17 February 2023
Week commencing 17 February 1992
13 March 2020
Week commencing 13 March 1989
Somewhat surprisingly, the Australian top 100 singles charts were a hit-free zone for Pretenders for almost 7 years, book-ended by two top ten hits - those being 1987's "Hymn to Her" (number 7, June 1987), and 1994's "I'll Stand by You" (number 8, June 1994). They did managed to 'bubble under' with this track, though, which is a cover of the Dionne Warwick song. Pretenders' version of "Windows of the World" was recorded for the 1969 soundtrack (number 134, July 1989).
Internationally, "Windows of the World" peaked at number 120 (number 102 on the compressed chart) in the UK in April 1989.
Domestically, "Windows of the World" performed strongest in New South Wales/Australian Capital Territory, where it reached number 89 on the state chart.
We shall see Pretenders next in 1990.
This single was Billy's first foray into the Australian singles chart... kind of. He'd reach the top 100 in 1991 with "Sexuality" (number 46, September 1991), and dented the ARIA top 50 albums chart with this song's parent album Workers Playtime (number 49, March 1989).
Internationally, "She's Got a New Spell" peaked at number 132 (number 112 on the compressed chart) in the UK in November 1988.
Locally, "She's Got a New Spell" was most popular in Queensland, where it reached number 96.
We'll see Billy next in 1991.
This track is lifted from the Buster soundtrack (number 35, March 1989), and was written by Phil Collins and Lamont Dozier. I remember seeing the video for this one on rage while waiting for the top 50 chart countdown to begin, early on a Saturday morning. This was the group's first Australian singles chart entry since "When She Was My Girl" peaked at number 54 in early 1982.
Elsewhere, "Loco in Acapulco" peaked at number 7 in the UK in January 1989, number 23 in Germany in January 1989, number 9 in Ireland, number 9 in the Netherlands in February 1989, and number 13 in the Flanders region of Belgium in February 1989.
Locally, "Loco in Acapulco" was most popular in Western Australia, where it peaked at number 86 on the state chart.
The first and only Australian singles chart entry for this Canadian rock band has a rather interesting back-story. The song was originally released as a single in 1983 - although I can find no evidence of it being released locally then. The band split in 1985, and after a radio station in the US began playing the song in late 1988, it was re-issued there (after having peaked at number 61 in 1983). It then went on to top the US Billboard Hot 100 chart in February 1989, despite having no music video.
Another claim made about this song is that the note held at the end of it is the longest (19.3 second) note held by a male pop singer on record. Phew! As if all of that wasn't enough, two of the band's members went on to form part of Alias, who would score a hit in 1991 with "More Than Words Can Say" (number 30, April 1991).
On the state charts, "When I'm with You" performed strongest in Queensland, where it reached number 90.
Australia's Party Boys scored a big number one hit in 1987 with their version of "He's Gonna Step on You Again" (number 1, July 1987), but would have to settle for bubbling under the top 100 with this release, less than two years later. While it's not the sort of thing I normally listen to, I concede that the chorus is catchy. Despite peaking at number 107, this single spent 11 weeks in the 101-150 section of the chart.
We'll see The Party Boys again in 1993.
A certain Scandinavian duo hailing from Sweden would conquer the Australian charts in 1989, but this duo, originating in Norway, couldn't manage to crack the top 140. It's a shame, really, as this is quite a good slice of infectious pop music that I hadn't heard before. I wonder who knew about it locally to snap up sufficient copies of it to dent the top 150? The duo had greater success in their homeland, where this reached number 4.
Despite forming in 1979, this was actually the Australian band's first taste of chart 'success'; albeit, at a rather modest level. "Johnny" is lifted from The Celibate Rifles' fifth studio album Blind Ear (number 85, July 1989). They'll go on to visit the 101-150 section of the singles chart on no fewer than four other occasions in the coming three years.
On the state charts, "Johnny" performed strongest in South Australia/Northern Territory, where it reached number 86.
The Celibate Rifles will next join us in June 1989.
This is another one I'd never heard of before. Buckwheat, born Stanley Dural, Jr., was an American accordionist. I say 'was', because he sadly passed in 2016. This track is a cover of a track by Eric Clapton's band Derek & The Dominoes, from 1970. Oddly, this version by Buckwheat Zydeco does not appear to have charted elsewhere - I've no idea why it 'charted' in Australia.
Another track I'd never heard before, though I was familiar with Shane via his massive hit with Goanna, 1982's "Solid Rock" (number 3 for 5 weeks in December 1982-January 1983), and the handful of minor top 50 hits he had locally in 1990-1991. This release appears to have been his first solo single, and was the title track of his Back to the Track (number 111, March 1989) album.
On the state charts, "Back to the Track" performed strongest in Western Australia, where it reached number 94.
08 February 2020
Singles receiving significant sales reports beyond the top 100 - Winter 1988
Prior to the advent of the first ARIA-produced chart (that was published) in June 1988, ARIA had been licensing the top 50 portion of the Kent Music Report (which was later known as the Australian Music Report, from the edition dated 6 July 1987) since late June 1983.
I say "that was published", as ARIA actually produced an unpublished top 50 chart, as a trial run, a week prior to 'going live' with the chart linked above. But we'll get to that in another post.
The Kent/Australian Music Report, since 23 August 1982, had included a list of "singles receiving significant sales reports beyond the top 100" - if that is not a contradiction in terms.