Weeks in top 150: 2 weeks
Top 150 chart run: 149-146
Lifted from the movie Road House, starring Patrick Swayze, "Roadhouse Blues" followed up The Jeff Healey Band's top 150 'hit' "Angel Eyes" from a mere month ago. This is another one that doesn't seem to have charted anywhere else, other than on Billboard's Modern Rock Tracks chart (which I don't consider a real chart). "Roadhouse Blues" had greater success on the Australian Music Report chart, where it peaked at number 97. We will see another song from the movie bubble down under in just over a month. The Jeff Healey Band will join us for a third time in October 1990.
Number 150 "Rock On” (Shep Pettibone Remix)" by David Essex
Peak: number 150
Peak dates: 17 July 1989 and 31 July 1989
Weeks in top 150: 2 weeks
Top 150 chart run: 150-(out for 1 week)-150
Later in July 1989, Michael Damian's cover version of this David Essex track from 1973 reached number 55 on the ARIA singles chart. Here we have the original, with a remixed version by Shep Pettibone, to update it for the late 1980s. David's original version of "Rock On" peaked at number 8 on the Kent Music Report chart. This remixed version of "Rock On" also charted in the UK, where it peaked at number 93 in March 1989. David Essex was last on the Australian singles chart in 1987 with "Mywanwy" (number 40, September 1987).
Bubbling WAY down under:
Number 158 "(He's Got) The Look" by Vanessa Williams
Peak: number 158
Peak date: 17 July 1989
Weeks on chart: 1 week
We saw Vanessa Williams back in April, with her first Australian chart 'hit' "Dreamin'", and here she was with the follow-up... locally, anyway. "(He's Got) The Look" was actually released before "Dreamin'" in the US, where it reached number 10 on the R&B chart (again, not a real chart in my book) in October 1988, and seems to have not charted anywhere else. We will see Vanessa next in 1991.
Next week (24 July): Among the seven new top 150-peaking entries next week, we have not one, but two singles that peak at number 101, and one that peaked at number 102! There is also one bubbling WAY down under debut. You can also follow my posts on facebook.
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