Showing posts with label Prefab Sprout. Show all posts
Showing posts with label Prefab Sprout. Show all posts

20 July 2024

Week commencing 20 July 1992

This week in 1992 was another busy week on the charts, with 12 new entries for me to write about.  Before taking a look, I have updated the following earlier posts:

* 10 September 1990 - with a new bubbling WAY down under entry from Arthur Baker and The Backbeat Disciples;
* 1 October 1990 - with a new bubbling WAY down under entry from Adam Ant;
* 5 November 1990 - with a new bubbling WAY down under entry from 2 Static featuring Nasty Cat;
* 17 December 1990 - with a new bubbling WAY down under entry from Aswad.

That takes me up to the end of 1990 with updating my earlier posts - they should all now be up to date with added weeks on chart listings and state chart peaks where I have this information.  I still have 1991 and the first couple of months of 1992 to update.
 
Now onto this week in 1992...
 
Gina G was too 'cultured' for the Australian charts in 1992.
 
Top 150 debuts:
 
Number 115 "I Need Love" by Olivia Newton-John
Peak: number 109
Peak date: 7 September 1992
Weeks in top 150: 11 weeks
Chart run: 115-110-114-117-113-119-113-109-119-117-125
Weeks on chart: 11 weeks
 
We last saw Olivia Newton-John in 1989.
 
"I Need Love" was recorded for inclusion on Olivia's Back to Basics: The Essential Collection 1971-1992 (number 15, September 1992) compilation, and released as its lead single.  Unfortunately, Olivia was diagnosed with breast cancer in July 1992, on the weekend her father died from liver cancer, resulting in her cancelling her planned tour to promote the album while she underwent treatment.  While Olivia survived her initial bout with the disease, it was discovered that the cancer had spread to her shoulder in 2013, following X-rays after a minor car accident.  She would ultimately die from the disease in August 2022, aged 73.

Internationally, "I Need Love" peaked at number 74 in the UK in June 1992, and number 96 on the US Billboard Hot 100 in July 1992.

In Australia, "I Need Love" found greatest success in Victoria/Tasmania, where it reached number 64.  The single also performed better on the Australian Music Report singles chart, where it reached number 89.

Interestingly, "I Need Love" spent the first ten weeks of its 11-week chart run hovering between numbers 109 and 119.
 
While I was aware of this release at the time, I don't think I heard the song or saw the video, probably partly because there was more media interest in Olivia's recent cancer diagnosis at the time than her new music.  Olivia was very much women's gossip magazine fodder at this stage in her career.
 
We will next see Olivia in October 1992, and a cover version of this song (with a new title) will also bubble under in 1995.



Number 117 "Runaway" by Deee-Lite
Peak: number 112
Peak date: 27 July 1992
Weeks in top 150: 7 weeks
Chart run: 166-117-112-125-122-124-129-143
Weeks on chart: 8 weeks

Deee-Lite last graced our presence in 1991.
 
"Runaway" was issued as the lead single from Deee-Lite's second studio album Infinity Within (number 117, August 1992).  Internationally, the single peaked at number 45 in the UK in June 1992, number 25 in Switzerland in July 1992, and number 70 in Canada in August 1992.  While the single missed the US Billboard Hot 100, it topped the meaningless US Dance Club songs chart.

In Australia, "Runaway" performed strongest in New South Wales/Australian Capital Territory, where it reached number 94.
 
I remember catching the video for "Runaway" on rage as a new release, and the "why don't we, why don't we, why don't we..." lines sung by Lady Miss Kier at the start of the video got stuck in my head.  I actually chose "Runaway" as one of my video selections when I won a competition to program an hour of the Australian music video show rage in 2010.  I deliberately chose videos they had not aired in many years.  The "we'd like to conduct a fax orgy" line always makes me laugh.

"Runaway" would be Deee-Lite's final single to chart in Australia, although they had later charting albums with Dewdrops in the Garden (number 140, September 1994), Sampladelic Relics & Dancefloor Oddities (number 151, December 1996), and The Very Best of Deee-Lite (number 416, January 2002).
 
While Deee-Lite would not trouble the ARIA singles chart again, band member Towa Tei would land a minor 'hit' with "GBI (German Bold Italic)" featuring Kylie Minogue (number 50, November 1998) in 1998, and would also chart with his albums Future Listening! (number 229, August 1995), Sound Museum (number 195, June 1998), and Last Century Modern (number 245, July 2000).
 

 
Number 134 "Evapor 8" by Altern 8
Peak: number 124
Peak date: 10 August 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 134-129-135-124-135-135
 
Rave-orientated dance tunes were slowly infiltrating the ARIA singles chart in 1991-2, even if they usually peaked outside the top 100.   Here's another one of those, this time from British electronic duo Altern 8, who were Mark Archer and Chris Peat.  While "Evapor 8" was their first, and seemingly only, Australian release, it was the duo's fifth charting single in the UK.  "Activ 8 (Come with Me)" was Altern 8's biggest hit in the UK, reaching number 3 in November 1991.  That song contains a vocal sample from Peech Boys' "Don't Make Me Wait", from 1982 - we will see another song later in the year that uses the same sample.
 
Internationally, "Evapor 8" peaked at number 6 in the UK in April 1992, and number 9 in Ireland during the same month.  The track would appear on the duo's only album Full on... Mask Hysteria, and features the vocals of P.P. Arnold, whom we saw as a featured artist for another act in 1989.
 
In Australia, "Evapor 8" would be Altern 8's only release to trouble the top 150.



Number 140 "Love the Life" by Bass Culture featuring Geena
Peak: number 130
Peak date: 3 August 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 140-139-130-141-131-150
Weeks on chart: 21 weeks (1992 and 1996 releases combined) 

Bass Culture were Australian production duo Mark James and David Berman.  They roped in then-unknown Australian singer Gina Gardiner, who would be better known later on as Gina G, for this, their debut single, "Love the Life".  Gina was credited as 'Geena' though for this release.

Despite promoting the single with a performance on light entertainment variety show Hey Hey It's Saturday, and the song being used prominently as background music in the Summer Bay Diner on Home and Away, "Love the Life" stalled outside the top 100 in Australia.  Interestingly, the single also took nearly two months to dent the top 150, after debuting at number 160 on 25 May 1992.

On the state charts, "Love the Life" performed strongest in Victoria/Tasmania, where it reached number 99.  The track appeared on Bass Culture's only album B.C. Nation (number 155, July 1995).
 
Gina G's vocals on "Love the Life" remind me of Cathy Dennis.  Stupidly, the record company have blocked the music video for "Love the Life" on YouTube (it used to appear on one of my channels) - so I have had to resort to uploading it to embed within this post, below.  In it, you can watch Gina running through a field of sunflowers...

Bass Culture would eventually land a top 100 entry, with their cover of Carole King's "You've Got a Friend" (number 100, August 1993), featuring Kate Ceberano on vocals.

Gina would, of course, go on to bigger and better things when she teamed up with Motiv 8 for her debut solo release, "Ooh Aah... Just a Little Bit" (number 5, June 1996), which was selected as the UK's entry in the 1996 Eurovision Song Contest.  The success of that single prompted a remix and re-release of "Love the Life" in Europe and Australia in 1996, and we will see that release bubble under in 1996.

We shall next see Bass Culture in 1994, and Gina G solo in 1997.


 
Number 144 "I've Got Mine" by Glenn Frey
Peak: number 137
Peak date: 10 August 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 144-142-140-137-144-(out for 1 week)-140
Weeks on chart: 8 weeks

Glenn Frey (pronounced 'fry') was a member of Eagles, sharing lead vocal duties with Don Henley, as well as playing guitars and keyboard.  The Eagles songs Glenn sings lead on that I am most familiar with are "Take It Easy" (number 49, 1972) and "New Kid in Town" (number 16, March 1977).  I remember the latter being played regularly on radio in the early 1980s - so much so that I assumed it was a then-new/current song!
 
Glenn embarked on a solo career in 1982, landing two solo top 40 hits in Australia, with "The Heat Is On" (number 2, May 1985) and "You Belong to the City" (number 20, February 1986), taken from the Beverly Hills Cop soundtrack and Miami Vice, respectively.

"I've Got Mine" was the second single lifted from Glenn's fourth studio album Strange Weather (number 120, September 1992).  It followed "Part of Me, Part of You" (number 97, August 1991), which also appeared on the soundtrack album for Thelma & Louise (number 76, October 1991).

Internationally, "I've Got Mine" peaked at number 91 on the US Billboard Hot 100 in August 1992, and number 51 in Germany during the same month.

In Australia, "I've Got Mine" performed strongest in South Australia/Northern Territory, where it reached number 99.
 
Sadly, Glenn passed away in January 2016, aged 67, from the combined effects of ulcerative colitis, rheumatoid arthritis and pneumonia.

We will next see Glenn in September 1992.



Number 150 "Kids Are Wired" by Strongheart
Peak: number 146
Peak date: 3 August 1992
Weeks in top 150: 3 weeks
Top 150 chart run: 150-150-146
 
I couldn't find a whole lot of information about Strongheart online - surprisingly, they do not even have a Wikipedia page.  They were an American band who relocated to the UK, and appear to have released a mere two albums and two singles, of which "Kids Are Wired" is obviously one.  I also could not find evidence of this single, which I had not heard before, charting anywhere else.

"Kids Are Wired" was lifted from Strongheart's debut album Hard Wired, which was released in Australia in April 1993 but missed the top 150.  A second single, "Smooth As Silk", was also released in Australia in April 1993 and missed the top 150.
 

 
Bubbling WAY down under:
 
Number 176 "Feel" by The Church
Peak: number 176
Peak date: 20 July 1992
Weeks on chart: 5 weeks
 
Australian band The Church formed in Sydney in 1980.  Their first charting single was "The Unguarded Moment" (number 22, July 1981), and their highest-charting single was "Metropolis" (number 19, April 1990).  My favourite single from The Church would be "Under the Milky Way" (number 22, May 1988), which was also their biggest international hit, reaching number 24 on the US Billboard Hot 100 in June 1988.  Between 1981 and 1992, The Church placed 13 singles in the Australian top 100.

"Feel" was the second single issued from the band's eighth studio album Priest = Aura (number 25, May 1992).  It followed "Ripple" (number 62, April 1992).

On the state charts, "Feel" performed strongest in Victoria/Tasmania, where it reached number 164.

We will next see The Church in 1994.



Number 181 "Rough Boy" by ZZ Top
Peak: number 165
Peak date: 27 July 1992
Weeks on chart: 3 weeks
This single originally peaked at number 85 in June 1986, spending 4 weeks in the top 100.

We last saw American bearded trio ZZ Top in 1991.

"Rough Boy" originally appeared on ZZ Top's ninth studio album Afterburner (number 6, December 1985).  The track was released as the third single from that album, peaking at number 85 in Australia in June 1986.  Having had recent success with their Greatest Hits (number 2, June 1992) compilation and the single "Viva Las Vegas" (number 28, May 1992), presumably the record label decided to re-release this older track that wasn't a hit here the first time around from it.

Internationally, the 1992 release of "Rough Boy" peaked at number 49 in the UK in June 1992, number 81 in the Netherlands in July 1992, and number 38 in Switzerland in July 1992.

Domestically, "Rough Boy" performed strongest on the Victoria/Tasmania state chart, where it reached number 148.

We shall next see ZZ Top in 1994.



Number 184 "Got to Be Free" by 49ers
Peak: number 182
Peak date: 10 August 1992
Weeks on chart: 4 weeks

We last saw Italian dance act 49ers in 1990.
 
Despite being a fan of the singles from 49ers' debut album, I hadn't actually heard "Got to Be Free" until listening to it/watching the music video while writing this post - although I remember seeing the CD single in the shops in 1992.  It was the lead single from 49ers' second album Playing with My Heart (number 179, October 1992).  The track features the vocals of Ann-Marie Smith, who would front the project from this point onwards.
 
Internationally, "Got to Be Free" peaked at number 46 in the UK in May 1992, and number 38 on the meaningless US Billboard Dance Club Songs chart.

In Australia, "Got to Be Free" performed strongest in Western Australia, where it reached number 150.

We shall next see 49ers in 1994.



Number 188 "The Sound of Crying" by Prefab Sprout
Peak: number 188
Peak date: 20 July 1992
Weeks on chart: 4 weeks

We last saw English band Prefab Sprout in 1990.

"The Sound of Crying" was one of two new songs recorded for the band's compilation album A Life of Surprises: The Best of Prefab Sprout (number 194, September 1992).  The other new song, "If You Don't Love Me", was released locally in November 1992 but failed to chart.  "If You Don't Love Me" would be covered by Kylie Minogue as a B-side on her "Confide in Me" (number 1 for 4 weeks in September-October 1994) single.
 
Internationally, "The Sound of Crying" peaked at number 23 in the UK in June 1992, and number 79 in Germany in August 1992.

In Australia, "The Sound of Crying" performed strongest in Queensland, where it reached number 161 on the state chart.
 
I hadn't heard this one before, but liked it.  It doesn't sound terribly '1990s' though, to my ears.
 
"The Sound of Crying" would be Prefab Sprout's final single to chart in Australia, although they had a later low-charting album with I Trawl the Megahertz (number 1049, February 2019).



Number 207 "Two Worlds Collide" by Inspiral Carpets
Peak: number 177
Peak date: 24 August 1992
Weeks on chart: 5 weeks

We last saw English band Inspiral Carpets in May 1992.

"Two Worlds Collide" was released as the second single from the band's third studio album Revenge of the Goldfish (number 123, June 1993).  Internationally, "Two Worlds Collide" peaked at number 32 in the UK in May 1992, and number 8 on the meaningless US Billboard Alternative Airplay chart.

Domestically, "Two Worlds Collide" was most popular in Western Australia, where it reached number 164 on the state chart.
 
I remember catching the video for this one on rage as a new release.  It is one of my favourite Inspiral Carpets singles.

We shall see Inspiral Carpets next in October 1992.
 


Number 209 "Tired of Being Alone" by Texas
Peak: number 173
Peak date: 24 August 1992
Weeks on chart: 5 weeks
 
We last saw Scottish band Texas in 1990.
 
"Tired of Being Alone" was issued as the third and final single in Australia from the band's second studio album Mother's Heaven (number 74, November 1991).  It followed the singles "Why Believe in You" (number 73, October 1991) and "In My Heart" (number 92, March 1992).  The song is a cover version of a track originally recorded by Al Green in 1971.
 
Internationally, "Tired of Being Alone" peaked at number 19 in the UK in May 1992.
 
In Australia, "Tired of Being Alone" performed strongest in Western Australia, where it reached number 161.
 
The guitar riff on this track sounds very similar to my ears to the one Texas used on "Say What You Want" (number 11, June 1997).
 
Texas will join us next in 1994.



Next week (27 July): Five new top 150 entries and three bubbling WAY down under debuts.

< Previous week: 13 July 1992                                     Next week: 27 July 1992 >

01 October 2021

Week commencing 1 October 1990

Before diving into this week's 1990 post, I have updated two earlier posts with newly-uncovered bubbling WAY down under entries from The Christians:
 
 
This week in 1990, all but two of the new entries are from artists we have not seen before.  How refreshing!  And a mixed bag they are, covering everything from easy listening tunes your mum would enjoy, through to Prince-related pervy romps about jerking everything in sight, 'credible' indie tunes, and... a ballad from Broadway!  Shall we take a look?

Michael Bolton: the sole provider of flowing locks this week in 1990.
 
Top 150 debuts:
 
Number 127 "Soul Provider" by Michael Bolton
Peak: number 119 
Peak date: 5 November 1990
Weeks in top 150: 6 weeks
Chart run: 127-129-129-131-135-119
Weeks on chart: 6 weeks

Michael Bolton's first chart success in Australia came in the form of writing songs for other artists.  Laura Branigan took the Michael Bolton co-written "How Am I Supposed to Live Without You" to number 46 in Australia in October 1983.  Of course, Michael would score a much bigger hit with his own recording of the song, which reached number 2 in Australia in March 1990.

Then Cher landed a number 8 hit with "I Found Someone" in May 1988, a track co-written by Michael Bolton, and originally recorded by Laura Branigan.  Poor Laura - I have written previously about her knack of recording songs that later became much bigger hits for other artists.  Michael recorded his own version of "I Found Someone" for his Greatest Hits 1985-1995 (number 6, September 1995) compilation.

Ironically, Michael's first hit in his own right in Australia was a cover version, of Otis Redding's "(Sittin' on) The Dock of the Bay" (number 3, May 1988).  The success of this single spurred the first release from Michael's The Hunger (number 36, July 1988) album, "That's What Love Is All About" (number 90, May 1988), to chart, albeit lowly.  A third single from the album, "Wait on Love", was issued locally in August 1988, but failed to chart.

"Soul Provider" did not chart when it was issued as the lead single from Michael's sixth studio album Soul Provider (number 1, April 1990) in August 1989.  Following the success of "How Am I Supposed to Live Without You", "How Can We Be Lovers" (number 3, May 1990), and... er, "When I'm Back on My Feet Again" (number 77, July 1990), Michael's record company decided to have another crack at making the album's title track a hit, and failed.

"Soul Provider", naturally, enjoyed greater success on the US Billboard Hot 100, peaking at number 19 in September 1989.  The single also reached number 75 on the Dutch singles chart in June 1990, and number 77 in the UK in October 1990.  Locally, "Soul Provider" performed strongest on the Queensland state chart, where it reached number 83.

A fifth (not counting both releases of the title track) and final single from Soul Provider, "Georgia on My Mind", was released in Australia in November 1990, but failed to chart.

We will next see Michael bubble under in August 1991.



Number 135 "Strung Out" by Wendy & Lisa
Peak: number 133
Peak date: 5 November 1990
Weeks in top 150: 6 weeks
Chart run: 135-139-134-138-145-133
Weeks on chart: 6 weeks

Wendy Melvoin and Lisa Coleman came to fame as part of Prince's backing band The Revolution, with whom he recorded the Purple Rain soundtrack (number 1, August 1984), and the albums Around the World in a Day (number 12, May 1985) and Parade (number 8, May 1986).

Following Prince's cessation with working with The Revolution, Wendy & Lisa embarked on their own separate recording career, releasing the albums Wendy and Lisa and Fruit at the Bottom - neither of which charted in Australia.

We saw Wendy & Lisa bubble WAY down under with their first Australian chart entry in July 1989.

"Strung Out" was the lead single from the duo's third album Eroica (number 126, September 1990).  Internationally, "Strung Out" was biggest in the UK, where it reached number 44 in July 1990.  The single also peaked at number 31 in the Netherlands in August 1990, and number 42 on the Flemish chart during the same month.

"Strung Out" would be Wendy & Lisa's only ARIA top 150 singles chart appearance, and their final charting single in Australia.


 
Number 138 "The Ship Song" by Nick Cave & The Bad Seeds
Peak: number 138
Peak date: 1 October 1990
Top 150 chart run: 138-143
Weeks in top 150: 2 weeks

Australian Nick Cave began his recording career with The Boys Next Door in 1978, with a cover version of Nancy Sinatra's "These Boots Are Made for Walking".  Although no singles released by the band charted, their album Door Door (number 93, August 1979) dented the top 100.  Their 1979 single "Shivers" became a number 19 hit in February 1993 when covered by The Screaming Jets.

The Boys Next Door then changed their name to The Birthday Party, and again landed no top 100 singles, but placed one album in the top 100: Prayers on Fire (number 96, July 1981).  The Birthday Party disbanded in 1983.

Nick then began recording with The Bad Seeds in 1984.  "The Ship Song" was the first single from the group to chart in Australia, although three albums had previously charted locally: Your Funeral... My Trial (number 98, December 1986), Tender Prey (number 109, February 1989), and The Good Son (number 93, May 1990).
 
Oddly, "The Ship Song" was first released in Australia on BMG Records in April 1990, but was then re-issued on Festival Records (who were now distributing product on Mute Records, through which this was released) in September 1990.  It was the first single lifted from The Good Son.  A second single from the album, "The Weeping Song", was issued in November 1990, but missed the top 150.

"The Ship Song" fared better in the UK, where it peaked at number 84 in March 1990.

We will next see Nick in 1994.  Before then, Nick managed to score four ARIA top 100 singles, although none peaked higher than number 62, with "Do You Love Me?", in May 1994.



Number 145 "Smoking Her Wings" by The Bats
Peak: number 145
Peak date: 1 October 1990
Weeks in top 150: 1 week
Top 150 chart run: 145
Weeks on chart: 2 weeks

Hailing from Christchurch in New Zealand, The Bats formed in 1982.  Between 1984 and 1993, the group placed four singles on the New Zealand top 50 singles chart, although none peaked higher than number 34 ("By Night" in November 1984).  I was actually living in New Zealand when "By Night" peaked, but have no recollection of their biggest 'hit' - granted, I had just turned 6, and it's not the kind of music the radio stations my parents would have listened to played.

In Australia, nothing The Bats released made the top 100, so, all things considered, number 145 wasn't too bad for them, especially for a single that did not chart in their homeland.  "Smoking Her Wings" was lifted from the album The Law of Things (number 133, May 1990), which did chart in New Zealand, reaching number 38 in May 1990.
 
Interestingly, a compilation album from The Bats, titled Compiletely Bats (that's not a typo), also registered on the ARIA top 150 albums chart, peaking at number 139 in August 1990.
 
On the state charts, "Smoking Her Wings" was most successful in New South Wales/Australian Capital Territory, where it reached number 139.

I didn't know "Smoking Her Wings" at the time, but captured it on rage a few years back (I uploaded the video embedded below).  The song has really grown on me and I rather enjoy it.

Although The Bats would not land another top 150 single in Australia, they made the top 150 albums chart again with Fear of God (number 140, November 1991).

The Bats are still together today, and released an album, Foothills, last year, which peaked at number 13 in New Zealand in November 2020.  The Bats have maintained their original line-up since their inception in 1982.

We will see The Bats again in 1993.



Number 147 "Someone Like You" by Linda Eder
Peak: number 147
Peak date: 1 October 1990
Weeks in top 150: 1 week
Top 150 chart run: 147
 
American singer and actress Linda Eder performed in the Broadway musical of Jekyll & Hyde, from which "Someone Like You" is lifted.  An album performed by Linda, Highlights from Jekyll & Hyde, reached number 138 on the ARIA top 150 albums chart in September 1990.

Not being well-versed, or even versed at all, in musicals, I had never heard of Linda before, but she apparently received rave reviews for her performance as Lucy Harris in Jekyll & Hyde.  Listening to this track now for the first time, it gives me major Céline Dion vibes, perhaps minus some of the vocal theatrics, even down to Linda's early 90s Céline-esque permed hair style.  The song is nice enough, but not the sort of thing I would actively seek out.



Number 148 "Looking for Atlantis" by Prefab Sprout
Peak: number 145
Peak date: 15 October 1990
Weeks in top 150: 3 weeks
Top 150 chart run: 148-(out for 1 week)-145-149
Weeks on chart: 5 weeks

I think I first encountered English band Prefab Sprout when seeing "Cars and Girls" (number 41, May 1988) listed in the top 50 chart printed in one of the first editions of the Australian Smash Hits magazine I bought.  I remember thinking "that's an interesting name for a group."

"Cars and Girls" was Prefab Sprout's biggest hit in Australia, with only two other singles of theirs making the top 100: "When Love Breaks Down" (number 55, April 1985) and "Appetite" (number 45, November 1985).
 
In their homeland, the group notched up 19 top 100 singles between 1984 and 1997, although only seven of those made the top 40.  Prefab Sprout's biggest hit in the UK was "The King of Rock 'N' Roll", which reached number 7 in May 1988.

"Looking for Atlantis" was the first single lifted from fifth Prefab Sprout studio album Jordan: The Comeback (number 148, October 1990).  The single peaked at number 51 in the UK in August 1990.  The album was much more successful in the UK, peaking at number 7 in September 1990.

In Australia, "Looking for Atlantis" was most popular in Western Australia, where it reached number 87 on the state charts.

We shall see Prefab Sprout Again in 1992.



Bubbling WAY down under:

Number 153 "Jerk Out" by The Time
Peak: number 153
Peak date: 1 October 1990
Weeks on chart: 2 weeks

The Time, fronted by Morris Day, are an act closely associated with Prince, forming in Minneapolis in 1981.  The band originally contained members Jimmy Jam and Terry Lewis, who left in 1983 and went on to become a highly successful songwriting and production team for artists such as The S.O.S. Band and Janet Jackson.

The Time released three studio albums between 1981 and 1984, before disbanding in 1985.  The group reformed in 1990, and Jam and Lewis re-joined the group, before splitting again in 1991.  The Time reformed again, minus Jam and Lewis, in 1995.

"Jerk Out" was originally recorded by Prince, who co-wrote the track, in 1981, during the recording sessions for The Time's 1982 album What Time Is It?  While Prince's demo remains unreleased, audio from the jamming session where he performs the song has been uploaded to YouTube.
 
"Jerk Out" was the lead single from The Time's fourth studio album Pandemonium, which was issued in Australia in August 1990 but failed to chart.  "Jerk Out" was the bands first - and only - single to chart in Australia.  The single performed strongest in South Australia/Northern Territory, where it reached number 131.
 
Internationally, "Jerk Out" reached number 9 on the US Billboard Hot 100 in August 1990, becoming their biggest hit there.  The single also reached number 56 on the Dutch singles chart in September 1990.

The Time would eventually score a charting album in Australia when their 1981 debut The Time peaked at number 219 in March 1993 - I assume due to having been released locally on CD for the first time then.



Number 159 "River of Life" by The Neville Brothers
Peak: number 159
Peak date: 1 October 1990
Weeks on chart: 1 week
 
We last saw American R&B band The Neville Brothers in August 1990.
 
"River of Life" was the second single issued from their fifth studio album Brother's Keeper (number 87, November 1990).
 
Internationally, "River of Life" peaked at number 184 (number 120 on the compressed chart) in the UK in September 1990.
 
Locally, "River of Life" was most popular in Western Australia, where it reached number 141 on the state chart.
 
We'll next see The Neville Brothers in 1993.
 

 
Number 160 "Rough Stuff" by Adam Ant
Peak: number 160
Peak date: 1 October 1990
Weeks on chart: 1 week

We last saw Adam Ant in June 1990.

"Rough Stuff" was issued as the second single from Adam's fourth solo album Manners & Physique (number 138, March 1990).  Oddly, the single was not released in Adam's native UK.

"Rough Stuff" does not appear to have charted anywhere else, other than peaking at number 14 on the meaningless US Billboard Dance Club Songs chart.

On the state charts, "Rough Stuff" was most popular in Queensland, where it reached number 145.

The music video for "Rough Stuff" embedded below is for the extended version of the track.  The single version does not appear to be available on YouTube, but you can listen to the album version here.

We'll next see Adam in 1995.



Next week (8 October): Four new top 150 debuts and one bubbling WAY down under entry.

< Previous week: 24 September 1990                             Next week: 8 October 1990 >