Showing posts with label Bad English. Show all posts
Showing posts with label Bad English. Show all posts

14 October 2022

Week commencing 14 October 1991

Of the ten new entries outside the Australian top 100 this week in 1991, I only heard one of them at the time.  Perhaps most of them are new to you, too.  Shall we take a look?
 
Alice Cooper's gun was loaded, but it wouldn't fire on the ARIA chart this week in 1991.
  
Top 150 debuts:
 
Number 120 "Escape" by Gary Clail On-U Sound System
Peak: number 117
Peak date: 21 October 1991
Weeks in top 150: 5 weeks
Chart run: 174-120-117-122-123-126
Weeks on chart: 6 weeks
 
English recording artist (describing him as a 'singer' does not seem accurate) Gary Clail worked as a roofer, then landed a gig as an MC, rapping/talking over dub records at gigs for On-U Records.  Gary joined forces with On-U Records act Tackhead, before going solo in 1990.

"Human Nature", Gary's first Australian release under the Gary Clail On-U Sound System moniker, crept into the top 40, peaking at number 38 in August 1991.  It would become Gary's only ARIA top 100 single.  "Human Nature" also featured vocals from another one-hit wonder in Australia, Lana Pellay, who landed a top 20 hit in 1986 with the hi-NRG "Pistol in My Pocket" (number 17, June 1986).
 
"Escape" was the second single lifted from Gary's second album The Emotional Hooligan (number 95, August 1991).  Internationally, "Escape" peaked at number 44 in the UK in June 1991.
 
On the ARIA state charts, "Escape" performed strongest in South Australia/Northern Territory, where it reached number 73.
 
I don't recall hearing this one at the time, but discovered it via a VHS compilation I got hold of a decade ago (where the video embedded below is ripped from).  Like all of Gary's singles, this is another social commentary song; this time dealing with the subject of (I assume) how prisoners are treated by society once they've completed their sentences.

"The Emotional Hooligan" was issued as the third and final single from The Emotional Hooligan in Australia in January 1992, but did not chart.
 
We will next see Gary at the end of 1992
 
 
 
Number 121 "Don't Dream It's Over" by Paul Young
Peak: number 114
Peak date: 21 October 1991
Weeks in top 150: 6 weeks
Top 150 chart run: 121-114-117-126-132-132
Weeks on chart: 7 weeks

We last saw English singer Paul Young on his own in February 1991, and dueting with Zucchero in September 1991.
 
A cover version of Crowded House's "Don't Dream It's Over" (number 8, February 1987), this track was recorded for Paul's From Time to Time: The Singles Collection (number 6, June 1992) compilation.
 
Internationally, Paul's version of "Don't Dream It's Over" peaked at number 67 in the Netherlands in October 1991, number 20 in the UK in November 1991, number 13 in Ireland, number 9 in Germany in November 1991, number 25 in Sweden in November 1991, number 48 in the Flanders region of Belgium in November 1991, number 27 in France in November 1991, and number 6 in Norway.
 
Within Australia, "Don't Dream It's Over" was most popular in Queensland, where it reached number 95.
 
Oddly, Paul's rendition of "Don't Dream It's Over" was released as a single in Australia one week before its UK release.
 
I wasn't aware of this track at the time.  With the superior Crowded House version being so well-known in Australia, its release here was kind of pointless; pleasant though it may be. 

We shall see Paul again before the year is out, in December 1991.
 

 
Number 128 "No More Tears" by Ozzy Osbourne
Peak: number 105
Peak date: 21 October 1991
Weeks in top 150: 6 weeks 
Top 150 chart run: 128-105-107-111-119-122
 
English singer-songwriter Ozzy Osbourne, real name John Michael Osbourne, rose to fame as the lead vocalist in 1970s heavy metal band Black Sabbath, though is perhaps best known for biting the head off a bat on stage.

As a solo artist, the only track Ozzy has placed on the ARIA top 100 happens to be the only track of his I will ever enjoy - Was (Not Was)'s "Shake Your Head" (number 47, November 1992), on which Ozzy contributed vocals, along with actress Kim Basinger.  This track was originally released in 1983, with only Ozzy's vocals, as quite a different song.  A pre-fame Madonna auditioned vocals for that track, but she did not make the final cut.
 
Ozzy had last been on the Australian chart with the album No Rest for the Wicked (number 57, December 1988).  "No More Tears" was the lead single and title track from Ozzy's sixth solo studio album No More Tears (number 49, October 1991).
 
Overseas, "No More Tears" peaked at number 32 in the UK in October 1991, number 71 on the US Billboard Hot 100 in January 1992, and number 14 in the Netherlands in May 1992.
 
I wasn't familiar with this song at the time, though caught it on Australian music video TV program rage a few months back.
 
Ozzy will next grace our presence in 1992.


 
Number 131 "Love's a Loaded Gun" by Alice Cooper
Peak: number 125
Peak dates: 21 October 1991 and 4 November 1991
Weeks in top 150: 4 weeks 
Top 150 chart run: 131-125-126-125
Weeks on chart: 7 weeks
 
American rock singer Vincent Damon Furner, better known by his stage name Alice Cooper, had placed 17 singles on the Australian top 100 at this point in 1991, with "You and Me" (number 2, May 1977) being the highest-peaking of those.

After a nearly eight-year absence from the chart, during which Alice overcame alcoholism, Alice returned with a vengeance in 1989 with "Poison" (number 3, October 1989), kicking off the second phase of his career.  "Poison" was the first Alice Cooper song I heard, and 10 year-old me hated it at the time - I think it was the combination of heavy (for me) metal and his scary image; but I have since grown to love the track.  I started warming to Alice with the follow-up, "Bed of Nails" (number 13, January 1990).

"Love's a Loaded Gun" was the second single lifted from Alice's twelfth studio album Hey Stoopid (number 15, July 1991).  It followed the title track, "Hey Stoopid" (number 32, August 1991).
 
Internationally, "Love's a Loaded Gun" peaked at number 38 in the UK in October 1991.
 
In Australia, "Love's a Loaded Gun" was most successful in Queensland, where it reached number 102 on the state chart.
 
I didn't hear this one at the time.  Ironically, given my earlier comment about not liking "Poison" at the time, I prefer Alice with heavier sounds than this. 

We shall see Alice again in 1992.
 

 
Number 139 "Straight to Your Heart" by Bad English
Peak: number 116
Peak date: 4 November 1991
Weeks in top 150: 8 weeks
Top 150 chart run: 139-127-119-116-123-131-131-132
Weeks on chart: 9 weeks
 
We last saw Bad English in June 1990

"Straight to Your Heart" was the lead single from the second, and final, Bad English album Backlash (number 159, October 1991).
 
Internationally, "Straight to Your Heart" peaked at number 41 in the Netherlands in October 1991, and number 42 on the US Billboard Hot 100 in October 1991.

On the ARIA state charts, "Straight to Your Heart" was most-successful in Victoria/Tasmania, where it reached number 77.

I don't recall hearing this one at the time.  I enjoyed it more than I was expecting to; I don't mind melodic rock.  "Straight to Your Heart" sounds way more 80s than 90s, however.
 
The band released another single locally, "The Time Alone with You", in January 1992, which failed to chart.  "Straight to Your Heart" would be the final Bad English single to chart in Australia.
 

 
Number 146 "Running Back to You" by Vanessa Williams
Peak: number 102
Peak date: 11 November 1991
Weeks in top 150: 14 weeks (9 weeks in 1991, 5 weeks in 1992)
Top 150 chart run: 146-134-137-135-102-108-103-117-127
Re-entered 31 August 1992: 124-111-117-130-124
Weeks on chart: 18 weeks
 
Here's the one song of this week's 10 new entries I did hear at the time, catching the music video on Coca-Cola Power Cuts, and hearing the song a couple of times on American Top 40.
 
We last saw American singer Vanessa Williams in July 1989

"Running Back to You" was the lead single from Vanessa's second studio album The Comfort Zone (number 29, June 1992).  The single peaked at number 18 on the US Billboard Hot 100 in October 1991, and number 86 in Canada.

Within Australia, "Running Back to You" performed strongest in New South Wales/Australian Capital Territory, where it reached number 65.  The single peaked 33 places higher on the Australian Music Report singles chart, where it reached number 69.
 
Vanessa would not score her commercial breakthrough in Australia until her next single, the smash hit "Save the Best for Last" (number 1, July 1992).  Following the success of that track, "Running Back to You" was re-released in Australia in August 1992, climbing back to number 111 on the national chart the following month.  Despite not matching the peak of its 1991 release, "Running Back to You" peaked on three of the ARIA state charts - Victoria/Tasmania, South Australia/Northern Territory and Queensland - following its 1992 re-release.

I can only guess that "Running Back to You" didn't do so well in Australia because it was a bit too American-sounding for Australia's tastes in the early 90s.  It's a shame, because the song deserved to do much better.  Despite its low peak, "Running Back to You" spent a respectable 18 weeks on the chart all-up, however.

"Running Back to You" would be Vanessa's final single to peak outside the top 100 in Australia, although a later single, "Work to Do" (released November 1992) would make its way onto the Australian Music Report's list of singles receiving significant sales reports beyond the top 100.  While there were sometimes large differences between the AMR and ARIA charts, without giving too much away (spoiler alert!), there is a 'blank title' that made the top 150 on the ARIA database in late 1992, and part of me wonders if could have actually been "Work to Do".  But we'll never know.

I am not sure why the Australian record company did not release The Comfort Zone track "Just for Tonight" as a single locally.  I became familiar with that one via the American Top 40 radio show.
 
 
 
Number 147 "Lifeboat" by Tall Tales and True
Peak: number 129
Peak dates: 18 November 1991, 25 November 1991 and 2 December 1991
Weeks in top 150: 8 weeks
Top 150 chart run: 147-150-142-149-(out for 1 week)-129-129-129-135
Weeks on chart: 10 weeks
 
We last saw Sydney band Tall Tales and True in March 1991

"Lifeboat" was the lead single from the band's second studio album Revenge (number 42, June 1992).  I didn't hear this one at the time, but have seen the video a couple of times on rage in recent years.  I don't mind the song, and it could have become a hit with mainstream radio support.
 
On the state charts, "Lifeboat" was most popular in South Australia/Northern Territory, where it reached number 101.

While we won't see Tall Tales and True in the 101-150 region of the ARIA singles chart again, the band's third album Tilt peaked at number 140 in March 1995, and we will see them bubble WAY down under on the singles chart in 1994.
 


Number 150 "5.6.7.8" (1991 Remix) by Shut Up and Dance
Peak: number 142
Peak date: 21 October 1991
Weeks in top 150: 2 weeks 
Top 150 chart run: 150-142
 
Shut Up and Dance are English duo Philip Johnson and Carlton Hyman.  Originally released in 1989, "5.6.7.8" was the pair's debut single, though the original version was quite different to the 1991 remix that charted in Australia.  Interestingly, neither release made the UK top 75.
 
The 1991 remix of "5.6.7.8" prominently samples Whitney Houston's "I Wanna Dance with Somebody (Who Loves Me)" (number 1, June 1987).
 
Shut Up and Dance would prominently sample another recent-ish hit in 1992, this time Marc Cohn's "Walking in Memphis" (number 11, August 1991), on "Raving I'm Raving", which peaked at number 2 in the UK in May 1992.  Except they forgot to obtain clearance to use the sample, and the single was subsequently withdrawn from sale, dropping to number 15 in its second week before falling out of the chart.  "Raving I'm Raving" was the first Shut Up and Dance track I heard, on the UK Chart Attack radio show, which I listened to religiously after discovering it in April 1992... until it was cancelled in my state (Victoria) in January 1993.

Another Shut Up and Dance track (my favourite) I was exposed to via UK Chart Attack was "The Art of Moving Butts", which is well worth checking out if you like early 90s dance music and have not heard it before.

"5.6.7.8" would be the only Shut Up and Dance single to trouble the ARIA top 150.


 
Bubbling WAY down under:
 
Number 180 "The Gift of Love" by Bette Midler
Peak: number 180
Peak date: 14 October 1991
Weeks on chart: 2 weeks
 
Bette Midler last graced our presence in January 1991.
 
"The Gift of Love" was the third, and - in Australia - final, single from Bette's seventh studio album Some People's Lives (number 7, April 1991).  It followed "From a Distance" (number 8, January 1991) and "Night and Day" (number 84, April 1991).

Internationally, "The Gift of Love" peaked at number 40 in Canada in October 1991.

On the ARIA state charts, "The Gift of Love" performed strongest in New South Wales/Australian Capital Territory, where it reached number 155.

I hadn't heard this one before.  It's OK, but doesn't stand out.  It sounds somewhat Beatles-esque to me in parts, and also reminds me of Susanna Hoffs' "Unconditional Love" (number 100, May 1991).

Bette will next join us in 1992.

 
 
Number 181 "Just a Little Bit Longer" by Maxi Priest
Peak: number 181
Peak date: 14 October 1991
Weeks on chart: 1 week
 
We last saw Maxi Priest in January 1991.
 
"Just a Little Bit Longer" was the fourth and final single from Maxi's fourth studio album Bonafide (number 25, September 1990).  The single was also released to promote his Best of Me (number 122, January 1992) compilation album - unusually, they did not record a new track instead.
 
"Just a Little Bit Longer" peaked at number 62 in the UK in October 1991.
 
Within Australia, "Just a Little Bit Longer" was most popular in New South Wales/Australian Capital Territory, where it reached number 156.

I hadn't heard this one before; I like it.
 
Maxi shall next join us again as a featured artist next week
 

 
Next week (21 October): Four top 150 debuts and seven (!) bubbling WAY down under entries.

< Previous week: 7 October 1991                                    Next week: 21 October 1991 >

11 June 2021

Week commencing 11 June 1990

Four of this week's seven top 150 debuts registered on the Australian Music Report singles chart, but missed the ARIA top 100.  Let's take a look at them.
 
Kim Wilde: Australia kept her hanging outside the top 100.
 
Top 150 debuts:
 
Number 101 "Don't Be Cruel" (Rapacious Edit) by Bobby Brown
Peak: number 101
Peak date: 11 June 1990
Weeks in top 150: 6 weeks
Top 150 chart run: 101-114-114-110-117-130
 
Bobby was originally part of teen pop group New Edition, whose single "Candy Girl" reached number 10 in August 1983.  Bobby quit the group in 1986, launching a solo career with the King of Stage album, which was not released in Australia.

Bobby's first solo release in Australia, "My Prerogative" (number 40, May 1989), was lifted from his second album Don't Be Cruel (number 5, November 1989), which didn't really take off in Australia until "Every Little Step" (number 8, November 1989) was released.  In the interim, the title track - the original version of "Don't Be Cruel", peaked at number 72 in June 1989.

"Don't Be Cruel" was the lead single from the album in the US and Europe, reaching number 42 in the UK in August 1988, and number 8 on the US Billboard Hot 100 in October 1988.  After "My Prerogative" became a top 10 hit in the UK, a remixed version of "Don't Be Cruel" - the Rapacious Mix, was issued in the UK, reaching number 13 in April 1989.  In Australia, we got this release belatedly in May 1990.
 
This remixed version of "Don't Be Cruel" has the unusual distinction of debuting in the top 150 at number 101... and then not climbing any higher.  It seems Australia preferred the original mix of this track - or fans already owned the album, although I don't recall being aware of this new version of "Don't Be Cruel" at the time. 

This version of "Don't Be Cruel" performed better on the Australian Music Report singles chart, where it peaked at number 90.

Bobby will next join us as a featured artist in 1992, and in his own right in 1995.
 

 
Number 107 "Feel Like Going Home" by The Notting Hillbillies
Peak: number 107
Peak date: 11 June 1990
Weeks in top 150: 6 weeks 
Top 150 chart run: 107-110-117-117-121-124
 
The Notting Hillbillies were Mark Knopfler from Dire Straits' side project, although they only recorded one album Missing... Presumed Having a Good Time (number 6, May 1990).  Interestingly, their debut single "Your Own Sweet Way" (number 28, April 1990) performed much better in Australia than it did in their native UK, where it only reached number 76 in March 1990.

This track, which I hadn't heard until now, was sung by band member Brendan Croker.  "Feel Like Going Home" did not chart anywhere else.  It reached number 89 on the Australian Music Report singles chart.

A third single, "Will You Miss Me", was released in Europe, but was was not issued locally.
 

 
Number 125 "Heaven Is a 4 Letter Word" by Bad English
Peak: number 124 
Peak date: 25 June 1990
Weeks in top 150: 6 weeks
Chart run: 158-(off chart for 1 week)-125-126-124-127-141-141
Weeks on chart: 7 weeks
 
Fronted by John Waite, who was in The Babys and had a major solo hit with "Missing You" (number 5, October 1984), Bad English formed in 1987, and scored a number 4 hit in January 1990 with "When I See You Smile".

Prior to "When I See You Smile", Bad English released "Forget Me Not", which failed to chart, in August 1989.  Third single "Price of Love" (number 44, April 1990) scraped into the top 50, and this, their fourth release from Bad English (number 12, February 1990), missed the top 100.

On the state charts, "Heaven Is a 4 Letter Word" performed strongest in South Australia/Northern Territory, where it reached number 70.  On the Australian Music Report singles chart, "Heaven Is a 4 Letter Word" dented the top 100, peaking at number 98.

We will see Bad English again in 1991.  We will also see lead singer John Waite bubble under on his own in 1991.



Number 128 "Abbatak (The House ABBA Built)" by Donald Wasn't
Peak: number 128
Peak date: 11 June 1990
Weeks in top 150: 1 week
Top 150 chart run: 128

Donald Wasn't, I assume a pun on record producer and Was (Not Was) founding member Don Was's name, were presumably an Australian act.  I say that as only Australian pressings of this - their only single - are listed on discogs.com.
 
It's just as well that Australian music video program rage aired this video during a 'vault' episode in 2020, as without the embedded clip below, I wouldn't have been able to hear the single version of this track.

As for the connection to ABBA... the track contains samples of the piano intro from ABBA's "Dancing Queen" (number 1, September 1976), as well as a few vocal lines of them singing "Fernando" (number 1, April 1976), but that's it.



Number 136 "It's Here" by Kim Wilde
Peak: number 104
Peak dates: 18 June 1990 and 16 July 1990
Weeks in top 150: 8 weeks
Chart run: 136-104-108-109-118-104-126-129
Weeks on chart: 8 weeks

Kim Wilde's Australian chart career started off with a bang, with four consecutive top 10 hits: "Kids in America" (number 5, June 1981), "Chequered Love" (number 6, October 1981), "Cambodia" (number 7, February 1982) and "View from a Bridge" (number 7, July 1982).  But since then, she had only scored one major hit down under - though quite a big one - when "You Keep Me Hangin' On" spent two non-consecutive weeks at number 1 in February and March 1987.

Kim's previous album Close (number 82, November 1988) gave her a career resurgence in her native UK, where three singles lifted from it reached the top 10.  In contrast, only one of those, "You Came", dented the ARIA top 100, peaking at number 34 in November 1988.

Kim previously bubbled under on the Australian chart with "Four Letter Word" in early 1989, and prior to that, "Dancing in the Dark" was ranked first on the Kent Music Report list of singles receiving significant sales reports beyond the top 100 in January 1984.  "Never Trust a Stranger", the third single from Close, registered on the Western Australia state chart at number 74 in December 1988, but did not chart nationally, as it was prior to the ARIA singles chart extending beyond number 100.  The lead single from Close, "Hey Mister Heartache", missed the ARIA chart, but peaked at number 96 on the Australian Music Report singles chart in July 1988.

"It's Here" was the lead single from Kim's seventh studio album Love Moves (number 126, August 1990) - an album my local K-Mart seemed to order in bulk, which was always a bad omen.  Unfortunately for Kim, the Love Moves era was largely a flop for her in the UK, with none of the four singles lifted from the album there reaching the top 40.  Nevertheless, "It's Here" was a top 40 hit for Kim in Germany, the Netherlands, Switzerland, Sweden, Norway and the Flanders region of Belgium.

Locally, "It's Here" performed strongest on the Western Australia state chart, where it reached number 82.  Frustratingly, "It's Here" dented the top 100 on four of the five ARIA state charts (only missing out in South Australia/Northern Territory), but couldn't dent the top 100 nationally.  The single did, however, reach number 92 on the Australian Music Report top 100 singles chart.

One other single from Love Moves, "Can't Get Enough (Of Your Love)", was released in Australia (and, oddly, not in the UK) in August 1990, but failed to chart, despite being aired at least twice on Countdown Revolution.  In contrast, I never heard or saw the video for "It's Here" anywhere at the time.  Go figure.

We shall see Kim next in 1992.



Number 146 "Driving" by Everything But the Girl
Peak: number 146
Peak date: 11 June 1990
Weeks in top 150: 1 week
Top 150 chart run: 146
Weeks on chart: 9 weeks (1990 and 1997 chart runs combined)

Before reinventing themselves as a dance/drum 'n' bass sensation in the mid 1990s, Tracey Thorn and Benn Watt, aka Everything But the Girl, were purveyors of jazz-tinged sophisti-pop.  Although romantically-involved since their university days, the couple's relationship was not publicised, and they did not marry until 2009, after 28 years together.

The duo's first foray into the Australian singles chart came in 1987, when "Don't Leave Me Behind", from their third studio album Baby, the Stars Shine Bright, peaked at number 85 in April of that year.  Their version of "I Don't Want to Talk About It" registered on the Western Australia state chart, but not the national chart, where it reached number 68 in September 1988.

"Driving" was the lead single from the duo's fifth studio album The Language of Life (number 90, April 1990), and peaked at number 54 in the UK in January 1990.  The single first registered on the ARIA chart at the end of February 1990, when it entered at number 152, but took over three months to dent the top 150.  "Driving" performed strongest on the Western Australia state chart, where it reached number 68, matching the state chart peak there for "I Don't Want to Talk About It".
 
Unless you were living under a rock, you would know that Everything But the Girl scored a major hit with the Todd Terry remix of "Missing", which spent six weeks at number 2 on the ARIA singles chart in March and April 1996.  Capitalising on this success, the duo's sound shifted from being largely acoustic to electronic for their next album Walking Wounded (number 11, June 1996).

A change in record label post-"Missing" resulted in "Driving" being remixed by Todd Terry for inclusion on the The Best of Everything But the Girl (number 58, April 1997) compilation, and that version will go on to reach a new peak in early 1997.  But before then, the duo released the single "Take Me" in Australia, which failed to chart, in June 1990.

We will next see Everything But the Girl in 1992.



Number 147 "The Banks of the Bogan" by Norma O'Hara Murphy
Peak: number 147
Peak date: 11 June 1990
Weeks in top 150: 1 week
Top 150 chart run: 147
 
What could be more Australian than a song about bogans?  For those outside of Australia who may not be familiar with the term, 'bogan' in the Australian vernacular loosely refers to an unsophisticated person with unrefined tastes, often associated with lower educational attainment and low socioeconomic status; though that has changed, with the rise of the cashed-up bogan (nouveau riche) in the early 2000s.  A bogan is Australia's version of a chav or white trash.
 
Except this isn't a song about that; it's instead a song about the Bogan River in New South Wales.  Other than that, I can't tell you much about it, other than Norma is an Australian country singer.  This track appeared on Norma's compilation album Norma's Best, which peaked at number 132 in August 1991.



Bubbling WAY down under:

Number 151 "Boy, I'll House Ya" by 2 Static
Peak: number 151
Peak date: 11 June 1990
Weeks on chart: 3 weeks
 
From what I can gather, 2 Static were a Dutch act, and essentially an alias of Martin Boer, who would later form 2 Brothers on the 4th Floor with his brother Bobby Boer.  We shall see that act in 1994.
 
"Boy, I'll House Ya" was the first of two singles 2 Static released in Australia.  The track samples Technotronic featuring Ya Kid K's "Get Up (Before the Night Is Over)" (number 7, April 1990) and Partners Rime Syndicate's "54-46 (That's MyNumber)", which we saw in May 1990.
 
Internationally, "Boy, I'll House Ya" peaked at number 41 in the Netherlands in May 1990.
 
On the state charts, "Boy, I'll House Ya" performed strongest in Western Australia, where it reached number 96. 

We shall see 2 Static again in November 1990.



Number 153 "No More Lies" by Michel'le
Peak: number 153
Peak date: 11 June 1990
Weeks on chart: 2 weeks
 
"No More Lies" was the debut single for American r&b singer Michel'le (pronounced "Michelle-ay"), full name Michel'le Toussaint, and reached number 7 on the Billboard Hot 100 in March 1990.  The single also dented the top 30 in New Zealand - who always seemed to be more open to this kind of music than Australia at the time, and crept into the top 80 in the UK.
 
"No More Lies" was lifted from the Michel'le album, which peaked at number 143 on the ARIA albums chart in April 1990.  On the state charts, "No More Lies" performed strongest in New South Wales/Australian Capital Territory, where it reached number 146.

"No More Lies" was produced and co-written by Dr. Dre, Michel'le's fiancĂ© at the time.  The couple's relationship soon became volatile, however, and Michel'le has since spoken out about Dre severely beating her and even shooting at her with a gun, missing by inches.

One thing you'll notice about Michel'le's speaking voice is that it is much higher-pitched and Minnie Mouse-like than her singing voice on this track.

Follow-up single "Nicety" (a portmanteau of 'nice' and 'nasty') does not appear to have been released commercially in Australia, but peaked at number 29 on the US Billboard Hot 100 in June 1990.

Michel'le's second album Hung Jury was not released until 1998.  She did not place a second single or album on the ARIA chart.


Next week (18 June): Five new top 150 debuts and one bubbling WAY down under entry.

< Previous week: 4 June 1990                                       Next week: 18 June 1990 >