Showing posts with label John Kilzer. Show all posts
Showing posts with label John Kilzer. Show all posts

16 March 2023

Week commencing 16 March 1992

Once again I cannot identify a common theme linking this week in 1992's debuts peaking outside the top 100, so let's just dive straight in...
 
Take That: this marketing strategy didn't quite work...
 
Top 150 debuts:
 
Number 110 "Out of Control (Round and Round)" by Beatfish
Peak: number 110
Peak date: 16 March 1992
Weeks in top 150: 5 weeks
Top 150 chart run: 110-120-127-127-138
Weeks on chart: 9 weeks

Beatfish was a collaboration between James Freud, whom we last saw in 1989, and Martin Plaza from Mental As Anything, whom we saw in 1990.  The pair recorded only one album, Beatfish (number 79, November 1991).  Unlike the pair's previous solo/band work, the Beatfish project was electronic in sound.

"Out of Control (Round and Round)" was the third single lifted from the Beatfish album.  It followed "Wheels of Love" (number 26, September 1991) and "All Around the World" (number 58, November 1991).
 
"Out of Control..." was most successful on the Western Australia state chart, where it reached number 54.
 
Beatfish will join us again in August.



Number 133 "Tell Me What You Want Me to Do" by Tevin Campbell
Peak: number 116
Peak date: 6 April 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 133-126-131-116-126-131
 
American R&B singer Tevin Campbell started his recording career in 1990 as a 13 year-old, when he was the featured vocalist on Quincy Jones' "Tomorrow (A Better You, A Better Me)".  That single was released in Australia in June 1990, but failed to chart.

"Tell Me What You Want Me to Do" was Tevin's solo debut single in Australia, lifted from his debut album T.E.V.I.N., which initially peaked at number 134 in Australia in April 1992, but reached a new peak of number 98 in April 1994, following renewed interest after the success of Tevin's "Can We Talk" (number 12, April 1994).
 
Internationally, "Tell Me What You Want Me to Do" peaked at number 9 in New Zealand in February 1992, number 6 on the US Billboard Hot 100 in February 1992, number 63 in the UK in April 1992, and number 31 in the Netherlands in May 1992.  It was Tevin's best-charting single in both the US and the UK.

I don't recall hearing this one before.  The chorus melody reminds me a little bit of Whitney Houston's "Where Do Broken Hearts Go" (number 48, May 1988) - both tracks were produced by Narada Michael Walden.

Tevin will next join us in 1996.
 
 
 
Number 148 "Not Like That" by Club Hoy
Peak: number 106
Peak date: 27 April 1992
Weeks in top 150: 9 weeks 
Top 150 chart run: 148-137-121-113-115-115-106-127-122
 
We last saw Australian band Club Hoy in 1991.
 
"Not Like That", which became the Club Hoy's biggest 'hit', was lifted from the band's only album Thursday's Fortune (number 96, March 1992).
 
I don't recall hearing this one before.  It has nice harmonies and could have become a hit with better promotion.
 
While we won't see Club Hoy again, lead singer Penny Flanagan will appear in 1994.
 

 
Number 149 Water EP by Def FX
Peak: number 149
Peak date: 16 March 1992
Weeks in top 150: 1 week
Top 150 chart run: 149
Weeks on chart: 14 weeks
 
Australian band Def FX formed in Sydney in 1990.  I became aware of them through seeing them perform "Surfers of the Mind", which is the lead track on the Water EP, on MTV.  To me, their sound seemed to be quite avant-garde for Australia at the time, merging the genres of dance and rock/alternative.  "Surfers of the Mind" samples one of the keyboard riffs used on Black Box's "Ride on Time" (number 2, January 1990), to boot.

The Water EP debuted at number 191 on 22 July 1991, taking almost eight months to dent the ARIA top 150 singles chart for a solitary week.  The EP's chart life was quite protracted, as it was still lurking around in January 1993, when it peaked in Queensland.

On the state charts, the Water EP was most popular in Western Australia, where it reached number 113 in June 1992.

I caught the video for "Surfers of the Mind" several times in 1991 on Coca-Cola Power Cuts, where it seemed to always be featured in the Alternative top 10.  The track does not appear on Def FX's debut album Light Speed Collision (number 96, December 1992).
 
Def FX will next join us in 1996.
 

 
Number 150 "This Is Hip" by John Lee Hooker with Ry Cooder
Peak: number 150
Peak date: 16 March 1992
Weeks in top 150: 1 week
Top 150 chart run: 150
 
We last saw John Lee Hooker in 1990.
 
"This Is Hip" was originally a 1963 song recorded by John Lee Hooker.  He re-recorded the track with Ry Cooder for his 1991 collaborations-with-other-artists album Mr. Lucky (number 22, October 1991).  I cannot find evidence of this single charting elsewhere.
 
We shall next see John Lee Hooker in 1993.



Bubbling WAY down under:

Number 174 "Journey to Australia" by Rita MacNeil
Peak: number 171
Peak date: 23 March 1992
Weeks on chart: 3 weeks
 
Canadian songstress Rita MacNeil last joined us in September 1990.

"Journey to Australia" appears to have been an Australian-only release, and was added to Australian pressings of Rita's 1990 album Home I'll Be (number 40, March 1992).  On the state charts, "Journey to Australia" performed strongest in South Australia/Northern Territory, where it reached number 140.

Unfortunately, I cannot find this song anywhere online to listen to.  This would be Rita's last single to chart in Australia.  She had a later album chart, however, with Working Man: The Best of Rita MacNeil (number 138, July 1993).



Number 176 "Marilyn Dean and James Monroe" by John Kilzer
Peak: number 176
Peak date: 16 March 1992
Weeks on chart: 2 weeks

American singer-songwriter John Kilzer last graced our presence in 1989.

"Marilyn Dean and James Monroe" was lifted from John's second album Busman's Holiday, which was released in Australia in March 1992 but missed the ARIA top 150.

John's biggest hit in Australia came with "Red Blue Jeans" (number 57, October 1988), which performed much stronger in South Australia/Northern Territory than other states, where it reached number 13.
 
On the state charts, "Marilyn Dean and James Monroe" was most successful in Western Australia, where it reached number 146.

John died from suicide in 2019, aged 62.  John had struggled with alcohol addiction for much of his life.

"Marilyn Dean and James Monroe" was John's final single to chart in Australia.



Number 188 "Once You've Tasted Love" by Take That
Peak: number 188
Peak date: 16 March 1992
Weeks on chart: 1 week

British boy band Take That formed in Manchester in 1990.  I first heard of them in an artists-to-look-out-for article in the Australian edition of Smash Hits at the end of 1991.
 
It took Take That four single releases to land a proper hit in their native UK.  "Once You've Tasted Love", their third UK release, was the group's Australian debut.  I hadn't actually heard this one until listening to it to write this post.  Gary Barlow's fright peroxide hair really stands out (in a not good way) from this era...  If you haven't seen it before, it's worth checking out the trying-desperately-to-appeal-to-the-gay-market video for Take That's first UK release "Do What U Like".

"Once You've Tasted Love" was lifted from Take That's debut album Take That & Party (number 104, May 1993).  The single peaked at number 47 in the UK in February 1992.
 
Domestically, "Once You've Tasted Love" performed strongest in New South Wales/Australian Capital Territory, where it reached number 178.
 
Take That would eventually go on to land some chart success in Australia, but before then, we'll see them again in July.



Number 191 "Am I Right?" by Erasure
Peak: number 185
Peak date: 23 March 1992
Weeks on chart: 3 weeks

We last saw synthpop duo Erasure in 1990.

"Am I Right?" was the third single from Erasure's fifth studio album Chorus (number 93, November 1991) in their native UK, but was the second single in Australia, following the title track "Chorus" (number 77, October 1991).  It appears that we skipped the "Love to Hate You" single.
 
Internationally, "Am I Right?" peaked at number 15 in the UK in December 1991, number 9 in Ireland in December 1991, number 46 in the Flanders region of Belgium in December 1991, and number 21 in Austria in January 1992.
 
In Australia, "Am I Right?" performed strongest in Western Australia, where it reached number 162 on the state chart.
 
Erasure scored a major (for them, in Australia) hit later in the year with Abba-esque (number 13, August 1992), an EP of four ABBA cover versions, from which "Lay All Your Love on Me" is my favourite.

We shall next see Erasure in November.



Number 193 "Every Kinda People" by Robert Palmer
Peak: number 157
Peak date: 23 March 1992
Weeks on chart: 6 weeks

We last saw Robert Palmer in 1991.
 
"Every Kinda People" is a track that originally appeared on Robert's 1978 album Double Fun (number 75, June 1978).  The single peaked at number 82 in Australia in August 1978.
 
"Every Kinda People" was remixed for inclusion on Robert's "Addictions" Volume 2 (number 167, April 1992) compilation album.  The 1992 remixed version of "Every Kinda People" peaked at number 43 in the UK in March 1992, and number 26 in Canada in July 1992.

Within Australia, the 1992 remix of "Every Kinda People" was most popular in Western Australia, where it reached number 124.

Robert will next join us in 1994.  Before then, he had another studio album, Ridin' High (number 175, January 1993), which peaked outside the ARIA top 100.



Next week (23 March): Three new top 150 entries, and five bubbling WAY down under debuts.

< Previous week: 9 March 1992                                     Next week: 23 March 1992 >

30 January 2020

Week commencing 30 January 1989 - part 2

In part one , I covered new entries peaking between 101 and 150, up to number 133.  Part two covers the remaining new entries for the first week that the Australian singles chart was calculated beyond number 100.

Cheery Tanita Tikaram must have been ecstatic to learn that she had two singles in the lower reaches of the top 150.
 

Top 150 debuts continued:

Number 135 "I Believe" by BB Steal
Peak: number 128
Peak date: 13 February 1989
Weeks in top 150: 4 weeks 
Top 150 chart run: 135-137-128-144

I have no recollection of this one.  An Australian melodic metal band, they remind me a little of Roxus.  BB Steal will pay us another visit in 1992.


Number 139 "Acting This Way" by The Robert Cray Band
Peak: number 136
Peak date: 6 February 1989
Weeks in top 150: 4 weeks
Chart run: 139-136-141-150
Weeks on chart: 4 weeks

This one is new to me, too, but I quite like it.  I only previously knew their 1988 single 'Don't Be Afraid of the Dark', which peaked at number 44 three months prior.  "Acting This Way", lifted from the Don't Be Afraid of the Dark (number 19, October 1988) album, peaked at number 203 (number 147) in the UK in February 1989.  Locally, "Acting This Way" was most popular in Western Australia, where it reached number 75 on the state chart.  This would be the last single from The Robert Cray Band to chart in Australia, but they had a later top 150 albums with Midnight Stroll (number 54, October 1990) and Shame and a Sin (number 148, October 1993).  Robert Cray solo had later-charting top 150 albums in Australia with I Was Warned (number 137, September 1992) and Some Rainy Morning (number 147, June 1995).


Number 142 "Good Tradition" by Tanita Tikaram
Peak: number 142
Peak date: 30 January 1989
Weeks in top 150: 2 weeks
Top 150 chart run: 142-146
Weeks on chart: 4 weeks

In Australia, Tanita is best-known for her arresting but somewhat morose-sounding "Twist in My Sobriety" (number 23, April 1989).  So, it seems a little jarring to hear (and see, in the video below) her performing an upbeat, lighthearted number, with "Good Tradition".  Funnily enough, it was this single that was Tanita's biggest hit in the UK, peaking at number 10 in August 1988, while "Twist..." could only manage number 22 in November 1988.  Elsewhere, "Good Tradition" peaked at number 4 in Sweden in September 1988, number 46 in the Netherlands in September 1988, number 39 in the Flanders region of Belgium in October 1988, and number 10 in Ireland in October 1988.

Released more than five months' prior in Australia, "Good Tradition" may have been boosted on the chart due to "Twist in My Sobriety" debuting this week at number 140.  "Good Tradition" was most popular in Western Australia, where it reached number 69 on the state chart, failing to hit the top 100 on any other state chart.  Tanita will be back in a few months' time with another top 150 smash.


Number 143 "Liar, Liar" by Debbie Harry
Peak: number 141
Peak date: 6 March 1989
Weeks in top 150: 4 weeks
Top 150 chart run: 143-(out for 1 week)-149-(out for 1 week)-146-141
Weeks on chart: 8 weeks

She would undergo a name-change later in the year, but for now, Debbie Harry was back with a new single, from the movie Married to the Mob.  Deb was last on the chart with "French Kissin' in the USA" (number 4, February 1987), which was a bigger hit in Australia than anywhere else.

I remember catching this one on (Australian) MTV as a new release.  Poor Deb couldn't seem to gain much momentum with her solo releases, with Australia affording her just one hit per album/era, though that would change (slightly) in 1990 - and we were probably her biggest market.  This in-between release, which didn't chart anywhere else, barely registered a blip.

On the state charts, "Liar, Liar" was most popular in Western Australia, where it reached number 63.

We will next see Debbie, as Deborah, in 1990.


Number 144 "Wasted Country" by Gail Ann Dorsey
Peak: number 109
Peak date: 27 February 1989
Weeks in top 150: 8 weeks 
Chart run: 144-132-122-110-109-119-130-113
Weeks on chart: 8 weeks

I didn't know this one at the time.  I can't tell you much about Gail, other than she's American, and was in David Bowie's band for the last 20 years of his life.  This song was biggest on the Vic/Tas state chart, where it reached number 69.   It also peaked at number 78 (number 76 on the compressed chart) in the UK in September 1988.


Number 146 "Forever Now" by The Reels
Peak: number 135
Peak date: 6 February 1989
Weeks in top 150: 6 weeks 
Chart run: 146-135-138-146-144-150
Weeks on chart: 6 weeks

Released in early October 1988, this cover version of an Aussie FM radio staple by Cold Chisel which peaked at number 4 in May 1982, was still bubbling under the top 100 almost four months later.  It was lifted from The Reels' fourth and final studio album Neighbours (number 92, December 1988).

To my ears, this sounds like a bad, cheap, country muzak version of the original, but I'm sure some people like it.  The Reels' last hit, in 1986, was also a cover version.

On the state charts, The Reels' version of "Forever Now" performed strongest in Western Australia, where it reached number 76.

They will be troubling the top 150 again in 1991.


Number 147 "Happy Ever After" by Julia Fordham
Peak: number 147
Peak date: 30 January 1989
Weeks in top 150: 1 week 
Chart run: 147
Weeks on chart: 1 week 

Now this one was released way back on 11 July 1988, according to the weekly lists of new release titles that the Australian Music Report published at the time (before the advent of The ARIA Report).  Somehow, it was still hanging around six months later.  This single peaked at number 27 in the UK in August 1988, and number 86 in the Netherlands in September 1988.

Locally, "Happy Ever After" was much more popular in Western Australia, where it peaked at number 35 on the state chart, than anywhere else.

We shall next see Julia in 1992.


Number 148 "Memory in the Making" by John Kilzer
Peak: number 114
Peak date: 27 March 1989
Weeks in top 150: 9 weeks
Chart run: 148-144-142-118-120-117-118-123-114
Weeks on chart: 9 weeks

Another one I was unfamiliar with, this sounds like the kind of thing late 80s Australian radio would lap up.  Vocally, he reminds me of a huskier Bryan Adams.  Sadly, John died in March 2019.

John Kilzer previously charted in Australia with "Red Blue Jeans" (number 57, October 1988), which was his biggest 'hit' here.  Both that single and this one are lifted from John's debut album Memory in the Making, which missed the ARIA top 150.

John will visit us again in 1992.


Number 149 "Peek-a-boo" by Siouxsie & The Banshees
Peak: number 149
Peak date: 30 January 1989
Weeks in top 150: 1 week 
Chart run: 149
Week on chart: 1 week

Siouxsie was last on the Australian charts in 1984, with "Dear Prudence" (number 44, January 1984).  She'd have to wait until 1991 to score another (just) top 40 hit here, with "Kiss Them for Me" (number 40, September 1991).   This one was released at the end of October 1988, so wasn't doing too badly to still be lingering around three months later.

Internationally, "Peek-a-boo" peaked at number 16 in the UK in August 1988, and number 18 in Ireland in August 1988.

Siouxsie and her gang will join us again in 1991.


Bubbling WAY down under:

The Wee Papa Girl Rappers were not exactly heating things up on the Australian charts.


Occasionally, I will mention singles peaking outside the top 150 that I am aware of; but it will be by no means a comprehensive list.  From what I can gather, the Australian singles chart was calculated down to at least the low 180's some weeks in 1989, though I'm not sure how low it went, and it would have varied week by week.  In November 1990, there's even one week where the singles chart stops at number 140.
 

Number 151 "Heat It Up" by The Wee Papa Girl Rappers featuring 2 Men and a Drum Machine
Peak: number 151
Peak date: 30 January 1989
Weeks on chart: 1 week

Fraternal twin sisters T.Y. Tim and Total S (real names: Sandra and Samantha) released this slice of acid house meets rap-with-British-accents back in June 1988 in the UK, where it peaked at number 21 in July 1988.  The single also peaked at number 15 in the Netherlands in August 1988, and number 28 in the Flanders region of Belgium in September 1988.

In Australia, "Heat It Up" was released in early November 1988.  I remember seeing the music video a couple of times on rage, waiting for the top 50 segment to begin.  As one of the YouTube commenters says, "Australia was stupid to ignore this."  Indeed.  Follow-up single "Wee Rule" gave them a top 10 hit in the UK, but did nothing locally.


Next week (6 February): a more sedate affair, with only eight new entries to talk about; one of which later went on to become the B-side of a massive number one single across the globe!

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