Showing posts with label Tom Jones. Show all posts
Showing posts with label Tom Jones. Show all posts

22 April 2022

Week commencing 22 April 1991

Of the twelve new entries I write about from this week in 1991, eight of them did not make the top 40 anywhere that I can ascertain (and none of these are Australian artists).  Before we take a look, I have updated the following earlier posts with the following:
  • 10 April 1989 - a new bubbling WAY down under entry from Tony Llewellyn;
  • 23 October 1989 - new bubbling WAY down under entries from Tony Llewellyn and Scary Bill;
 
The Farm: all together in ARIA chart no man's land.
 
Top 150 debuts:
 
Number 118 "Mad About You" by Sting
Peak: number 109
Peak date: 29 April 1991
Weeks in top 150: 6 weeks
Top 150 chart run: 118-109-112-115-125-131
Weeks on chart: 7 weeks
 
We last saw Sting bubble WAY down under in November 1990.  "Mad About You" was the second single issued from Sting's third solo studio album The Soul Cages (number 3, February 1991).  It followed "All This Time" (number 26, February 1991).

Internationally, "Mad About You" peaked at number 56 in Sting's native UK in March 1991, number 44 in the Netherlands in March 1991, and number 59 in Germany in May 1991.

Within Australia, "Mad About You" performed strongest in Western Australia, where it reached number 80.

I don't recall hearing "Mad About You" before, but, presumably it received some airplay, as Australian FM radio loved Sting and his former band The Police during this period.
 
Few would have predicted that "All This Time" would become Sting's final solo (non-collaboration) top 40 hit in Australia, at the time.

"Mad About You" dented the Australian Music Report top 100 singles chart, peaking at number 95.

We'll next see Sting in June 1991.
 
 
 
Number 122 "Melt in Your Mouth" by Candyman
Peak: number 118
Peak dates: 29 April 1991 and 13 May 1991
Weeks in top 150: 6 weeks
Top 150 chart run: 122-118-122-118-127-135
 
American rapper John B. Shaffer III, better known as Candyman, scored a number 9 hit on the US Billboard Hot 100 in November 1990 with "Knockin' Boots", a song I became acquainted with via the American Top 40 radio show.  The single did not perform as well in Australia, peaking at number 58 in January 1991.
 
"Melt in Your Mouth" was the second single from Candyman's debut album Ain't No Shame in My Game (number 142, January 1991).  The single peaked at number 69 in the US in February 1991, and at number 41 in the Netherlands in April 1991.  Candyman effectively became a one-hit wonder, or, in Australia, a not-quite one-hit wonder.

I hadn't heard "Melt in Your Mouth" before.  The song's chorus and melodic hook are lifted from The Spinners' "Could It Be I'm Falling in Love" from 1972.
 
"Melt in Your Mouth" peaked higher on the Australian Music Report singles chart, where it reached number 94.



Number 140 "Loose Fit" by Happy Mondays
Peak: number 117
Peak date: 6 May 1991
Weeks in top 150: 10 weeks
Chart run: 140-132-117-119-119-120-127-124-122-124
Weeks on chart: 10 weeks

We last saw English band Happy Mondays in August 1990.  "Loose Fit" was the third single lifted from the band's third studio album Pills 'n' Thrills and Bellyaches (number 98, March 1991).
 
"Loose Fit" peaked at number 17 the UK in March 1991, and at number 71 in the Netherlands in May 1991.  It's interesting (or so I think) how the peak positions for "Loose Fit" in various countries are all combinations of the numbers one and seven.

Domestically, "Loose Fit" performed strongest in South Australia/Northern Territory, where it reached number 53.

I have heard "Loose Fit" before, and like it, but could not remember how the song went until listening to it again to write this post.

Owing to the Gulf War taking place in early 1991, the "Gonna buy an airforce base, gonna wipe out your race" lyric was edited out of "Loose Fit" for the single's release in the UK.  I remember reading about sillier censorship decisions by the BBC around the time of the Gulf War, such as banning Bangles' "Walk Like an Egyptian" (number 1, February 1987).  That's the kind of censorship you might expect from the US.

Happy Mondays will join us next in 1992.



Number 142 "All Together Now" by The Farm
Peak: number 102
Peak date: 6 May 1991
Weeks in top 150: 7 weeks
Top 150 chart run: 142-110-102-104-113-116-116
Weeks on chart: 11 weeks

English band The Farm last graced us with their presence in January 1991.  "All Together Now" was the second single from the band's first studio album Spartacus (number 106, May 1991).
 
An early version of "All Together Now", titled "No Man's Land", was written after the band's singer Peter Hooton, who had trained as a history teacher, read an article about the unofficial Christmas truce between British and German soldiers during the first World War in 1914.  The troops ditched their weapons to play a game of football on 'no man's land', the space between their trenches.  The song was performed live on John Peel's Radio 1 show in 1983.  When recording the song in 1990, producer Suggs (from Madness) suggested the chorus lyric should be "all together now".  The song interpolates German baroque composer Johann Pachelbel's "Canon in D".
 
The single peaked at number 4 in the UK in December 1990, number 9 in the Netherlands in February 1991, number 13 in the Flanders region of Belgium in February 1991, number 5 in Germany in March 1991, and number 18 in Switzerland in April 1991.
 
On the state charts, "All Together Now" performed strongest in South Australia/Northern Territory, where it reached number 66.  The single also crept into the Australian Music Report top 100 singles chart, peaking at number 96.
 
I don't recall hearing "All Together Now" in 1991, but became familiar with the song via a 1995 happy hardcore cover version from German eurodance band Intermission.

We will see The Farm again in July 1991.



Number 149 "Temple of Love" by Harriet
Peak: number 149
Peak date: 22 April 1991
Weeks in top 150: 1 week
Top 150 chart run: 149

Here's one I had never heard of before.  Harriet, whose full name is Harriet Roberts, is a soul singer from Sheffield in the UK.  Interestingly, this track was her only release to dent the UK (compressed) top 100, spending a solitary week at number 100 on the compressed chart (number 129 on the uncompressed chart with no exclusions below number 75) in August 1990.

"Temple of Love" was lifted from the album Woman to Man; Harriet's only album release.  A much dancier version of the track, which I prefer, was released as the single version in Germany and Japan.

Bizarrely, "Temple of Love" was released in Australia in October 1990, taking six months to scrape into the top 150.  In the interim, Harriet released another single locally, "Woman to Man", in January 1991, but it missed the top 150.



Number 150 "Funk Boutique" by The Cover Girls
Peak: number 150
Peak date: 22 April 1991
Weeks in top 150: 1 week
Top 150 chart run: 150
Weeks on chart: 3 weeks

The only song by New York-based freestyle group The Cover Girls I had heard before is one that we will see in 1992.

"Funk Boutique", which is quite sparse in lyrics, appears to have been an in-between albums release that was eventually included on the group's third studio album Here It Is (number 236, September 1992) in 1992.

"Funk Boutique" peaked at number 55 on the US Billboard Hot 100 in March 1991.

Domestically, "Funk Boutique" was most popular in New South Wales/Australian Capital Territory, where it reached number 144.

The Cover Girls will make their second and final appearance on the ARIA singles chart in 1992.



Bubbling WAY down under:

Number 154 "All I Want Is You" by Surface
Peak: number 154
Peak date: 22 April 1991
Weeks on chart: 1 week

You can tell from the first few seconds of this track that it's going to be a slickly-produced r&b lurve ballad... and that's exactly what it is, listening to this track for the first time.

Surface last 'surfaced' (ho ho) on the ARIA top 150 in February 1991.  "All I Want Is You" was another single from the group's third studio album 3 Deep (number 146, April 1991).
 
Surprisingly, "All I Want Is You" did not chart on the US Billboard Hot 100.  It did, however, reach number 8 on the US Billboard R&B/Hip-Hop Songs chart in April 1991... for what that's worth.
 
Locally, "All I Want Is You" was most successful in New South Wales/Australian Capital Territory, where it reached number 147.

"All I Want Is You" would be Surface's last single to chart in Australia.



Number 158 "G.L.A.D." by Kim Appleby
Peak: number 158
Peak date: 22 April 1991
Weeks on chart: 2 weeks

We first saw Kim Appleby in January 1991.  "G.L.A.D.", short for good lovin' and devotion, was the second single lifted from Kim's debut solo album Kim Appleby (number 159, April 1991).  The song was co-written with Kim's late sister Melanie, who was the other half of Mel & Kim, and Craig Logan, the former Bros member who Kim was dating at this time.

G.L.A.D. was going to be the title of Mel & Kim's second album, which never eventuated, following F.L.M. (number 2, August 1987) and sticking with the alphabet letters theme.  Kim launched her solo career nine months after Mel's passing in January 1990.  She was driven to showcase the songs she and Mel had written during Mel's illness, as a tribute to her sister.

"G.L.A.D." was remixed from the original album version for its single release by Phil Harding and Ian Curnow, the B-team at Stock Aitken Waterman (who produced the F.L.M. album).  The track features a rap from Aswad's Brinsley Ford.

Internationally, "G.L.A.D." reached number 10 in the UK in February 1991, number 7 in Ireland, number 6 in the Flanders region of Belgium in April 1991, and top 20 in Germany, the Netherlands and Switzerland.

Within Australia, "G.L.A.D." performed strongest in Victoria/Tasmania, where it reached number 138.

Unlike Kim's previous single, I heard "G.L.A.D." at the time, catching the video on Channel 10's short-lived Coca-Cola Power Cuts as a new release.

A third single from the Kim Appleby album, "Mama", was released in Australia in June 1991, but failed to chart.  It did, however, give Kim a third and final solo top 20 hit in the UK, peaking at number 19 there in July 1991.

A fourth single, "If You Cared", was issued from the album in the UK in October 1991, but did not receive a local release.  Mel & Kim performed a live a cappella excerpt from "If You Cared" in their April 1988 interview on UK TV show Wogan.

We shall see Kim Appleby again in 1993.



Number 172 "Couldn't Say Goodbye" by Tom Jones
Peak: number 172
Peak date: 22 April 1991
Weeks on chart: 2 weeks
 
We last saw Welsh singer Tom Jones in 1989.  "Couldn't Say Goodbye" was the lead single from Tom's 32nd studio album Carrying a Torch (released in Australia in July 1991, did not chart).
 
Internationally, "Couldn't Say Goodbye" peaked at number 51 in the UK in January 1991.  In Australia, the single performed strongest in New South Wales/Australian Capital Territory, where it reached number 161 on the state chart.
 
I hadn't heard "Couldn't Say Goodbye" until listening to it while writing this post.  I actually chuckled to myself when I saw that the song was co-written by beige songwriter extraordinaire Diane Warren, as it's exactly the kind of schmaltz she is responsible for.  I did think to myself "I bet this one was written by Diane Warren" before checking the credits.
 
Tom will join us next in 1995.
 

 
Number 180 "Now That We've Found Love" by Love in Effect featuring Jazzie B
Peak: number 180
Peak date: 22 April 1991
Weeks on chart: 2 weeks
 
This track is a cover version of The O'Jays' "Now That We've Found Love" from 1973.   Another version of the song, by Heavy D. & The Boyz, peaked at number 6 in Australia in September 1991.

Love in Effect was an ensemble of artists who came together to release this single and nothing else.  I assume the track was recorded for charity, as these things usually are, but cannot find any evidence of such.
 
The artists featured in Love in Effect include Soul II Soul's Jazzie B (the only one to receive a featuring credit), Ben Vopeliere-Pierrot from Curiosity Killed the Cat, Ruby Turner, Diana Brown and Barry K. Sharpe, The Wee Papa Girl Rappers, Jeninne Levy, and Jay Williamson.

This version of "Now That We've Found Love" missed the UK top 75, and peaked at number 80 in the Netherlands in March 1991.  The single was most-successful in New Zealand, where it reached number 25 in May 1991.

Within Australia, "Now That We've Found Love" performed strongest in New South Wales/Australian Capital Territory, where it reached number 167.



Number 191 "Don't Hold Back Your Love" by Daryl Hall & John Oates
Peak: number 161
Peak date: 29 April 1991
Weeks on chart: 5 weeks

We last saw Daryl Hall & John Oates in December 1990, with the lead single from the duo's fourteenth studio album Change of Season (number 137, February 1991).  "Don't Hold Back Your Love" was the second and final single released from the album in Australia.

Internationally, "Don't Hold Back Your Love" peaked at number 41 on the US Billboard Hot 100 in February 1991.

In Australia, "Don't Hold Back Your Love" performed strongest in Western Australia, where it reached number 108.

Australian singer Daryl Braithwaite would go on to score a bigger 'hit' with this song later in 1991.  His version of "Don't Hold Back Your Love" peaked at number 55 in October 1991, and spent 23 weeks on the chart.

As it is unlikely I will be writing these chart recaps by the time it gets to 2010 (as my interest in new music drops off sharply by the turn of the century), I can reveal now that Hall and Oates landed one further charting single in Australia - "You Make My Dreams", which originally peaked at number 40 in October 1981, re-entered the ARIA singles chart in March 2010, peaking at number 106 during the same month.  Despite the low peak, "You Make My Dreams" has gone on to spend 167 weeks on the chart and has been certified triple platinum by ARIA in December 2019.  Don't you just love these anomalies of the streaming era?

We will next see Daryl Hall, sans John Oates, in 1994.



Number 194 "Deal for Life" by John Waite
Peak: number 194
Peak date: 22 April 1991
Weeks on chart: 1 week
 
English rock singer John Waite has joined us previously, fronting the band Bad English, in 1990.  John first came to fame as the lead singer of British rock group The Babys, whose biggest hit in Australia was "Isn't It Time" (number 1, March 1978).  The Babys scored a second top 10 hit in Australia, with "Every Time I Think of You" (number 6, April 1979).
 
John then embarked on a solo career, and landed a major hit with "Missing You" (number 5 for five weeks in October 1984).  However, it would be his only solo top 50 single in Australia.  John then fronted Bad English, who had a top 5 hit with "When I See You Smile" (number 4 for two weeks in January-February 1990).
 
John returned to his solo career to record "Deal for Life" for the Days of Thunder soundtrack (number 31, September 1990), which also contained Maria McKee's "Show Me Heaven" (number 3 for five weeks in December 1990-January 1991), Elton John's "You Gotta Love Someone" (number 32, November 1990), and Guns N' Roses' "Knockin' on Heaven's Door" (number 12, August 1992).
 
Internationally, "Deal for Life" peaked at number 83 (number 80 on the compressed chart) in the UK in December 1990.
 
In Australia, "Deal for Life" was most popular in Western Australia, reaching number 156 on the state chart.
 
We'll next see John on his own in 1994.
 

 
Next week (29 April): Two top 150 debuts and four bubbling WAY down under entries.  Also, my 1981 Kent Music Report beyond the top 100 recaps will resume on Wednesday (27 April) next week.

< Previous week: 15 April 1991                                         Next week: 29 April 1991 >

14 September 2021

Kent Music Report beyond the top 100: 14 September 1981

Those of you who are regular readers (there must be some?) of this site would have seen me refer to the Kent Music Report lists of 'singles receiving significant sales reports beyond the top 100' on numerous occasions.  Well, I decided, on a whim, to start re-capping those 'charts', in addition to my regular weekly posts on singles peaking outside the ARIA top 100 singles chart.

For those of you who are not au fait with the different charts that were published in Australia, the Kent Music Report, named after its creator, David Kent, began publishing national top 100 charts in May 1974.  The Australian Record Industry Association (as it was then known), i.e. ARIA, licensed the top 50 portion of the Kent Music Report chart in June 1983, and these printed top 50 charts were available free to take home in record stores.

The Kent Music Report was re-branded the Australian Music Report in July 1987.  ARIA's licensing arrangement with the Kent/Australian Music Report chart came to an end in June 1988, and then ARIA commenced producing the chart themselves, in-house.  The Australian Music Report continued being published up until January 1998.  Between June 1988 and January 1998, the two charts existed alongside each other, although the ARIA chart was the self-proclaimed 'official' Australian chart.

In April 1981, the Kent Music Report started publishing a list of 'predictions for national top 100 singles'.  These were listed beneath the top 100 chart, and I have uploaded an image of the first one for you to see:


Titles were ranked in order of sales, but were not literally positions 101, 102, 103, etc.  These lists are therefore analogous to the US Billboard Bubbling Under chart, which was an inspiration for naming this site.  The list was re-branded a list of 'singles receiving significant sales reports beyond the top 100' in August 1982.
 
The lists are also similar to the 'Breakers' lists that appeared on the printed top 50 ARIA charts between January 1986 and August 1992.  The Breakers lists were a list of the five highest-selling singles that week which were moving up the chart outside the top 50.

The Kent Music Report 'predictions' and 'significant sales reports...' lists differ to the Billboard Bubbling Under chart and the ARIA Breakers, however, in that they often contained titles that had just fallen out of the top 100.  I am not sure why David Kent decided to include such titles.

In keeping with the purpose of this site, I will mostly write about singles that never broke into the national top 100, and occasionally about those that 'bubbled under' some time before they debuted on the top 100.

Long intro out of the way, let's take a look at what was bubbling under this week in 1981.  In case you are wondering, I will cover the April-early September 1981 Kent Music Report Predictions lists at some point in the future, though I have not yet determined when.

Tom Jones: but I do a mean Mike Brady impersonation.

Beyond the top 100:

Position 30 "But I Do" by Tom Jones
Highest rank: 19th
Peak dates: 28 September 1981, 5 October 1981, 12 October 1981 and 19 October 1981
Weeks on below list: 6 weeks
 
"But I Do" was the third single lifted form Welsh singer Tom Jones' album Darlin'.  The track is a cover version of Clarence "Frogman" Henry's "(I Don't Know Why) But I Do".

Tom's career was in a commercial lull at this point, with his last major hit being in 1972.  "But I Do" did not even chart in the UK - or anywhere else for that matter, it seems.  Tom would have to wait until 1987 to score another top 10 hit in the UK, and he would not place another single on the Australian chart until teaming up with The Art of Noise in 1989.



Position 32 "Question of Love" by Malcolm McCallum
Highest rank: 11th
Peak date: 28 September 1981
Weeks on below list: 4 weeks

New Zealand singer-songwriter Malcolm McCallum - not to be confused with Malcolm McLaren - never managed to land a single on the Australian top 100.  He did, however, place one album within the top 100, when Victim in Paradise peaked at number 96 in April 1980.  Oddly, none of Malcolm's releases made the top 50 (as far as the New Zealand chart is calculated, it seems) in his homeland.
 
"Question of Love" sounds like the sort of pleasant, easy-listening song that could have been a huge hit in the early 1980s.  I'm not sure why it didn't perform better on the chart; I assume a lack of radio/TV support is to blame.

"Question of Love" was Malcolm's only single to register on the Kent Music Report.


Next post (28 September): As there are no new titles on the Kent Music Report Predictions list from 21 September 1981 that missed the top 100, my next post on this chart will be on 28 September, where there are three new entries.  Stay tuned!

< Previous week: 7 September 1981                                      Next post: 28 September 1981 >

05 June 2020

Week commencing 5 June 1989

Four of this week's ten new entries are songs that did not register on any other 'real', sales-based chart, to my knowledge.  That's quite a feat, considering that only one of those four acts is Australian.  The other theme rippling through this week's entries is 'veteran' (as in, they'd been around for at least five years, which is a long time in chart years) acts giving it another go, or a new go as a solo act.  Let's take a look at what was bubbling down under this week in 1989:

Dusty Springfield: Having no hits for almost two decades does not always "prove" your career is over.

Top 150 debuts:

Number 144 "Tears Run Rings" by Marc Almond
Peak: number 128
Peak date: 19 June 1989
Weeks in top 150: 5 weeks 
Chart run: 158-144-134-128-133-133
Weeks on chart: 6 weeks

Hot off the heels of his recent number 24 duet with Gene Pitney, "Tears Run Rings" became Marc's first truly solo chart 'hit' in Australia.  He had, of course, had a major hit in 1981-2 as one half of Soft Cell - and a newly-recorded version of that would give Marc a number 93 'hit' in 1991, though credited to Soft Cell/Marc Almond.  Marc also scored a number 34 hit with Bronski Beat in 1985, on a cover version medley of "I Feel Love", which has been dubbed "the gayest record ever made".  But this was as good as it got for Marc in his own right down under.  He had more success with this track in the UK, where it peaked at number 26 in September 1988.
 
"Tears Run Rings" was lifted from the album The Stars We Are (number 123, May 1989).  Another single from the album, "Only the Moment", was released in Australia in August 1989, but failed to chart.
 
In Australia, "Tears Run Rings" performed strongest in Western Australia, where it reached number 105.
 
We will next week Marc in 1991.

 

 
Number 145 "Nothing Has Been Proved" by Dusty Springfield
Peak: number 145
Peak date: 5 June 1989
Weeks in top 150: 1 week
Top 150 chart run: 145
Weeks on chart: 5 weeks

Dusty, real name Mary Isobel Catherine Bernadette O'Brien (phew!), had major chart success in the 1960s, including in Australia.  Her chart fortunes had all but dried up by the early 70s, though, and her last solo top 40 hit in Australia was 1970's "What Good Is I Love You?"  That all changed in 1987, however, when Pet Shop Boys rescued her from obscurity, with an unlikely pairing on the number 22 hit (number 2 in both the UK and US) "What Have I Done To Deserve This?"  Continuing the partnership, Pet Shop Boys produced half of Dusty's 1990 album Reputation, from which this track was eventually lifted.  While generally not a movie fan, to my ears, "Nothing Has Been Proved" sounds like it could have been a Bond theme; and my impression wasn't too far off the mark, as the song was recorded for and played over the closing credits of the 1989 British film Scandal, about a political scandal involving the Conservative Party in 1963.  The single had more success in the UK, where it peaked at number 16, and gave Dusty her first solo top 40 single since 1970.  "Nothing Has Been Proved" also peaked at number 10 in Ireland, number 52 in Germany in April 1989, number 26 in the Netherlands in April 1989, number 24 in the Flanders region of Belgium in April 1989, and number 33 in New Zealand in May 1989.
 
In Australia, "Nothing Has Been Proved" was most popular in Western Australia, where it reached number 106.
 
We will see Dusty bubbling down under again in 1990.  Of course, Dusty sadly passed away from breast cancer in 1999, aged 59.


Number 148 "I'm On To You" by  Hurricane
Peak: number 148
Peak date: 5 June 1989
Weeks in top 150: 1 week 
Top 150 chart run: 148

Perhaps one factor leading to heavy metal's decline in the early 1990s was that the market was fairly saturated with similar acts by this point.  Enter Hurricane into the fray, with their first Australian chart 'hit', with a song that failed to register on any other chart (real chart, I mean) as far as I can tell, including the Billboard Hot 100 in the group's homeland.  Parent album, Over the Edge, fared slightly better on the Billboard 200, reaching number 92.  It's not something I would normally listen to, but I have to admit that the "na na na na na na" hook is catchy.  Hurricane will visit us again in 1991.


 
 
Number 149 "No Matter What" by Swingshift
Peak: number 126
Peak dates: 26 June 1989 and 24 July 1989
Weeks in top 150: 11 weeks 
Top 150 chart run: 149-145-139-126-136-144-139-126-128-139-143

Swingshift were an Australian band, and this single - their only release listed on discogs.com - appears to have been issued on a small independent record label, Top Shelf Recordings.  Only one other title, from another band, is currently listed on the Top Shelf Recordings record label page on the site.

Despite being issued on an independent label, "No Matter What" was promoted though a TV advertising campaign, as evident on the embedded video below.

Unfortunately, nobody has uploaded the music video for the song, or the full audio for the track, so the snippet in the ad below is all you can hear of the song.  I have no recollection of hearing "No Matter What" before.
 
Swingshift started out as a Cold Chisel covers band, and Dave Leslie from the group went on to later join the group Baby Animals.



 
Number 150 "Everything That Comes Around" by Mick Jones
Peak: number 150
Peak date: 5 June 1989
Weeks in top 150: 1 week 
Top 150 chart run: 150

Mick is (not was!) the guitarist in Foreigner, and remains the band's only remaining founding member.  Oddly, this track didn't chart (at least, not within the top 100) in his native UK, or anywhere else, for that matter, as far as I am aware.  To date, this song's parent album, the imaginatively-titled Mick Jones, remains his only solo release.



Bubbling WAY down under:
 
Number 152 "Move Closer" by Tom Jones
Peak: number 152 
Peak date: 5 June 1989
Weeks on chart: 2 weeks
 
Veteran Welsh singer Tom Jones burst onto the charts in the mid-1960s, with hits such as "It's Not Unusual".  Tom made a surprise comeback with "Kiss" (number 8, February 1989), teaming up with The Art of Noise, earlier in the year.

"Move Closer" was a cover version of a song written and originally performed by Phyllis Nelson that peaked at number 15 in Australia in November 1985.  Phyllis sadly passed away in 1998, aged 47, from breast cancer.  Tom's version of "Move Closer" was lifted from his At This Moment (number 92, November 1990) album.  Internationally, the single peaked at number 49 in the UK in April 1989.

Within Australia, "Move Closer" performed strongest in Western Australia, where it reached number 99.

We will next see Tom in 1991.


 
Number 158 "Romance (Love Theme From Sing)" by Paul Carrack & Terri Nunn
Peak: number 158
Peak date: 5 June 1989
Weeks on chart: 1 week

Another track that didn't chart anywhere else on a 'real' chart (no, the Billboard Adult Contemporary chart does not count in this instance!) is this 'love theme' (doncha love how 80s that expression is?) duet between Paul Carrack and Terri Nunn.  Paul had been somewhat of a chameleon on the Australian charts, with his first taste of chart success coming as lead vocalist of Ace with 1975's "How Long" (number 63), a song that went on to be covered by many artists.  Paul then went on to have four of his own solo hits during the 1980s, with 1987's "When You Walk in the Room" reaching number seven.  More-recently, Paul had just scored a number one single in Australia singing lead on Mike + The Mechanics' "The Living Years".  Phew!  Terri Nunn was the lead singer in synth-pop band Berlin, who had scored four top 40 hits in Australia between 1984 and 1987, with Top Gun soundtrack hit "Take My Breath Away" easily being the biggest of those, peaking at number two.
 
On the state charts, "Romance..." performed strongest in New South Wales/Australian Capital Territory, where it reached number 149.
 
We will see Paul bubble under again a couple of times over the next year, but this would be Terri's only solo Australian chart 'hit' as far as I am aware.

 
 
Number 164 "That's the Way Love Is" by Ten City
Peak: number 164
Peak date: 5 June 1989
Weeks on chart: 1 week
 
American r&b/house act Ten City hail from Chicago.  "That's the Way Love Is", lifted from their debut album Foundation (released in Australia in May 1989, did not chart), was their debut Australian release, and their only single to chart locally.
 
"That's the Way Love Is" found greater success internationally, reaching number 8 in the UK in January 1989, number 11 in Ireland, number 23 in the Netherlands in April 1989, number 18 in West Germany in April 1989, number 21 in the Flanders region of Belgium in April 1989, and number 24 in New Zealand in May 1989.  Within Australia, "That's the Way Love Is" performed strongest in New South Wales/Australian Capital Territory, where it reached number 153.


 
Number 166 "You Make Me Work" by Cameo
Peak: number 166
Peak date: 5 June 1989
Weeks on chart: 1 week

American funk band Cameo formed in 1974.  Their first, and only, taste of chart success in Australia came with "Word Up" (number 6, March 1987), and the album Word Up (number 75, April 1987).

"You Make Me Work" was the lead single from Cameo's thirteenth studio album Machismo (number 148, February 1989).  The single was released locally in January 1989, but took almost four months to register its solitary week on the chart.

Internationally, "You Make Me Work" peaked at number 74 in the UK in October 1988, and number 85 on the US Billboard Hot 100 in November 1988.  Within Australia, the single performed strongest in Queensland, where it reached number 147.

We shall next see Cameo in 1990.


Number 167 "Make No Mistake" by Keith Richards
Peak: number 167
Peak date: 5 June 1989
Weeks on chart: 1 week
 
Rolling Stones guitarist Keith Richards released his first solo album Talk Is Cheap (number 15, October 1988) in 1988, led by the single "Take It So Hard" (number 95, December 1988).

"Make No Mistake" was Keith's second solo single in Australia.  Internationally, "Make No Mistake" peaked at number 213 (number 142 on the compressed chart) in the UK in May 1989.  Domestically, "Make No Mistake" performed strongest in South Australia/Northern Territory, where it reached number 139.

We will next see Keith in 1992.


 
8 Next week (12 June): five debuts within the top 150, plus three bubbling WAY down under entries.  As always, you can also follow my posts on facebook.


< Previous post: 29 May 1989                                           Next post: 12 June 1989 >