This week's new entries are a mixture of songs from veteran artists and newcomers, songs that I knew at the time and those that I didn't. Let's take a look at them.
Scott Carne: Australians weren't sold on being given these 'freedoms' in 1991.
Mark's Australian breakthrough would not come until 1990, when "Show No Mercy", written by Harry Vanda and George Young from The Easybeats, reached number 8 in July 1990. All of the songs on Mark Williams ZNZ (number 45, October 1990), Mark's first studio album since 1979, were penned by Vanda/Young. Beyond its chart life, "Show No Mercy" became somewhat of a sporting anthem. The single was credited to Mark Williams ZNZ - I am not sure what the ZNZ means.
Mark followed up "Show No Mercy" with "Fix of Love" (number 28, November 1990). "Spell Is Broken" was the third and final single lifted from Mark Williams ZNZ. While "Spell Is Broken" missed the top 100, it spent a respectable 14 weeks in the top 150.
On the state charts, "Spell Is Broken" was most popular in South Australia/Northern Territory, where it reached number 56.
Mark released another studio album Mind Over Matter (number 133, June 1993), and we will see him bubble under again with a single from this in 1993. Mark went on to become a vocal coach on the Australian series of Popstars in the early 2000s, and since 2006 has been the lead singer of the Australian/New Zealand band Dragon.
Number 128 "Romeo" by Dino
Peak: number 105
Peak date: 25 February 1991
Weeks in top 150: 8 weeks
Top 150 chart run: 128-109-107-111-105-108-111-127
Dino, real name Dean Esposito, began his career as a top 40 radio DJ in Las Vegas. He then ventured into recording his own music, and his debut single, "Summergirls", was released in 1988, reaching number 50 on the US Billboard Hot 100 in August 1988.
While Dino released three singles in Australia in 1988-89, none of them reached the top 150. I recall reading about Dino in the Australian edition of Smash Hits, but do not recall hearing "Romeo" before.
Internationally, "Romeo" reached number 6 in the US in October 1990, becoming his biggest hit there. The single also peaked at number 48 in New Zealand in February 1991.
"Romeo" peaked at number 80 on the Australian Music Report singles chart.
We shall see Dino again in 1993.
Number 138 "Unchained Melody" by Techno-Color featuring Twiggy
Peak: number 102
Peak date: 11 February 1991
Weeks in top 150: 9 weeks
Top 150 chart run: 138-126-102-125-113-132-132-139-131
As you might have guessed from the song title, and perhaps the artist name too, this track is a dance cover version of The Righteous Brothers' "Unchained Melody" (number 1, November 1990), which had recently topped the chart. I can't tell you anything else about this one, other than I hadn't heard it before, and there are German, Spanish and Australian pressings of the single listed on discogs.com.
Number 140 "Freedom" by Scott Carne
Peak: number 110
Peak date: 11 March 1991
Weeks in top 150: 11 weeks
Top 150 chart run: 140-139-112-120-115-118-110-115-112-118-130
Here's one I did hear at the time. Scott Carne was the lead singer in Australian band Kids in the Kitchen, who placed 9 singles on the Australian chart between 1983 and 1988, with "Change in Mood" (number 10, December 1983) and "Current Stand" (number 12, October 1985) being their biggest hits.
After Kids in the Kitchen disbanded in 1988, Scott went on to front the Elvis tribute band Priscilla's Nightmare, whom we saw bubble under in 1989.
Scott then embarked on a solo career. His debut solo single "All I Want to Do" (number 77, October 1990) seemed to gain a reasonable amount of attention, but faltered on the ARIA singles chart.
"Freedom" was issued as Scott's second solo single, and fared even worse on the chart, although it did perform stronger on the Australian Music Report singles chart, where it reached number 84.
If you ask me - and no-one did, but since this is my site, I'll offer my 2 cents' worth anyway - Scott's solo career probably failed due to his new sound/image being too radical a change from his Kids in the Kitchen days. Scott had moved with the times, adopting a 'Madchester'/'baggy'-type look and sound for these two singles (think Happy Mondays or The Soup Dragons), but this didn't resonate with the Australian record-buying public, as those acts generally didn't do that well here commercially. It's a shame, as Scott's solo singles were fairly decent.
I assume there was a solo album recorded, but it never saw the light of day - which is an unusual turn of events for Australian record companies, who normally still released these things even if the singles were not hits, in the early 1990s. In fact, "Freedom" appears to have been Scott's final solo release, full-stop!
Number 142 "Human Work of Art" by Maxi Priest
Peak: number 142
Peak date: 28 January 1991
Weeks in top 150: 1 week
Top 150 chart run: 142
Weeks on chart: 2 weeks
English reggae singer Maxi Priest, real name Max Elliott, has the unusual distinction of only landing major hits or flops - with nothing in-between - on the Australian chart. All three of his ARIA top 50 hits reached the top 10, including, by this point, "Wild World" (number 8, August 1988) and "Close to You" (number 2, September 1990), and his future collaboration with Shaggy, "That Girl" (number 7, August 1996). None of Maxi's other singles peaked higher than number 80 on the Australian charts.
"Human Work of Art" was the third single lifted from Bonafide (number 25, September 1990). It followed "Close to You" and "Peace Throughout the World" (number 87, October 1990).
Internationally, "Human Work of Art" peaked at number 71 in the UK in December 1990.
On the ARIA state charts, "Human Work of Art" performed strongest in Victoria/Tasmania, where it reached number 128.
Cliff Richard recorded a version of "Human Work of Art", which peaked at number 24 in the UK in June 1993.
Number 144 "Love Shines" by Dave Stewart and The Spiritual Cowboys
Peak: number 144
Peak date: 28 January 1991
Weeks in top 150: 2 weeks
Known chart run: 169-144-148
Weeks on chart: 7 weeks
Dave Stewart's first foray onto the Australian charts came when he was a member of The Tourists. Their version of Dusty Springfield's "I Only Want to Be with You" reached number 6 in Australia in August 1980. The band split during a promotional tour to Australia later in 1980, and Dave, together with lead singer Annie Lennox, went on to form Eurythmics (no 'The').
As one half of Eurythmics, Dave scored 15 top 20 singles in Australia between 1983 and 1989, with "Would I Lie to You?" going all the way to number 1 in June 1985. The duo's working relationship went on hiatus for a decade following the release of their seventh studio album We Too Are One (number 7, September 1989), allowing Dave and Annie to explore solo projects.
Dave's first 'solo' single was the instrumental "Lily Was Here" (number 10, November 1990), on which saxophonist Candy Dulfer received a featuring credit. "Lily Was Here" was recorded for the soundtrack of the 1989 Dutch movie De Kassière, which translates as 'the cashier', although the film's title in English was Lily Was Here. The Lily Was Here soundtrack album peaked at number 29 in Australia in November 1990.
"Lily Was Here" was a slow burner on the Australian chart, taking 32 weeks to climb to its peak, after debuting at number 139 in April 1990. "Lily Was Here" reached its local peak almost a year after it topped the Dutch singles chart, and spent a total of 51 weeks on the Australian chart. Its chart longevity was assisted by the single peaking at different times on the state charts, spanning from June (Western Australia) to December 1990 (South Australia/Northern Territory).
Dave's new band The Spiritual Cowboys landed a number 57 single in Australia with "Jack Talking" in October 1990. "Love Shines" was issued as the second single from Dave Stewart and The Spiritual Cowboys (number 51, November 1990).
"Love Shines" peaked at number 88 in the UK in October 1990, and number 49 in the Flanders region of Belgium in December 1990.
In Australia, "Love Shines" performed strongest in Western Australia, where it reached number 72 on the state chart. The single peaked higher nationally on the Australian Music Report singles chart, reaching number 94.
The only place I heard or saw "Love Shines" at the time was on Video Hits' Saturday morning program, which featured selections from the lower half of the Australian Music Report's top 100 chart. Listening to this track now, for the first time in many years, it unfortunately highlights Dave's vocal limitations. While I enjoyed "Jack Talking", and this one too at the time, listening to "Love Shines" now... I don't think it's that great.
We shall next see Dave Stewart and The Spiritual Cowboys in November 1991.
Number 150 "Beautiful People" by Stress
Peak: number 132
Peak date: 25 March 1991
Weeks in top 150: 7 weeks
Top 150 chart run: 150-(out for 2 weeks)-136-138-136-140-138-132
As I start writing this, I have no idea who or what Stress is; I've never heard of this track, or group, before.
After learning that the band's drummer was later in the group Soul Asylum, I was going to assume that Stress were an American group; but given that this single charted (lowly) in the UK and nowhere else, that would suggest they were probably a British group. "Beautiful People" peaked at number 74 in the UK in October 1990.
The band released two further singles in Australia, "Flowers in the Rain" (May 1991) and "Rosechild" (October 1991), but neither dented the top 150.
Bubbling WAY down under:
Number 155 "I Call Your Name" by a-ha
Peak: number 155
Peak date: 28 January 1991
Weeks on chart: 1 week
We saw a-ha last November with the lead single from their fourth studio album East of the Sun West of the Moon (number 122, November 1990). "I Call Your Name" was the second - and final, in Australia - single released from the album.
Despite having a copy (shhh!) of a-ha's music videos DVD in my collection, I've never actually listened to or watched "I Call Your Name" before. I'm a fan of most of a-ha's singles from the 1980s, but as with "Crying in the Rain", I don't enjoy this one much at all, and find it rather dull and boring. I can see why a-ha were struggling to land hits by this point, if this is what they were releasing.
"I Call Your Name" fared better overseas, though it was still only a minor hit. The single peaked at number 44 in the UK in December 1990, number 38 in the Netherlands in January 1991, number 37 in Germany in January 1991, and number 45 in France in March 1991.
On the ARIA state charts, "I Call Your Name" performed strongest in New South Wales/Australian Capital Territory, where it reached number 144.
A third single from East of the Sun West of the Moon, "Early Morning", was released in Europe, but not in Australia.
Number 165 "Mama Help Me" by Edie Brickell & New Bohemians
Peak: number 165
Peak date: 28 January 1991
Weeks on chart: 1 week
American band Edie Brickell & New Bohemians burst onto the Australian chart with "What I Am" (number 18, March 1989) in early 1989. Since then, however, it has all been downhill. The band's second single "Circle", which is my favourite, stalled at number 80 in May 1989, though spent 17 weeks on the chart. Their third single, "Love Like We Do", released in Australia in August 1989, failed to chart.
The band landed a third, and final, top 100 single on the ARIA chart with their version of Bob Dylan's "A Hard Rain's a Gonna Fall" (number 85, April 1990), from the Born on the Fourth of July soundtrack (number 83, April 1990).
"Mama Help Me" was the lead single from Edie Brickell & New Bohemians' second studio album Ghost of a Dog (number 148, December 1990). The single was released in Australia towards the end of November 1990, taking just over two months to register a chart placing. "Mama Help Me" did not chart anywhere else that I can ascertain.
I'm fairly sure I haven't heard "Mama Help Me" until now, despite being a fan of the singles from the band's first album. While I like the song, I'm not super keen on the chorus "mama mama mama"'s.
A second single from Ghost of a Dog, "Black & Blue", was released in Australia in April 1991 but failed to chart.
Edie parted ways with The Bohemians soon after, although they reformed in 1997. Edie embarked on a solo career, having some minor chart 'success' in the interim. She is, unfortunately, probably better known these days for her sometimes tumultuous marriage with Paul Simon.
We shall see Edie Brickell again, on her own, in 1994.
Next week (4 February): Five new top 150 debuts and one bubbling WAY down under entry.
One thing you can say about this week's bunch of new entries is that they're a diverse lot. Among them we have a rockabilly Elvis cover version, a song with twinges of country music, an Andrew Lloyd Webber number, and a groundbreaking release that is one of the first pop singles to feature guest rappers! One thing each of this week's top 150 debuts have in common is that they all performed better on the rival Australian Music Report chart, reaching the top 100. Let's take a look...
Jody Watley: Having a little help from her 'friends' couldn't help Jody score a hit Down Under.
Top 150 debuts:
Number 124 "She Ain't No Woman" by Priscilla's Nightmare
Peak: number 111
Peak date: 11 September 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 124-123-112-116-111-122-124
Weeks on chart: 8 weeks
Sounding rather unlike front man Scott Carne's previous group Kids in the Kitchen, Priscilla's Nightmare, as you might have guessed from the name, were an Elvis tribute band. Also in the group was musician Chris Wilson, who passed away in January 2019. The rockabilly "She Ain't No Woman" was the first and only single released by group, taken from their Priscilla's Nightmare mini-album, which peaked at number 73 on the albums chart in August 1989. Despite the relative lack of success, a recent digital release of the mini-album spawned an online music news article. "She Ain't No Woman" had its greatest success on the Victoria & Tasmania state chart, where it peaked at number 83. The single also performed better on the Australian Music Report singles chart, where it peaked at number 94. Scott would try his hand at a solo career in 1990, and we will see him bubble under again in 1991.
Number 134 "I Just Wanted to See You So Bad" by Lucinda Williams
Peak: number 122
Peak date: 25 September 1989
Weeks in top 150: 9 weeks
Chart run: 134-128-128-127-129-129-122-138-144
Weeks on chart: 9 weeks
American Lucinda Williams had been releasing music since 1979, but this was her first foray onto the Australian singles chart. Peaking higher (number 100) on the Australian Music Report singles chart, "I Just Wanted to See You So Bad" performed much stronger on the South Australia & Northern Territory state chart, where it peaked at number 46. The track's parent album Lucinda Williams spent 32 weeks on the ARIA albums chart, despite its peak of number 117. Lucinda will join us again in October.
Number 145 "Love Changes Everything" by Michael Ball
Peak: number 123
Peak date: 27 November 1989
Weeks in top 150: 7 weeks
Top 150 chart run: 145-(out for 3 weeks)-143-(out for 1 week)-150-(out for 6 weeks)-139-136-123-125
Not a cover of the similarly-titled 1988 Climie Fisher hit, "Love Changes Everything" was instead an Andrew Lloyd Webber composition, taken from the musical Aspects of Love. This was yet another single that performed better on the Australian Music Report singles chart, where it peaked at number 88. The single also peaked at number 2 in the UK in February 1989.
We'll see a version of "Love Changes Everything" recorded by another artist in 1992.
Number 146 "Friends" by Jody Watley with Eric B. & Rakim
Peak: number 146
Peak date: 14 August 1989
Weeks in top 150: 1 week
Known chart run: 152-146
Weeks on chart: 3 weeks
And here we are, folks - one of the first 'pop' hits (well, it reached number 9 in the US) to feature guest rap artists: namely, Eric B. & Rakim; and one of the first music videos to incorporate vogueing - almost a year before Madonna's "Vogue". Jody scored a number 13 hit in Australia in 1987 with "Looking for a New Love", but, unfortunately, never again troubled the top 50. "Friends" was the second single lifted from Jody's Larger Than Life LP, which peaked at number 96 in Australia in May 1989. I'm not sure why the excellent singles from Jody's second album (or most of those from her first, for that matter) didn't connect with the Australian record-buying public; it seemed to me that both "Friends" and previous single "Real Love" (number 78 in May 1989) received a fair amount of exposure on radio and TV. Plus, who can't relate to the lyrics of this song? "Have you ever been stabbed in the back by someone you thought was really cool?" and "when you need them most, where are your friends?" Preach it, sistah! One small consolation is that "Friends" performed better nationally on the Australian Music Report singles chart, where it peaked at number 80. On the ARIA state charts, "Friends" performed strongest in Victoria/Tasmania, where it reached number 116.
The The, who were essentially lead singer Matt Johnson plus whoever else he chose to work with, had placed four singles on the Australian top 100 since 1983, with the biggest of those being "Infected" (number 24, March 1987) - the only one to make the top 40. "Gravitate to Me" was the second single from their third album, Mind Bomb(number 32, June 1989), following their third and final top 50 hit, "The Beat(en) Generation" (number 50, May 1989). This single peaked at number 63 in the UK, where The The hail from, in August 1989, and performed strongest in New Zealand, where it peaked at number 27 in the same month. In Australia, "Gravitate to Me" was most popular in Western Australia, where it reached number 93.
Vixen bubbled down under back in March, and returned to the top 150 with this follow-up, the third single released from their Vixen album (number 102, May 1989). Oddly, this didn't chart in the band's native US. It did, however, chart in the UK, where it peaked at number 36 in June 1989. I wasn't expecting to like this track, given I am generally not a huge 'metal' fan, but I think it's actually quite pleasant. This would be Vixen's last single to chart in Australia, but they had another charting album, Rev It Up, which peaked at number 142 in November 1990.
On the state charts, "Love Made Me" performed strongest in South Australia/Northern Territory, where it reached number 102.
Bubbling WAY down under:
Number 157 "Can You Keep a Secret?" by Brother Beyond
Peak: number 157
Peak date: 14 August 1989
Weeks on chart: 2 weeks
Brother Beyond released four singles (two in Australia) between late 1986 and early 1988, one of which was the original release of "Can You Keep a Secret?" None of these singles peaked higher than number 56 in the band's native UK, and neither single released in Australia ("How Many Times" and "Chain-Gang Smile" - my favourite) charted. Although this single was produced by PWL B-team Harding/Curnow, the group did not work directly with Stock Aitken Waterman until their record label won a charity auction for their services, to produce two singles, in 1988. Their SAW-produced singles "The Harder I Try" (number 78 in Australia, May 1989) and "He Ain't No Competition" (number 53 in Australia, July 1989) fared much better on the charts, both reaching the top 10 in the UK. Parent album Get Even was subsequently re-released with the new SAW tracks on it, and peaked at number 89 on the ARIA albums chart in July 1989. Australia skipped "Be My Twin" and went with the 1989 remix of "Can You Keep a Secret?" (with new video to boot), which peaked at number 22 in the UK in April 1989, as the next single. In Australia, "Can You Keep a Secret?" performed strongest in Western Australia, where it reached number 123 on the state chart.
This would be Brother Beyond's final entry on the Australian chart, although the group's second album Trust, and three singles from it (my favourite of which is "Drive On"), were released locally.
Number 168 "Where in the World?" by Swing Out Sister
Peak: number 168
Peak date: 14 August 1989
Weeks on chart: 1 week
Another UK group struggling to replicate their homeland success Down Under was Swing Out Sister. We saw the group a mere seven weeks ago, with the lead single from their second album Kaleidoscope World (number 106, July 1989) stalling outside the top 100. "Where in the World?" fared even worse, peaking at number 168 locally, and number 47 in the UK. But all was not quite over for the group on the Australian singles chart - they will visit us again twice more, the next time being in early 1993.
On the state charts, "Where in the World" was most successful in Western Australia, where it reached number 119.
Next week (21 August): Another four new top 150 entries, and three bubbling WAY down under entries. Among them is a surprise flop from a rap group who had much less success on the Australian charts than you might expect. You can also follow my posts on facebook.