Week commencing 6 January 1992

Welcome to my 1992 chart recaps!  1992 was the first year I was a teenager for the whole year, having turned 13 towards the end of 1991.  In 1992, I was in year 8, which is the second year of high school in Victoria.  My memories of 1992 are that it was a good year, both personally and for music.

 

Some particular things I recall about 1992 are getting our first computer at home, getting braces on my bottom teeth, buying my first CD single, and listening to a lot of Shakespears Sister.  I started taking piano lessons in 1992, and continued with these for five and a half years, though only practised the afternoon of my lesson for about the final three years... which is probably one reason I'm now writing blog posts and not giving piano recitals.

 

1992 was the year that I discovered the radio program UK Chart Attack, which I'll no doubt make many references to in my posts for this year.

 

I continued to buy Smash Hits magazine in 1992, although I felt increasingly alienated from its target audience, having zero interest in Beverly Hills 90210 and its spin-off shows - which the magazine seemed to become filled with and, of course, have nothing to do with pop music.  In 1992, I widened my music magazine-reading circle by picking up the free monthly Brashs magazines you could get from their retail outlets.

In 1992, I decided to start collecting the ARIA top 50 chart print-outs available in record stores properly, only missing two or three weeks from the whole year (the last one of those being in February or March 1992) - thanks to my mother dutifully popping into Brashs to pick up the chart during her lunch break on Mondays.  I even asked my mother to not bend the charts, if she could, and she would roll them up and place a rubber band around them to prevent creases.  The things our parents do for us, hey?  Before 1992, I collected the printed charts much more sporadically.

 

What were your memories of 1992?  Were they good or bad?  Join me as we take a look back at songs that flopped on the Australian charts in 1992.  There were 263 singles that peaked in the 101-150 region of the ARIA singles chart in 1992, including two that no-one knows what they are (one of which we'll see this week).  At the time of writing, there are also another 114 singles peaking outside the top 150 that I have chart information for.

Lloyd Cole did not exactly cause a commotion on the Australian charts with his releases.

Top 150 debuts:

Number 142 "So Tell Me Why" by Poison

Peak: number 142

Peak date: 6 January 1992

Weeks in top 150: 2 weeks

Top 150 chart run: 142-146

Weeks on chart: 6 weeks

We last saw hair metal band Poison in March 1991.

 

"So Tell Me Why" was one of four studio tracks included as a bonus on the otherwise live album  Swallow This Live (number 46, December 1991).  I remember seeing the cassingle for this one in the shops, but had not actually heard the song until writing this post.

Internationally, "So Tell Me Why" peaked at number 25 in the UK in November 1991.

Locally, "So Tell Me Why" was most popular in Victoria/Tasmania, where it reached number 114 on the state chart.

I don't normally buy into the lazy 'grunge changed everything' narrative for the 90s, but Poison's brand of metal/rock, combined with their image, was clearly well on the way out by the start of 1992.

That being said, we will see Poison bubble under again in 1993.

Number 144 Unknown Single by Unknown Artist

Peak: number 143

Peak dates: 13 January 1992 and 20 January 1992

Weeks in top 150: 3 weeks

Top 150 chart run: 144-143-143

Like everything else, the ARIA database is not immune from mistakes/errors, and here we have a blank title from an unknown artist that dented the top 150.  Spoiler alert: another such title appears in November 1992.

I asked my contact at ARIA if they could look into this, and, unfortunately, the identity of either song was not able to be determined.  My contact even dug up the old version of the database, and the titles were also blank then!

Number 145 "Boys to Men" by New Edition

Peak: number 134

Peak date: 3 February 1992

Weeks in top 150: 5 weeks

Top 150 chart run: 145-147-135-139-134

Weeks on chart: 7 weeks

 

American r&b vocal group New Edition formed in 1978, when each of its members were teenagers or younger.  Originally a five-piece, the group landed a major international hit in 1983 with "Candy Girl" (number 10, August 1983), which also made its way into the top 10 in Australia.  Unfortunately for the group, that would be their only real hit in Australia... until 1996, when a reformed New Edition released "Hit Me Off" (number 16, September 1996).

In the interim years, Bobby Brown quit the group in 1985 to launch a solo career, and he was replaced by Johnny Gill in 1987.  Of course, the group also spawned the successful careers of Bell Biv DeVoe and Ralph Tresvant.

"Boys to Men", which I assume was the inspiration behind the band name of Boyz II Men, originally appeared on New Edition's fifth studio album Heart Break, released in 1988.  Neither that album nor any of its singles charted in Australia.

"Boys to Men" was issued as a single in late 1991 to promote New Edition's Greatest Hits Volume 1 (number 140, January 1992) compilation album.  The track does not appear to have received a single release in 1988, but I assume was chosen in 1991 given the success of Boyz II Men.

 

I cannot find evidence of "Boys to Men" charting elsewhere.  On the ARIA state charts, the single performed strongest in Victoria/Tasmania, where it reached number 121.

 

This would be New Edition's last single to peak outside the top 100 in Australia.  Two later albums, however, bubbled (well) under: One Love (number 296, November 2004) and Gold (number 479, January 2006).

Number 146 Spin (EP) by The Killjoys

Peak: number 136

Peak date: 27 January 1992

Weeks in top 150: 5 weeks

Top 150 chart run: 146-149-140-136-138

Before researching this track, I had assumed, from the band's name, that The Killjoys might be a pub rock trash metal kind of act.  How wrong I was!

Australian band The Killjoys formed in Melbourne in 1987, with Anna Burley on lead vocals and guitar, and Craig Pilkington on lead guitar and vocals.

The lead track from the EP, "Calling Me On" - which I have embedded the music video for below, has an early 90s female vocal folky/alternative vibe that could have had greater chart success (well, maybe top 75) - perhaps if it had been released after the success of Frente!

The Killjoys had previously charted on the albums chart with Ruby (number 144, February 1991).  Both that and the Spin EP would be the band's only ARIA top 150 entries.

Number 148 "D-O-G Me Out" by Guy

Peak: number 148

Peak date: 6 January 1992

Weeks in top 150: 1 week

Top 150 chart run: 148

We last saw American r&b group Guy in February 1991.

 

"D-O-G Me Out" was lifted from Guy's second album The Future (number 129, February 1991).

Internationally, "D-O-G Me Out" peaked at number 8 on the US Billboard Hot R&B/Hip-Hop Songs chart in October 1991.  This would be the last Guy single to dent the ARIA top 150.

I don't normally like this sort of music a whole lot, but I thought this track, which I hadn't heard before, wasn't bad.

Number 149 "She's a Girl and I'm a Man" by Lloyd Cole

Peak: number 149

Peak date: 6 January 1992

Weeks in top 150: 1 week

Top 150 chart run: 149

English singer Lloyd Cole came to fame as the named front man of the band Lloyd Cole and The Commotions, who placed five singles on the Australian top 100 across 1985 and 1986.   The band's biggest 'hit' in Australia was "Lost Weekend", which peaked at number 49 in February 1986.  Interestingly, Lloyd Cole and The Commotions placed another three singles on the Kent/Australian Music Report's singles receiving significant sales reports beyond the top 100 lists between 1986 and 1988.

Lloyd embarked on a solo career in 1990, placing one single in the ARIA top 100, with "No Blue Skies" (number 86, April 1990).

"She's a Girl and I'm a Man" was the lead single from Lloyd's second solo album Don't Get Weird on Me Babe (number 108, November 1991).

Internationally, "She's a Girl..." peaked at number 55 in the UK in August 1991, and number 27 in Sweden in October 1991.

"She's a Girl and I'm a Man" would become Lloyd's final ARIA top 150 entry.

Number 150 "Is There Anybody Out There?" by Bassheads

Peak: number 140

Peak date: 10 February 1992

Weeks in top 150: 5 weeks

Top 150 chart run: 150-(out for 1 week)-148-149-143-140

Weeks on chart: 10 weeks

Bassheads were a British house duo hailing from Wirral.  "Is There Anybody Out There?" was their debut single, and appeared on their debut and only album C.O.D.E.S. (number 232, November 1993).

 

Internationally, the single peaked at number 5 in the UK in November 1991, number 10 in Ireland in November 1991, number 19 in the Netherlands in February 1992, number 47 in the Flanders region of Belgium in February 1992, and number 48 in New Zealand in March 1992. 

In Australia, "Is There Anybody Out There?" performed strongest in Western Australia, where it reached number 104.

 

This track would be Bassheads' only top 150 entry in Australia, but we will see them bubble WAY down under again on two more occasions in 1993.

Next week (13 January): A mere two top 150 debuts, joined by two bubbling WAY down under entries.

< Previous post: 16 December 1991                                      Next week: 13 January 1992 >

Week commencing 11 February 1991

One thing tying all of this week in 1991's new entries together is that all but one of them has a male lead vocal.  Let's take a look.

 

New Order: how does it feel... to keep charting with the same song?

 

Top 150 debuts:

 

Number 129 "I Wanna Get with U" by Guy

Peak: number 129

Peak date: 11 February 1991

Weeks in top 150: 2 weeks

Top 150 chart run: 129-140

 

Going by the artist name, I was expecting Guy to be a solo artist, but it's actually a trio, made up of Teddy Riley, Aaron Hall and Damion Hall.  Damion replaced original band member Timmy Gatling after the band's first album Guy, released in 1988.

"I Wanna Get with U" was the lead single from Guy's second album The Future (number 129, February 1991).  Annoyingly, for me, the song was titled just "Wanna Get with U" (no "I" at the start) on the album and on the single artwork in the band's native US.  Elsewhere, it was titled "I Wanna Get with U" on the single sleeve.

Internationally, "I Wanna Get with U" peaked at number 50 in the US in December 1990, and number 28 in the Netherlands in January 1991.

 

Guy will join us again in January 1992.

 

 

Number 139 "My My My" by Johnny Gill

Peak: number 122

Peak date: 25 March 1991

Weeks in top 150: 9 weeks

Top 150 chart run: 139-141-144-145-126-125-122-128-128

Weeks on chart: 10 weeks

One-time New Edition member Johnny Gill joined us previously in December 1990 with the second single from his second solo album titled Johnny Gill (number 110, September 1990), and here he is with the third - in Australia, anyway.  "My My My" was the second single from the album in Johnny's native US.

I would have heard "My My My" on the American Top 40 radio show at the time, but couldn't remember how it went.  Listening to the song again now, it has that stereotypical early 90s 'lurve' ballad saxophone on it, and sounds like an obvious L.A. Reid/Babyface production.

Internationally, "My My My" peaked at number 10 in the US in September 1990, number 31 in New Zealand in October 1990, number 89 in the UK in October 1990, and number 37 in the Netherlands in November 1990.

On the ARIA state charts, "My My My" performed strongest in New South Wales/Australian Capital Territory, where it reached number 94.

We will see Johnny again as a solo artist in 1996, but before then, he will bubble under as both a featured artist and as part of his former group in 1992.

 

 

 

Number 141 "Heartbreaker (At the End of Lonely Street)" by Dread Zeppelin

Peak: number 138

Peak date: 18 February 1991

Weeks in top 150: 5 weeks 

Top 150 chart run: 141-138-139-142-146

I have heard this one before, once, as it's my rip of the video (which is blocked in Australia on YouTube) embedded below.  But I had no recollection of the song.  Prior to listening to it again, two things sprung to mind, going by the band name: it's no doubt by a 'joke' act, and it's almost certainly going to be 'dread'-ful (ho ho).  I was right on both accounts.

Surprisingly, for once the UK exercised some restraint, and this steaming pile of novelty rubbish did not become a massive hit there, stalling at number 83 in August 1990.  And also, for once, the Kiwis displayed poorer musical taste than their Aussie counterparts, as this single went all the way to number 40 there in February 1991.  Oh, New Zealand!

 

"Heartbreaker..." is lifted from the album Un-Led-Ed, which reached number 93 in Australia in April 1991.  The group also had another charting album in Australia, 5,000,000*, which peaked at number 150 in July 1991.  Oh, Australia!

 

 

 

Number 144 "Hotel California" by Jam on the Mutha

Peak: number 144

Peak date: 11 February 1991

Weeks in top 150: 1 week 

Top 150 chart run: 144

 

Speaking of things you can tell about a song before ever hearing it, I assume that this track is a (probably cheap and nasty) dance cover version of the Eagles song "Hotel California".   Well, I was right on that assumption, though it's slightly better than I was expecting.  My expectations, however, were low.

One interesting thing - for me, anyway, is that the vocalist on this track, Andy Caine, is a name I recognise as co-writing Yazz's "Fine Time" (number 60, March 1989).

This version of "Hotel California" peaked at number 62 in the UK in August 1990.

 

 

Number 146 "Inside Out" by Traveling Wilburys

Peak: number 117

Peak date: 18 February 1991

Weeks in top 150: 6 weeks 

Chart run: 170-146-117-133-126-142-137

Weeks on chart: 7 weeks

 

Supergroup Traveling Wilburys burst onto the scene in late 1988 with "Handle with Care" (number 3, January 1989) and the album Volume One (number 1, February 1989).  Their debut album was the highest-selling album of 1989 in Australia, and was on heavy rotation in my family car's cassette deck, thanks to my dad picking up the album.

 

Surprisingly, both "Handle with Care" and Volume One were much bigger in Australia than in the UK, where two-fifths of the band's original five members are from.  Of course, Roy Orbison died in December 1988, about six weeks after Volume One was released.  Two further singles were issued from the album, "End of the Line" (number 12, April 1989) and "Heading for the Light" (number 88, June 1989).

The band's second album, minus Roy, was titled Vol. 3 (number 14, November 1990), to "confuse the fuckers", to quote George Harrison.  Arguably, band member Tom Petty's 1989 album Full Moon Fever (number 13, June 1989), was Vol. 2, as all of the then-surviving Wilburys appear on it.

"Inside Out" was the second single lifted from Vol. 3, and followed "She's My Baby" (number 58, November 1990).  The band also landed a minor 'hit' on the Australian chart with the charity single "Nobody's Child" (number 66, September 1990).

Internationally, "Inside Out" also charted in Canada, where it reached number 50.

 

Locally, "Inside Out" performed strongest on the South Australia/Northern Territory state chart, where it reached number 76.

 

My dad didn't buy Vol. 3, so I never heard this one at the time.

 

Two more Wilburys have died since Vol. 3, their last studio album.  George Harrison succumbed to lung cancer in 2001, aged 58, and Tom Petty died in 2017 following a heart attack, aged 66.

We shall see Traveling Wilburys again in April 1991.

 

 

 

Number 148 "The First Time" by Surface

Peak: number 103

Peak dates: 1 April 1991 and 8 April 1991

Weeks in top 150: 10 weeks

Top 150 chart run: 148-(out for 1 week)-148-124-115-114-107-103-103-105-121

Weeks on chart: 13 weeks

Here's another one I would have heard on American Top 40 at the time, but have no recollection of.  It also sounds like another Babyface production to my ears, but isn't.

"The First Time" is lifted from Surface's third studio album 3 Deep (number 146, April 1991).  While the group had been releasing material since 1983, "The First Time" was the band's first single to chart in Australia.  Surface never landed a top 100-peaking single or album in Australia.

 

Internationally, "The First Time" topped the US Billboard Hot 100 in January 1991, and peaked at number 60 in the UK in January 1991, number 18 in Canada in March 1991, and number 7 in New Zealand in March 1991.

 

On the ARIA state charts, "The First Time" performed much stronger in New South Wales/Australian Capital Territory, where it reached number 54, than on any of the other state charts.  The single missed the top 100 on three of the four remaining state charts, peaking at number 89 in Western Australia, which was its second strongest state.  I can only assume, therefore, that the single received a lot more airplay in New South Wales than in other states.

On the Australian Music Report singles chart, "The First Time" peaked at number 78.

Surface will next grace our presence in April 1991.

 

 

Bubbling WAY down under:

 

Number 151 "Blue Monday 1988" by New Order

Peak: number 151 (in 1991); number 3 (1988 release)

Peak date: 11 February 1991 (in 1991); 6 June 1988 (1988 release)

Weeks on chart: 3 weeks (1991 chart run); 19 weeks (1988 release)

 

While I've never compiled a list of my favourite songs of all time, New Order's "Blue Monday" would land somewhere on it.  The 1983 single originally peaked at number 13 in Australia in August 1983, spending 26 weeks on the chart.  It then re-entered in March 1987, presumably due to renewed interest following the success of "Bizarre Love Triangle" (number 5, March 1987), climbing to number 69 in April 1987 and spending another 9 weeks in the top 100.

 

"Blue Monday" had similar chart longevity in the UK, where it initially peaked at number 12 in April 1983, before falling to as low as number 82 in July 1983, before rebounding back up to a new peak of number 9 in October 1983, in an unbroken chart run lasting 38 weeks.  Between 1983 and 1988, "Blue Monday" notched up 69 weeks in the UK top 100, becoming the best-selling 12" single of all time in the process.

Clocking in at seven and a half minutes, a single/7"-friendly edit of "Blue Monday" was not produced until Quincy Jones remixed the track in 1988, resulting in another single release.  "Blue Monday 1988" reached number 3 in Australia in June 1988, on the first (unpublished) singles chart produced in-house by ARIA.  You will otherwise see a number 4 Australian peak listed for "Blue Monday 1988" on sites such as Wikipedia and australian-charts, which is technically incorrect.

 

Worth noting here, also, is that "Blue Monday 1988" topped the Victorian/Tasmanian state singles chart in June 1988, as did New Order's "Bizarre Love Triangle" (number 5, March 1987) for four weeks in February and March 1987.  New Order did not otherwise score a number one single in Australia.

"Blue Monday 1988" re-charting in 1991 is presumably due to the single being issued on CD, for the first time, in Australia in January 1991.

While number 151 may not seem terribly impressive, it is somewhat 'good' for a re-issued single in Australia at that time.  Re-issued singles of songs that were hits the first time around generally did not chart at all in Australia, back then, unlike in the UK, or now when any old track is eligible to chart.  Furthermore, this release of "Blue Monday 1988" presumably happened without any promotion.  I certainly was not aware of its re-release at the time, as a casual New Order fan.

The re-issue must have caught on in Western Australia, as this release of "Blue Monday 1988" peaked at number 70 on the Western Australian state chart.

Another incarnation of "Blue Monday" will bubble under in 1995, but, before then, we shall next see New Order in 1994.

 

 

Number 163 "Wow Wow-Na Na" by Grand Plaz

Peak: number 153

Peak date: 18 February 1991

Weeks on chart: 9 weeks

 

Now this track is a bit of an oddity.  Produced by Stock Aitken Waterman, though production credits are given to the pseudonym DJ Crazyhouse (because SAW were not deemed 'cool' at the time), the track is heavily inspired by Together's "Hardcore Uproar" (which was not not released in Australia, but peaked at number 12 in the UK in August 1990), and featured the still-unreleased vocals from the chorus of Kakko's (a Japanese singer SAW failed to land any success with) version of "Na Na Hey Hey (Kiss Him Goodbye)".  "Na Na Hey Hey..." being a cover of the Steam song from 1969, which peaked at number 21 on the Go Set chart in March 1970.  Bananarama also landed a minor hit in Australia with their version of "Na Na Hey Hey..." peaking at number 38 in May 1983.

Internationally, "Wow Wow-Na Na" peaked at number 41 in the UK in September 1990.

Locally, "Wow Wow-Na Na" performed strongest in Western Australia, where it reached number 94 on the state chart.

 

 

Number 174 "Flashback Jack" by Adamski

Peak: number 174

Peak date: 11 February 1991

Weeks on chart: 1 week 

 

We first saw Adamski in May 1990.  "Flashback Jack" was the third single released in Australia from Adamski's debut album Doctor Adamski's Musical Pharmacy (number 144, November 1990).

Internationally, "Flashback Jack" peaked at number 46 in the UK in November 1990.  In Australia, the single performed strongest in Queensland, where it reached number 143.

Adamski will join us next in 1992.

  

Number 175 "Heaven Can Wait" by Paul Young

Peak: number 157

Peak date: 25 February 1991

Weeks on chart: 2 weeks

 

English singer Paul Young has visited us twice previously, in May 1990 and September 1990, with the first two singles from his fourth studio album Other Voices (number 102, July 1990).  "Heaven Can Wait" was issued as the third, and - in Australia - final, single from the album.

Internationally, "Heaven Can Wait" peaked at number 71 in the UK in October 1990.

On the ARIA state charts, "Heaven Can Wait" performed strongest in Victoria/Tasmania, reaching number 142.

A fourth single from Other Voices, "Calling You", was released in the UK, peaking at number 57 there in January 1991.

We will next see Paul on his own in October 1991, but before then, we will see him duet with another artist in September.

 

 

Number 178 "Wap Bam Boogie" by Matt Bianco

Peak: number 178

Peak date: 11 February 1991

Weeks on chart: 1 week

 

Matt Bianco, despite the name, is a group and not a solo artist.  Hailing from the UK, the group landed two minor 'hits' in Australia during the 1980s, "Whose Side Are You On?" (number 57, June 1985) and "Yeh Yeh" (number 64, March 1986).  We have previously seen Basia, who was once part of the group, bubble under.

"Wap Bam Boogie" originally appeared as the B-side on Matt Bianco's "Don't Blame It on That Girl" single, which bubbled under on the Australian Music Report singles chart in August 1988.

"Wap Bam Boogie" was issued as a single in its own right to promote the release of the compilation album The Best of Matt Bianco (number 147, November 1990).

 

Internationally, "Wap Bam Boogie" peaked at number 76 in the UK in December 1990.

 

While "Wap Bam Boogie" would become Matt Bianco's final single to chart in Australia, the group landed two further charting albums: Samba in Your Casa (number 172, February 1992), and The Things You Love (number 1224, November 2016).

 

 

Next week (18 February): Four top 150 debuts, and five bubbling WAY down under entries.

 

< Previous week: 4 February 1991                                          Next week: 18 February 1991 >