Showing posts with label The Seekers. Show all posts
Showing posts with label The Seekers. Show all posts

29 March 2025

Week commencing 29 March 1993

Before taking a look at this week in 1993's new entries peaking outside the Australian top 100 singles chart, I have made two special posts looking at singles that topped at least one of the state charts, but not the national chart, between June 1988 and December 1988, and January 1989 and June 1989.  State chart information covering the period where ARIA commenced producing the chart in-house (6 June 1988) through to the last chart survey of 1989 has not previously been published.  Stay tuned for a third instalment in the series, covering July 1989 to December 1989.

RuPaul: this didn’t exactly ‘work’ on the Australian charts.

Top 150 debuts:

Number 106 The Nameless One” by Wendy James
Peak: number 106
Peak date: 29 March 1993
Weeks in top 150: 3 weeks
Top 150 chart run: 106-118-(out for 1 week)-125
Weeks on chart: 7 weeks

London-born Wendy James fronted the band Transvision Vamp, whom we saw in 1990, from their inception in 1986 through to their demise in 1991.  During that time, the band notched up nine top 100 singles in Australia, with "Baby I Don't Care" (number 3, August 1989) being the biggest of those.
 
Following Transvision Vamp's split, Wendy wrote to Elvis Costello for advice on what to do next.  Elvis responded by writing an album's worth of material for her, with his then wife Cate O'Riordan co-authoring five of the ten songs.  "The Nameless One" was the lead single from Wendy's debut solo album Now Ain’t the Time for Your Tears (number 132, May 1993).
 
Internationally, "The Nameless One" peaked at number 34 in the UK in February 1993.  In Australia, the single was most popular in Victoria/Tasmania, where it reached number 79.
 
Despite being a fan of Transvision Vamp's, Wendy's solo material has never interested me that much, and I hadn't actually heard "The Nameless One" until listening to it while writing this post.  The track is decent, but lacks the hooks/instant catchiness and fun of Transvision Vamp at their best.
 
We shall see solo Wendy once more, in July 1993.



Number 115 “Broken English” by Sunscreem
Peak: number 101
Peak date: 3 May 1993
Weeks in top 150: 9 weeks
Chart run: 211-115-105-104-104-107-101-116-139-134
Weeks on chart: 10 weeks

English band Sunscreem last graced our presence in January 1993.  "Broken English", the fifth single from their debut album O3 (number 73, March 1993), was a cover version of a song originally performed by the recently-departed Marianne Faithfull that peaked at number 75 in Australia in August 1980.
 
Internationally, Sunscreem's version of "Broken English" peaked at number 13 in the UK in January 1993, becoming their highest-charting single there.
 
Locally, "Broken English" performed strongest in Queensland, where it reached number 84 on the state chart.  "Broken English" peaked within the top 100 on all five of the state charts.
 
I first heard this one on the radio show UK Chart Attack, back in January 1993, in what must have been one of the last episodes of it to air in Melbourne.  I like the song, but it's not my favourite one from Sunscreem.
 
Sunscreem would release a (sort of) sixth single from O3, "Pressure Us" (number 64, July 1993), which was a remixed and slightly re-titled version of their first Australian chart entry.
 
We will see Sunscreem on one more occasion, in 1995.



Number 126 “Losin’ Myself” by Debbie Gibson
Peak: number 126
Peak date: 29 March 1993
Weeks in top 150: 4 weeks 
Known chart run: 166-126-129-142-144
Weeks on chart: 8 weeks

Deborah Ann Gibson, better known as Debbie Gibson for most of her career, burst onto the Australian chart in 1988 with her second single “Shake Your Love” (number 27, May 1988).  She became the then-youngest artist to write, perform and produce a US Billboard Hot 100 number one with her fourth single, "Foolish Beat" (number 60, August 1988), which topped the US chart for one week in June 1988, when Debbie was just over two months off turning 18.
 
Although Debbie didn't quite match her US-level of chart success in Australia, she nonetheless placed eight singles within the ARIA top 100 between 1988 and early 1991, with "Anything Is Possible" (number 60, January 1991) being the last of those.  Unfortunately for Debbie, five of her eight Australian top 100 singles peaked between numbers 57 and 68; she was indeed the queen of the Breakers section (which listed the five highest-charting singles moving up the chart outside of the top 50) of the ARIA printed top 50 charts!
 
Debbie's biggest hit in Australia was the sappy "Lost in Your Eyes" (number 7, May 1989), although I would guess she is better-remembered for its follow up, "Electric Youth" (number 21, July 1989), the title track of her second album Electric Youth (number 10, August 1989).
 
Teen pop stardom doesn't always translate into career longevity, and sadly for Debbie, in spite of her musical talent, she struggled with commercial success once her 20s clocked over.  "Losin' Myself" was the lead single from Debbie's fourth studio album Body Mind Soul (number 180, March 1993).  For this project, Debbie tried to take on a more 'mature', 'sexy' image.  It didn't quite work.
 
Internationally, "Losin' Myself" peaked at number 86 on the US Billboard Hot 100 in February 1993, and number 73 in Canada in February 1993.  The song also registered on the US Billboard Adult Contemporary chart, reaching number 49 in February 1993, and number 46 on the Dance Singles Sales chart in March 1993.
 
In Australia, "Losin' Myself" performed strongest in New South Wales/Australian Capital Territory, where it reached number 109 on the state chart.
 
I hadn't heard "Losin' Myself" before.  It's OK, but lacks the pop charm of her earlier releases.
 
We shall see Debbie once more, in July 1993.



Number 133 “What You Won’t Do for Love” by Go West
Peak: number 122
Peak date: 5 April 1993
Weeks in top 150: 5 weeks
Chart run: 133-122-127-131-131
Weeks on chart: 5 weeks

English duo Go West formed in London in 1982, with Peter Cox on vocals and Richard Drummie on rhythm guitar and backing vocals.  Between 1985 and 1992, the pair placed seven singles on the Australian top 100, with "We Close Our Eyes" (number 8, June 1985) and “King of Wishful Thinking” (number 6, October 1990) - the latter from the Pretty Woman (number 1 for four weeks in July 1990) soundtrack - hitting the top ten, and "Call Me" (number 12, August 1985) coming close.
 
"What You Won't Do for Love" was the second single lifted from the third Go West studio album Indian Summer (number 112, March 1993), more than five years since their second album.  It followed "Faithful" (number 42, February 1993).  "What You Won't Do for Love" is a cover of the Bobby Caldwell single from 1978, which did not chart in Australia, but peaked at number 9 on the US Billboard Hot 100.
 
Internationally, Go West's version of "What You Won't Do for Love" peaked at number 15 in the UK in January 1993, number 55 on the US Billboard Hot 100 in April 1993, number 52 in Germany in April 1993, and number 12 in Canada in May 1993.
 
Domestically, "What You Won't Do for Love" was equally most popular in Queensland and South Australia/Northern Territory, reaching number 111 on both state charts.
 
This is another track that I first heard on one of the final UK Chart Attack episodes to air in Victoria.  You can view a second video filmed for the song, for the US market, here.
 
A third single from Indian Summer, "Still in Love", was released in the UK, but not in Australia, in March 1993.
 
We'll see Go West on one more occasion, in November 1993.



Number 140 “Supermodel (You Better Work)” by RuPaul
Peak: number 115
Peak date: 10 May 1993
Weeks in top 150: 11 weeks
Top 150 chart run: 140-144-145-139-124-116-115-125-119-133-131
Weeks on chart: 23 weeks

RuPaul (his actual real name) Andre Charles was born in San Diego, California.  The concept of the 'supermodel' seemed to be new (at least to me) in the early 1990s, perhaps best illustrated by George Michael's music videos for "Freedom!" (number 18, February 1991), and later "Too Funky" (number 3, August 1992).  It seems (again, at least to me) that RuPaul was trying to capture some of this attention by becoming the first drag 'supermodel'.  "Supermodel (You Better Work)" was his (I'm not sure whether that's the right pronoun for him in drag, though Wikipedia tells me he doesn't mind being called 'he' or 'she') first single, from his debut album Supermodel of the World (number 150, August 1993).
 
Even though the song wasn't a big commercial success, I do remember seeing RuPaul on TV around this time and being spoken about.  Of course, he is now better known for his RuPaul's Drag Race reality TV series than his recording career.  Prior to coming to fame, RuPaul appeared in the music video for The B-52's "Love Shack" (number 1 for eight weeks in December 1989-February 1990).
 
Internationally, "Supermodel (You Better Work)" peaked at number 45 on the US Billboard Hot 100 in April 1993, number 100 in Germany in April 1993, number 16 in Austria in June 1993, number 39 in the UK in June 1993, and number 38 in the Netherlands in August 1993.  The song also peaked at number 2 on the US Billboard Dance Club Songs chart in February 1993, and number 55 on the Radio Songs chart in March 1993.
 
In Australia, "Supermodel..." 'worked' best in Western Australia, where it reached number 73 on the state chart.
 
"Supermodel (You Better Work)" makes extensive use of RuPaul's catchphrase "sashay shantay", which he uses in RuPaul's Drag Race.  "Shantay... you stay" if you're still in the competition, and "sashay away" if you aren’t.
 
We'll next see RuPaul in December 1993.  Before then, he landed his first ARIA top 100 single with "Back to My Roots" (number 90, August 1993).



Number 146 “Trapped Inside Your Heart” by Kings of the Sun
Peak: number 131
Peak date: 3 May 1993
Weeks in top 150: 5 weeks
Top 150 chart run: 146-(out for 1 week)-144-142-149-131

Australian band Kings of the Sun formed in Sydney in 1986.  Their debut single "Bottom of My Heart" (number 47, December 1986) crept into the national top 50.  It would be almost two more years until its follow-up, "Serpentine" (number 48, September 1988), and the release of their debut album Kings of the Sun (number 88, January 1989), which gave them a third charting single "Black Leather" (number 53, January 1989).  They returned in 1990 with their second album Full Frontal Attack (number 93, September 1990), and their final ARIA top 100 single "Drop the Gun" (number 82, August 1990).
 
"Trapped Inside Your Heart" was the lead single from the third Kings of the Sun album Resurrection, which was released in Australia in April 1993 but missed the top 150.  Another single from the album, "Road to Nowhere", was released in June 1993 but also missed the top 150.



Number 150 “How Can I Love You More” (Mixes) by M People
Peak: number 138
Peak date: 12 April 1993
Weeks in top 150: 3 weeks 
Top 150 chart run: 150-(out for 1 week)-138-(out for 2 weeks)-147
Weeks on chart: 12 weeks (including 1992 release)

We last saw English band M People in 1992.
 
"How Can I Love You More" (no question mark) was issued as the band's debut single in the UK in late 1991, where it peaked at number 29 in November that year.  The single received an Australian release on 3 February 1992, and debuted at number 174 the following week.  Unfortunately, owing to how the ARIA database is set up, I am unable to determine whether number 174 was the peak for the original release (which missed the top 150), or whether it climbed higher than its entry position, outside the top 150.  The 1991 release of the track used a different mix than the 1993 version embedded below, and you can hear/see it here.  The Official Heather Small (M People's vocalist) YouTube channel stole my 480p upload of this video, which was blocked on my channel but not theirs, and replaced it with their inferior 360p copy.  Yes, I am still bitter about it...
 
The 1993 remix of "How Can I Love You More" was the third (counting both releases of the track) and final single released in Australia from M People's debut album Northern Soul (number 150, April 1993).  In the band's native UK, it was the fifth single from the album.  We missed both "Someday" and "Excited".  I think both could have been hits here with some promotion had they been released.
 
Internationally, the 1993 version of "How Can I Love You More" peaked at number 8 in the UK in February 1993, and number 10 in Ireland during the same month.
 
In Australia, the 1993 release of "How Can I Love You More" was most popular in Western Australia, where it reached number 104 on the state chart.
 
I first heard this one in early 1994 after picking up a copy of the UK 2-CD compilation The Greatest Hits of 1993.  I like it, but prefer the original 1991 mix.
 
M People would, of course, eventually break through commercially in Australia later in 1993 with "Movin' on Up" (number 4, January 1994).  Before then, "One Night in Heaven" (number 23, March 1994) was issued as the lead single from their second album Elegantly Slumming (number 7, February 1994), and debuted outside the ARIA top 150 at number 192 on 19 July 1993.  As with "How Can I Love You More", because "One Night in Heaven" missed the top 150 upon its initial release, I am unable to determine what its original peak was.
 
We'll next see M People in 1995.



Bubbling WAY down under:

Number 206 “Sinking Like a Sunset” by Tom Cochrane
Peak: number 206
Peak date: 29 March 1993
Weeks on chart: 1 week

We last saw Canadian soft rocker Tom Cochrane in February 1993.
 
"Sinking Like a Sunset" was issued as the fourth and final single in Australia from his second solo album Mad Mad World (number 46, October 1992).  In Canada, it was the third release from the album.
 
Internationally, "Sinking Like a Sunset" peaked at number 2 in Canada for two weeks, in May-June 1992.
 
"Sinking Like a Sunset"... sank like a sunset on the Australian chart, in contrast, but performed strongest in Queensland, where it reached number 183 on the state chart.
 
I hadn't heard this one before.  I probably like it more than the other two non-"Life Is a Highway" (number 2, September 1992) singles I've heard by Tom.
 
Tom will next join us in 1995.



Number 208 “Keep a Dream in Your Pocket” by Judith Durham/The Seekers
Peak: number 178
Peak date: 26 April 1993
Weeks on chart: 2 weeks

We last saw Australian band The Seekers in 1989.  This time, original lead singer Judith Durham was part of the group, for the first time since 1968.  Accordingly, she received a billing on the artist credit.
 
"Keep a Dream in Your Pocket" was recorded/released to promote the band's The Silver Jubilee Album (number 3, May 1993) compilation album.  On the state charts, the single performed strongest in Queensland, where it reached number 149.
 
We'll next see Judith/The Seekers in 1997.



Number 209 “I’ve Got a Lot of Faith in You” by Stephen Cummings
Peak: number 171
Peak date: 19 April 1993
Weeks on chart: 6 weeks

Aussie singer-songwriter and jingle writer Stephen Cummings last paid us a visit in 1992.
 
"I've Got a Lot of Faith in You" was released as the second single from Stephen's sixth studio album Unguided Tour (number 76, August 1992).
 
On the state charts, "I've Got a Lot of Faith in You" was most popular in Victoria/Tasmania, where it reached number 153.
 
Stephen will join us again in June 1993.



Next week (5 April): Five top 150 entries and two bubbling WAY down under debuts.

31 July 2020

Week commencing 31 July 1989

If I'm being perfectly honest, I'm not too enamoured with any of this week's new entries, but think one, maybe two of them are OK (can you guess which ones from reading my comments below?).  But hey, I don't get to choose what the Australian record buying public like, so 'who am I to disagree'?  Let's take a look at what was bubbling down under this week in 1989...

On the Ball: Songs about sport are... not my favourite thing.

Top 150 debuts:

Number 126 "Down to London" by Joe Jackson
Peak: number 126
Peak dates: 31 July 1989 and 14 August 1989
Weeks in top 150: 6 weeks
Top 150 chart run: 126-126-126-129-129-134 
Weeks on chart: 7 weeks

Since 1979, Joe Jackson (not Michael's dad) placed 11 singles in the top 100 in Australia, with the biggest of those being his 1982 hit "Real Men" (number 6), which oddly flopped at number 89 in his native UK.  Joe's third charting single down under in 1989, "Down to London" was actually only the second release from his current album Blaze of Glory (number 31, May 1989), as "(He's a) Shape in a Drape" (number 95, February 1989) was from the Tucker soundtrack, for which he performed the music

Internationally, "Down to London" peaked at number 303 (number 178 on the compressed chart) in the UK in October 1989.

In Australia, "Down to London" was most popular in South Australia/Northern Territory, where it reached number 84 on the state chart. 

Despite this floppage, at the time of writing, the "Down to London" video embedded below has received almost a quarter of a million views in 6 years, which isn't too bad at all for a 30+ year-old song that was never a 'hit'.  Joe will visit us again in 1991.

 
 
Number 141 "How Can a Love So Wrong Be Right" by The Seekers
Peak: number 118
Peak date: 21 August 1989
Weeks in top 150: 7 weeks 
Chart run: 141-137-132-118-126-136-142 
Weeks on chart: 7 weeks

The Seeekers are best known - at least from my perspective as someone who wasn't yet born when they were 'big' - for their 1966 number 1 hit, "Georgy Girl", when Judith Durham was on lead vocals.  At this point in time, Julie Anthony was fronting the group.  The last substantial hit The Seekers had in Australia was 1975's "Sparrow Song" (number 7), with yet another lead vocalist, Louisa Wisseling.  Their most-recent singles chart entry, "Building Bridges", peaked at number 68 in May 1989.  Both that and this track were taken from the band's Live On album, which peaked at number 26.

On the state charts, "How Can a Love So Wrong Be Right" performed strongest in Western Australia, where it reached number 60 on the state chart.

We'll next see The Seekers in 1993.


Number 147 "Let's Go Broncos" by On the Ball
Peak: number 144
Peak date: 28 August 1989
Weeks in top 150: 3 weeks 
Top 150 chart run: 147-(out for 2 weeks)-149-144

I have absolutely zero interest in sport.  I would literally rather watch paint dry than watch a game of football, rugby or whatever sport this is called, played in Queensland.  So you can imagine my enthusiasm when a sporting theme reaches the charts... Thankfully, it didn't happen often.  I can only assume that this single sold much better in Queensland than in any other state, if it was even for sale outside of Queensland.  Curiously, "Let's Go Broncos" peaked much higher on the Australian Music Report chart, at number 78.  I can only assume that they surveyed a wider variety of retail outlets in Queensland than ARIA, or weighted Queensland more heavily.


Number 149 "Make It" by Exploding White Mice
Peak: number 149
Peak: 31 July 1989
Weeks in top 150: 1 week 
Top 150 chart run: 149

I don't know what to say about this track other than it's really not my my kind of music.  Exploding White Mice hailed from Adelaide, and would go on to score a number 96 'hit' locally in July 1990 with "I Just Want My Fun".

 

 
Bubbling WAY down under:

Number 152 "Children of the Revolution" by Baby Ford
Peak: number 152
Peak date: 31 July 1989
Weeks on chart: 1 week
 
Baby Ford, real name Peter Frank Adshead, hails form England.  "Children of the Revolution", a cover version of the T.Rex track (which peaked at number 11 in Australia on the Go Set chart in March 1973), was his third single.  It followed "Oochy Koochy" (released locally in November 1988) and "Chikky Chikky Ahh Ahh" (February 1989) - neither of which charted in Australia.
 
Internationally, Baby Ford's version of "Children of the Revolution" peaked at number 53 in the UK in June 1989, and number 42 in the Flanders region of Belgium in July 1989.
 
In Australia, "Children of the Revolution" performed strongest in Victoria/Tasmania, where it reached number 125 on the state chart.
 
This would be Baby Ford's only charting release in Australia.
 

 
Number 153 "Are You My Baby?" by Wendy & Lisa
Peak: number 153
Peak date: 31 July 1989
Weeks on chart: 1 week
 
Formerly members of Prince's one-time backing band The Revolution, Wendy Melvoin and Lisa Coleman struck out on their own in 1987.  "Are You My Baby?" was the lead single from the duo's second album Fruit at the Bottom, which did not chart in Australia.  The single was the pair's first charting release in Australia.
 
"Are You My Baby?" fared better internationally, reaching the top 20 in the Netherlands and Belgium, and peaking at number 70 in the UK in February 1989.
 
On the ARIA state charts, "Are You My Baby?" performed strongest in Western Australia, where it reached number 97.
 
We will see Wendy & Lisa again in 1990.


 
Number 156 "Spirit of the Forest" by Spirit of the Forest
Peak: number 156
Peak date: 31 July 1989
Weeks on chart: 1 week
 
One thing most music fans can agree on is that charity records are almost without exception bad, particularly when they're umpteen unrelated artists assembled for a particular 'cause'.  In this instance, Spirit of the Forest was set up to raise funds for... you guessed it, the rain forest.  Well, environmental causes, more broadly.

Arists featured on the A-side version of "Spirit of the Forest" include Chris Rea, Mr. Mister, XTC, Dave Gilmour from Pink Floyd, Brian Wilson from The Beach Boys, Joni Mitchell, Ringo Starr, Fish, Belinda Carlisle, Deborah Harry, Bonnie Raitt, Kate Bush, Little Steven, Jon Anderson from Yes, Sam Brown, The Escape Club, Olivia Newton-John and Louise Goffin.  While I like several of these artists, I can't say their contribution to this mediocre-at-best song is particularly memorable.

Internationally, "Spirit of the Forest" peaked at number 94 (number 86 on the compressed chart) in the UK in July 1989.

In Australia, "Spirit of the Forest" was most popular in Western Australia, where it reached number 129 on the state chart.
 

 
Number 160 "Atomic City" by Holly Johnson
Peak: number 160
Peak date: 31 July 1989
Weeks on chart: 1 week

The third single lifted from his debut solo album Blast, "Atomic City" did not perform nearly as well as the two prior singles, "Love Train" (number 35, March 1989) and "Americanos" (number 77, June 1989), in Australia.  It also peaked 14 places lower than the number 4 peaks for the two prior singles in the UK.  To my ears, "Atomic City" sounds rather like James Brown's "Living in America", production-wise, but not as good.  Unsurprisingly, both tracks were produced by Dan Hartman, who also co-wrote this, I just learned.  "Atomic City" had greater success in Ireland, where it peaked at number 9, and in Switzerland, where it peaked at number 10.  A fourth single, "Heaven's Here", was lifted from Blast, but was not released locally - presumably due to its low (number 62) UK peak and the lack of chart success "Atomic City" had here.  We will see Holly again in 1991.


Number 162 "Voice of Babylon" by The Outfield

Peak: number 162
Peak date: 31 July 1989
Weeks on chart: 1 week
 
English band The Outfield formed in 1984, but had not, until now, landed a single on the Australian chart, other than bubbling under in May 1986, on the Kent Music Report's list of singles receiving significant sales reports beyond the top 100, with "Your Love".

"Voice of Babylon" was the lead single from The Outfield's third studio album Voices of Babylon (number 145, July 1989).  Both the album and single were the band's only releases to chart in Australia.

"Voice of Babylon" had greater success internationally, reaching number 25 in the US, number 39 in Canada in June 1989, and number 57 in Germany in July 1989.  Interestingly, the band never scored a hit in their homeland, and "Voices of Babylon" was their biggest 'hit' in the UK, despite only peaking at number 78 in May 1989.

 

Next week (7 August): A mere three new top 150 entries, and three bubbling WAY down under under entries.  Among them, we have two veteran acts, and a remix of a 1983 track that didn't become a hit in Australia until 1985.  You can follow my posts on facebook, too.

< Previous week: 24 July 1989                                               Next week: 7 August 1989 >