Showing posts with label Glenn Medeiros. Show all posts
Showing posts with label Glenn Medeiros. Show all posts

15 October 2021

Week commencing 15 October 1990

There isn't much I can find linking this week's debuts together, so let's just jump straight in...  But, before we do, I want to highlight that I have now added all of the 'peak date' data to my 1989 chart recaps - a reader requested I do that some time ago.  Also, I have updated a post from September 1989 with a newly-uncovered bubbling WAY down under entry from Bonnie Raitt.
 
Belinda Carlisle: the runaway horses have bolted from the ARIA top 100.
 
Top 150 debuts:
 
Number 123 "All I'm Missing Is You" by Glenn Medeiros
Peak: number 101
Peak date: 29 October 1990
Weeks in top 150: 7 weeks
Top 150 chart run: 123-102-101-104-108-113-125
 
Hawaiian singer Glenn Medeiros made an appearance on the first ARIA singles chart that extended beyond number 100, in January 1989.  Glenn landed two major hits in Australia, "Nothing's Gonna Change My Love for You" (number 10, February 1988) and "She Ain't Worth It" (number 8, August 1990), which sound quite different to each other.  The latter track featured Bobby Brown as a guest rapper, and the former took just over 6 months from its release to reach its eventual peak on the Australian chart.
 
"All I'm Missing Is You", produced by Ray Parker Jr., was the second single lifted from Glenn's third album Glenn Medeiros (number 69, September 1990), which was actually his second self-titled album!  Glenn's 1990 self-titled album performed better in Australia than 1987's Glenn Medeiros (number 98, February 1988) and Not Me (number 124, March 1989).
 
In the US, "All I'm Missing Is You" peaked at number 32 on the Billboard Hot 100 in October 1990.  The single also reached number 70 in Germany in November 1990.

"All I'm Missing Is You" performed slightly better on the Australian Music Report singles chart, where it reached number 95.
 
This would be Glenn's last ARIA top 150 entry.  Glenn is now employed as a school principal in Honolulu.
 
 
 
Number 125 "(We Want) The Same Thing" by Belinda Carlisle
Peak: number 103
Peak date: 29 October 1990
Weeks in top 150: 8 weeks
Chart run: 125-112-103-116-112-112-113-120
Weeks on chart: 8 weeks

We saw Belinda Carlisle appear as a featured artist in May 1990.
 
Belinda's chart career started when she was the lead singer of Go-Go's (technically there is no 'the' in their name!).  Their 1981 single "Our Lips Are Sealed" reached number 2 on the Australian singles chart in January 1982.  Three other Go-Go's singles, "We Got the Beat" (number 29, May 1982), "Vacation" (number 43, August 1982) and "Head Over Heels" (number 60, July 1984) registered on the Australian chart.

To my surprise, "Our Lips Are Sealed" was much bigger in Australia than it was in the Go-Go's native US, where it only reached number 20, in December 1981.  "Our Lips Are Sealed" also bombed in the UK at number 47 in June 1982.  The Fun Boy Three version of the track (the song was co-written with Terry Hall from the group) was a UK number 7 hit, though, in May 1983.

While the group would later reform, Go-Go's disbanded in 1985, and two of its members, Belinda Carlisle and Jane Wiedlin (who wrote "Our Lips Are Sealed" with Terry Hall), launched solo recording careers.
 
Jane Wiedlin's only solo release to (kind of) register on the Australian chart was her single "Rush Hour", which did not chart nationally, but reached number 88 on the New South Wales/Australian Capital Territory state chart, and number 63 in Western Australia in November 1988.  If the ARIA chart extended beyond number 100 in 1988, "Rush Hour" probably would have peaked just outside the top 100.

Belinda's first solo release, "Mad About You", peaked at number 9 on the Australian singles chart in October 1986.  A second single from the Belinda (number 42, November 1986) album, "I Feel the Magic" (released in Australia in October 1986), failed to chart.
 
Belinda achieved greater, and more-consistent, commercial success after switching record labels in 1987.  "Heaven Is a Place on Earth" topped both the US (December 1987) and UK (January 1988) singles charts, and also went to number 1 in New Zealand, Norway, Sweden and Switzerland.  In Australia,"Heaven..." peaked at number 2 in February 1988.
 
Subsequent singles from Belinda's second album Heaven on Earth (number 13, March 1988) were less-successful, but both "I Get Weak" (number 34, April 1988) and "Circle in the Sand" were top 10 hits in the US and UK.  "Circle in the Sand", issued in Australia in May 1988, missed the national chart (when it ended at number 100), but registered on the Queensland and Western Australia state charts, where it peaked at numbers 97 and 84, respectively, in July 1988.  A fourth single from Heaven on Earth, "World without You", was issued in Australia in September 1988, but did not chart.

That brings us to Belinda's third solo album Runaway Horses (number 6, June 1990).  While the album was Belinda's most successful in Australia, being certified double platinum, it did not perform as well as Heaven on Earth in the US or UK, and marked the start of Belinda's commercial decline, particularly in the US, where the album peaked at number 37 in December 1989, and only two singles from it charted.

Six singles were issued from Runaway Horses in Australia, with "(We Want) The Same Thing" being the last of those.  It followed "Leave a Light On" (number 5, January 1990), "La Luna" (number 21, January 1990), "Summer Rain" (number 6, May 1990), "Runaway Horses" (number 44, July 1990), and "Vision of You" (number 84, August 1990).

Despite its lack of success in Australia, "(We Want) The Same Thing" gave Belinda a career resurgence in the UK, where it peaked at number 6 in November 1990, following a string of underperforming singles that peaked at numbers 38, 40, and 41.  The UK follow-up release of "Summer Rain" propelled the Runaway Horses album back into the top 10, more than a year after its release.
 
"(We Want) The Same Thing" peaked at number 22 in Ireland in November 1990, and number 53 in Germany in December 1990.  On the ARIA state charts, "(We Want) The Same Thing" performed strongest in Victoria/Tasmania, where it reached number 69.  The single also peaked within the top 100 on the New South Wales/Australian Capital Territory (number 99) and South Australia/Northern Territory (number 83) state charts.
 
"(We Want) The Same Thing" was remixed for its single release, and sounds quite different to the original album version.  The music video for "(We Want) The Same Thing" is a bit of a botched job, using live footage as well as excerpts from earlier Belinda Carlisle videos.
 
One memory I have regarding this track is that my dad heard it on the radio when moving our car from the driveway into the garage, liked it, and asked me about it - not that this helped the song become a hit in Australia.

Belinda will bubble under four more times between now and 1997, with the next occasion being in 1992.
 

 
Number 132 "In the Evening" by Girl Overboard
Peak: number 130
Peak date: 12 November 1990
Weeks in top 150: 6 weeks
Top 150 chart run: 132-133-140-134-130-135
Weeks on chart: 7 weeks
 
Australian band Girl Overboard formed in 1985, although were named Separate Tables until the second half of 1989.  As Separate Tables, the group issued three singles: "When the World Came Down" (number 82, February 1988), "Change My Sex" (released in May 1988, did not chart), and "Wrap Your Arms Around Me" (number 71, April 1989).  The latter track ended up on Girl Overboard's debut album Paint a Picture (number 18, March 1990).
 
Following a name change, the first Girl Overboard single, "I Can't Believe" (number 43, December 1989), was released in October 1989.  The second Girl Overboard single, "The Love We Make", became the band's biggest hit, reaching number 23 in March 1990.  Then followed "Permanent Friend"/"Some Things Never Change" (number 85, June 1990), which didn't fare as well on the chart.

"In the Evening" was the fourth... or sixth, if you count "Wrap Your Arms Around Me" and the titles from the previous double A-side release separately, single from Paint a Picture, and its final release.  "In the Evening" performed strongest in Queensland, where it reached number 95.

Lisa Schouw, the band's lead singer, later became a psychotherapist, but sadly died in October 2020, aged 62, from melanoma.

We shall next see Girl Overboard in 1992.
 


Number 144 Rollercoaster E.P. by The Jesus and Mary Chain
Peak: number 110
Peak date: 19 November 1990
Weeks in top 150: 9 weeks
Chart run: 144-132-131-122-117-110-128-122-(out for 4 weeks)-144 
Weeks on chart: 9 weeks

Led by the title track "Rollercoaster", The Jesus and Mary Chain's Rollercoaster E.P. was the Scottish band's second single to dent the Australian top 150, following "Head On" back in December 1989.

The EP peaked at number 46 in the UK in September 1990, number 25 in Ireland in September 1990, and number 28 in New Zealand in October 1990.
 
Locally, the Rollercoaster EP performed strongest in South Australia/Northern Territory, where it reached number 84 on the state chart.

"Rollercoaster" eventually appeared on the band's fourth studio album Honey's Dead (number 44, April 1992).

One thing I always remember about The Jesus and Mary Chain is that Australian Democrats senator Natasha Stott Despoja said they were her favourite band, though I don't remember where I read or heard this... perhaps during a Triple J radio interview.

We shall next see The Jesus and Mary Chain in 1993.



Number 148 "Your Love Takes Me Higher" by The Beloved
Peak: number 148
Peak date: 15 October 1990
Weeks in top 150: 1 week
Chart run: 148
Weeks on chart: 1 week

There are artists who are underrated, and then there are artists who are criminally underrated.  British group The Beloved fall into the latter category when it comes to the Australian charts.  Nothing the band released locally - and they did try, with 10 singles and 4 albums issued locally between 1990 and 1996 - peaked higher than number 88 on Australian charts.

The Beloved formed in 1983, and had been releasing music independently in the UK since 1986.  Their first major label album Happiness (number 104, June 1990) landed them three top 40 hits in their homeland.

The first release of "Your Love Takes Me Higher" in the UK, promoted with an earlier music video showcasing singer Jon Marsh's dancing... talents, peaked at number 91 there in February 1989.  The track achieved a new peak of number 39 in the UK in March 1990 when re-issued, with a higher budget video (embedded below).

In Australia, "Your Love Takes Me Higher" was the third single released from Happiness, following "Hello" (number 94, May 1990) and "Time After Time" (released in Australia in June 1990, did not chart).  I am surprised that "Time After Time", one of my favourite Beloved singles, did not chart at all in Australia, given that the music video received at least two airings on Countdown Revolution during prime-time viewing.  I also feel that "Your Love...", which received exposure via Countdown Revolution too, should have done much better.

On the state charts, "Your Love Take Me Higher" performed strongest in South Australia/Northern Territory, where it reached number 124.

The Beloved bubbled under on the Australian singles chart no fewer than seven times between 1990 and 1996.  We will next see The Beloved in January 1991.



Number 149 "Dr. Dynamite" by Mighty Big Crime
Peak: number 121
Peak date: 29 October 1990
Weeks in top 150: 6 weeks
Chart run: 151-149-(off chart for 1 week)-121-127-122-124-133
Weeks on chart: 7 weeks

Mighty Big Crime were the Melbourne-based hip-hop duo Tricky J (real name Julien Lodge) and Gumpy (Andrew Phillips).  Between 1987 and 1991, the pair released six singles, although none of these made the top 100.  Their cover of Alice Cooper's "School's Out" did, however, make the Australian Music Report's list of singles receiving significant sales reports beyond the top 100, reaching fourth place on the list in December 1988.
 
The Wikipedia page for the group mentions a 1989 album titled Get Outta My Face, but this is not listed in the weekly Australian Music Report or The ARIA Report lists of new release titles I have, and there does not seem to be any trace of the album's existence online.  Similarly, at the time of writing this, there is no trace of "Dr. Dynamite" online either, other than vinyl copies of the single listed for sale (I don't care for vinyl at all).  This sort of thing seems to happen a lot to Australian artists, unfortunately.

I do, however, remember the song, as from memory it made the voted-for-by-listeners Top 8 at 8 radio show hosted by John Peters, which aired on Triple M in Melbourne.  A music video for "Dr. Dynamite" does exist, and was nominated for best video at the 1991 ARIA Awards.  Just, it hasn't made its way onto YouTube or other video streaming sites... yet!

On the state charts, "Dr. Dynamite" performed strongest in Queensland, where it reached number 81.

Tricky and Gumpy went on to form Freaked Out Flower Children, who scored a top 40 hit with "Spill the Wine" (number 31, February 1992); but before then, we will see Mighty Big Crime bubble under again in 1991.



Number 150 "To Sir with Love" by Ngaire
Peak: number 150
Peak date: 15 October 1990
Weeks in top 150: 1 week 
Top 150 chart run: 150
 
Ngaire Fuata, not to be confused with the second series of Australian Idol contestant Ngaiire, was a New Zealand-based soul-pop singer who was born in the UK.  I say 'was' because she now works as a television producer for TVNZ, New Zealand's public broadcasting station.

"To Sir with Love", a cover of the Lulu song, was released as Ngaire's (pronounced ny-ree) debut single, and went to number 1 in New Zealand for five weeks in October and November of 1990.  In Australia, Ngaire wasn't so fortunate, and the single just scraped into the top 150 for a solitary week.

While "To Sir with Love" was Ngaire's only foray into the Australian top 150, she landed another five top 50 singles in New Zealand between 1991 and 1996 - although none of these peaked higher than number 18.
 
 
 
Bubbling WAY down under:
 
Number 155 "Rebel Music" by Rebel MC
Peak: number 155
Peak date: 15 October 1990
Weeks on chart: 2 weeks
 
UK rapper Rebel MC has visited us on two prior occasions, in March 1990 with Double Trouble, and in July 1990 on his own.  Here he is for the third, and final, time, on his own again.

"Rebel Music" was the fourth and final single issued from the Rebel Music (number 98, July 1990) album.  The track features guest vocals on the chorus from Jenni Evans, who became the female vocalist in Matt Bianco after Basia left.  Jenni died around five years ago if what I am reading on discogs.com is correct.
 
In the UK, "Rebel Music" peaked at number 53 in June 1990.  On the ARIA state charts, "Rebel Music" performed strongest in South Australia/Northern Territory, where it reached number 139.
 
I don't remember hearing this track at the time, but veteran Australian music video program rage aired the clip in 2020 during a dance music from 1990-themed vault episode.

"Rebel Music" would be Rebel MC's last release to chart in Australia, although another single, "Tribal Base", was released locally in September 1991.  We will see his former collaborative partners Double Trouble next week.
 
 
 
Next week (22 October): A bumper week with nine new top 150-peaking debuts.
 
< Previous week: 8 October 1990                                   Next week: 22 October 1990 >

03 February 2020

Livin' on the Edge of the Top 100: 13 singles that peaked at number 101 in Australia (1989-1991)


This post is the first in a series of occasional 'special' posts, that differ in content from my weekly recaps of top 150 debuts.

Since following the charts, it has always been a fascination of mine to see which releases have just missed out on reaching certain coveted positions - whether that's a number 2 single that missed reaching the top, a number 11 single that just missed the top ten, or a number 41 single that narrowly missed the top 40.

Remember that time that Gail and Jane from Neighbours tried to become pop stars?  Thought not.

In this post, we'll take a look at singles that just missed the top 100, between January 1989 and December 1991.


Singles peaking at number 101 on the Australian singles chart (1989-1991):

"Hey Ciao" by Albie Wilde & The Dayglos
 Peak date: 12 June 1989

The most interesting thing about this release is that it features Jane (Annie Jones) and Gail (Fiona Corke) from Neighbours, who also appear in the video, as backing vocalists!  I remember this track being reviewed in either Smash Hits or rival Hit Songwords, with the comment that it was probably the first time an act's backing singers were more-famous than the front person of a group.  Still, 'Hey Ciao' performed better on the charts here than fellow Neighbour Stefan Dennis's attempt at becoming a pop star - though I'm not certain that got a local release, as it does not appear in the Australian Music Reports new releases lists, despite rage playing the video.



"Sky High" (1989 Remix) by Jigsaw UK
Peak date: 17 July 1989

I guess we must have had an Australian band called Jigsaw for the UK act to be re-branded 'Jigsaw UK' down under.  Before Newton's Stock/Aitken-produced cover version of the 1975 Jigsaw track in 1994, Pete Hammond (also associated with Stock Aitken Waterman) had a go at remixing the original for a 1989 release.  This sounds remarkably similar to the Newton version, to my ears - at least vocally.  Curiously, this version took eight weeks to reach its peak of number 101, before falling off the chart the following week.



"One" by Bee Gees
Peak date: 24 July 1989

This 'one' interestingly debuted at its peak of number 101 and could not manage to climb 'one' place higher to reach the top 100.  The Australian top 100 singles chart remained a hit-free zone for the Bee Gees for nearly a decade, between when 'You Win Again' left the top 100 in February 1988 and 'Alone' gave them another hit in June 1997.  A case of the tall poppy?



"(You Make Me) Rock Hard" by Kiss
Peak date: 14 August 1989

Gotta love that title, eh?  The follow-up to 'Let's Put the X in Sex', '(You Make Me) Rock Hard' was also lifted from their Smashes, Thrashes & Hits greatest hits album.  Except that this one didn't become a hit - or even chart - anywhere else, from what I can gather.

Kiss seemed to be well into their glam metal phase, with several if not all of the band members (dare I say it) not looking that unlike Cher in the late 80s in the music video.



"Great Balls of Fire" by Jerry Lee Lewis
Peak date: 11 September 1989

Jerry re-recorded his 1957 hit for the soundtrack of the 1989 movie of the same name.  Surprisingly, this had no connection to Jive Bunny and The Mastermixers, who sampled this song on one of their two 1989 hits.



"Prayer for You" by Texas
Peak date: 12 February 1990

Texas had a hard time following up their top 10 single from 1989 with anything substantial.  Until 1997, their next-biggest hit on the Australian singles chart could reach no higher than number 52.  They'd have to settle for number 101 with this, the fourth and final single from their Southside album.



"Livin' on the Edge of the Night" by Iggy Pop
Peak date: 26 March 1990

Iggy actually wears a shirt and jacket in the video for this one, unusually.  Iggy would score a hit later in 1990 with his duet with Kate Pearson, but for now, he'd have to settle for livin' on the edge of the top 100.



"Don't Be Cruel" (Rapacious Edit) by Bobby Brown
Peak date: 11 June 1990

The original peaked at number 72 in 1989, but this remixed version fared even worse on the Australian chart.  Bobby would peak 100 places higher though with his next release.



"All I'm Missing Is You" by Glenn Medeiros
Peak date: 29 October 1990

Speaking of Bobby Brown, Glenn seemed to have undergone a 'Bobby Brown' makeover in 1990, with the aforementioned star featuring on his second and final hit.  It didn't seem terribly convincing.  Neither did this.



"From a Distance" by Cliff Richard
Peak date: 7 January 1991

Debuting on the chart a mere six weeks after the Bette Midler version of the same song, Cliff's version landed just a small distance from the top 100.  Now Cliff is the sort of artist who seems more likely to sing lyrics like "God is watching us" than Bette...



"Auberge" by Chris Rea
Peak date: 25 March 1991

'Auberge' is a French word for inn, and Chris Rea couldn't quite make it in to the top 100 with this one.  In fact, Chris wouldn't make it into the top 100 singles chart in Oz again.



"Happy" by Ned's Atomic Dustbin
Peak date: 3 June 1991

I remember hearing Ned's Atomic Dustbin being mentioned on the ABC's The Afternoon Show, but don't recall hearing any of their music before.



"Only You" by Keith Urban
Peak date: 1 July 1991

Everyone's got to start somewhere, and for Keith, that was at number 101, with his second single release - a whole 11 and a half years before scoring his first top 100 entry on the Australian singles chart.



Normal service will resume with my recap of new top 150 entries on 6 February.

                                            Singles that peaked at number 101 in Australia 1992-1994 >

29 January 2020

Week commencing 30 January 1989 - part 1

Welcome to the first weekly post recapping the new entries on the Australian singles chart that peaked between numbers 101 and 150.  Occasionally, I will also be listing some singles with known peaks outside the top 150.

If you're wondering why I'm not covering new entries within the top 100, there's a whole separate blog devoted to that.

As this was the first singles chart that extended beyond number 100, there are quite a few new entries.  Because it's such a long post, I shall be splitting it into two parts.

Despite it now being late January in 1989, many of the singles below had been released months earlier - some as early as July 1988 - without ever denting the lofty heights of the top 100.

  Eighth Wonder: Ah Patsy... never mind the rock star husbands, she could have been a pop icon herself!

Top 150 debuts:

Number 113 "Love Is All That Matters" by The Human League
Peak: number 113
Peak date: 30 January 1989
Weeks in top 150: 2 weeks 
Chart run: 113-125
Weeks on chart: 2 weeks

Released in Australia in mid-November 1988 to promote their Greatest Hits (number 76, January 1989) album, The Human League's first 'charting' single since 1986's "Human" (number 26, October 1986), this one stalled at number 113.  Given that the single had been out for over two months by this point, you have to wonder if it might have peaked nearer to 100 in the interim... but we'll never know.  Interestingly, the song was lifted from their 1986 studio album Crash (number 32, October 1986), rather than being a new recording.  I remember seeing this release reviewed in (the Australian edition of) Smash Hits, and even spotting the cassingle in my local Myer, but never actually hearing the song until 2008.

Internationally, "Love Is All That Matters" peaked at number 41 in the UK in October 1988, and number 27 in Ireland in October 1988.

Domestically, "Love Is All That Matters" performed strongest in South Australia/Northern Territory, where it reached number 66 on the state chart in October 1988.  "Love Is All That Matters" peaked within the top 100 on all five state charts.

We will next see The Human League in 1990.


 
Number 114 "I'm Gonna Be Strong" by Bill Medley
Peak: number 114
Peak date: 30 January 1989
Weeks in top 150: 1 week 
Top 150 chart run: 114

Bill Medley was one half of The Righteous Brothers, who are best known for "Unchained Melody" (number 1 for 5 weeks in November-December 1990; originally peaking at number 3 in Australia in September 1965).  As a solo artist, Bill's sole Australian top 100 singles chart entry was his duet with Jennifer Warnes, "(I've Had) The Time of My Life" (number 1 for 6 weeks in January-February 1988), from the Dirty Dancing soundtrack album (number 1 for 8 weeks in February-March 1988), which was the highest-selling single of 1988 in Australia.  "I'm Gonna Be Strong" was released in Australia in November 1988.

I've never actually heard this one before.  It's a cover version of a 1963 song recorded by Frankie Laine, which was later covered by Gene Pitney (his version peaked at number 5 in Australia in December 1964), and Cyndi Lauper's band Blue Angel in 1980.  Cyndi also covered the song solo, and we'll see her version bubble under in 1995.

Internationally, Bill's version of "I'm Gonna Be Strong" peaked at number 171 (number 132 on the compressed chart) in the UK in November 1988.

While we won't see Bill again as a solo artist, The Righteous Brothers will bubble under in 1991.


Number 116 "Cross My Heart" by Eighth Wonder
Peak: number 116
Peak date: 30 January 1989
Weeks in top 150: 1 week
Chart run: 116
Weeks on chart: 1 week

After a string of flop releases, child actor-turned-adult actor-turned pop star (for a short while, anyway) Patsy Kensit and her band Eighth Wonder scored two UK top 15 hits in 1988, with the Pet Shop Boys-penned "I'm Not Scared", and this... a Michael Jay (the man behind Martika's debut album, among other things) written track produced by Phil Harding of PWL (the label owned by Pete Waterman of Stock Aitken Waterman).  With that pedigree, something was bound to give Eighth Wonder a hit eventually - just not in Australia, sadly.

"Cross My Heart" appears to have first been recorded by Tracie Spencer, for her 1988 self-titled debut album.  Tracie's version received a single release in Japan.  Martika also recorded her own version of this track for her aforementioned debut album.  Although both Tracie and Martika have a technically stronger voice than Patsy, I find something about Patsy's paper-thin vocals really endearing.

This single was released in Australia back in September 1988.  It fared better on the state charts, where it peaked as high as number 56 in New South Wales/ACT in November, and number 58 in South Australia/Northern Territory in December.  That makes me think that "Cross My Heart" probably would have peaked higher than number 116 on the national chart had it extended beyond number 100 earlier.

Internationally, "Cross My Heart" peaked at number 13 in the UK in July 1988, number 16 in Ireland, number 6 in Switzerland in August 1988, number 17 in Germany in August 1988, number 6 in Norway, and number 13 in France in February 1989.

I actually read Patsy's autobiography a while back, as I thought she was someone who'd likely had an interesting life (and that's before we get to the numerous rock-star husbands).  In it, she seems a little embarrassed of her pop star phase, never feeling too confident in her singing ability.  It's a shame, as she made a great pop star, I thought.

But this song wasn't all for Patsy and... er, the others on the Australian charts.  They will be back soon enough with another top 150 smash!


Number 117 "Rubber Love" by Bigstorm
Peak: number 117
Peak date: 30 January 1989
Weeks in top 150: 5 weeks 
Top 150 chart run: 117-126-129-128-132

I haven't actually heard this one before.  Vocally, it reminds me of Alice Cooper in parts.  The group don't currently have a Wikipedia page, so I can't tell you much about them.  Their discogs.com page does not reveal much either... although only an Australian pressing is listed for this single, so I assume Bigstorm were an Australian band.  This track is lifted from the album Living in Exile (number 110, March 1989).


Number 120 "High on You" by Iggy Pop
Peak: number 114
Peak date: 6 February 1989
Weeks in top 150: 6 weeks 
Chart run: 120-114-118-121-125-132
Weeks on chart: 6 weeks

American punk rocker Iggy Pop, real name James Newell Osterberg Jr., is best known in Australia for his duet with The B-52's Kate Pierson, "Candy" (number 9, January 1991)... and his infamous Countdown performance of "I'm Bored" (number 68, August 1979).  Before launching his solo career in 1977, Iggy was the lead singer in The Stooges.

"High on You" was the second single lifted from Iggy's eighth solo studio album Instinct (number 82, August 1988), following "Cold Metal" (released in Australia in September 1988), which did not chart nationally, but registered on the South Australia/Northern Territory and Western Australia state charts, where it peaked at numbers 77 and 85, respectively.  “High on You” was released in Australia in November 1988.

Internationally, "High on You" peaked at number 230 (number 148 on the compressed chart) in the UK in December 1988.

Locally, “High on You” performed strongest on the South Australia/Northern Territory state chart, where it reached number 78.

Before now, you might have gotten the impression that singles peaking outside the top 100 always peaked where they debuted, but this one actually rose another 6 places to reach its eventual peak of number 114.

Iggy will join us next in 1990.



Number 123 "Finish What Ya Started" by Van Halen
Peak: number 123
Peak date: 30 January 1989
Weeks in top 150: 4 weeks
Chart run: 123-127-130-147
Weeks on chart: 4 weeks 
 
American band Van Halen formed in 1973.  Their first single to chart in Australia was their debut release, a cover of The Kinks' "You Really Got Me" (number 12, June 1978).  Their biggest hit locally was "Jump" (number 2, March 1984).  The band underwent a line-up change in 1985, with lead singer David Lee Roth being replaced by Sammy Hagar.  My favourite Van Halen single would be "Dreams" (number 51, September 1986), which was surprisingly a flop here.

"Finish What Ya Started" was the second single released in Australia from Van Halen's eighth studio album OU812 (number 9, July 1988).  It followed "When It's Love" (number 23, August 1988).

Internationally, "Finish What Ya Started" peaked at number 13 on the US Billboard Hot 100 in December 1988.

In Australia, "Finish What Ya Started" was equally most-popular in Queensland and Western Australia, where it reached number 77 on the state charts.  The singled peaked within the top 100 on four of the five state charts, with New South Wales/Australian Capital Territory being the only exception.

I was not familiar with "Finish What Ya Started".  It sounds a bit more easy-listening to me than their earlier hits.

Van Halen will next join us in 1991.


Number 124 "Long and Lasting Love (Once in a Lifetime)" by Glenn Medeiros
Peak: number 113
Peak date: 20 February 1989
Weeks in top 150: 7 weeks 
Top 150 chart run: 124-122-125-113-114-118-125
 
Hawaiian Glenn Medeiros made his debut on the Australian charts in 1987, with his first single "Nothing's Gonna Change My Love for You" (number 10, February 1988), which took over six months to reach its peak from its mid-August 1987 release in Australia.  He would score a second hit in 1990 with his duet with Bobby Brown, "She Ain't Worth It" (number 8, August 1990), essentially becoming a two-hit wonder in Australia.
 
Glenn also scored a couple of more-minor 'hits'... such as this one, from his curiously-titled Not Me (number 124, March 1989) album, which I hadn't heard before either.  Before Glenn's "harder" makeover in 1990, this is more of the same lovey-dovey stuff as you might expect.  The music video is just about the most 80s thing ever.
 
Internationally, "Long and Lasting Love..." peaked at number 68 on the US Billboard Hot 100 in September 1988, number 42 in the UK in September 1988, number 26 in Ireland in September 1988, number 14 in the Netherlands in October 1988, number 4 in the Flanders region of Belgium in October 1988, and number 54 in Germany in October 1988.

Glenn went on to become a school principal in Honolulu.
 
Glenn will visit us again in 1990.


Number 125 "A Little Further North" by Graeme Connors
Peak: number 125
Peak date: 30 January 1989
Weeks in top 150: 1 week
Top 150 chart run: 125
Weeks on chart: 21 weeks

Not being well-versed in country music, particularly of the Australian variety, I had never heard of Graeme Connors before.  Graeme has had several top 100-charting albums in Australia, but only one single, 1975's "Dakota" (number 78, May 1975), made a dent on the top 100 singles chart.  I don't actually mind "A Little Further North".  The track is lifted from the album North (number 73, February 1989).

On the state charts, "A Little Further North" was most popular in Queensland, where it reached number 79.

We'll see Graeme again next month.


Number 126 "Spanish Eyes" by Willie Nelson with Julio Iglesias
Peak: number 121
Peak date: 6 February 1989
Weeks in top 150: 2 weeks 
Top 150 chart run: 126-121

American Country music star Willie Nelson began his recording career in 1957.  In Australia, his biggest hit was "To All the Girls I've Loved Before" (number 4, May 1984), another duet with Julio Iglesias.  Country music is not really my thing.

Internationally, "Spanish Eyes" peaked at number 8 on the US Billboard Hot Country Songs chart in December 1988, and number 38 in the Flanders region of Belgium in March 1989.

We'll next see Willie, with another collaboration, in 1991.


Number 128 "Shake for the Sheik" by The Escape Club
Peak: number 114
Peak date: 6 March 1989
Weeks in top 150: 8 weeks
Chart run: 128-123-124-129-126-114-128-135
Weeks on chart: 8 weeks 
 
Although they hailed from England, The Escape Club never landed a hit in the UK, with "Wild, Wild West" being their best-charting single there, peaking at number 122 (number 102 on the compressed chart) in November 1988.  "Wild, Wild West" was the band's only real hit in Australia, peaking at number 6 in November 1988.  "I'll Be There" (number 43, October 1991) was The Escape Club's only other ARIA top 50 single.

"Shake for the Sheik" was the second single lifted from the band's second album Wild Wild West (no comma this time) (number 42, November 1988).  Internationally, the single peaked at number 28 on the US Billboard Hot 100 in January 1989, and number 46 in New Zealand in February 1989.

I thought I had seen the music video for "Shake for the Sheik" once at the time, on either Video Hits or The Factory, but had no recollection of how the song went, which kind of says it all.

 
 
Number 129 "This Is Me" by Climie Fisher
Peak: number 128
Peak date: 6 February 1989
Weeks in top 150: 2 weeks
Chart run: 129-128
Weeks on chart: 2 weeks 
 
English band Climie Fisher were named after the band's two members, Simon Climie and Rob Fisher.  Simon had previously achieved success as a songwriter for other artists, co-writing Pat Benatar's "Invincible" (number 23, October 1985) and Aretha Franklin & George Michael's "I Knew You Were Waiting (For Me)" (number 1 for 4 weeks in March-April 1987).  Rob was one half of Naked Eyes, who landed a top 10 hit in Australia with their rendition of "Always Something There to Remind Me" (number 7, June 1983) - their only top 100 singles chart entry here.
 
Climie Fisher's only ARIA top 100 entry, "Love Changes (Everything)" (number 23, October 1988), was the duo's third single in their native UK, originally peaking at number 67 in August 1987, before being re-released in 1988, when it climbed to number 2 in April 1988. 
 
In Australia, "Love Changes (Everything)" was first released in October 1987, and was followed up by "Rise to the Occasion" in April 1988.  Both releases failed to chart, and "Love Changes (Everything)" was re-released in August 1988.  Both tracks and "This Is Me" are lifted from the duo's debut album Everything, which failed to chart nationally in Australia, but spent a solitary week at number 100 on the Western Australian state chart in December 1988, before the national chart extended beyond number 100.

"This Is Me" was the first Climie Fisher single in the UK, peaking at number 134 (number 106 on the compressed chart) in September 1986.  After the success of "Love Changes (Everything)", "This Is Me" was re-released in the UK, climbing to a new peak of number 22 in May 1988.  Elsewhere, the 1988 release of "This Is Me" peaked at number 12 in Ireland in May 1988, number 26 in the Flanders region of Belgium in June 1988, number 60 in Germany in June 1988, number 34 in the Netherlands in July 1988, and number 43 in New Zealand in July 1988.

In Australia, "This Is Me" was released in November 1988.  On the state charts, "This Is Me" performed strongest in Western Australia, where it reached number 94 in December 1988.

Rob Fisher died in 1999, aged 42, during surgery for cancer.

Climie Fisher will join us again in February 1989.

 
Number 131 "The Promise" by When In Rome
Peak: number 103
Peak date: 27 March 1989
Weeks in top 150: 14 weeks
Top 150 chart run: 131-147-143-149-143-120-123-114-103-115-106-124-134-137
Weeks on chart: 15 weeks 
 
English group When In Rome formed in 1987.  "The Promise" was their debut single, originally released in the UK in 1987, where it stalled at number 230 (number 166 on the compressed chart) in September 1987.

When is a flop a sort-of hit?  Despite peaking at only number 103 in Australia, "The Promise" spent 14 weeks in the top 150.  In fact, only one single peaking within the 101-150 range in 1989 spent more weeks on the chart - we'll get to that in July.  This song was particularly popular in Western Australia, reaching number 20 on the state chart, despite not entering any of the other state top 100 charts.  It's funny how tastes could vary so significantly in various regions of Australia at the time.

Internationally, "The Promise" peaked at number 11 on the US Billboard Hot 100 in December 1988, and number 58 in the UK in January 1989.

I probably heard this song on American Top 40, but had no recollection of it when rediscovering it in 2008.  Although the group appear to be a duo, it seems that there is some focus-on-the-more-conventionally-attractive*-band-member-who-isn't-actually-singing going on during the chorus (*though give me a shaved/bald head over Fabio-style locks any day), though he does seem to sing the verses, as I can hear two distinct voices on the track.

Quite a pleasant-sounding track, with a relaxing garden/looking through windows music video to boot.  This would be When In Rome's only charting release in Australia.


Number 132 "Birth of the Beat" by Masters Apprentices
Peak: number 132
Peak date: 30 January 1989
Weeks in top 150: 4 weeks 
Top 150 chart run: 132-134-137-145
 
Australian band Masters Apprentices formed in 1964 in Adelaide.  Their highest-charting single in Australia was "Turn Up Your Radio" (number 7, June 1970 on the Go Set chart), although they are probably best known for "Because I Love You" (number 12, March 1971 on the Go Set chart); the "do what you wanna do, be what you wanna be yeah" song.  The band split in 1972, and reformed in 1987.  A 1988 re-recording of "Because I Love You" peaked at number 30 in Australia in November 1988.

Released as the follow-up to that track in December 1988, "Birth of the Beat" was a newly-recorded song, lifted from the band's fifth studio album Do What You Wanna Do (number 97, December 1988).  The reduced price of $1.99 for the single (as evident from the video below) didn't seem to help its chart fortunes much.

Masters Apprentices' lead singer Jim Keays passed away in 2014, aged 67, following an illness with multiple myeloma.

We will see Masters Apprentices again in 1995.


Number 133 "Reason to Try" by Eric Carmen
Peak: number 133
Peak dates: 30 January 1989, 6 February 1989 and 13 February 1989
Weeks in top 150: 5 weeks 
Top 150 chart run: 133-133-133-142-139
Weeks on chart: 5 weeks
 
American singer-songwriter Eric Carmen landed a top 10 hit in Australia with his debut single, "All by Myself" (number 7, May 1976), in 1976.  He landed another four Australian top 100 singles between then and 1981, although none peaked higher than number 30, with "She Did It" (number 30, November 1977).

After a hiatus, Eric returned to the Australian chart in 1985 with "I Wanna Hear It from Your Lips" (number 27, May 1985).  He finally scored another top 10 hit in early 1988 with "Hungry Eyes" (number 4, March 1988), from the Dirty Dancing soundtrack album (number 1 for 8 weeks in February-March 1988).  Eric followed that up with another top 10 hit, "Make Me Lose Control" (number 8, September 1988), which would be his final ARIA top 100 single.

"Reason to Try", released as a single in Australia in December 1988, was recorded for the 1988 Summer Olympics Album: One Moment in Time album.  Internationally, "Reason to Try" peaked at number 87 on the US Billboard Hot 100 in October 1988.

Perhaps of interest to avid chart-watchers, this single spent three consecutive weeks at number 133, which is surely an unusual feat.

This would be Eric's last single to chart in Australia.



Next post: Stay tuned for part 2 later this week, which will include entries from a rather famous blonde singer, a cover version of an Aussie 'classic', and a younger artist known for one 'serious'-sounding hit scores with an uncharacteristically upbeat number.

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