Showing posts with label Brian May. Show all posts
Showing posts with label Brian May. Show all posts

22 February 2025

Week commencing 22 February 1993

This week in 1993's new entries peaking outside the ARIA top 100 singles chart are quite a mixed bag.  Before we take a look at them, I have updated a few earlier posts with new bubbling WAY down under debuts:
 
* 1 May 1989 - with a new bubbling WAY down under entry from Tom Cochrane & Red Rider;
* 7 August 1989 - with a new bubbling WAY down under entry from Mark Williams and Karen Boddington;
* 25 February 1991 - with new bubbling WAY down under entries from Candy Dulfer and Stereo MC's;
* 18 March 1991 - with a new bubbling WAY down under entry from Harry Connick, Jr.;
* 22 April 1991 - with new bubbling WAY down under entries from Tom Jones and John Waite.
 
 Dr. Alban: one love, and only one real hit in Australia.
 
Top 150 debuts:
 
Number 115 "Drift Away" by Michael Bolton
Peak: number 104
Peak date: 1 March 1993
Weeks in top 150: 5 weeks
Known chart run: 223-115-104-109-119-123
Weeks on chart: 7 weeks
 
We last saw the God of flowing locks, Michael Bolton, in 1992.
 
"Drift Away" was the second single released in Australia from Michael's covers album Timeless (The Classics) (number 2, January 1993).  The song was originally recorded by John Henry Kurtz in 1972, and a version by Dobie Gray reached number 44 on the Kent Music Report singles chart in 1973 - I don't, however, consider David Kent's charts prior to May 1974, when the Kent Music Report started, as being 'official', as he back-calculated these pre-1974 charts for his 1992 book, i.e. they were not published at the time.  "Drift Away" followed Michael's version of "To Love Somebody" (number 39, January 1993).   While I don't recall hearing "Drift Away" at the time, I do remember an excerpt of the chorus being used on the TV advertisement for the Timeless... album.  Footage from a live performance, similar to the "To Love Somebody" video, was used in the commercial - but I cannot find this on YouTube.
 
Internationally, Michael's rendition of "Drift Away" peaked at number 18 in the UK in December 1992, number 15 in Ireland in December 1992, and number 23 in New Zealand in April 1993.  Oddly, it does not appear to have received a single release in North America.
 
Locally, "Drift Away" performed strongest on the Western Australia state chart, where it reached number 66.
 
We shall next see Michael in 1996.
 

 
Number 123 "Juice" by Headless Chickens
Peak: number 104
Peak date: 3 May 1993
Weeks in top 150: 16 weeks
Known chart run: 206-123-124-137-136-122-128-121-116-116-106-104-111-106-113-119-126
Weeks on chart: 25 weeks
 
We last saw Kiwi band Headless Chickens in 1992.
 
"Juice" was issued as the fourth single from their debut album Body Blow (number 45, July 1993), although it did not appear on the original 1991 pressing of the album.  I didn't think I knew this song, from the title, but I was familiar with the more electronic-sounding version of the song, titled “Dreamchild”, that appears on Strawpeople's second album Worldservice, from 1992, which was later repackaged as Broadcast (number 46, August 1995).  Fiona McDonald, who was involved with both bands, sings vocals on both tracks.  One of the things I love about writing this blog is making discoveries like this, and "Dreamchild"/"Juice" is a song I like a lot.
 
Internationally, "Juice" peaked at number 7 in New Zealand in February 1993.
 
In Australia, "Juice" was most popular in Victoria/Tasmania, where it reached number 81 on the state chart.  The single peaked within the top 100 on four of the five state charts, only just missing out (number 103) in Queensland.
 
"Juice" definitely deserved to chart much higher here.  Despite narrowly missing the top 100, it had a decent chart run, though, spending nearly six months on the chart, with almost four of those inside the top 150.
 
Headless Chickens released a fifth single from Body Blow, "Mr Moon" (number 93, August 1993), which gave them their first Australian top 100 single.
 
We will next see Headless Chickens in 1997, but before then, we'll hear Fiona McDonald's voice on a Strawpeople track that bubbles under in 1996.
 

 
Number 129 "Back to the Light" by Brian May
Peak: number 123
Peak date: 1 March 1993
Weeks in top 150: 4 weeks
Chart run: 129-123-135-138
Weeks on chart: 4 weeks
 
We last saw Queen guitar maestro and astrophysics PhD Dr Brian May in 1992.
 
"Back to the Light" was the title track and third single lifted from Brian's first solo album proper, Back to the Light (number 94, December 1992).  It followed "Too Much Love Will Kill You" (number 18, November 1992).
 
Internationally, "Back to the Light" peaked at number 19 in the UK in November 1992, number 20 in the Netherlands in December 1992, and number 39 in the Flanders region of Belgium in January 1993.
 
In Australia, "Back to the Light" performed strongest in Queensland, reaching number 107 on the state chart.
 
I don't recall hearing this one before, though it probably received an airing on the UK Chart Attack radio show.
 
Brian made a new video for "Back to the Light" in 2021, which you can view here.
 
This would be Brian's last solo charting single in Australia, although he had later low-charting albums with Live at Brixton Academy (number 190, April 1994) and Another World (number 165, July 1998).
 
Two further singles from Back to the Light were released in the UK, but not Australia - "Resurrection" (UK number 23, June 1993) with Cozy Powell, and "Last Horizon" (UK number 51, December 1993).
 
We will see Brian bubble under as part of Queen next in 1996.  Meanwhile, another member of Queen will bubble under next week!
 

 
Number 135 "One in Ten" by 808 State Vs UB40
Peak: number 135
Peak date: 22 February 1993
Weeks in top 150: 2 weeks
Known chart run: 159-135-141
Weeks on chart: 5 weeks
 
English electronic group 808 State last joined us in 1991, and we last saw English reggae band UB40 in 1990.  The two bands collaborated for this release - or rather, 808 State reworked the original UB40 single "One in Ten" (number 87, October 1981) from 1981.  UB40 are known for their cover versions, but "One in Ten" was one of their self-penned hits, written about the approximate 10% unemployment rate in the West Midlands of England, where the band originate from, in mid-1981.  Featuring cutting lyrics such as "I am the one in ten, a number on a list", "nobody knows me but I'm always there, a statistic a reminder of a world that doesn't care", “I'm the child that never learns to read, 'cause no-one spared the time", and “I’m another teenage suicide, in a street that has no trees”, this song packs a punch and paints a bleak picture.  Piercing social commentary isn’t the first thing that springs to mind when one thinks of UB40, even though the band’s name stems from the name of the British unemployment benefit.
 
I became familiar with the UB40 original after catching the video on rage in 2009, when Suggs from Madness was guest programming an episode, and liked the song.  I hadn't heard the 808 State remix of the song until writing this post.  It's a shame that the official YouTube channel upload of UB40's "One in Ten" video has mono audio and tape artefacts - my digital TV copy from rage is better quality than this.
 
The 808 State version of "One in Ten" was the first single issued in Australia from their fifth studio album, and third major label release, Gorgeous (number 131, March 1993).  However, it was the second single from the album in the UK, following "TimeBomb" (UK number 59, August 1992), which did not receive an Australian release.  This version of "One in Ten" contains a musical riff sampled from Kraftwerk's "The Model" (number 33, May 1982).
 
Internationally, "One in Ten" peaked at number 17 in the UK in December 1992, number 19 in Ireland in December 1992, and number 22 in the Netherlands in March 1993.
 
Locally, "One in Ten" was most popular in Western Australia, where it reached number 118 on the state chart.
 
We'll next see 808 State in May 1993, and UB40 in 1994.
 

 
Number 139 "No Tomorrow" by Atomic Dining Club
Peak: number 139
Peak date: 22 February 1993
Weeks in top 150: 1 week
Top 150 chart run: 139
 
We last saw Aussie band Atomic Dining Club in 1992.  Unfortunately, this one wasn't available to listen to anywhere online, and I do not know the song.  This was the band's final top 150 single.
 
 
Number 146 "Starting to Believe" by Images
Peak: number 144
Peak date: 8 March 1993
Weeks in top 150: 3 weeks
Top 150 chart run: 146-146-144
 
Another obscure Australian band, and another one where I cannot find the song online anywhere to listen to.  I have been in touch with someone who owns the album this is taken from, Images (which missed the top 150), and I may be receiving an audio rip of the track to upload here... one day.  Watch this space!  This was the band's only single to trouble the top 150.
 
 
Bubbling WAY down under:
 
Number 193 "One Love" by Dr. Alban
Peak: number 193
Peak date: 22 February 1993
Weeks on chart: 1 week

We last saw Nigerian-born but Sweden-based Dr. Alban in 1991.  Since then, he broke through into the ARIA top 100 with the lead single from his second album One Love (The Album) (number 149, November 1992), "It's My Life" (number 97, November 1992), which would later reach a higher peak of number 43 in Australia in May 1994 when re-issued after his major hit "Sing Hallelujah!" (number 5, March 1994).  "One Love" was released as the second single from the album, sandwiched between the two aforementioned singles, the latter of which we received somewhat belatedly in Australia.
 
Internationally, "One Love" peaked at number 19 in Sweden in August 1992, number 10 in Norway in September 1992, number 27 in Austria in September 1992, number 11 in Switzerland in October 1992, number 7 in Germany in October 1992, number 14 in the Netherlands in October 1992, number 8 in the Flanders region of Belgium in November 1992, number 45 in the UK in November 1992, number 3 in Ireland in November 1992, and number 42 in New Zealand in February 1993.
 
In Australia, "One Love" was most popular in South Australia/Northern Territory, where it reached number 151 on the state chart.
 
I didn't hear "One Love" at the time, but the music video appeared on a VHS tape I digitised about 10 years ago.  I like it, but it doesn't really stand out like "It's My Life" or "Sing Hallelujah!".
 
We'll next see Dr. Alban in 1994.
 

 
Number 211 "Take Me to Heart" by The Neville Brothers
Peak: number 200
Peak date: 1 March 1993
Weeks on chart: 2 weeks
 
American R&B/funk/soul band The Neville Brothers last joined us in 1990.
 
"Take Me to Heart" was the second single released from the band's sixth studio album Family Groove (number 70, July 1992).  It followed their cover of Steve Miller's "Fly Like an Eagle" (number 44, July 1992), which was The Neville Brothers' biggest hit and only top 50 single in Australia.
 
I cannot find evidence of "Take Me to Heart" charting anywhere else.  Locally, "Take Me to Heart" performed strongest in Western Australia, where it reached number 173 on the state chart.
 
While we won't see The Neville Brothers bubble under again, they had a few later lower-charting albums in Australia: Live on Planet Earth (number 209, July 1994), Greatest Hits (number 219, September 1998), and Walkin' in the Shadow of Life (number 275, March 2005).  We will see band member Aaron Neville bubble under in May 1993.
 
 
 
Number 213 "Feed the Tree" by Belly
Peak: number 158
Peak date: 7 June 1993
Weeks on chart: 6 weeks

Alternative rock band Belly formed in Rhode Island in 1991.  "Feed the Tree" was the third single issued in Australia from their debut album Star (number 74, June 1993).  It followed "Dusted" (released in Australia in July 1992, did not chart) and "Gepetto" (released in Australia in November 1992, did not initially chart but will later on in 1993).
 
Internationally, "Feed the Tree" peaked at number 32 in the UK in January 1993, and number 95 on the US Billboard Hot 100 in May 1993.  The track also reached number 1 on the US Billboard Alternative Airplay chart in March 1993, for what that is worth (not much in my book).
 
Locally, "Feed the Tree" performed strongest in Victoria/Tasmania, reaching number 149 on the state chart.
 
Belly never landed a top 100 single in Australia, but two of their albums dented the top 100.  Interestingly, "Feed the Tree" did not reach its peak until early June 1993, one week after their next charting single peaks!
 
I did hear "Feed the Tree" at the time, probably when switching radio stations to Triple J.
 
We'll next see Belly in May 1993.
 

 
Next week (1 March): Six top 150 entries and four bubbling WAY down under debuts.
 

02 March 2023

Week commencing 2 March 1992

This week in 1992's new entries peaking outside the top 100 are an eclectic bunch.  Let's take a look at them.
 
Tori Amos: what's so amazing about really low chart positions?
 
Top 150 debuts:
 
Number 135 "After the Watershed (Early Learning the Hard Way)" by Carter the Unstoppable Sex Machine
Peak: number 124
Peak date: 23 March 1992
Weeks in top 150: 8 weeks
Top 150 chart run: 135-140-137-124-132-137-125-141

English indie punk band Carter the Unstoppable Sex Machine formed in 1987.  While "After the Watershed..." was their first single to dent the ARIA top 150, an earlier album 30 Something (number 138, April 1991), had charted in Australia.

"After the Watershed..." was a non-album track, and peaked at number 11 in the UK in November 1991, and number 21 in Ireland.

The single fared better on the Australian Music Report singles chart where it reached number 97.

The Rolling Stones did not approve of the use of the "goodbye Ruby Tuesday" chorus lyrics or bassline resembling "(I Can't Get No) Satisfaction", and successfully sued the band... because they didn't already have enough money, right?  They now receive a co-writing credit on this track.
 
We'll next see Carter the Unstoppable Sex Machine in August.



Number 139 "Silent All These Years" by Tori Amos
Peak: number 128
Peak date: 23 March 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 139-135-132-128-135-139
Weeks on chart: 8 weeks
 
Occasionally, though not very often, I write about an artist I almost need to do no research for... because I know all about them already.  Here's one such example.
 
I was an obsessive fan of Tori Amos, born Myra Ellen Amos, between 1994 and about 2002.  I first became aware of her in early 1992 through her appearance on the cover of one of those free monthly Brashs magazines that were available in-store.  I skimmed the article, saw her mention God a few times, and assumed she was a God botherer (i.e. I wouldn't have liked her music).

When Tori's second Australian single, "Winter" (number 49, June 1992), crept into the lower region of the rage top 60 chart, it fell on a week that I had set my VCR to record the chart, rather than watch it live.  Going through the tape, I didn't bother listening to the song, and remember thinking, "Oh, her."

Fast forward a couple of weeks later, I eventually heard "Winter" in full on one of its weeks in the top 60, and realised that I liked it.  I decided that I was going to record it onto a tape where I kept music videos for songs I liked, the following week... except it fell out of the top 60.  I remember sometimes getting the chorus for "Winter" stuck in my head while walking my dog, but other than that, I pretty much forgot about Tori until "Cornflake Girl" (number 19, March 1994) was released.

Taking a chance with a Brashs gift voucher I had, I bought Tori's second album Under the Pink (number 5, March 1994) soon after hearing "Cornflake Girl", and was blown away by the album.  Less than a week later, I decided to buy Tori's debut album Little Earthquakes (number 14, June 1992), from which "Silent All These Years" is lifted, and liked it even more (at the time... Under the Pink nudges it out slightly for me now).
 
Well, strictly speaking, Little Earthquakes was not Tori's debut.  Her band Y Kant Tori Read (pronounced "why can't Tori read?"), containing future Guns N' Roses drummer Matt Sorum, released a self-titled album in the US in 1988 which was a commercial failure, selling only 7000 copies.  Tori's image for this project was rather different to her later solo work - she looks like a metal chick, complete with big hair, pouty lips and skin-tight spandex pants, and she is wielding a sword.  But Y Kant Tori Read is well worth checking out if you like Tori and have not heard it before, with my personal faves from the album being "Fire on the Side" and "Etienne Trilogy".

My mum bought the sheet music book for Under the Pink for me later in 1994, and it contained an illustrated discography of Tori Amos' releases up until March 1994.  My mission in life then became to track down all of her earlier singles with umpteen non-album track B-sides on them, with interesting titles like "Flying Dutchman" and "Ode to the Banana King (Part One)".  It took almost a year, discovering Record Collector magazine, and having my mum telephone the UK at night to buy out of print limited edition CD singles using her credit card, but I succeeded with that quest.

The first concert I ever went to was Tori's first show in Melbourne on the Under the Pink tour in December 1994.  In fact, the only concerts I have been to have been Tori Amos ones - the others being her two Melbourne shows in May 2005.  I'm not really one for live music, but Tori's live shows are something else, with the setlist varying wildly each night.

As for "Silent All These Years"... it originally appeared as the lead track on the Me and a Gun EP, which was Tori's debut release in the UK, where her solo career was launched, in October 1991.  The single artwork was altered later with the title changed to "Silent All These Years", and the re-issued single peaked at number 51 in the UK in November 1991.
 
Domestically, on the state charts, "Silent All These Years" performed strongest in Victoria/Tasmania, where it reached number 108.

Following further singles "China" (not released in Australia), "Winter" and "Crucify" (number 83, August 1992), "Silent All These Years" was re-issued as a single in the UK (but not Australia), with new artwork and B-sides, in August 1992.  The re-released single reached a new peak of number 26 in the UK in August 1992.
 
"Silent All These Years" was Tori's debut solo single in her native US, and did not dent the Billboard Hot 100 upon its original release, but reached number 27 on the Alternative Airplay chart in May 1992.  The single was re-issued in 1997, to raise funds for RAINN - the Rape, Abuse & Incest National Network anti sexual-assault organisation Tori was involved in setting up.  The 1997 release of "Silent All These Years" peaked at number 65 on the US Billboard Hot 100 in May 1997.

While I like "Silent All These Years", particularly the "years go by, will I still be waiting for somebody else to understand..." middle-8 section, it's not among my top-tier Tori tracks.  The partly animated video, though, is quite striking.

We shall next see Tori in 1994.

 
 
Number 141 "My Girl" by The Temptations (re-issue)
Peak: number 104
Peak date: 13 April 1992
Weeks in top 150: 12 weeks
Top 150 chart run: 141-137-136-136-124-115-104-121-126-110-130-115
 
Originally released in 1964, The Temptations' "My Girl" was re-released as a single as the title track of the late 1991 movie My Girl, starring Macaulay Culkin.  The accompanying soundtrack album peaked at number 4 in Australia in July 1992.  I assume, therefore, that the film had a later cinematic release here.

The 1992 release of "My Girl" peaked at number 2 in the UK in February 1992, number 2 in Ireland, and number 66 in Germany in March 1992.
 
 
Number 147 "Sweetheart" by Died Pretty
Peak: number 129
Peak date: 6 April 1992
Weeks in top 150: 7 weeks 
Top 150 chart run: 147-150-146-(out for 1 week)-130-129-141-140
Weeks on chart: 11 weeks
 
We last saw Australian band Died Pretty in 1991.
 
"Sweetheart" was the third and final single lifted from the band's fourth studio album Doughboy Hollow (number 24, September 1991).
 
On the state charts, "Sweetheart" performed strongest in South Australia/Northern Territory, where it reached number 99.
 
We'll next see Died Pretty in 1994.
  

 
Bubbling WAY down under:

Number 161 “Shut ’em Down” by Public Enemy
Peak: number 161
Peak date: 2 March 1992
Weeks on chart: 3 weeks 

American hip-hop group Public Enemy formed in New York in 1985.  Between 1990 and 1998, they placed nine singles on the ARIA top 100, although only two of those peaked within the top 50; namely, "Give It Up" (number 16, September 1994) and "He Got Game" (number 25, June 1998).  Despite the lack of hits in Australia, a boy two years below me at my small primary school wore a Public Enemy t-shirt to school on a couple of occasions in 1990!

“Shut ’em Down” was issued as the second single from Public Enemy’s fourth studio album, Apocalypse 91… The Enemy Strikes Black (number 11, October 1991), following “Can’t Truss It” (number 55, November 1991).  Internationally, the single peaked at number 21 in the UK in January 1992, and number 30 in New Zealand in March 1992.  The song registered on several of the US Billboard genre-specific charts, reaching number 33 on the Dance Singles Sales chart in February 1992, number 26 on the Hot R&B/Hip-Hop Songs chart in March 1992, number 1 on the Hot Rap Songs chart in March 1992, and number 16 on the Dance Club Songs chart in April 1992.

Locally, “ Shut ’em Down” was most popular in Western Australia, where it reached number 155.

We will next see Public Enemy in May 1992.



Number 165 "Driven by You" by Brian May
Peak: number 162
Peak date: 9 March 1992
Weeks on chart: 7 weeks
 
Queen's guitarist Brian May launched his solo career in 1983 with the Brian May + Friends mini-album, though only one single, "Star Fleet", which was released in Australia in February 1984 but did not chart, was issued from it.
 
"Driven by You" was the first single from Brian's first solo album proper, Back to the Light (number 94, December 1992).  Coincidentally, the single was released in the UK the day after Queen frontman Freddie Mercury's death.

Internationally, "Driven by You" peaked at number 6 in the UK in December 1991, number 14 in Ireland in December 1991, number 10 in the Netherlands in February 1992, number 35 in the Flanders region of Belgium in May 1992, and number 70 in Canada in April 1993.

Within Australia, "Driven by You" was most popular in Western Australia, where it reached number 122.

Brian would score a hit in Australia - his only solo one - with his next release, "Too Much Love Will Kill You" (number 18, November 1992); a song he co-wrote but was originally recorded by Queen in 1988 for possible inclusion on The Miracle (number 4, June 1989).

We shall next see Brian in 1993.
 

 
Number 178 "Sex with Love" by Lee Aaron
Peak: number 164
Peak date: 6 April 1992
Weeks on chart: 7 weeks
 
Canadian rock chick Lee Aaron last paid us a visit in 1991.  "Sex with Love" was the lead single from her sixth studio album Some Girls Do (number 189, April 1992).
 
Internationally, "Sex with Love" peaked at number 55 in Canada in October 1991.
 
In Australia, "Sex with Love" was most popular in South Australia/Northern Territory, where it reached number 137 on the state chart.
 
This would be Lee's final single to chart in Australia.
 

 
Number 184 "Groove On" by Yo Yo Honey
Peak: number 184
Peak date: 2 March 1992
Weeks on chart: 2 weeks
 
Yo Yo Honey were a UK R&B/Soul band, containing Anna Ross, Mani Shoniwa, and Anita Jarrett on vocals.  "Groove On" was their debut single, lifted from their only album Voodoo Soul (number 173, October 1992).
 
Internationally, "Groove On" peaked at number 108 (number 83 on the compressed chart) in the UK in November 1991, and number 51 in the Netherlands in February 1992.
 
Locally, "Groove On" performed strongest in New South Wales/Australian Capital Territory, where it reached number 168 on the state chart.
 
This was Yo Yo Honey's only charting single in Australia.  I cannot find any details about it, but vocalist Anita Jarrett has apparently since passed away.
 
"Groove On" received a second lease of life in 1997, where a remixed version peaked at number 81 (number 77 on the compressed chart) in the UK in July 1997.
 

 
Next week (9 March): Another four top 150 debuts, plus three bubbling WAY down under entries.
 
< Previous week: 24 February 1992                                     Next week: 9 March 1992 >