Showing posts with label Dave Stewart and The Spiritual Cowboys. Show all posts
Showing posts with label Dave Stewart and The Spiritual Cowboys. Show all posts

04 November 2022

Week commencing 4 November 1991

All but two of this week in 1991's eleven new entries debuting and peaking outside the ARIA top 100 are by artists hailing from the UK, which is an unusual occurrence.  Let's take a look at them.
 
EMF scored an 'unbelievably' low peak in Australia with their latest single.
 
Top 150 debuts:
 
Number 110 "You Woke Up My Neighbourhood" by Billy Bragg
Peak: number 107
Peak date: 11 November 1991
Weeks in top 150: 6 weeks 
Chart run: 110-107-114-120-124-121
Weeks on chart: 6 weeks
 
We last saw English singer-songwriter Billy Bragg, born Stephen William Bragg, in March 1989.  Since then, Billy landed his first top 100 single in Australia with "Sexuality" (number 46, September 1991).  Songs with 'sex', or a version thereof, in the title seemed to be big in 1991.
 
"You Woke Up My Neighbourhood" was the second single lifted from Billy's sixth studio album Don't Try This at Home (number 35, October 1991).
 
Internationally, "You Woke Up My Neighbourhood" peaked at number 54 in the UK in September 1991.  it also reached number 25 on the meaningless US Billboard Alternative Airplay chart in November 1991.
 
Domestically, "You Woke Up My Neighbourhood" performed equally-strongest in Victoria/Tasmania and Western Australia, reaching number 81 on both state charts.
 
Billy will next join us in 1996.
 
 
 
Number 136 "No Deeper Meaning" by Culture Beat
Peak: number 126
Peak date: 2 December 1991
Weeks in top 150: 11 weeks
Known chart run: 161-136-141-144-128-126-140-134-(chart repeated for 2 week Xmas break)-140-136
Weeks on chart: 13 weeks
 
German eurodance act Culture Beat last joined us in June 1991. 

"No Deeper Meaning" was the fourth and final single released from Culture Beat's debut album Horizon (number 150, August 1991).  It was also their third consecutive single to peak outside the ARIA top 100.
 
Overseas, "No Deeper Meaning" peaked at number 5 in the Netherlands in October 1991, number 30 in the Flanders region of Belgium in October 1991, and number 19 in Finland.
 
Within Australia, "No Deeper Meaning" was much more popular in Western Australia than elsewhere, where it reached number 74.  The next-highest state chart peak "No Deeper Meaning" obtained was number 111, in South Australia/Northern Territory. 

If a music video for "No Deeper Meaning" exists, it has not been uploaded to YouTube (and is not in my collection), but you can view a TV performance of the track here.
 
Culture Beat would finally make their breakthrough in Australia in 1993, when "Mr. Vain" topped the singles chart for one week in October of that year.  A new female singer, Tania Evans, was on board by then, replacing Lana Earl.

Culture Beat followed-up the ARIA platinum-certified "Mr. Vain" with two further gold singles from their second album, the gold-certified Serenity (number 5, March 1994): "Got to Get It" (number 7, December 1993) and "Anything" (number 12, March 1994).
 
We shall next see Culture Beat in 1996.
 
 
 
Number 138 "Always Look on the Bright Side of Life" by Monty Python (1991 release)
Peak: number 119
Peak date: 18 November 1991
Weeks in top 150: 4 weeks
Top 150 chart run: 138-121-119-147
This single peaked at number 9 in Australia in March 1980, spending 14 weeks in the top 100.
 
Being born in 1978, I was exposed to, and enjoyed, numerous British comedy TV programs growing up, including some that were largely filmed before my time, such as George and Mildred and The Benny Hill Show.  Monty Python's Flying Circus, which was originally broadcast between 1969 and 1974, was not one of them, however, and I don't think I had even heard of them until noticing that this track was in the UK top 10 published in the back of the Australian edition of Smash Hits magazine in 1991.  I am pretty sure I caught the video for it once on TV around this time.

"Always Look on the Bright Side of Life" started out as the double A-side on the UK 1979 "Life of Brian" single, with Sonia Jones' "Brian" on the A-side.  The latter track was the theme song from Monty Python's Life of Brian movie, in which "Always..." also featured.  Oddly for the UK, who seemed to lap up any old novelty record no matter how bad it was, this single did not chart there.

In continental Europe, North America and Australasia, this single was released with "Always Look on the Bright Side of Life" as the A-side, and "Brian" as the B-side.  The original release of this single peaked at number 9 in Australia in March 1980, number 34 in the Netherlands in January 1981, and number 30 in the Flanders region of Belgium in January 1981.  This leads me to believe that Monty Python must have been quite big in Australia in the early 1980s, even though I had never heard of them as a toddler.

In 1991, BBC Radio 1 DJ Simon Mayo started playing "Always Look on the Bright Side of Life" on his breakfast radio show, known for resurrecting novelty records, which led to its re-release.  The 1991 release of "Always..."  peaked at number 3 in the UK in October 1991, number 1 in Ireland, number 35 in the Flanders region of Belgium in December 1991, number 3 in Germany in December 1991, number 3 in Switzerland in December 1991, number 5 in Norway in December 1991, and number 2 in Austria in February 1992.
 
 
 
Number 142 "Waratah Street" by John Williamson
Peak: number 142
Peak date: 4 November 1991
Weeks in top 150: 3 weeks
Top 150 chart run: 142-144-148
Weeks on chart: 4 weeks
 
We last saw Australian country legend John Williamson in August 1991. 
 
"Waratah Street" was the second and final single, and almost title track, from John's tenth studio album Waratah St. (number 14, September 1991).
 
On the state charts, "Waratah Street" performed strongest in Western Australia, where it reached number 119.
 
John will join us next in 1992. 
 
 
 
Number 147 "What Can You Do for Me" by Utah Saints (1991 release)
Peak: number 143
Peak date: 11 November 1991
Weeks in top 150: 6 weeks (in 1991-1992); 14 weeks (1991, 1992 and 1993 chart-runs combined)
Top 150 chart run: 147-143-149. Re-entered 27 January 1992: 144-149-148
Re-entered 29 March 1993: 105-104-90-93-99-99-105-126
Weeks on chart: 29 weeks (1991, 1992 and 1993 chart-runs combined)
This single peaked at number 90 in Australia in April 1993 when re-released, spending a further 8 weeks in the top 150.

Despite their name, Utah Saints hail from North Yorkshire in England rather than the American state of Utah.  "What Can You Do for Me" was their debut release.  Vocally, the track is based on samples from Eurythmics' "There Must Be an Angel (Playing with My Heart)" (number 3, August 1985) and Gwen Guthrie's "Ain't Nothin' Goin' on but the Rent" (number 75, November 1986).  The song's title comes from the sample from the Gwen Guthrie track. 
 
Internationally, "What Can You Do for Me" peaked at number 10 in the UK in September 1991, number 16 in Ireland, and number 35 in Sweden in December 1991.
 
Utah Saints made their breakthrough in Australia with their next single, "Something Good" (number 10, November 1992), which used vocal samples from Kate Bush's "Cloudbusting" -  a single that bubbled under in Australia in January and February 1986.
 
Both "What Can You Do for Me" and "Something Good" appear on Utah Saints' debut album Utah Saints (number 111, August 1993).  "Something Good" became a hit again, with Kate's vocals replaced by a sound-a-like singer, in 2008, when "Something Good '08" peaked at number 32 in May of that year.
 
Following the success of "Something Good", "What Can You Do for Me" was re-released in Australia, reaching a new peak of number 90 in April 1993.  On the state charts, the 1993 release of "What Can You Do for Me" performed strongest in Western Australia, where it reached number 49.
 
There was also a US remix of "What Can You Do for Me", with a new music video filmed to promote its release there.
 
As if all of these different versions and releases was not enough, "What Can You Do for Me" had a third lease of life on the Australian chart, when the 2012 remix peaked at number 694 in April 2012.
 
Utah Saints landed a third top 100 single in Australia from their debut album with "Believe in Me" (number 92, August 1993), which prominently sampled The Human League's "Love Action (I Believe in Love)" (number 12, March 1982).
 
We shall next see Utah Saints in 1995.


 
Number 150 "Such a Feeling" by Bizarre Inc
Peak: number 150
Peak date: 4 November 1991
Weeks in top 150: 1 week
Top 150 chart run: 150
Weeks on chart: 5 weeks
 
We last saw English dance act Bizarre Inc in June 1991.  "Such a Feeling" was their second single released in Australia.
 
"Such a Feeling" peaked at number 13 in the UK in October 1991.
 
On the ARIA state charts, "Such a Feeling" performed strongest in Western Australia - where this early rave music seemed to do better than the rest of the country, based on the state chart peaks for this and, recently, The Prodigy - reaching number 80 there.
 
I get this one confused with the similarly-titled "Such a Good Feeling" by Brothers in Rhythm, which was released around the same time, though not in Australia.
 
We will next see Bizarre Inc in 1992, with one of my favourite tracks of the year.
 

 
Bubbling WAY down under:
 
Number 159 "Lies" by EMF
Peak: number 159
Peak date: 4 November 1991
Weeks on chart: 2 weeks
 
One thing I did not know (or had forgotten) about English band EMF is that the band's name is short for Epsom Mad Funkers, which was the name of a New Order fan club.  I had perhaps thought the band's name stood for electromagnetic force.

EMF burst onto the Australian chart in early 1991 with their debut single "Unbelievable" (number 8, April 1991).  Just when it seemed like EMF were going to be the next big thing (a girl in my class at school had EMF written in large letters on her pencil case), their second single, "I Believe" (number 54, July 1991), flopped in Australia, although it did give them a second UK top 10 hit.

EMF's third single "Children" (number 49, September 1991) returned them to the ARIA top 50, if only just.  It looked at this point, to me, like EMF might become one-hit wonders in Australia, and indeed that is what happened.

"Lies", the fourth and final single from the band's debut album Schubert Dip (number 44, June 1991), fared even worse, peaking outside the ARIA top 150.
 
I am not sure why EMF faltered so quickly on the charts.  I can only guess that it was partly due to the band inhabiting that awkward spot between boy band who appeal to teenage girls (see the aforementioned pencil case example) and credible band who write their own songs and play their own instruments.  Having pin-up looks (well, some of the band did) can be both a blessing and a curse.  The teenage girl fans will move on to someone else six months later, and the 'serious music' fans won't take you seriously because of your appeal to teenyboppers.

Internationally, "Lies" peaked at number 18 in Ireland in August 1991, number 28 in the UK in August 1991, number 99 in Germany in September 1991, and number 18 on the US Billboard Hot 100 in November 1991.  "Lies" was the only EMF single other than "Unbelievable" to register on the Billboard Hot 100.
 
Within Australia, "Lies" performed strongest in Queensland, where it reached number 133.
 
EMF split in 1997, though have since had a couple of reunions.  Lead singer James Atkin now works as a school teacher, which seems to be the career of choice for former pop stars.  You can view a video of James teaching on YouTube here.  The band's original bass player, Zac Foley, died in 2002 from a drug overdose, aged 31.

EMF would never trouble the ARIA top 100 again, though we will see them bubble under on a few occasions in the coming years, with the next one being in 1992.
 

 
Number 176 "Pet Shop Boys Mega Mix" by Pet Shop Boys
Peak: number 176
Peak date: 4 November 1991
Weeks on chart: 1 week
 
We last saw Pet Shop Boys in August 1991.
 
This single is a bit of an enigma to me - it is not listed in the weekly lists of new release titles for either The ARIA Report or the Australian Music Report, and only Scandinavian pressings (and promotional ones at that) are listed on discogs.com.  Do any Pet Shop Boys fans reading this know about this single's Australian release?  I am guessing that perhaps it was made available on 12" vinyl in DJ-orientated stores.

Anyway, the megamix contains excerpts from the Pet Shop Boys songs "Being Boring" (number 82, February 1991), "So Hard" (number 27, December 1990), "Heart" (number 18, June 1988), "Suburbia" (bubbled under, November 1986), and "It's a Sin" (number 10, August 1987).  They have not been mixed together in a particularly innovative way.

On the state charts, "Pet Shop Boys Mega Mix" performed strongest in Western Australia, where it reached number 137.

We will see Pet Shop Boys again in a mere three weeks' time.
 

 
Number 186 "Stay Beautiful" by Manic Street Preachers
Peak: number 186
Peak date: 4 November 1991
Weeks on chart: 1 week
 
Welsh band Manic Street Preachers formed in Blackwood in 1986.  While the group released a number of singles independently in the UK between 1988 and 1991, "Stay Beautiful" was their major label debut, and their first Australian release.  The track was also the lead single from Manic Street Preachers' debut album Generation Terrorists (number 182, April 1992).
 
In the UK, "Stay Beautiful" peaked at number 40 in August 1991, becoming the first of the band's 34 UK top 40 singles to date.
 
Domestically, "Stay Beautiful" was most popular in Western Australia, where it reached number 151.
 
I first became aware of Manic Street Preachers when reading about the disappearance, and presumed suicide, of the band's rhythm guitarist Richey Edwards in early 1995, in the British music newspaper N.M.E, which was one of the music publications I graduated to from Smash Hits in the second half of 1994.  The first Manics song I heard, "A Design for Life" (number 50, July 1996), was also their first single to dent the ARIA top 100.

The Manics never really had major chart success in Australia, with only one other top 50 single, "If You Tolerate This Your Children Will Be Next" (number 49, September 1998).  The band have landed two top 20 albums in Australia, however; although both had relatively brief chart runs.
 
Manic Street Preachers sort-of scored their biggest hit in Australia as the backing musicians on Kylie Minogue's "Some Kind of Bliss" (number 27, October 1997), during her 'indie' phase. 
 
At my first ever 'job', standing in an assembly line collating packages for off-campus uni students, I remember a 'colleague' there stating that Manic Street Preachers were her favourite band, when the topic of music came up.  While the job was 'enjoyable' in the sense of getting paid to essentially stand around and talk all day, I declined the offer for more work after 3 days, due to the horrendous paper cuts I'd come home with on my fingers...
 
We shall next see Manic Street Preachers in 1992.
 

 
Number 192 "Crown of Madness" by Dave Stewart and The Spiritual Cowboys
Peak: number 192
Peak date: 4 November 1991
Weeks on chart: 1 week
 
We last saw Dave Stewart in January 1991. 

"Crown of Madness" was released as the lead single from the second Dave Stewart and The Spiritual Cowboys album Honest (number 187, November 1991).  The single peaked at number 96 in the UK (number 84 on the compressed chart) in September 1991; the only other country it charted in.

In Australia, "Crown of Madness" performed strongest in New South Wales/Australian Capital Territory, where it reached number 162.
 
Although Dave Stewart and The Spiritual Cowboys' releases were generally flops, Dave would have still been raking in the cash in 1991 from his former band Eurythmics' Greatest Hits compilation, which spent seven weeks at number 1 in Australia in April and May of 1991, and topped the charts in the UK, Germany, Austria, the Netherlands, and New Zealand.
 
We will next see Dave, on his own, in 1994.
 

 
Number 201 "Jacky" by Marc Almond
Peak: number 201
Peak date: 4 November 1991
Weeks on chart: 1 week
 
We last saw English singer Marc Almond, born Peter Mark Sinclair Almond, in June 1989.
 
"Jacky" was the lead single from Marc's seventh solo studio album Tenement Symphony, which was released in Australia in November 1991 but did not chart.  The track is a cover version of a 1966 song by Belgian singer-songwrister Jacques Brel.  An English language adaptation was released by Scott Walker in 1967.

Overseas, "Jacky" peaked at number 17 in the UK in October 1991, number 14 in Ireland, number 57 in the Netherlands in October 1991, and number 32 in the Flanders region of Belgium in November 1991.

Domestically, "Jacky" was most popular in Western Australia, where it reached number 169.
 
At the time of writing, "Jacky" is the earliest single I have an ARIA singles chart peak for outside the top 200.
 
I hadn't heard "Jackie" before.  Marc's next single, which I have heard before and like, "My Hand over My Heart", was released in Australia in March 1992, but failed to chart.
 
We will next see Marc in 1992.


The music video (if it becomes unblocked):
 

 
Next week (11 November): Four top 150 debuts, and two bubbling WAY down under entries.

< Previous week: 28 October 1991                                 Next week: 11 November 1991 >

28 January 2022

Week commencing 28 January 1991

This week's new entries are a mixture of songs from veteran artists and newcomers, songs that I knew at the time and those that I didn't.  Let's take a look at them.
 
Scott Carne: Australians weren't sold on being given these 'freedoms' in 1991.
 
Top 150 debuts:
 
Number 122 "Spell Is Broken" by Mark Williams
Peak: number 115
Peak date: 1 April 1991
Weeks in top 150: 14 weeks 
Chart run: 122-117-119-126-131-128-123-128-126-115-119-132-131-136
Weeks on chart: 14 weeks
 
New Zealand-born Mark Williams' recording career began in the mid 1970s, with two of his singles, 1975's "Yesterday Was Just the Beginning of My Life" and 1977's "It Doesn't Matter Anymore" topping the New Zealand singles chart.
 
Mark's Australian breakthrough would not come until 1990, when "Show No Mercy", written by Harry Vanda and George Young from The Easybeats, reached number 8 in July 1990.  All of the songs on Mark Williams ZNZ (number 45, October 1990), Mark's first studio album since 1979, were penned by Vanda/Young.  Beyond its chart life, "Show No Mercy" became somewhat of a sporting anthem.  The single was credited to Mark Williams ZNZ - I am not sure what the ZNZ means.

During the 1980s, Mark had worked successfully as a session singer and also performed backing backing vocals for other artists, both in the studio and on tour.  Among Mark's session singer credits is the original version of the theme to Australian soap opera Home and Away.

Mark followed up "Show No Mercy" with "Fix of Love" (number 28, November 1990).  "Spell Is Broken" was the third and final single lifted from Mark Williams ZNZ.  While "Spell Is Broken" missed the top 100, it spent a respectable 14 weeks in the top 150.
 
On the state charts, "Spell Is Broken" was most popular in South Australia/Northern Territory, where it reached number 56.

Mark released another studio album Mind Over Matter (number 133, June 1993), and we will see him bubble under again with a single from this in 1993.  Mark went on to become a vocal coach on the Australian series of Popstars in the early 2000s, and since 2006 has been the lead singer of the Australian/New Zealand band Dragon.


 
Number 128 "Romeo" by Dino
Peak: number 105
Peak date: 25 February 1991
Weeks in top 150: 8 weeks
Top 150 chart run: 128-109-107-111-105-108-111-127
 
Dino, real name Dean Esposito, began his career as a top 40 radio DJ in Las Vegas.  He then ventured into recording his own music, and his debut single, "Summergirls", was released in 1988, reaching number 50 on the US Billboard Hot 100 in August 1988.

While Dino released three singles in Australia in 1988-89, none of them reached the top 150.  I recall reading about Dino in the Australian edition of Smash Hits, but do not recall hearing "Romeo" before.

Internationally, "Romeo" reached number 6 in the US in October 1990, becoming his biggest hit there.  The single also peaked at number 48 in New Zealand in February 1991.

"Romeo" peaked at number 80 on the Australian Music Report singles chart.
 
We shall see Dino again in 1993.
 

 
Number 138 "Unchained Melody" by Techno-Color featuring Twiggy
Peak: number 102 
Peak date: 11 February 1991
Weeks in top 150: 9 weeks
Top 150 chart run: 138-126-102-125-113-132-132-139-131

As you might have guessed from the song title, and perhaps the artist name too, this track is a dance cover version of The Righteous Brothers' "Unchained Melody" (number 1, November 1990), which had recently topped the chart.  I can't tell you anything else about this one, other than I hadn't heard it before, and there are German, Spanish and Australian pressings of the single listed on discogs.com.
 

 
Number 140 "Freedom" by Scott Carne
Peak: number 110
Peak date: 11 March 1991
Weeks in top 150: 11 weeks 
Top 150 chart run: 140-139-112-120-115-118-110-115-112-118-130
 
Here's one I did hear at the time.  Scott Carne was the lead singer in Australian band Kids in the Kitchen, who placed 9 singles on the Australian chart between 1983 and 1988, with "Change in Mood" (number 10, December 1983) and "Current Stand" (number 12, October 1985) being their biggest hits. 

After Kids in the Kitchen disbanded in 1988, Scott went on to front the Elvis tribute band Priscilla's Nightmare, whom we saw bubble under in 1989.

Scott then embarked on a solo career.  His debut solo single "All I Want to Do" (number 77, October 1990) seemed to gain a reasonable amount of attention, but faltered on the ARIA singles chart.

"Freedom" was issued as Scott's second solo single, and fared even worse on the chart, although it did perform stronger on the Australian Music Report singles chart, where it reached number 84.

If you ask me - and no-one did, but since this is my site, I'll offer my 2 cents' worth anyway - Scott's solo career probably failed due to his new sound/image being too radical a change from his Kids in the Kitchen days.  Scott had moved with the times, adopting a 'Madchester'/'baggy'-type look and sound for these two singles (think Happy Mondays or The Soup Dragons), but this didn't resonate with the Australian record-buying public, as those acts generally didn't do that well here commercially.  It's a shame, as Scott's solo singles were fairly decent.

I assume there was a solo album recorded, but it never saw the light of day - which is an unusual turn of events for Australian record companies, who normally still released these things even if the singles were not hits, in the early 1990s.  In fact, "Freedom" appears to have been Scott's final solo release, full-stop!



Number 142 "Human Work of Art" by Maxi Priest
Peak: number 142
Peak date: 28 January 1991
Weeks in top 150: 1 week
Top 150 chart run: 142
Weeks on chart: 2 weeks
 
English reggae singer Maxi Priest, real name Max Elliott, has the unusual distinction of only landing major hits or flops - with nothing in-between - on the Australian chart.  All three of his ARIA top 50 hits reached the top 10, including, by this point, "Wild World" (number 8, August 1988) and "Close to You" (number 2, September 1990), and his future collaboration with Shaggy, "That Girl" (number 7, August 1996).  None of Maxi's other singles peaked higher than number 80 on the Australian charts.

"Human Work of Art" was the third single lifted from Bonafide (number 25, September 1990). It followed "Close to You" and "Peace Throughout the World" (number 87, October 1990).

Internationally, "Human Work of Art" peaked at number 71 in the UK in December 1990.

On the ARIA state charts, "Human Work of Art" performed strongest in Victoria/Tasmania, where it reached number 128.

Cliff Richard recorded a version of "Human Work of Art", which peaked at number 24 in the UK in June 1993.

We will next see Maxi in October 1991.
 
 
 
Number 144 "Love Shines" by Dave Stewart and The Spiritual Cowboys
Peak: number 144
Peak date: 28 January 1991 
Weeks in top 150: 2 weeks
Known chart run: 169-144-148
Weeks on chart: 7 weeks
 
Dave Stewart's first foray onto the Australian charts came when he was a member of The Tourists.  Their version of Dusty Springfield's "I Only Want to Be with You" reached number 6 in Australia in August 1980.  The band split during a promotional tour to Australia later in 1980, and Dave, together with lead singer Annie Lennox, went on to form Eurythmics (no 'The').

As one half of Eurythmics, Dave scored 15 top 20 singles in Australia between 1983 and 1989, with "Would I Lie to You?" going all the way to number 1 in June 1985.  The duo's working relationship went on hiatus for a decade following the release of their seventh studio album We Too Are One (number 7, September 1989), allowing Dave and Annie to explore solo projects.

Dave's first 'solo' single was the instrumental "Lily Was Here" (number 10, November 1990), on which saxophonist Candy Dulfer received a featuring credit.  "Lily Was Here" was recorded for the soundtrack of the 1989 Dutch movie De Kassière, which translates as 'the cashier', although the film's title in English was Lily Was Here.  The Lily Was Here soundtrack album peaked at number 29 in Australia in November 1990.
 
"Lily Was Here" was a slow burner on the Australian chart, taking 32 weeks to climb to its peak, after debuting at number 139 in April 1990.  "Lily Was Here" reached its local peak almost a year after it topped the Dutch singles chart, and spent a total of 51 weeks on the Australian chart.  Its chart longevity was assisted by the single peaking at different times on the state charts, spanning from June (Western Australia) to December 1990 (South Australia/Northern Territory).

Dave's new band The Spiritual Cowboys landed a number 57 single in Australia with "Jack Talking" in October 1990.  "Love Shines" was issued as the second single from Dave Stewart and The Spiritual Cowboys (number 51, November 1990).

"Love Shines" peaked at number 88 in the UK in October 1990, and number 49 in the Flanders region of Belgium in December 1990.
 
In Australia, "Love Shines" performed strongest in Western Australia, where it reached number 72 on the state chart.  The single peaked higher nationally on the Australian Music Report singles chart, reaching number 94.
 
The only place I heard or saw "Love Shines" at the time was on Video Hits' Saturday morning program, which featured selections from the lower half of the Australian Music Report's top 100 chart.  Listening to this track now, for the first time in many years, it unfortunately highlights Dave's vocal limitations.  While I enjoyed "Jack Talking", and this one too at the time, listening to "Love Shines" now... I don't think it's that great.

We shall next see Dave Stewart and The Spiritual Cowboys in November 1991.



Number 150 "Beautiful People" by Stress
Peak: number 132
Peak date: 25 March 1991
Weeks in top 150: 7 weeks
Top 150 chart run: 150-(out for 2 weeks)-136-138-136-140-138-132
 
As I start writing this, I have no idea who or what Stress is; I've never heard of this track, or group, before.
 
After learning that the band's drummer was later in the group Soul Asylum, I was going to assume that Stress were an American group; but given that this single charted (lowly) in the UK and nowhere else, that would suggest they were probably a British group.  "Beautiful People" peaked at number 74 in the UK in October 1990.
 
The band released two further singles in Australia, "Flowers in the Rain" (May 1991) and "Rosechild" (October 1991), but neither dented the top 150.



Bubbling WAY down under:

Number 155 "I Call Your Name" by a-ha
Peak: number 155
Peak date: 28 January 1991
Weeks on chart: 1 week

We saw a-ha last November with the lead single from their fourth studio album East of the Sun West of the Moon (number 122, November 1990).  "I Call Your Name" was the second - and final, in Australia - single released from the album.

Despite having a copy (shhh!) of a-ha's music videos DVD in my collection, I've never actually listened to or watched "I Call Your Name" before.  I'm a fan of most of a-ha's singles from the 1980s, but as with "Crying in the Rain", I don't enjoy this one much at all, and find it rather dull and boring.  I can see why a-ha were struggling to land hits by this point, if this is what they were releasing.

"I Call Your Name" fared better overseas, though it was still only a minor hit.  The single peaked at number 44 in the UK in December 1990, number 38 in the Netherlands in January 1991, number 37 in Germany in January 1991, and number 45 in France in March 1991.

On the ARIA state charts, "I Call Your Name" performed strongest in New South Wales/Australian Capital Territory, where it reached number 144.
 
A third single from East of the Sun West of the Moon, "Early Morning", was released in Europe, but not in Australia.

We will next see a-ha in 1992.



Number 165 "Mama Help Me" by Edie Brickell & New Bohemians
Peak: number 165
Peak date: 28 January 1991
Weeks on chart: 1 week
 
American band Edie Brickell & New Bohemians burst onto the Australian chart with "What I Am" (number 18, March 1989) in early 1989.  Since then, however, it has all been downhill.  The band's second single "Circle", which is my favourite, stalled at number 80 in May 1989, though spent 17 weeks on the chart.  Their third single, "Love Like We Do", released in Australia in August 1989, failed to chart.

The band landed a third, and final, top 100 single on the ARIA chart with their version of Bob Dylan's "A Hard Rain's a Gonna Fall" (number 85, April 1990), from the Born on the Fourth of July soundtrack (number 83, April 1990).

"Mama Help Me" was the lead single from Edie Brickell & New Bohemians' second studio album Ghost of a Dog (number 148, December 1990).  The single was released in Australia towards the end of November 1990, taking just over two months to register a chart placing.  "Mama Help Me" did not chart anywhere else that I can ascertain.
 
I'm fairly sure I haven't heard "Mama Help Me" until now, despite being a fan of the singles from the band's first album.  While I like the song, I'm not super keen on the chorus "mama mama mama"'s.

A second single from Ghost of a Dog, "Black & Blue", was released in Australia in April 1991 but failed to chart.
 
Edie parted ways with The Bohemians soon after, although they reformed in 1997.  Edie embarked on a solo career, having some minor chart 'success' in the interim.  She is, unfortunately, probably better known these days for her sometimes tumultuous marriage with Paul Simon.

We shall see Edie Brickell again, on her own, in 1994.



Next week (4 February): Five new top 150 debuts and one bubbling WAY down under entry.

< Previous week: 21 January 1991                              Next week: 4 February 1991 >