Showing posts with label The Soup Dragons. Show all posts
Showing posts with label The Soup Dragons. Show all posts

22 March 2025

Week commencing 22 March 1993

This week in 1993's new entries peaking outside the Australian top 100 are a mixed bunch, containing established artists who normally do better, and more-obscure ones you may have never heard of before.  Before we take a look, I have updated the following previous posts:
 
* 4 March 1991 - with a new bubbling WAY down under entry from Was (Not Was); 
* 11 March 1991 - with a new bubbling WAY down under entry from Jellybean featuring Niki Haris;
* 8 April 1991 - with a new bubbling WAY down under entry from Denise Lopez; 
* 6 May 1991 - with a new bubbling WAY down under entry from Lee Aaron; 
* 27 May 1991 - with a new bubbling WAY down under entry from Tongue 'N' Cheek;
* 5 August 1991 - with a new bubbling WAY down under entry from PIL;
* 2 March 1992 - with new bubbling WAY down under entries from Lee Aaron and Yo Yo Honey.
 
Cleopatra Wong lamenting on their lack of chart success.
 
Top 150 debuts:
 
Number 116 "Riders on the Storm" by The Doors (90s re-release)
Peak: number 116
Peak date: 22 March 1993
Weeks in top 150: 7 weeks
Top 150 chart run: 116-132-134-129-124-140-150
 
We last saw American rock band The Doors in 1991.
 
"Riders on the Storm" originally appeared on the band's sixth studio album L.A. Woman, and reached number 10 in Australia on the Go Set singles chart in November 1971.  Internationally, the 1971 release of "Riders on the Storm" peaked at number 7 in the Netherlands in August 1971, number 14 on the US Billboard Hot 100 in September 1971, number 5 in Canada in September 1971, number 22 in the UK in November 1971, and number 28 in West Germany.
 
"Riders on the Storm" was the third Doors single re-released in Europe in 1991 to promote The Doors (number 11, June 1991) soundtrack album.  In Australia, we got the first two re-releases, "Break on Through" (number 97, June 1991) and "Light My Fire" (number 130, July 1991), but, for reasons unknown, the re-release of "Riders on the Storm" was postponed to February 1993.  I am guessing that maybe the movie premiered on TV around that time?  In any case, there was a renewed interest in The Doors on the ARIA albums chart in early 1993, with The Best of The Doors (number 3, March 1993) peaking within the top five, and The Doors soundtrack rebounding to number 44 in March 1993.
 
Internationally, the 1991 release of "Riders on the Storm" peaked at number 68 in the UK in August 1991, and number 12 in Ireland in August 1991.
 
I don't recall exactly when I heard "Riders on the Storm" for the first time, but have a vivid memory of hearing it on an AM radio station in the early 1990s.
 

 
Number 119 "Megamix" by Gloria Estefan
Peak: number 119
Peak date: 22 March 1993
Weeks in top 150: 6 weeks
Chart run: 119-142-133-149-148-130
Weeks on chart: 6 weeks
 
Gloria Estefan last graced our presence in 1992
 
As you may have guessed from the title, "Megamix" is a megamix of Gloria/Miami Sound Machine's earlier uptempo hits, including "Dr. Beat" (number 11, February 1985), "Conga" (number 37, March 1986), "Rhythm Is Gonna Get You" (number 54, August 1987), "1-2-3" (number 99, December 1988), and "Get on Your Feet" (number 98, October 1990).  The megamix was released to promote Gloria's Greatest Hits (number 21, November 1992) compilation, which was re-packaged (at least in Australia) with a second disc containing this track.
 
Internationally, this single was titled "Miami Hit Mix" in Europe and Colombia.  The single peaked at number 8 in the UK in December 1992, number 12 in Ireland in December 1992, and number 92 in Germany in March 1993.
 
In Australia, "Megamix" performed strongest in Queensland, where it reached number 92 on the state chart.
 
Watching the music video for "Megamix", rather than recycle footage from Gloria's earlier music videos, they have instead used new footage.  Both the song and video are a bit of a hot mess, in my view; I would much rather listen to the original tracks.
 
Gloria will next join us in July 1993.
 

 
Number 130 "Courage" by The Tragically Hip
Peak: number 127
Peak date: 29 March 1993
Weeks in top 150: 5 weeks
Top 150 chart run: 130-127-131-134-136
 
Canadian band The Tragically Hip formed in Kingston, Ontario in 1984.  "Courage", titled "Courage (For Hugh MacLennan)" on the album and rear of the single, was the first single released in Australia from the band's third studio album Fully Completely (number 96, March 1993).
 
Internationally, "Courage" peaked at number 94 (number 85 on the compressed chart) in the UK in March 1993, and number 10 in Canada in April 1993.  The song also registered on two US Billboard genre-specific charts, peaking at number 16 on the Mainstream Rock Airplay chart in March 1993, and number 16 on the Alternative Airplay chart in March 1993.
 
"Courage" would be the band's only ARIA top 150 single, though they had another top 150 album, with Day for Night (number 145, February 1995).  The band's lead singer, Gord Downie, passed away in October 2017, aged 53, from brain cancer.
 

 
Number 144 Cleopatra's Lament EP by Cleopatra Wong
Peak: number 132
Peak date: 10 May 1993
Weeks in top 150: 9 weeks
Top 150 chart run: 144-137-137-137-141-136-138-132-150
 
Australian duo Cleopatra Wong were former Go-Betweens members Amanda Brown (violin, oboe, guitar, keyboards, backing vocals) and Lindy Morrison (drums, backing vocals).  They formed Cleopatra Wong, named after a female James Bond-like character in the 1979 film They Call Her Cleopatra Wong, after the demise of The Go-Betweens in 1989.
 
During their existence, Cleopatra Wong only released two EPs, Egg (number 77 on the ARIA albums chart, June 1992), which contained the rather nice "Thank You", and this one, Cleopatra's Lament.  The five-track Cleopatra's Lament EP was led by the song "Baby for You", for which I have embedded an audio clip below.  A music video was filmed, but only a snippet of this appears on YouTube, here.
 
Lindy left the band in 1993, after a deal fell through to release their two EPs in the US.  This was the final Cleopatra Wong release.
 
The Go-Betweens reformed in 2000, minus Amanda and Lindy, until 2006, when G. W. MacLennan died.  More-recently, I have spotted Lindy doing TV commercials for APIA, Australian Pensioners' Insurance Agency.
 

 
Number 145 "Naturally" by Living Daylights
Peak: number 126
Peak date: 19 April 1993
Weeks in top 150: 7 weeks
Top 150 chart run: 145-148-149-147-126-143-137
 
Aussie band Living Daylights last paid us a visit in 1992.  I hadn't heard this one before; it's not bad.  "Naturally" appears on the duo's only album Living Daylights, which does not appear to have received an Australian release.  One thing I can confirm since their last entry is that lead singer Denise DeMarchi is indeed the sister of Baby Animals' front woman Suze DeMarchi.
 
Living Daylights will join us once more, in May 1993.
 

 
Number 146 "Boys from the Bush" by Lee Kernaghan
Peak: number 130
Peak date: 5 April 1993
Weeks in top 150: 2 weeks
Top 150 chart run: 146-(out for 1 week)-130
 
Australian country artist Lee Kernaghan released a couple of singles during the 1980s, none of which troubled the charts.  That would change with this single, taken from his debut solo studio album The Outback Club (number 58, May 1994), which debuted in the ARIA top 150 albums chart in May 1992 and initially peaked at number 86 in February 1993.
 
Lee would land his first ARIA top 100 single in 1997 with "This Is the Outback" (number 84, September 1997).  His biggest hit would come with "Spirit of the Bush", a collaboration with Adam Brand and Steve Forde (number 11, July 2007).
 
To say I am not a fan of country music would be putting it mildly...
 
Lee will next join us in 1994.
 

 
Number 148 "Pleasure" by The Soup Dragons
Peak: number 148
Peak date: 22 March 1993
Weeks in top 150: 2 weeks
Top 150 chart run: 148-(out for 1 week)-150
Weeks on chart: 5 weeks
 
Scottish band The Soup Dragons last joined us in 1992.
 
"Pleasure" was the second and final single lifted from the band's third studio album Hotwired (number 177, July 1992).  Internationally, "Pleasure" peaked at number 78 (number 77 on the compressed chart) in the UK in September 1992.
 
Locally, "Pleasure" performed strongest in South Australia/Northern Territory, where it reached number 136 on the state chart.
 
"Pleasure" has quite a catchy chorus, and sounds like a hit to me.  I am surprised that it didn't do better on the charts.  This would be The Soup Dragons' final release to chart in Australia.
 

 
Number 149 "Sunshine" by Vincent Stone
Peak: number 109
Peak date: 28 June 1993
Weeks in top 150: 15 weeks
Top 150 chart run: 149-147-(out for 1 week)-146-(out for 1 week)-139-135-133-122-122-117-122-119-113-109-118-137
 
Australian artist Vincent Stone hails from Sydney.  While his recording career only consists of one album and three singles, he later went into acting, landing the role of Grant in the film Superman Returns (2006).
 
"Sunshine" was the first single lifted from the album Vincent Stone (number 65, April 1994).  It was produced by former Noiseworks members Justin Stanley and Steve Balbi, who would form Electric Hippies - we'll see them bubble under in November 1993.
 
On the state charts, "Sunshine" performed strongest in Western Australia, where it reached number 47.
 
Vincent was nominated for Best New Talent and Breakthrough Artist - Single at the 1994 ARIA Awards.
 
Perhaps, though, "Sunshine"'s biggest accolade is making its way onto the McDonalds 4-track Hot Hits Vol 1 cassette, which if I remember correctly, was available for a couple of dollars (maybe $4.95?) with the purchase of any meal in early 1994.
 
A music video exists for this track, but has not yet made its way onto YouTube. 

We shall next see Vincent in October 1993.
 


Bubbling WAY down under:
 
Number 177 "I Will Always Love You" by Tears N’ Joy
Peak: number 159
Peak date: 29 March 1993
Weeks on chart: 8 weeks

As you might have guessed from the title, this one is a cover of Dolly Parton’s "I Will Always Love You", which at this point in 1993, Whitney Houston’s version of it recently spent 10 weeks at number one.  It was inevitable that a cheaply-produced dance version of the song would be released, and here it is.  Production-wise, this version, which I hadn’t heard before, sounds more than a little bit inspired by K.W.S.’s "Please Don’t Go" (number 2 for 4 non-consecutive weeks in July-August 1992).  The singer, German Josephine Hiebel (credited as ‘Joy’ here), has competent, if not quite Whitney-level, vocals, which is something these thrown-together dance version cash-ins often lack.
 
Internationally, this version of "I Will Always Love You" peaked at number 9 in the Netherlands in March 1993, number 11 in the Flanders region of Belgium in April 1993, and number 47 in New Zealand in May 1993.
 
Domestically, "I Will Always Love You" performed strongest in South Australia/Northern Territory, where it reached number 124 on the state chart.  The single peaked higher nationally on the Australian Music Report singles chart, where it reached number 94.
 
This was the only Tears N' Joy release to chart in Australia.



Number 207 "Highland" by One More Time
Peak: number 181
Peak date: 29 March 1993
Weeks on chart: 2 weeks
 
Swedish group One More Time formed in Stockholm in 1991.  "Highland", which has somewhat of a Celtic feel to my half-Scottish ears, was their debut single, lifted from their debut album Highland, which does not appear to have received a release in Australia.
 
Internationally, "Highland" peaked at number 20 in the Netherlands in November 1992, number 2 in Sweden in December 1992, number 1 in the Flanders region of Belgium in December 1992, number 89 (number 80 on the compressed chart) in the UK in January 1993, and number 39 in Germany in March 1993.
 
In Australia, "Highland" was most popular in Victoria/Tasmania, where it reached number 165 on the state chart.
 
I didn't know this one at the time, but it's yet another song I discovered via a UK VHS compilation I digitised more than a decade ago.  It's quite a nice song.
 
"Highland" was One More Time's only charting release in Australia.  They went on to enter a song "Den Vilda" in the 1996 Eurovision Song Contest.
 

 
Next week (29 March): Seven top 150 entries and three bubbling WAY down under debuts.
 

22 June 2024

Week commencing 22 June 1992

This week in 1992's new entries peaking outside the top 100 in Australia is a real mixed bag, with everything from a cover of an old 60s hit, a remix of an early 70's 'classic', some indie dance, house music, and... Enya.  Shall we take a look?
 
James: another frustratingly low Australian chart position.
 
Top 150 debuts:
 
Number 104 The 1992 Mixes EP by Daddy Cool
Peak: number 104
Peak date: 22 June 1992
Weeks in top 150: 15 weeks
Top 150 chart run: 104-106-106-111-133-133-(out for 4 weeks)-116-120-115-116-119-118-109-108-122
 
The original release of "Eagle Rock" by Australian band Daddy Cool spent ten weeks at number 1 in Australia between June and August 1971, becoming the biggest hit of that year.  Even though I was born seven years after that song was released, I was quite familiar with it from an early age, such was Australian radio's penchant for playing "classic rock" until the mid-1990s.  A quite memorable clip of the band performing the song in 1975, complete with 'sharpie' bogan dancing in the audience, can be viewed here.

The 1992 Mixes EP contained a 'Dance Mix' of "Eagle Rock" as its lead track, a video for which is embedded below.  The other two tracks on the "EP" (so, really it was just a 3-track CD single) were the "Daddy Cool Megamix" and "Eagle Rock, 1992."  While I can't find either of those tracks on YouTube, I can link a 'news' report on this single/EP's release from 1992 here.

According to The ARIA Report, these mixes were released to commemorate the 21st anniversary of the release of "Eagle Rock".  This lead to the CD release of the Daddy Cool compilation album Daddy's Coolest (Volume 1), which peaked at number 35 in October 1992, after originally peaking at number 5 in September 1982 when it was just titled Daddy's Coolest.  The 1992 updated versions of the tracks do not appear on this compilation, however.  A volume 2 of Daddy's Coolest was released in November 1984, but did not chart.

The chart run for The 1992 Mixes was split in two, initially spending six weeks in the top 150, before exiting for four weeks and then returning to the top 150 for another nine week-run, climbing back up to number 108 in October 1992.  The EP ties with a track we saw in May by Apotheosis for the most weeks spent in the top 150 for a single debuting in 1992 that peaked between numbers 101 and 150, registering a tally of 15 weeks.
 

 
Number 125 "Book of Days" by Enya
Peak: number 111
Peak date: 29 June 1992
Weeks in top 150: 5 weeks
Top 150 chart run: 125-111-116-122-127
Weeks on chart: 7 weeks
 
We last saw Irish songstress Enya in 1989.

"Book of Days" was the third single issued from Enya's third studio album Shepherd Moons (number 8, December 1991), following "Caribbean Blue" (number 74, November 1991) and "How Can I Keep from Singing?" (number 47, January 1992).
 
The original album version of "Book of Days" was sung in Gaelic, but it was re-recorded with English lyrics for its inclusion on the Far and Away soundtrack album (number 124, June 1992), and for its single release.  I am surprised that this single appears to have been released in Australia at least a month before its release in Enya's home country and Europe.
 
Internationally, "Book of Days" peaked at number 12 in Ireland, number 10 in the UK in August 1992, and number 34 in Sweden in November 1992.
 
Within Australia, "Book of Days" performed strongest in Victoria/Tasmania, where it reached number 84 on the state chart.
 
I remember hearing this song at the time, and feel it may have done better on the chart had it been re-titled "Far and Away".  While Enya's albums generally sold well in Australia, she had to wait nearly seven years after her first top 40 single "Orinoco Flow" (number 6, February 1989) to land her second, with "Anywhere Is" (number 34, December 1995).
 
We shall next see Enya in 1996.



Number 139 "Mix It Up" by Dan Reed Network
Peak: number 139
Peak date: 22 June 1992
Weeks in top 150: 4 weeks
Top 150 chart run: 139-143-140-144

American funk rock band Dan Reed Network formed in Portland, Oregon in 1984.  The group had the most, although still modest, success in the UK, landing six top 75 singles there between 1990 and 1991, although none peaked higher than number 39.
 
"Mix It Up" was the only Dan Reed Network single to dent the top 150 in Australia, although an earlier album Slam peaked at number 140 in June 1990.  "Mix It Up" was lifted from the band's third studio album The Heat, which was released in Australia in June 1992 but missed the top 150 locally.

Internationally, "Mix It Up" peaked at number 49 in the UK in July 1991.
 
I don't recall hearing this one before, but it's not bad.


 
Number 141 "Divine Thing" by The Soup Dragons
Peak: number 133
Peak date: 29 June 1992
Weeks in top 150: 6 weeks
Known chart run: 152-141-133-135-134-137-137
Weeks on chart: 11 weeks 

Scottish band The Soup Dragons formed in 1985.  Their debut album This Is Our Art was released in Australia in June 1988, but did not chart locally.  Oddly, no singles from that album appear to have been released in Australia.

The Soup Dragons finally made a dent on the Australian chart in November 1990, when "I'm Free", the first single from their second album Lovegod (number 54, February 1991), debuted and climbed to number 9 in February 1991.  That song was originally recorded by The Rolling Stones in 1965, and would become the only Soup Dragons single to trouble the top 50 in Australia.

The Soup Dragons followed up that track with the equally-good but far less-successful "Mother Universe" (number 67, April 1991), and a non-album single "Electric Blues", which was released in Australia in November 1991 but failed to chart.

"Divine Thing" was the lead single from The Soup Dragons' third album Hotwired (number 177, July 1992).  Internationally, "Divine Thing" peaked at number 53 in the UK in April 1992.
 
In Australia, "Divine Thing" performed strongest in South Australia/Northern Territory, where it reached number 96.
 
I recall catching the video for "Divine Thing" on rage as a new release, but could barely remember it when I came to write this post.
 
The Soup Dragons will join us once more, in 1993.



Number 142 "Constant Craving" by k.d. lang
Peak: number 138 (in 1992); number 38 (in 1993)
Peak dates: 29 June 1992 and 6 July 1992 (1992 chart run); 5 April 1993 (overall)
Weeks in top 150: 33 weeks (5 weeks in 1992, 17 weeks in 1993, 11 weeks in 1994)
Top 150 chart run: 142-138-138-146-143
Re-entry 8 March 1993: 116-68-43-41-38-43-42-43-42-52-48-49-54-64-72-77-99
Re-entry 14 March 1994: 149-112-60-53-51-54-61-75-81-98-98
Weeks on chart: 59 weeks (all chart runs combined)

We first saw k.d. lang dueting with Roy Orbison in 1989.

"Constant Craving" was issued as the lead single from k.d.'s second studio album Ingénue (number 3, April 1994), which reached its eventual peak on the Australian chart almost two years after initially peaking at number 56 in June 1992.

"Constant Craving" experienced a similar fate on the Australian chart, released locally on 11 May 1992 and debuting at number 196 on 8 June 1992, climbing to number 138 for two consecutive weeks in June/July 1992.  The single was then re-issued in March 1993, re-entering at number 116 on 8 March 1993 before climbing to its highest peak of number 38 on 5 April 1993.  The renewed interest in the track came after Ingénue was nominated for a Grammy for the best album of the year, and "Constant Craving" won the Grammy for Best Female Pop Vocal Performance at the 35th Annual Grammy Awards, held on 24 February 1993.
 
"Constant Craving" re-entered the ARIA top 150 again at number 149 on 14 March 1994, rebounding back to number 51 on 11 April 1994, following a promotional visit from k.d. down under, and her guest-hosting at the 1994 ARIA Awards on 30 March 1994.  Somehow, I was not aware of "Constant Craving"'s resurgence on the chart in 1994 at the time; I guess partly because rage ceased airing the top 60 chart, reverting back to a top 50, in March 1994.

Internationally, "Constant Craving" peaked at number 8 in Canada in May 1992, number 38 on the US Billboard Hot 100 in October 1992, number 15 in the UK in March 1993 - after originally peaking at number 52 there in May 1992, number 15 in Ireland in March 1993, and number 61 in Germany in May 1993.

For what it's worth (not much in my book - as regular readers will know), "Constant Craving" also peaked at number 33 on the US Billboard Radio Songs chart in September 1992, number 22 on the Pop Airplay chart in October 1992, and number 2 on the Adult Contemporary chart in October 1992.

Within Australia, "Constant Craving" performed strongest in New South Wales/Australian Capital Territory, where it reached number 28 in April 1993.  The single peaked on all state charts in 1993, other than in Western Australia, where it reached its highest position of number 40 in April 1994.

One memory of "Constant Craving" I have is singing it randomly with a female student in my form while playing basketball (which I hated) in year 9 P.E. class.

We'll next see k.d. in 1993.

 
 
Number 143 "Everybody in the Place" by The Prodigy
Peak: number 125
Peak date: 6 July 1992
Weeks in top 150: 9 weeks
Known chart run: 170-143-128-125-136-139-126-128-146-143
Weeks on chart: 13 weeks

We last saw English electronic group The Prodigy in 1991.
 
I first became aware of The Prodigy through the UK Chart Attack radio show, which would air new releases and new entries from the UK singles chart that had not yet crossed over internationally (particularly in the US).  Through that show, I would hear many tracks months before they made a dent on the Australian chart.  I didn't cotton on to the program though until April 1992, so missed hearing "Everybody in the Place" on the program.  The track was the band's second single, lifted from their debut album Experience (number 163, January 1997).  I do recall catching the video for "Everybody in the Place" on rage in 1996, though.  I would have enjoyed the track in 1992 if I had heard it then.
 
Internationally, "Everybody in the Place" peaked at number 2 in the UK in January 1992, number 2 in Ireland in January 1992, and number 65 in the Netherlands in April 1992.

In Australia, "Everybody in the Place" was most popular in Western Australia, where it reached number 54.  Oddly, the first three Prodigy singles were more popular in Western Australia than anywhere else in the country - who knew they were such trend-setters?  The next-highest state chart peak "Everybody in the Place" achieved was number 88 in South Australia/Northern Territory.  It missed the top 100 in the remaining states.
 
An earlier, different version of "Everybody in the Place" appeared on The Prodigy's 12" single, limited to 7,000 copies, What Evil Lurks, which peaked at number 168 (number 118 on the compressed chart) in the UK in March 1991.

We will next see The Prodigy in 1993.


 
Number 146 "Born of Frustration" by James
Peak: number 134
Peak date: 6 July 1992
Weeks in top 150: 5 weeks
Top 150 chart run: 146-135-134-138-146
Weeks on chart: 7 weeks
 
We last saw English band James in 1989.
 
"Born of Frustration" was released as the second single from the band's fourth studio album Seven (number 123, May 1992).  It followed "Sound" (number 28, May 1992), which was the band's highest-peaking single in Australia.

Internationally, "Born of Frustration" peaked at number 13 in the UK in February 1992, and number 69 in the Netherlands in February 1992.  The track also peaked at number 5 on the US Billboard Alternative Airplay chart in April 1992.

Locally, "Born of Frustration" performed strongest on the New South Wales/Australian Capital Territory state chart, where it reached number 112.

I don't think I was aware of this track at the time, but have since caught the video a couple of times on rage.

We shall next see James in 1993.

 
 
Number 149 "Your Love Is Lifting Me" by Nomad
Peak: number 149
Peak date: 22 June 1992
Weeks in top 150: 1 week
Top 150 chart run: 149
Weeks on chart: 5 weeks
 
We last saw British house duo Nomad in 1991
 
"Your Love Is Lifting Me" was presumably intended to be the lead single from Nomad's second album, which never eventuated.  Internationally, the single peaked at number 60 in the UK in April 1992, number 31 in the Netherlands in June 1992, and number 39 in the Flanders region of Belgium in July 1992.

Domestically, "Your Love Is Lifting Me" performed strongest on the South Australia/Northern Territory state chart, where it reached number 118.

I don't recall hearing this one at the time.  Presumably, its success was hampered by a lack of promotion.  It deserved to do much better.

We shall see Nomad once more in November 1992.


 
Bubbling WAY down under:
 
Number 184 "So Right" by K-Klass
Peak: number 184
Peak date: 22 June 1992
Weeks on chart: 3 weeks

We last saw British dance act K-Klass in January 1992.
 
"So Right" was K-Klass's second single released in Australia, though it did not appear on their debut album Universal (number 140, May 1994).
 
Internationally, "So Right" peaked at number 20 in the UK in April 1992, and number 19 in Ireland.
 
Locally, "So Right" performed strongest in Western Australia (was dance music bigger there than elsewhere in Australia in 1992?), where it reached number 160.

I don't recall hearing this one before, but quite enjoyed it.  It's a shame that this more club-orientated dance music wasn't more commercially-successful in Australia in the early 1990s.

We shall next see K-Klass in 1993.



Number 198 "The Days of Pearly Spencer" by Marc Almond
Peak: number 193
Peak date: 29 June 1992
Weeks on chart: 2 weeks
 
We last saw English singer Marc Almond in 1991.
 
"The Days of Pearly Spencer" was the third and final single issued from Marc's seventh solo studio album Tenement Symphony, which was released in Australia in November 1991 but failed to chart.  The song is a cover version of a song originally released by David McWilliams in 1967, which peaked at number 32 in Australia on the Go-Set singles chart (Australia's official chart at the time) in July 1968.
 
Internationally, "The Days of Pearly Spencer" peaked at number 4 in the UK in April 1992, number 8 in Ireland, number 44 in the Netherlands in May 1992, number 32 in the Flanders region of Belgium in May 1992, number 16 in Austria in June 1992, number 31 in Sweden in June 1992, and number 21 in Germany in July 1992.

Locally, "The Days of Pearly Spencer" was most popular in Western Australia, where it reached number 173.
 
I hadn't heard this one before, but enjoyed it.

"The Days of Pearly Spencer" was Marc's final single to chart in Australia, although he had later low-charting albums with Stardom Road (number 425, July 2007), The Velvet Trail (number 1053, March 2015), Shadows and Reflections (number 1000, October 2017) and Chaos and a Dancing Star (number 1061, February 2020).


The music video (if it becomes unblocked):
 

 
Next week (29 June): Four top 150 debuts and two bubbling WAY down under entries.

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